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On 17 April 2026 the Guardian released its weekly sports quiz, testing readers on recent European football semi‑finalists, Tottenham’s relegation history, the first female head coach in Europe’s top five leagues, and a range of other sporting milestones. The quiz, published on the Guardian’s website, aims to engage fans by linking current events with historic trivia. European Cup tally: The quiz asks how many times Bayern Munich, Arsenal, Paris Saint‑Germain and Atlético Madrid have collectively won the competition. The correct answer is seven – Bayern’s six titles, PSG’s inaugural win last season, while Arsenal and Atlético have yet to lift the trophy. Tottenham’s relegation: After a 14‑match winless streak, Spurs fell into the relegation zone. The quiz asks when they were last demoted; the answer is 1977, a year also marked by Elvis Presley’s death, Pelé’s final professional match, the debut of Star Wars and Manchester United’s sacking of Tommy Docherty. Breaking the glass ceiling: Marie‑Louise Eta became the first woman to manage a club in Europe’s top five leagues when she was appointed interim boss of Union Berlin. Her tenure is expected to be brief as she will move to the women’s side next season. Golf history: Rory McIlroy’s sixth major win prompts the question of which European golfer has more majors. The answer is Harry Vardon, who captured seven majors (six Opens and one U.S. Open) and is celebrated as golf’s first international star. Masters oddities: Shane Lowry made Masters history by becoming the first player to record two holes‑in‑one at Augusta, the 35th hole‑in‑one overall at the tournament. Women’s Six Nations: Wales suffered a 24‑19 defeat to Scotland in the opening round, continuing a recent run of wooden‑spoon finishes. World Cup coaching: Carlos Queiroz was appointed Ghana’s manager, giving him the chance to coach at a sixth World Cup after previous stints with South Africa, Portugal and Iran. Grand National legacy: I Am Maximus joins the post‑war elite of multiple Grand National winners, following Tiger Roll, who claimed back‑to‑back victories in 2018 and 2019. Managerial debut: Former England midfielder Jack Wilshere secured his first trophy as a manager, guiding Luton Town to an EFL Trophy win at Wembley. County Championship rule change: The quiz highlights that Tom Westley, Jonny Bairstow and others have all been substituted this season under new regulations allowing injury or personal‑circumstance replacements. NBA consistency: The Boston Celtics have reached the playoffs for a 12th consecutive season, though they have captured only one championship in that span (2024). Combat sports crossover: Oleksandr Usyk will face kick‑boxing legend Rico Verhoeven, who held the heavyweight kick‑boxing world title for 12 years, in a bout billed as “Glory in Giza” at the Egyptian pyramids. Snooker prodigy: Fourteen‑year‑old Stan Moody qualified for the World Snooker Championship after playing a decisive match while recovering from tonsillitis, underscoring his remarkable determination. Overall, the quiz blends current headlines with historic facts, offering readers a chance to test their knowledge while reflecting on the broader narratives shaping sport today.

London, 17 April 2026 – The International Monetary Fund (IMF) has advised the Bank of England (BoE) to keep its policy rate at 3.75% for the remainder of the year, warning that the ongoing Iran war is fuelling inflation and could shave 0.5 % off euro‑area growth.Alfred Kammer, director of the IMF’s European Department, told reporters in Washington that the BoE should maintain “a restrictive monetary policy stance” and keep the rate unchanged, stating: “That means keeping the policy rate unchanged for the remainder of the year, i.e., not proceeding with the expected cuts.”BoE Governor Andrew Bailey echoed a cautious tone, saying the bank would not “rush to judgments” on how to respond to an inflation shock driven by higher energy prices – a shock the central bank cannot directly offset with rate moves. Money markets are already pricing in at least one quarter‑point rate rise later in 2026, despite the current hold.The IMF also signalled a similar stance for the European Central Bank, urging a “neutral monetary policy stance” that would involve two quarter‑point hikes in 2026, with the possibility of reversal in 2027 if conditions improve.These monetary‑policy warnings come as the live‑blog highlighted broader economic stress: Chicago wheat futures have surged 4.5 % this week, the biggest weekly jump since February, driven by dry weather in the U.S. Plains and the Iran war’s impact on fertilizer and diesel costs. Humanitarian group Mercy Corps warned that fuel, fertilizer and shipping disruptions are already locking in food‑insecurity risks for fragile economies in Somalia, Ethiopia and Pakistan.Analysts note that the IMF’s advice underscores the delicate balance the BoE faces between curbing inflation and avoiding a premature rate cut that could undermine credibility. With inflationary pressures from energy and food still elevated, a hold‑and‑monitor approach may preserve policy flexibility, but markets will watch closely for any shift toward tightening if inflation proves stickier than anticipated.

The newly opened V&A East Museum in Stratford marks the latest milestone in the East Bank cultural quarter on the Queen Elizabeth Olympic Park. The £135 million, architect‑designed outpost sits beside the V&A Storehouse—recently listed among Time’s “World’s Greatest Places to Visit 2026”—and joins Sadler’s Wells East, the London College of Fashion and the forthcoming BBC Music Studios.Once described by V&A East director Gus Casely‑Hayford as “a place where fridges went to die”, the area has been transformed into a vibrant creative hub. Yet outside London, many venues face falling visitor numbers, job cuts and closures, highlighting a stark contrast with the newly polished facilities.Culture Secretary Lisa Nandy is betting on the Arts Everywhere Fund—a £1.5 billion package over five years announced in 2025—to shore up the sector’s creaking infrastructure. This week, £130 million was distributed to more than 130 museums, theatres, venues and libraries, representing the largest cash injection into the arts for a decade.The funding reaches a diverse range of institutions, from Newcastle’s iconic Baltic Centre for Contemporary Art to the modest Armitt Museum in Ambleside, and from the Royal Shakespeare Company in Stratford to Gloucestershire’s trailblazing TwoCan Theatre Company, which offers workshops for deaf, neurodivergent and disabled participants.Despite these initiatives, the UK remains among the lowest spenders on culture in Europe, with per‑capita public funding down nearly a third since 2010. Nevertheless, the cultural sector contributed an estimated £40 billion to the economy in 2024, underscoring its role as a significant wealth generator and a soft‑power asset.Financial support must also reach the people who run these institutions. Over the past year, staff at several leading museums have staged protests and faced redundancies, and even before its doors opened, V&A East workers sent an open letter demanding a living wage for all employees.In its inaugural year, the V&A Storehouse attracted 500,000 visitors, many of whom were younger, more diverse and locally based than the museum’s traditional audiences. The new V&A East hopes to replicate this success, emphasizing the need for parallel investment in arts education to nurture future audiences.Decades of neglect cannot be reversed overnight, and costs continue to rise. While the Arts Everywhere Fund is a cause for celebration, it also signals Labour’s broader commitment to making art accessible to everyone, reinforcing the message that, even in tough times, culture matters.

Chris Evans’ attempt to resurrect the 1990s chatshow juggernaut TFI Friday began quietly on Virgin Radio’s YouTube channel earlier this year. The lo‑fi series, titled TFI: Unplugged, featured a handful of high‑profile guests – Danny Dyer, Chris Hemsworth, Bono and Noah Wyle – and quickly attracted enough viewers for Channel 4 to commission six late‑night episodes. While the media spotlight has been on Claudia Winkleman’s foray into celebrity interviewing, Evans’ revival arrives with far less fanfare and pressure. The new format is deliberately stripped back: a cramped studio, casually dressed staff, and a budget that Evans himself jokes is “only 1% of the original”. Channel 4 commissioning editor Cimran Shah pitched the show as “personality‑led, stripped‑back chat”, positioning it as a precursor to today’s visual podcasts. In practice, the production feels more like a video‑recorded audio interview than a full‑blown TV spectacle. The episode lineup mixes legacy and fresh talent. Vintage performances from Sleeper, The Cure and Garbage provide a nostalgic soundtrack, while contemporary guests such as Jack Savoretti – who Evans repeatedly hails for a recent chart‑topping album – and Indian star Shreya Ghoshal, who covers Coldplay’s “Fix You”, aim to broaden appeal. A promised appearance by Gemma Arterton and Peter Capaldi never materialised; instead, singer‑songwriter Sam Ryder appeared despite having lost his voice. One of the few moments that truly harkens back to the original is a splice of Evans’ 1999 interview with David Bowie, in which the legendary musician bizarrely claims to have contracted gastroenteritis from eating monkey meat. The clip underscores Evans’ desire to remind viewers of the show’s storied past, even if the anecdote feels more odd than iconic. Critics note that the new Unplugged version lacks the “laddish, often cruel humour” that defined the 1990s TFI Friday, including infamous segments like the “Fat Lookalikes”. The original’s chaotic energy and Britpop‑fuelled vibe have been replaced by a more restrained, if still frenetic, studio atmosphere. In terms of relevance, the series appears out of step with current trends. Unlike interview podcasts that create an intimate, off‑camera feel, Evans’ format retains the sweaty, over‑the‑top live‑TV aesthetic without delivering the depth or novelty that modern audiences expect. Overall, TFI Friday Unplugged may not reshape the UK chatshow landscape or outshine Winkleman’s high‑profile debut, but it does carve out a modest niche for nostalgia‑driven viewers. Its inexpensive production model proves sustainable, even if the show remains a modest footnote in the broader revival of British talk‑show culture.

Newcastle 0-1 Manchester United (1995‑96) – With a 12‑point cushion, Kevin Keegan’s Newcastle seemed destined for the crown, but Alex Ferguson’s United halted their march at St James’ Park. Peter Schmeichel’s saves kept the Magpies at bay, and Eric Cantona’s late volley secured the win, narrowing the gap to a single point and setting the stage for United’s eventual triumph.Manchester United 0-1 Arsenal (1997‑98) – Arsène Wenger’s Arsenal turned the tables at Old Trafford when Marc Overmars scored the first Arsenal goal at the venue in the Premier League era. The victory sparked a ten‑game winning streak that propelled Arsenal from sixth place to clinch the title by a solitary point, underscoring the match’s seismic impact.Manchester United 1-2 Chelsea (2009‑10) – In Carlo Ancelotti’s debut season, Chelsea needed a win to stay in the title hunt. A brilliant Joe Cole back‑heel opened the scoring, but a late switch to Didier Drogba produced a second goal that put Chelsea ahead. United’s missed chances, including a late miss by Dimitar Berbatov, meant Chelsea finished the season champions by just one point.Manchester City 1-0 Manchester United (2011‑12) – After an early‑season 6‑1 defeat, City found themselves eight points adrift. Vincent Kompany’s decisive header against United in April gave City the momentum they needed, though the title would ultimately be decided on the final day when City’s dramatic comeback against QPR secured the trophy.Manchester City 2-1 Liverpool (2018‑19) – A January showdown that proved pivotal: Liverpool entered unbeaten and seven points ahead. A narrow save by John Stones kept City in the game, Sergio Agüero opened the scoring, and Leroy Sané’s late strike clinched a 2‑1 win. City went on to win the league by a point; a draw for Liverpool would have handed them an unbeaten championship.

A stunning visual compilation of 20 photographs has been curated to encapsulate the essence of the past week on a global scale. Published by The Guardian, this collection offers a unique perspective on international events, highlighting the diversity and complexity of global affairs.The photographs, selected by Jim Powell, provide a glimpse into various aspects of life and current events worldwide. While specific details about each image are not provided, the collection serves as a testament to the power of visual storytelling in journalism.This initiative by The Guardian underscores the importance of photography in capturing pivotal moments and conveying the nuances of global issues. By presenting these images, The Guardian aims to engage its audience and foster a deeper understanding of international developments.

Iran’s foreign minister Abbas Araghchi announced that the Strait of Hormuz is now fully open to commercial vessels, a statement that raised hopes for de‑escalation in the Middle‑East conflict and sent global oil prices tumbling. President Donald Trump took to social media to celebrate the news, proclaiming it a "great and brilliant day for the world" and asserting that Iran had pledged never to shut the strategic waterway again. Trump also claimed that Tehran had agreed to suspend its nuclear programme indefinitely and would forfeit any frozen U.S. funds, suggesting that a deal‑making session could occur over the upcoming weekend. In contrast, the Islamic Revolutionary Guard Corps (IRGC) offered only qualified support for Araghchi’s declaration, indicating that commercial traffic would be permitted only along a prescribed route and under IRGC naval permission. The United States, however, signalled that its naval blockade of Iranian ports will remain in force until all transactions are completed, warning that few vessels are likely to risk passage under the current uncertainty. Oil markets reacted swiftly: Brent crude slipped below $90 per barrel, easing inflationary pressures that had surged after the strait’s earlier closure. Simultaneously, a ten‑day truce in Lebanon entered its second day, temporarily halting Israeli airstrikes against Hezbollah‑aligned forces and offering a brief respite to civilians after weeks of intense fighting. Despite the truce, an Israeli drone strike in southern Lebanon killed a civilian, and Defence Minister Israel Katz reiterated that the Israeli Defence Forces were not withdrawing and could resume operations. In Paris, representatives from roughly 40 nations gathered at a conference co‑chaired by France and the United Kingdom to discuss a coordinated plan for safeguarding the strait, which historically carries about one‑fifth of the world’s oil and gas shipments. French President Emmanuel Macron welcomed Araghchi’s statement but urged a "full, unconditional reopening" by all parties, while UK Prime Minister Keir Starmer called for any reopening plan to be "lasting and workable". The International Maritime Organization’s secretary‑general, Arsenio Domínguez, said the agency is reviewing the announcement to ensure it complies with the principle of free navigation for all merchant vessels. Pakistan’s army chief Field Marshal Asim Munir, acting as a key mediator, arrived in Tehran to advance negotiations for a more durable peace, underscoring Pakistan’s growing diplomatic role in the region. Overall, while the Hormuz opening has eased immediate market pressures, the broader geopolitical landscape remains volatile, with the U.S.–Iran cease‑fire set to expire soon and regional actors still poised for further confrontation.

When the traditional photo of the world’s top 16 was taken outside Sheffield’s Crucible Theatre on Friday, Ronnie O’Sullivan and Judd Trump were conspicuously absent. Their failure to attend the press event—required by player contracts—cast a shadow over the opening weekend of the World Snooker Championship.Organisers have not explained the duo’s absence, but the snooker community worries it could trigger disciplinary measures. Financial penalties are unlikely, yet the mood shift was palpable among players and journalists.Defending champion Zhao Xintong arrives as the clear favourite, with bookmakers offering odds reminiscent of Stephen Hendry’s dominance in the 1990s. The tournament’s long‑term deal with the Crucible is no longer the headline; instead, the focus is on whether Zhao can break the “Crucible curse” that has plagued first‑time champions.World No 8 Shaun Murphy, a 2005 champion, voiced his disappointment: “It’s become normal that they don’t turn up for these things… It’s a real shame, and they could have done more to promote the game.” Murphy stressed that the absence reflects on the players themselves rather than on snooker as a whole.Beyond the headline names, the championship showcases a historic record 11 Chinese players in the 32‑man field, underscoring China’s growing influence on the sport. Zhao’s 2025 triumph marked the first world title for a Chinese player, and his presence continues to boost the game’s profile in Asia.At the same time, fresh British talent is emerging. Nineteen‑year‑old Stan Moody of Halifax and twenty‑year‑old Liam Pullen from York have qualified for the first time, while Antoni Kowalski, aged 22, becomes Poland’s inaugural Crucible competitor. World No 14 Mark Allen praised the “strength in depth” these youngsters bring, and Murphy echoed the sentiment, suggesting that visible success could inspire a new wave of UK players.All eyes will eventually turn to O’Sullivan, who is slated to begin his campaign on Tuesday against qualifier He Guoqiang. Until then, the tournament balances the allure of established stars with the promise of a new generation poised to seize the spotlight.

Olivia Rodrigo returns with “Drop Dead,” a single that instantly grabs listeners with a razor‑sharp lyric about online stalking and instant infatuation. The opening couplet—“One night I was bored in bed / And stalked you on the internet”—sets a tone of modern romance that feels both playful and unnervingly catchy.The 23‑year‑old, who burst onto the global stage in 2021 after a Disney Channel stint, has built a reputation for “acute, obsessive” love songs that balance self‑awareness with raw emotion. Her debut “Drivers License” cemented her as a heartbreak anthem, while the pop‑punk edge of her first album Sour and the riot‑grrrl‑infused follow‑up Guts displayed her versatility.“Drop Dead” marks a decisive pivot from the punk‑kiss‑off expectations that surrounded her recent breakup. Instead of a straightforward revenge track, the song delivers a “gorgeous rush of romantic intensity,” aiming to freeze a fleeting moment before plunging back into it with relentless momentum.The track’s production, helmed by longtime collaborator Dan Nigro, layers lush strings and bright power‑pop guitars, creating a sound that feels “one bauble short of festive.” Critics note a vocal delivery that stays in Rodrigo’s highest register throughout the chorus, with melodic bends that echo both Chappell Roan’s maximalism and Taylor Swift’s signature style.Visually, the music video—directed by Petra Collins and filmed at the Palace of Versailles—portrays Rodrigo as a runaway figure reminiscent of Sofia Coppola’s “Marie Antoinette” and Emma Corrin’s Diana in “The Crown.” The lavish setting amplifies the song’s theatricality.Adding a rock pedigree, the single includes a subtle nod to Rodrigo’s friendship with The Cure’s Robert Smith, referencing his classic “Just Like Heaven.” Their rapport, highlighted in a recent Vogue cover story, underscores Rodrigo’s expanding artistic circle.Overall, “Drop Dead” blends maximalist pop production, romantic lyricism, and rock‑infused credibility, delivering a track that feels both instantly addictive and deliberately chaotic—mirroring the messy emotions it portrays.