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Iranians marked a day of mourning on April 8, 2026 to remember the victims of the Minab school strike. Across various cities, families, officials, and citizens participated in ceremonies that highlighted the profound loss suffered by the community.Organisers emphasized the need to honor the deceased while calling for measures to prevent similar tragedies in the future. The commemorations, reported by Al Jazeera, reflect ongoing public concern over school safety and the broader social ramifications of the incident.

Researchers have made a significant breakthrough in understanding why weight-loss medications, such as GLP1 receptor agonists, work better for some individuals than others. A recent study published in Nature has identified genetic variations in two genes involved in gut hormone pathways that regulate appetite and digestion. These genetic variations may help account for different weight-loss results or side-effects when taking glucagon-like peptide 1 (GLP1) medicines, which mimic natural gut hormones to regulate appetite, insulin release, and digestion. The study analyzed data from 27,885 patients on GLP1 drugs and found that specific genetic variants were associated with slightly more weight loss or side-effects like nausea and vomiting. The findings suggest that genetic differences may contribute to why people respond differently to weight-loss jabs. However, the overall impact of genetics appeared to be modest, with non-genetic factors such as sex, drug type, dose, and duration appearing to explain a substantially larger proportion of variability. The study's results reinforce that while there is substantial variability in response to GLP1 therapies, genetics is only one part of a much more complex picture. According to Marie Spreckley, an obesity expert at the University of Cambridge, the study provides plausible evidence that genetic variants could affect outcomes. However, she notes that the magnitude of these genetic effects is small in clinical terms, and that behavioral, clinical, and treatment-related factors remain the dominant drivers of outcomes. The study's authors suggest that their findings could support future efforts to use genetic information when making treatment choices for obesity. However, Spreckley cautions that the evidence is not yet sufficient to support using genetic information to guide treatment decisions in routine clinical practice.

The conflict between Lebanon and Israel has taken a deadly turn as Israel launched its largest attack of the war against Hezbollah. The assault has resulted in a significant loss of life, with more than 250 people killed in Lebanon.The situation remains tense as the international community watches closely. Further developments are expected as the situation continues to unfold.

Shares of Close Brothers, a UK-based specialist lender, jumped 17% on Wednesday following the bank's announcement that it can easily absorb the cost of a £320m compensation bill related to the car finance scandal. The Financial Conduct Authority's (FCA) compensation scheme, finalized last week, aims to address the issue of drivers being overcharged for loans due to commission payments between lenders and car dealers.The bank expects to pay out approximately £320m in compensation, which is 'broadly similar' to previous estimates and only £26m more than the £294m already set aside. Close Brothers stated that this additional amount can be 'comfortably absorbed by existing capital resources,' ensuring the group remains well-positioned to continue its strategy.The FCA's compensation scheme estimates that victims will receive an average payout of £830. This development has provided relief to investors, especially after concerns were raised by short seller Viceroy Research, which suggested that Close Brothers might need to significantly increase its provision for car finance losses.In contrast, Close Brothers' rival, FirstRand, announced hours earlier that it would sell its UK operations, citing frustration with the FCA's compensation scheme, which it described as 'deeply flawed.' FirstRand stated it would need to raise an extra £510m to cover compensation costs, taking its total provisions to £750m, and potentially slash its earnings forecast and offload its UK business.

Daniil Medvedev's Monte Carlo Masters campaign ended in disaster as he suffered a 6-0, 6-0 loss to Italian wildcard Matteo Berrettini. The world No 10's frustration boiled over as he smashed his racket multiple times and discarded it in a courtside dustbin.The match was over in just 49 minutes, with Medvedev failing to win a single game and committing 27 unforced errors. Berrettini's dominant performance marked his first tour-level win of 6-0, 6-0 and his first victory over a top-10 opponent since last season's Monte Carlo Masters.Berrettini praised his gameplan, saying "it was one of the best performances of my life". He added that he "missed three shots in the entire match" and credited his effective strategy and potent weapons for the win.Medvedev's outburst comes amid renewed discussion on player frustration during matches. The incident follows Coco Gauff's racket-smashing at the Australian Open, which sparked debate on player conduct and potential solutions like "rage rooms" for venting frustrations.

Arthur Rosenfeld, 73, and Meryl Tankard, 70, open the performance by introducing themselves as “sprightly old geezers,” setting a tone of candid humor that runs through the evening. The production, ‘Kontakthof – Echoes of 78,’ is a fresh staging of Pina Bausch’s iconic 1978 work, now re‑imagined by Australian choreographer Meryl Tankard. Unlike the 2010 London run that split the piece between teenagers and senior amateurs, this rendition features the eight surviving members of the original cast—all now in their late sixties to early eighties—performing the very roles they created half a century ago. A ninth dancer was absent due to illness. Their live movements are mirrored on a large screen by the black‑and‑white film of the 1978 performance, creating a visual palimpsest where past and present dance together. The choreography, set to 1930s dance‑hall songs, remains a wry commentary on courtship, power dynamics and consent. Tankard’s direction emphasizes the passage of time, allowing audiences to witness the same steps executed by bodies that have aged, yet retain a striking vitality. Dancers such as Josephine Ann Endicott, now in her seventies, glide across the stage in silk dresses, their frames more fragile but their confidence undiminished. Moments of poignancy arise when the film shows cast members who have since passed away. Onstage, John Giffin reaches for his late partner’s face, only to grasp empty air—a visual metaphor for loss that resonated deeply with the audience. Personal revelations punctuate the performance: Beatrice Libonati, 71, describes herself as “paranoid and a misanthrope,” while Tankard admits, “I wish I’d had children; I miss my mother every day,” underscoring the undercurrent of longing that runs through the piece. Beyond its narrative, the production offers a meditation on continuity. Bausch’s signature walking patterns—slow circles and linear traverses—are repeated, suggesting that despite changing bodies, the human species continues to tread familiar social routes. The music, unchanged from the original, carries on until the final dancer pauses, symbolising the inevitable end of the dance of life. The show runs at Sadler’s Wells, London through 11 April, offering a rare glimpse into how art can bridge generations and celebrate the endurance of the human spirit.

Rob Reiner’s 1986 film ‘Stand by Me’ transforms Stephen King’s novella The Body into a quintessential American coming‑of‑age story, echoing the timeless tone of Mark Twain’s tales. The movie, now entering its 40th anniversary, has acquired a fresh layer of melancholy following the 2025 homicide of Reiner and his spouse, Michele Singer Reiner. The narrative follows four twelve‑year‑old boys in a fictional Oregon town during the late 1950s, embarking on a secret trek to locate the body of a missing peer rumored to lie beside a railway line. Their perilous journey—marked by near‑misses with a train, a drowning episode, and a hostile junkyard dog—serves as a conduit for exploring the fragility of youth and the inevitable confrontation with mortality. At the heart of the quartet are Chris (River Phoenix), the tough leader; Teddy (Corey Feldman), scarred by an abusive father; Vern (Jerry O’Connell), the clumsy sidekick; and the introspective Gordie (Wil Wheaton), an aspiring writer haunted by his older brother’s accidental death. As an adult, Gordie is portrayed by Richard Dreyfuss, who reflects on his past while typing the story that has defined his life. The film’s moral undercurrent emphasizes that, despite the boys’ rough edges, an innate decency persists—perhaps reinforced by the looming presence of the dead boy whose fate they seek. A standout meta‑scene features Gordie’s fictional tale The Revenge of Lard‑Ass Hogan, a miniature film‑within‑a‑film that mirrors the real‑world cruelty, voyeurism, and fear the characters experience. Reiner’s direction is complemented by a soundtrack that weaves in period hits by the Chordettes and Buddy Holly, reinforcing the nostalgic atmosphere. While the story glosses over certain darker possibilities—such as the anticipated retribution from the local bully Ace (Kiefer Sutherland)—its portrayal of childhood innocence remains remarkably resonant. ‘Stand by Me’ returns to UK cinemas on 10 April 2026, offering both longtime fans and new audiences a chance to revisit a film that continues to grip hearts, now underscored by the real‑world sorrow surrounding its creator.

A devastating US-Israeli airstrike has destroyed a synagogue in Tehran, the capital of Iran, and claimed the lives of over a dozen people. The strike is part of an escalating conflict in the region, with tensions between the US, Israel, and Iran continuing to rise.The airstrike, which occurred on [date], targeted the synagogue in Tehran, causing significant damage and loss of life. The exact number of fatalities has not been confirmed, but reports indicate that it exceeds a dozen. The incident has sparked widespread concern and condemnation from various quarters.The destruction of the synagogue in Tehran is seen as a significant escalation of the conflict, with Iran and Israel having a long-standing adversarial relationship. The US has also been involved in the conflict, with previous airstrikes and military actions in the region. The situation remains volatile, with fears of further retaliation and escalation.

Who: FC Barcelona vs. Atletico MadridWhat: UEFA Champions League quarter‑final, first legWhere: Camp Nou, Barcelona, SpainWhen: Wednesday, 21:00 CET (19:00 GMT)How to follow: Live text commentary starts at 16:00 GMT on Al Jazeera Sport. The Spanish giants are set to clash again after a grueling schedule that has seen them meet five times in just two months, including three matches within a ten‑day span. Barcelona entered the encounter fresh from a dramatic 2‑1 victory over Atletico in La Liga on Saturday, a win that pushed them seven points clear at the top of the table. Robert Lewandowski netted a late winner after Marcus Rashford had equalised, while Atletico midfielder Nico González received a second yellow card just before halftime, leaving the visitors with ten men. With the league title largely secured, Diego Simeone opted to rotate his squad for Wednesday’s match, focusing his energy on the European tie. Barcelona coach Hansi Flick echoed the sentiment, noting that players typically give “5‑10 % more” in Champions League fixtures. Both managers highlighted the importance of the upcoming game. Flick described the fixture as “very difficult” and urged his side to take it “step by step, match by match.” Midfielder Dani Olmo called the tie “all or nothing,” stressing the need to avoid a repeat of their recent Copa del Rey disappointment. Simeone praised Barcelona as “the best attacking team in Europe,” while Atletico forward Ademola Lookman warned that the clash would be “special” and demanded thorough preparation. How the clubs reached the quarter‑finals Barcelona earned their spot with a commanding 7‑2 aggregate win over Newcastle United, highlighted by a fourth‑minute strike from Raphinha and a second‑half surge that saw Lewandowski score a brace. Atletico advanced after a 7‑5 aggregate triumph over Tottenham Hotspur, despite a 3‑2 loss in the second leg. Their early dominance in the first leg, a 5‑2 home win, set the foundation for progression. Head‑to‑head snapshot Across 250 meetings, Barcelona have claimed 115 victories, Atletico 78, with 57 draws. The most recent ten encounters feature a mix of league and cup results, the latest being Barcelona’s 2‑1 La Liga win on Saturday. Team news and predicted line‑ups Barcelona injuries: Raphinha, Marc Bernal, Frenkie de Jong and Andreas Christensen are sidelined. Ronald Araujo is expected to start after missing the weekend match. Predicted XI: Joan Garcia; Koundé, Cubarsi, Martín, Cancelo; Eric Garcia, Pedri; Yamal, Fermin, Rashford; Lewandowski. Atletico injuries: Pablo Barrios out with a thigh problem; José Giménez and Johnny Cardoso are doubtful. Jan Oblak, Marc Pubil and Rodrigo Mendoza have returned to training and could feature. Predicted XI: Jan Oblak; Llorente, Le Normand, Hancko, Ruggeri; Koke, Baena; Simeone, Griezmann, Lookman; Álvarez. The stage is set for a high‑stakes European duel, with both sides eager to translate domestic form into continental success.