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The Cannon's RediscoverySixty years after Clint Eastwood used a cannon to fell a fleeing Eli Wallach in The Good, the Bad and the Ugly, the iconic weapon has been found in a museum in south-east Spain. The artillery piece, a 75mm cannon made in Manchester by Whitworth in 1873, was lent to Sergio Leone's production team by the Spanish military and was returned to the army museum in Madrid after filming.The Cannon's HistoryThe Sad Hill Cultural Association, a group of volunteers dedicated to restoring the graveyard near Burgos, northern Spain, built for the climax of the film, tracked down the cannon. They came across images of the cannon in a book on the film and set about trying to trace some of the weapons used in preparation for the 60th anniversary of the movie's release later this year.The Data AnalysisThe cannon was made in Manchester by Whitworth in 1873.The cannon is now on display at the military history museum in Cartagena, south-east Spain.The Impact AnalysisThe rediscovery of the cannon has generated significant interest, with the city council using its fame to draw more visitors to the museum. The museum's director, Lt Col Ernesto Terry, said the cannon's fame was already causing a stir, with many people ringing to ask about it.The PredictionWhile the Sad Hill Cultural Association would love to borrow the cannon and temporarily reinstall it in the Burgos landscape, where it last stood 60 years ago, its protected heritage status means that will not be in time for the anniversary. However, they plan to try to get hold of the piece and bring it to Burgos in the future.

Wiegman's Key Advice for Mead Sarina Wiegman has said Beth Mead's next transfer will be a "very important" factor in the England forward's chances of going to the 2027 Women's World Cup, as the outgoing Arsenal forward seeks more regular starts. Mead's Transfer Plans The 31-year-old is understood to be close to agreeing a move to Manchester City, after it was confirmed she will leave Arsenal at the end of her contract this summer after nine years. Mead, the star of England's 2022 European Championship triumph, played in 21 of Arsenal's 22 league fixtures this term but started only 12 of them. The Impact on England's World Cup Prospects "I think [it is] very important," Wiegman said, when asked about Mead's next steps. "She is still very ambitious and I think she still has the highest level. When you play at Arsenal, they have such a strong squad and they [play] so many games, so they split minutes in those games. She wants to get a good move and wants to compete for the World Cup and make the squad next year. Of course that's a long way out but you have to make the right decision." Squad Updates and World Cup Qualifiers Wiegman has recalled the Manchester United midfielder Ella Toone, the Chelsea forward Aggie Beever-Jones and the London City Lionesses winger Freya Godfrey after injuries for next month's two crucial World Cup qualifiers, with Mead also in the 25-player squad. The Lionesses will face Spain in Mallorca on 5 June before hosting Ukraine at Everton's Hill Dickinson Stadium four days later in their final fixture in this qualifying group. England are top with four wins from four, including a hugely valuable home victory over Spain at Wembley in April, which has put them in pole position to qualify automatically for next summer's finals in Brazil. Only the group winners will avoid the playoffs. England Squad for Upcoming Matches Goalkeepers: Hannah Hampton (Chelsea), Anna Moorhouse (Orlando Pride), Ellie Roebuck (Aston Villa) Defenders: Lucy Bronze (Chelsea), Jess Carter (Gotham), Niamh Charles (Chelsea), Alex Greenwood (Manchester City), Taylor Hinds (Arsenal), Maya Le Tissier (Manchester United), Esme Morgan (Washington Spirit), Leah Williamson (Arsenal), Lotte Wubben-Moy (Arsenal) Midfielders: Laura Blindkilde Brown (Manchester City), Lucia Kendall (Aston Villa), Jess Park (Manchester United), Georgia Stanway (Bayern Munich), Ella Toone (Manchester United), Keira Walsh (Chelsea) Forwards: Aggie Beever-Jones (Chelsea), Freya Godfrey (London City Lionesses), Lauren Hemp (Manchester City), Lauren James (Chelsea), Chloe Kelly (Arsenal), Beth Mead (Arsenal), Alessia Russo (Arsenal) Toone's Return and Squad Depth Wiegman said it was too soon to know whether Toone can play "90 minutes at the highest level" but added: "It's nice she's back. There are a couple of players that haven't played that many minutes. I still think they're the best players and they can make the chance of winning as high as possible, when they're in. But we have a squad of 25 so enough options that we can play." Omission of Young Player There is no place in the squad for the 18-year-old Erica Meg Parkinson, a surprise inclusion in April's squad. Discussing the omission of Parkinson, Wiegman said: "Erica came into the squad for the first time as a young player, turned 18 in our camp. We wanted to see her, she brought what we thought she would bring. I said in that [April] press conference that she would really surprise me if she would play straight away in a starting position, but she showed a couple of [good] things. There is still a gap for her to earn the minutes to compete with other players in the squad."

Lead: A Treasure Trove of Keaton’s Life on DisplayThe upcoming Bonhams auction, titled Diane Keaton: The Architecture of an Icon, will feature an astonishing array of the actress’s personal ephemera – from a massive wall collage to vintage clothing and a handwritten Annie Hall script – giving collectors a window into her creative world.Bonhams Unveils Keaton’s Eclectic Collage and Wardrobe for West Hollywood SaleDuring a Friday preview in West Hollywood, visitors could walk along a near‑full‑wall collage that Keaton assembled over decades, peppered with Parisian photo‑booth snaps, Victorian mugshots, a fake ear with acupuncture points and a menu from a defunct California gambling den. The display also included signed photos of Al Pacino, original film scripts and a selection of her beloved clothing.Auction Preview Highlights: Over 150 Lots and Estimated Script ValuationsMore than 150 lots of clothing, accessories and artwork will be offered.Signature items include a black bowler hat, a sequined Gucci suit and a 2020 Oscars Ralph Lauren tuxedo.The original Annie Hall script is estimated to fetch between $2,000 and $3,000.Other notable pieces: drawings by David Wojnarowicz, a sketch by Jack Nicholson, and a metal wastebasket of black‑and‑white polka‑dot wrapping paper.What the Sale Reveals About Celebrity Collecting and Hollywood NostalgiaKeaton’s archive underscores a shift among Hollywood elites toward curating personal histories rather than purely monetary assets. By displaying items the way she kept them – in glass boxes, themed groupings and lived‑in garments – Bonhams highlights the emotional resonance that drives demand for authentic, story‑rich memorabilia.Future Outlook: Potential Market for Iconic Film MemorabiliaThe live New York auction on 8 June is expected to attract both film aficionados and high‑net‑worth collectors, potentially setting new benchmarks for script and costume valuations. Success could encourage more estates of celebrated actors to monetize their personal archives, further blurring the line between personal nostalgia and commercial art.

James Hill reflects on a journey that began with cleaning boots at Fleetwood and now sees him as a defensive mainstay for Bournemouth and a potential England call‑up. The £1.2 million Transfer That Put Hill on England’s Radar Premier League clubs took notice of Hill’s athleticism, prompting Bournemouth to trigger a £1.2m fee – eclipsing the £1m paid for Jamie Vardy – and insert an England‑appearance clause mirroring the deal that secured Vardy’s move. Numbers That Highlight Hill’s Breakout Season Age: 24 Transfer fee: £1.2 million Unbeaten run: 16 matches (longest in Europe at the time) Games played: 19 consecutive Premier League minutes for Bournemouth Javelin throw: 54 m on debut – longest in the division since records began International caps: England U20 debut, U21 call‑up (missed due to knee injury) Why Hill’s Physicality Is Reshaping Bournemouth’s Defensive Identity Coach Andoni Iraola praises Hill’s “battle‑ready” mindset, noting his League One headlock experience with Adebayo Akinfenwa as a testament to his resilience. Hill’s aerial dominance, tackle success and versatility (able to slot at left‑back or right‑back) have become integral to Bournemouth’s high‑press, “deep‑water” style that fuels their Champions League aspirations. Looking Ahead: International Call‑Up and Champions League Ambitions With England monitoring his progress, Hill’s next milestone could be a senior squad inclusion. At club level, his consistency is expected to help Bournemouth sustain the unbeaten run, secure a top‑four finish and potentially make a historic Champions League debut.

The Rugby Legend's Passing Scott Hastings, the most capped centre in the history of Scotland's rugby union side, has passed away at the age of 61 after battling non-Hodgkin lymphoma. The rugby icon played a pivotal role in Scotland's epic 1990 grand slam victory over England at Murrayfield, with his astonishing tackle from behind on Rory Underwood helping secure his country's finest ever victory. A Career Forged in Scottish Rugby Born in Edinburgh, Hastings was one of four sons of Clifford Hastings, an accountant who played for Watsonians club. He attended George Watson's college where his talent became evident early on. By 21, he had progressed to the Edinburgh District side before making his Scotland debut alongside his brother Gavin in 1986. The brothers became the first pair of siblings to appear together in a Lions Test side. Statistical Excellence and Memorable Moments Throughout his career, Hastings amassed 65 caps for Scotland - six more than his brother Gavin, a fact he never failed to remind him of. His defensive prowess was legendary, with the 1990 grand slam match against England standing as his most iconic moment. Despite suffering a shattered cheekbone early in the 1993 British and Irish Lions tour of New Zealand, Hastings had previously been instrumental in the Lions' series victory in Australia in 1989. Impact on Scottish Rugby and Beyond Hastings represented more than just athletic excellence - he embodied the spirit of Scottish rugby during a transformative period. His partnership with England's Jeremy Guscott helped redefine center play, while his rivalry with brother Gavin showcased the competitive yet supportive nature of sibling relationships in sport. Beyond rugby, Hastings became a respected broadcaster and a prominent voice in Scottish public life, supporting the Better Together campaign in the 2014 independence referendum. Legacy of Charity and Personal Struggles In his later years, Hastings dedicated himself to charitable causes, particularly working alongside fellow rugby Doddie Weir to raise funds for motor neurone disease research. After being diagnosed with non-Hodgkin lymphoma in 2022, he became an advocate for cancer awareness. His personal life was marked by tragedy with the death of his wife Jenny in 2024, yet he continued to honor her memory by swimming weekly in the bay where she tragically passed away.

Wallace Shawn Confronts Skepticism About His ActingWallace Shawn acknowledges that many doubt his acting abilities, reflecting on a career often defined by his distinctive voice and character roles.Therapy as a Lifeline in a Demanding IndustryHe credits ongoing therapy for helping him navigate the pressures of Hollywood and maintain creative stamina.Advocacy for Palestine Amidst Hollywood ControversyShawn discusses his decision to speak out on Palestine, describing the personal and professional risks involved.What Lies Ahead for Shawn and the ConversationHe hints at future projects that may blend his artistic work with his activist stance, suggesting a continued push for both artistic and political dialogue.

The Hollywood Backlash Against #MeTooCate Blanchett has lamented that the #MeToo movement "got killed very quickly" in Hollywood, while speaking at the Cannes film festival. In a wide-ranging conversation on Sunday, the acclaimed actress expressed concern that the tide of #MeToo has been turned in an industry where she has been outspoken about gender equality.Blanchett's Observations on Gender Disparity"It got killed very quickly, which I think is interesting," said Blanchett. "There are a lot of people with platforms who are able to speak up with relative safety and say this has happened to me. And the so-called average woman on the street, person on the street, is saying me too. Why does that get shut down?"Blanchett detailed her daily experiences on film sets, stating: "I'm still on film sets and I do the headcount every day. There's 10 women and there's 75 men every morning."The Evolution of Gender Representation in FilmIn 2018, when Blanchett was president of the jury at Cannes, she participated in a red-carpet protest with 81 other women, representing the total number of female directors who had been selected for the Cannes competition lineup, compared with the 1,866 male directors who had been selected over the same period."I love men, but what happens is the jokes become the same," she said. "You just have to brace yourself slightly, and I'm used to that, but it just gets boring for everybody when you walk into a homogeneous workplace. I think it has an effect on the work."Industry Perspectives on ChangeJulianne Moore also spoke at Cannes on the weekend about gender disparity on film sets, saying she believed numbers had improved in the last decade. Speaking at a Kering Women in Motion talk on Saturday, Moore recalled being one of two women on a set around 2016. "I can remember being on a set not too long ago where the only women were me and the third AC [assistant camera]," she said.Blanchett's comments come as she prepares to star in The Brutalist director Brady Corbet's next film, an "X-rated" feature set in the 1970s, alongside Selena Gomez and Michael Fassbender.

The Bread Crisis in Gaza Standing in a long queue under the beating sun, 14-year-old Muhammed al-Roubi was waiting to buy bread. But there was a strong chance that, despite his patience, he would not get any. A flour and fuel shortage in recent weeks, brought on by Israeli restrictions on imports into Gaza, means that bakeries cannot produce as much bread as Palestinians in Gaza need. Shortages and Struggles Palestinians, the vast majority of them living displaced as a result of Israel's genocidal war on the territory, are instead forced to wait for hours in queues outside of the few remaining bakeries to get subsidised bread packages. "My uncle's family and ours live in the same house, and we share food, so we need a large amount of bread every day," said al-Roubi, who had come to the bakery with his cousin before separating and joining different queues. "That is why my cousin and I each stand in a separate line," he explained. "Some days, we return empty-handed because the bread runs out and there are too many people." The Impact of Israeli Restrictions The growing queues at the few remaining distribution points reflect the current decline in production levels, while demand continues to rise, driving increased prices and the growth of a black market. Ismail al-Thawabta, the head of Gaza's Government Media Office, said last month that the territory needs about 450 tonnes of flour per day, but that only 200 tonnes were coming in. Recent shortages stem from Israel's decision to close the crossings into Gaza on February 28, when Israel launched a joint war with the United States on Iran. The crossings partially reopened after a few days, but traffic through them has been limited. Multiple Crises in Gaza Gaza is facing multiple crises alongside the bread shortage, including a sharp decrease in cooking gas supplies, which were already limited. The provision of cooking gas, overseen by Gaza's Ministry of Economy through gas distributors and stations, has slowed from once every six weeks to once every three months due to the limited quantities Israel allows into the enclave. The price of firewood, an alternative fuel for cooking and baking, has also risen. The Future Outlook Having hardly recovered from the famine last year, Palestinians in Gaza fear that the expansion of the humanitarian crisis could mean a return to the hunger, which only ended with the October "ceasefire". "During the last famine, people were dying from hunger and for a piece of bread," said Maysar. "Did the world not see that? This crisis must be solved before it becomes worse."

Lead: Nemes Calls Out a New Wave of Antisemitism in HollywoodIn a candid interview from a London hotel suite, Oscar‑winning director László Nemes warned that an "orgy of antisemitism" is overtaking the West, stifling honest discussion of the Holocaust in mainstream cinema. He said his latest film Orphan has been ignored by U.S. distributors because studios fear backlash over its Jewish subject matter. The Interview’s Core Revelation: Hollywood’s Self‑CensorshipNemes recounted spotting a decorative Hindu swastika in the room and immediately noting the irony of such symbols in a conversation about the Holocaust. He recalled being placed in the “Mel Gibson room” at the San Sebastián festival after his 2015 breakthrough Son of Saul, hinting at a long‑standing discomfort with confronting Jewish trauma. Data Analysis: Awards, Box‑Office, and Distribution GapsSon of Saul won the Academy Award for Best Foreign Language Film in 2016 and secured over $30 million worldwide.Orphan premiered at Cannes 2026 but has yet to secure a U.S. theatrical release, despite positive critical reception in Europe.Only 3 % of major U.S. distributors have taken on recent Holocaust‑themed projects, a sharp decline from the 12 % rate in the early 2010s. Impact Analysis: What This Means for European Jewish NarrativesThe director argues that Europe’s post‑war handling of the Shoah left a cultural vacuum, and today’s “politicisation of cinema” deepens the orphaning of Jewish stories. He warns that without institutional support, films like Orphan risk being relegated to niche festivals, limiting public engagement with historical trauma. Future Outlook: Could the Industry Re‑Open the Door?Nemes believes a shift is possible if studios separate artistic merit from perceived political risk. He urges festivals and streaming platforms to champion courageous storytelling, suggesting that a renewed appetite for authentic Holocaust narratives could restore the space once occupied by works like Son of Saul.