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The Rise of Heated Rivalry: From Canadian TV to NYC StageWalking into the Culture Club in West Chelsea, New York, for a performance of Heated Rivalry: The Unauthorized Musical Parody last week, I was met by three ghosts left over from when the space was called the McKittrick hotel and it hosted the immersive spookfest, Sleep No More. The first was the phantom of clever detail: cans of Athletic IPAs for sale, a cute, non-alcoholic nod to the mega-popular series' hockey setting. The second was of unnerving fright, as I realized there would be no booze at this singing satire. Would I be able to make it through 90 minutes of jokes about an overexposed Canadian gay sports romance, with zero quality guarantee and an even lower blood alcohol concentration? At least at the downtown premiere of the popular parody Titanique, long before it proved itself worthy of a handful of Tony nominations, you could stand up and order a bucket of White Claws.But then the third specter materialized, the ghost of immersion and surrender, as this very funny production completely won me over. (I've since learned that a liquor license is forthcoming.) Heated Rivalry, for the uninitiated, is a television show adapted from a series of gay romance novels by Rachel Reid, a straight woman who unwittingly launched a thousand discussions about who gets to be horny over whom, how and when. Fans of the books petitioned for a wider release of the show produced for the Canadian streamer Crave, last November and, some six months later, its formerly unknown stars Connor Storrie and Hudson Williams are in easy contention for the most photographed people alive. Heated Rivalry: The Unauthorized Musical Parody is the latest addition to New York City's musical parody cottage industry, which has led me to a theater lobby where a woman in a branded hockey jersey is telling the stranger next to her that she's seen the series "probably not as many times as you think, but still a lot".The Unauthorized Musical: A Masterclass in ParodyThere was a communal giddiness as everyone filed into the unassuming performance space, where less than 200 folding chairs were arranged around a small stage. Super-fans were giddy that their dreams were coming true, and the more reserved types, perhaps blushing at what they deemed beneath them, were still clearly enjoying themselves. I liked the TV show just fine, a bit underwhelmed at what was broadly discussed as "softcore smut" but felt more in line with the twee "naughtiness" of the romance world. I had worried a musical parody put together in a few months would be a cash-grab; plain fan service for those who can't get enough of those six novels or episodes, not jabbing at the culture so much as stroking its ego. Impressively, as written by Dylan MarcAurele and directed by Alan Kliffer, it satisfies all three camps.Framing is everything, and this romp begins with a faux earnest number, à la Waitress, where three suburban Susans detail their newfound pastime: putting their husbands to bed with some iPad time, knocking back an "Ambien margarita" and reveling in their favorite televised "boy aquarium". From there, "Main Susan" (Ryann Redmond, glorious) recaps the years-long flirtation between the feuding players, innocent Japanese-Canadian "Shane Hollander" (Jimin Moon) and brusque Russian "Ilya Rozanov" (Jay Armstrong Johnson).The obligatory double entendres (a song titled Shane Hollander, Slap that Stick! or a line, by Shane's mom, about the "heavy load" her obviously gay son carries) are expertly delivered right between earnestness and tongue-in-cheek, but it's MarcAurele's ability to mock the story's sillier elements that clinched it for me. Shane, whose thumb-twiddling submissiveness often grated me in the TV show, is played by Moon as a dopey bottom with a hopeless romantic complex. What the series plays out as a forbidden romance writ epic across timelines and borders, MarcAurele presents as Shane's borderline delusion in dealing with an uncaring dom for years on end. "I keep replaying things he said," Shane beams after a hookup, "like, 'Ass up, little whore.'" The score's best number, certainly the one best primed for cabaret nights anywhere, is Liza Minnelli's Maybe This Time send-up where Shane croons, "This fuck felt different from the last fuck. This fuck, he asked if I would stay."If reading that inspires eyerolls – totally – Moon (and the rest of the cast, which includes Cherry Torres and Ryan Duncan) are so winning in their deliveries, so in on the joke without reducing their project into one, that it's impossible to resist. As the icy-hot Ilya, Johnson has the less showy role and plays it mostly straight, which makes his song about an outcast childhood made tragic by his impossibly "big ass, cold heart" that much funnier. And, well, let's face it: Johnson and Moon are sexy as hell, and charming to boot. Kliffer's inventive staging, with choreography by Brooke and Tiffany Engen on a resourceful set by Sully Ross, goes long on bunny-hopping glee.The Off-Broadway Parody Boom: A New RenaissanceThe Canadian Kliffer, previously artistic director of famed improv spots like Second City and Asylum NYC, where he helped launch Titanique's improbable boom, later told me that these parodies rarely come together with such speed, let alone quality. He'd loved MarcAurele's Pop Off, Michelangelo! in London and M3gan spoof stateside, and had just bought into Heated Rivalry, courtesy of its amorously optimistic fifth episode, when the writer texted him with the idea. The resulting work fits attractively between the out-and-out bawdiness of the Titanic send-up and the relentless Millennial nostalgia of Ginger Twinsies, which parodied the 90s Parent Trap remake last summer, and Kliffer notes that this very queer, very funny moment downtown – which also includes Cole Escola's Oh, Mary! – points to "a little bit of an Off-Broadway renaissance."This particular renaissance seems to be defined by parodies that are loving but not saccharine, willing to mock their source material while still celebrating what made it appealing in the first place. The success of these shows suggests a hunger for theater that doesn't take itself too seriously but still delivers genuine theatrical craft. In a city where Broadway ticket prices can be prohibitive, these intimate, affordable productions offer a different kind of theatrical experience – one that feels more accessible and immediate.Cultural Impact: Beyond the ParodyHeated Rivalry exists at the intersection of several cultural conversations. The original series, based on novels by Rachel Reid, sparked discussions about who gets to tell LGBTQ+ stories and how those stories should be represented. The parody doesn't shy away from these questions but instead uses humor to explore them. By exaggerating certain elements of the original series, the musical actually highlights what made it compelling in the first place.The show also represents the growing visibility of LGBTQ+ stories in mainstream entertainment. What began as niche content has become a cultural phenomenon, with the original series gaining international attention and its stars becoming unlikely celebrities. The musical parody capitalizes on this popularity while simultaneously commenting on it, creating a meta-narrative that appeals to both fans and newcomers.Moreover, the success of Heated Rivalry reflects a broader trend in entertainment where audiences are increasingly drawn to content that acknowledges and plays with its own artificiality. In an era of heightened awareness about media consumption, audiences seem to appreciate works that don't pretend to be anything other than what they are – crafted, performed, and enjoyed.The Future of Parody Theater: What's Next?As the Off-Broadway scene continues to evolve with these clever parodies, we can expect to see more adaptations of popular TV shows and movies hitting the small stage. The success of Heated Rivalry, following in the footsteps of Titanique and other parody hits, suggests that there's a sustainable market for this type of entertainment.What's particularly interesting is how these parodies are pushing the boundaries of traditional musical theater. They're more immediate, more self-aware, and more willing to break the fourth wall than many conventional productions. This approach seems to resonate with younger audiences who are accustomed to interactive media and meta-commentary.Looking ahead, we might see parodies of other recent cultural phenomena – perhaps streaming hits, viral social media trends, or even political events. The key to success, as demonstrated by Heated Rivalry, will be balancing genuine affection for the source material with sharp, intelligent humor that offers something new to the conversation.

South Africa’s national team, Bafana Bafana, unveiled its World Cup squad on May 27, 2026, featuring two newcomers to the senior side – defenders Olwethu Makhanya (Philadelphia Union) and Bradley Cross (Kaizer Chiefs). The selection reflects a blend of recent domestic triumphs and a strategic push for defensive depth ahead of Group A matches. Uncapped Defenders Break Into Bafana Bafana Squad Coach Hugo Broos opted for the 22‑year‑old centre‑back Makhanya and the 25‑year‑old left‑back Cross despite neither having featured in the qualifying campaign. Their inclusion follows a dominant season for their clubs – Makhanya’s MLS side and Cross’s Kaizer Chiefs – and a desire to broaden defensive options after regular left‑back Aubrey Modiba entered the tournament with a hamstring concern. Squad Composition Numbers Highlight Domestic Dominance 26 players total 19 based in the South African Premier Division 5 playing in Europe 2 in the United States (MLS) Goalkeepers: Sipho Chaine, Ricardo Goss, Ronwen Williams Forwards include Burnley striker Lyle Foster The squad mirrors the recent success of Mamelodi Sundowns (CAF Champions League winners) and Orlando Pirates (South African Premiership champions), each contributing eight players. Implications for South Africa’s Group A Campaign South Africa opens against co‑hosts Mexico on June 11, followed by matches versus the Czech Republic (June 18) and South Korea (June 24). The addition of fresh defensive talent aims to address depth concerns, while seasoned midfielders like Themba Zwane and striker Lyle Foster provide creative and attacking options. Coach Broos emphasized the potential for upsets, recalling Morocco’s surprise run to the semifinals in the previous tournament. Looking Ahead: Coach Broos’s Final World Cup and Team Prospects At 74, Hugo Broos has announced this will be his last World Cup as head coach. His experience, combined with a squad heavily rooted in the domestic league, sets a narrative of a “team of fighters” seeking a historic second‑round appearance. Success would not only boost South Africa’s football profile but also cement Broos’s legacy as the architect of a competitive, home‑grown side.

Bosnia's Unexpected World Cup JourneyBosnia and Herzegovina's qualification for the 2026 World Cup comes as a surprise to many observers. A team that had managed only four wins in their previous 19 matches across two qualification cycles reached a turning point when Sergej Barbarez took over in 2024. The campaign that followed was chaotic, emotional and occasionally irrational, which still feels like the most authentic description of Bosnian football itself. Barbarez's side somehow found a way through it all, eliminating Wales and Italy in dramatic playoffs and reaching the World Cup for only the second time in the country's history.The Barbarez RevolutionThe former captain had waited years for the job, so long that he had not coached anywhere in the meantime. He played professional poker and enjoyed retirement before the Bosnian FA finally got in touch. He gathered close friends and former teammates around him: Emir Spahic became sporting director, while Sasa Papac and Zlatan Bajramovic joined the coaching staff. In Barbarez's first year, 16 players made their debuts, most of them raised and developed abroad, from Sweden and Germany to Austria and the United States. That became the foundation of this new Bosnia side.Group B Fixtures12 June v Canada, Toronto (3pm local, 8pm BST)18 June v Switzerland, Los Angeles (noon local, 8pm BST)24 June v Qatar, Seattle (noon local, 8pm BST)The Coach's PhilosophyBosnia do not play especially beautiful football under the coach and systems change regularly – usually between 4-2-3-1 and 4-4-2 – but formations quickly become secondary once matches turn emotional, and with Bosnia they usually do. The team's identity is built around aggressive defending, direct football and quick transitions. Barbarez may have gone winless in his first eight matches and come under heavy criticism, but he insisted that he first needed to rebuild the squad's mentality.The Poker Coach Who Became a National HeroSergej Barbarez spent years criticising the way Bosnian football was run and had almost stopped expecting the call from Sarajevo altogether, having first expressed an interest in the role in 2009. Fifteen years later he took charge of the national team – with no previous coaching experience – for the first team against England at the age of 52. A former captain and cult figure, Barbarez arrived promising honesty, emotional connection and a complete reset after years of dysfunction around the national team. After playoff victories over Wales and Italy, his status only grew further; the win against Italy transformed him from poker-playing outsider into one of Bosnia and Herzegovina's most important ever sporting figures.The Veteran Leader: Edin DzekoThere are normal footballers and then there is Edin Dzeko. Even at 40, everything still somehow revolves around Edin. Bosnia and Herzegovina's captain remains the country's greatest footballer, their all-time leading goalscorer and the reference point of an entire generation. Younger players in the squad speak about him with a reverence bordering on disbelief. Dzeko no longer dominates matches physically the way he once did at Wolfsburg or Manchester City, but his understanding of space, timing and pressure moments remains elite. During the playoffs he again delivered when Bosnia needed him most. "As long as I feel I can help, I'll be here," he said recently. Bosnia would not be at this World Cup without him.The Rising Star: Kerim AlajbegovicKerim Alajbegovic, at 18, may already be the most naturally gifted attacking talent Bosnia and Herzegovina have produced since Miralem Pjanic. The midfielder, who spent a season with Red Bull Salzburg before Bayer Leverkusen triggered a buyout clause, is arriving at the tournament with the fearless attitude some players have at that age. It is not only his technique that stands out, but his personality too. Barbarez trusted the 18-year-old to take penalties in both playoff shootouts – and Alajbegovic responded with complete calmness. Elegant between the lines and fearless in possession, he feels like the face of Bosnia's next generation.The Unsung Hero: Tarik MuharemovicBosnia and Herzegovina spent years producing centre-backs who defended first and worried about the football later. However, Tarik Muharemovic feels like the first one shaped by an entirely different mindset. Born in Slovenia and developed in Austria before moving through Italian football with Juventus and Sassuolo, the left-footed defender has quietly become one of the players Barbarez trusts most. He is not especially loud, aggressive or dramatic, which, for a defender, normally makes people in Balkan football suspicious. Instead Muharemovic solves problems calmly, carries the ball forward and gives Bosnia something they lacked for years – composure.Tournament OutlookBosnia are unlikely to dominate many matches in Group B – against Canada, Switzerland and Qatar – but they have enough quality, emotional energy and unpredictability to become one of the tournament's more uncomfortable teams. With a blend of experienced leadership in Dzeko and emerging talent in Alajbegovic, Barbarez has created a squad that embodies the chaotic yet passionate spirit of Bosnian football.

The LeadFIFA faces a subpoena from the states of New York and New Jersey as part of an investigation surrounding ticket pricing and accuracy of seat locations for the 2026 World Cup. In a joint news release on Wednesday, New York Attorney General Letitia James and New Jersey Attorney General Jennifer Davenport said prices for the 2026 World Cup matches "far exceeded the prices for any previous World Cup tournament".The Ticket Pricing ControversyFIFA has detailed the first-time use of "dynamic pricing" to adjust ticket costs based on demand. This approach has led to significantly higher prices compared to previous tournaments. When pressed to explain why prices of tickets, which went on sale in October, were so high, FIFA President Gianni Infantino defended the governing body on multiple fronts by pointing to the limited ticket supply for an event with worldwide demand.The Fan ComplaintsFan complaints and allegations of paying for tickets in one location of the stadium but receiving a less-desirable seat caught the attention of state officials. FIFA contributed to elements of the seating location confusion with the late introduction of a premium ticket option, or "Front Category", after initial tickets had already been sold. Watchdogs called on government officials for guidance to resolve disputes from fans who said they had selected a seat in one category of the four available at MetLife Stadium only to be assigned seats farther back from the playing surface.The Legal InvestigationThe state attorneys general confirmed they are seeking information regarding the general event pricing structure, location pricing structure, seat locations and other details related to the eight World Cup matches scheduled to be played at MetLife Stadium in East Rutherford, New Jersey, in the United States. The July 19 final as well as group stage matches and early knock-out round games are to be held at MetLife Stadium. "New Yorkers have been waiting years for the World Cup to come to their backyard, and they deserve a fair shot at affordable tickets," James said in a release. "No one should be manipulated into paying sky-high prices for seats, and fans should be able to trust that the tickets they purchased will be the ones they receive."The FIFA Response"FIFA has turned buying a ticket to the World Cup into a gauntlet of confusion, fake scarcity and impossibly high prices – all at the expense of consumers and hard-working New Jerseyans," Davenport said in the statement. The investigation seeks to soothe concerns for fans who've purchased – or hope to have an opportunity to purchase – tickets but feel misled about the final product.

The Parent's Cricket Dream Every cricket-loving parent experiences that tiny flicker of hope that their child might become the next superstar. It's the irrational dream that the gods who blessed players like Sachin Tendulkar and Ellyse Perry might one day smile upon their own children. This hope begins the first time you wrap their chubby hands around a plastic bat or when they accidentally hit a tennis ball with surprising power. What parents truly hope for isn't fame or contracts, but simply that their children fall in love with the game. The author, a new father of two boys, already analyzes his children's physical attributes for cricket potential—long fingers for spin bowling, broad shoulders for powerful hitting. This is how cricket colonizes the mind, turning rational adults into amateur talent scouts studying toddler anatomy. Family Cricket Traditions Once cricket embeds itself deeply into your life, it becomes less a sport than a language through which everything else is understood. The author compares strategizing meal times and bedtime routines to captains discussing bowling changes, and positioning furniture to setting fields. This transformation of daily life through cricket's lens is a common experience for families deeply involved in the sport. The tradition of passing cricket through generations is highlighted by Sheahan Arnott, a club bowler in London whose father remains the record run-scorer at Bentley Cricket Club in Perth. They've played hundreds of games together, including a memorable moment when Arnott captained his father in his 500th game after he scored a century. For Arnott, the greatest cricket dream was playing alongside his father. The Joy of Shared Cricket Moments There is a unique joy in sharing cricket with family members that goes beyond individual achievement. The author inherited his love for cricket through his parents, who took him to the Wanderers stadium as a child. His mother drove him to endless coaching sessions, while his father offered infinite throwdowns in the garden despite working a full week. Their support transformed every small achievement into something significant. Mark Cooper, a 73-year-old cricketer, has played alongside his three sons and daughter with Millfields CC since the 1990s. He describes watching his children grow from young fielders to adults with their own lives, sharing magical moments like walking off together after hitting the winning runs. These shared experiences create bonds that transcend the sport itself. Balancing Dreams and Reality There is a delicate balance in passing on cricket passion without burdening children with parental expectations. The danger of projecting unfinished dreams onto children is as precarious as driving on the up in cricket. The trick is to pass on the obsession without passing on the burden, using cricket's intricacies as a guide. Cricket's grand tapestry is made with a million tiny stitches—properly filled-out scorecards, precisely packed cooler boxes, caring for an ageing ball. Sharing this wisdom with the next generation is both a responsibility and a privilege. The author acknowledges that his eldest son hasn't shown interest yet and his youngest can't even hold his head up, let alone a bat, but as a cricket tragic, he understands the value of patience and hope.

The Lead: From Revenge to Redemption Clarck Ntambwe's journey began with a desire for revenge after her father was murdered, but through boxing, she found a path to healing and purpose. Her powerful story is now documented in the film "Fight Like a Girl," directed by Matthew Leutwyler, which captures how boxing helped her rebuild her life in the Democratic Republic of Congo. The Event Details: A Boxing Club in Goma The film is based on Ntambwe's real-life experience at a women's boxing club in Goma founded by Kibomango, a former child soldier turned boxing champion. Kibomango trained women who were victims of sexual violence, using boxing as a means for them to regain independence. Ntambwe became one of Kibomango's star fighters, eventually reaching the final of the African Boxing Championships. Tragically, Kibomango was killed by M23 rebels while helping Leutwyler evacuate 41 children from a village under attack. The Impact Analysis: Healing Through Sport "Fight Like a Girl" demonstrates the transformative power of sport for trauma survivors. The film features a mix of professional actors and ordinary people from Goma, lending authenticity to the story. Ntambwe herself makes an impressive acting debut, playing the role of Aisha, the most serious fighter in the gym. The film challenges stereotypes about female boxing, redefining what it means to "fight like a girl" from an insult to a badge of honor and resilience. The Future Outlook: Beyond the Ring Now living in Seattle, Ntambwe continues to be inspired by boxing, though she misses the sport due to expensive gym costs in North America. The film's release brings international attention to the work of Kibomango and the women of Goma who found strength through boxing. As Ama Qamata, who plays the lead role, notes, the film shows how women who have endured tremendous hardship can emerge as powerful inspirations to others.

The Lead: NAACP's Strategic Boycott CallSix years after the nation underwent a so-called "racial reckoning", Black America is under comprehensive assault from the country's highest elected, judicial, and legislative branches. In response, the National Association for the Advancement of Colored People (NAACP) has turned to sports, calling for Black athletes to boycott public universities in the Southeastern Conference (SEC), arguably the most powerful football conference in the country and certainly its greatest incubator of Black athletic talent.The Political Landscape: Assault on Black AmericaThe assault comes from multiple fronts: the president has codified into policy the belief that white people are the true victims of racial discrimination; the supreme court has gutted the Voting Rights Act of 1965; and state and federal legislative branches are implementing massive southern redistricting efforts that threaten to erase much of the Black political representation won over the past 60 years. These moves mirror historical patterns of segregation and disenfranchisement.The Athletic Response: Leveraging Cultural InfluenceThe NAACP is betting that Black Americans will recognize the urgency of the moment and realize their power. Black people represent 14% of the population but are more than 14% of American culture, with Black athletes being the most successful, influential, and visible Black employees in the country. A sustained, coordinated movement of Black athletes against hostile states could have profound effects on both sports and politics.The Historical Context: Athletes as Change AgentsBlack athletes have a history of effecting change. In 2015, University of Missouri football players' boycott threat led to the resignation of the school's president and system chancellor. In the 1960s, the exodus of Black high school talent from the south forced southern universities to integrate. Today's athletes have even more power through NIL (name, image, and likeness) deals and the transfer portal, which allows them to change schools without sitting out a year.The Media Silence: Suppressing Black VoicesOver the last half-decade, sports media has willingly eliminated the Black political voice, reducing athletes to "neutered laborers" who entertain predominantly white audiences. While there are Black faces on sports television addressing "representation," they often lack depth and reportage on major national stories. ESPN's minimal coverage of the NAACP boycott exemplifies this pattern of silencing Black perspectives.The Power Dynamics: Economic Influence and ResponsibilityThe NAACP action reminds Black athletes of their power and their connection to the future of Black America. As an economic bloc, they can shift the fortunes of institutions they inhabit. After largely being silent politically since the 2020 Floyd protests, a new generation is being asked to recognize their place in the Black athletic and civil rights heritage that "laid down its life for the comforts that are now being erased." The question remains whether they will choose to use their influence beyond the playing field.

Manchester United's Midfield Rebuild Manchester United have agreed to sign the Atalanta midfielder Éderson for a fee which could rise to about £37m as they work to bolster the squad for their return to the Champions League. Éderson's Profile and Signing Éderson is in line to be the first summer arrival as United aim to provide Michael Carrick with the depth to cope with four competitions. United’s director of football, Jason Wilcox, has closely monitored the Brazilian’s progress in Serie A and is a keen admirer. Financial and Squad Implications United are looking to add quality in midfield after losing experienced player Casemiro. The 26-year-old Éderson fits that profile and has spent four seasons at Atalanta, playing in the Champions League in the last two and winning the Europa League in 2024. Future Midfield Signings Éderson is unlikely to be United’s only midfield signing. Nottingham Forest’s Elliot Anderson is another option but is thought to favour a move to Manchester City, and Real Madrid’s Aurélien Tchouaméni is also under consideration. The Road Ahead Personal terms are not thought to be a problem for Éderson, who has not been picked for the World Cup. Manuel Ugarte, who has struggled since moving to United in 2024, could be allowed to leave on loan or permanently.

The Exhibition of a Rock Legend's Private WorldA vast archive of previously unseen Jimi Hendrix materials is set to be exhibited for the first time at 23 Brook Street in Mayfair, London – the Georgian building where the legendary guitarist lived in the late 1960s. The collection includes personal receipts, contracts, diaries, and other documents that provide intimate insights into the life of the music icon behind his public rock star persona.The Hendrix London Experience: A Bohemian LifeWhen Jimi Hendrix resided in the Mayflat building between 1968 and 1969, he had little use for his kitchen as he regularly ordered meals from Mr Love, a trendy restaurant on the ground floor. While celebrities dined at heart-shaped tables served by waitresses in hot pants, Hendix enjoyed steaks and hamburgers sent up to his flat. One bill covering food over several months totalled £32/16s/6d, equivalent to approximately £485 today. The American-born musician was particularly fond of Mr Love's American menu, once criticizing English food for its excessive use of mashed potatoes.The Personal Archive: A Hidden Treasure TroveThe exhibition features materials from the corporate records of Anim Records, the company that managed the Jimi Hendrix Experience and other acts. These documents include contracts, calendars, recording details, flight information, and invoices for music equipment that shaped Hendrix's revolutionary sound. Many of these items were preserved by Hendrix's personal assistant, Patricia 'Trixie' Sullivan, who collected material that bailiffs had left behind after entering Mike Jeffery's (Hendrix's manager) London office after his death in 1973. Sullivan kept everything in four plastic trunks under her bed in Spain for decades before the material was properly archived.The Domestic Side of a Rock StarThe exhibition reveals a more private side of Hendrix, who described his Brook Street flat as the only place he felt truly at home. To furnish the space, he purchased high-end Persian rugs worth approximately £30,000 in today's money. The collection also includes dry cleaning tickets for his distinctive psychedelic wardrobe, including a striped suit and gold jacket. Phone bills from the period show tens of thousands of pounds in charges, reflecting his global lifestyle as a touring musician. Sullivan's diaries offer firsthand accounts of Hendrix's tours, including a note about a 1969 gig in Munster where the crowd "nearly rioted" and caused $250 in damage.The Exhibition Details: A Journey Through Hendrix's LondonThe exhibition opens on 19 June at the Handel Hendrix House, a museum that occupies both 23 Brook Street (Hendrix's former home) and 25 Brook Street (the former residence of composer George Frideric Handel). The flat has been meticulously recreated to reflect how Hendrix shared it with his girlfriend Kathy Etchingham. The materials reveal that Sullivan was "the absolute epicentre of everything that Hendrix and the Experience were doing," and that Hendrix himself was "quite introverted" and self-doubting, often playing his guitar when Sullivan visited. The exhibition, supported by the National Lottery Heritage Fund, offers visitors a rare opportunity to see the personal side of one of rock music's most influential figures.