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More than 1.2 million Lebanese are projected to face acute hunger this year, according to a joint statement from the UN Food and Agriculture Organization (FAO), the World Food Programme (WFP) and Lebanon’s Ministry of Agriculture. The warning follows the escalation of fighting that began on March 2 and a cease‑fire that took effect on April 17, which has already displaced over a million people. UN‑backed Report Flags 1.2 Million Lebanese Facing Acute Hunger The Integrated Food Security Phase Classification (IPC)—the UN‑backed body that monitors hunger—released its latest outlook, stating that 1.24 million individuals will experience food insecurity at crisis levels or worse between April and August. The assessment describes this as a “significant deterioration” compared with the pre‑war outlook. Scale of Food Insecurity: Numbers Before and After the Conflict Pre‑war (before March 2): 874,000 people (≈17 % of the population) were in acute food insecurity. Current projection (April‑August 2026): 1.24 million people (≈20‑22 % of the population) at crisis or worse levels. Casualties from the fighting exceed 2,500 deaths and more than 1 million displaced, further straining food supplies. Humanitarian and Economic Ripple Effects Across Lebanon WFP country director Allison Oman Lawi warned that families “just managing to cope are now being pushed back into crisis as conflict, displacement and rising costs collide.” Meanwhile, FAO representative Nora Ourabah Haddad emphasized that “compounded shocks are undermining agricultural livelihoods,” urging emergency assistance for farmers to prevent a deeper collapse of the food system. The cease‑fire has reduced fighting intensity but does not guarantee safe access to agricultural lands or markets. Residents in southern border areas remain under warning not to return, limiting harvests and market activity. Outlook: Risks of Deepening Crisis Without Immediate Aid The statement concludes that “acute food insecurity is likely to deepen without sustained and timely humanitarian and livelihood support.” Analysts suggest that without a rapid infusion of emergency food aid and agricultural inputs, Lebanon could see a further surge in malnutrition rates, especially among children and displaced families. International donors are being urged to mobilize resources quickly, as the window for preventing a large‑scale humanitarian disaster narrows each week.

The Legacy of Robert Wilson Not far into Herman Melville's 1851 epic novel Moby-Dick, a shipowner describes the man who will take their whaler on a tragic quest. Captain Ahab, he says, is 'a queer man … a grand, ungodly, godlike man.' The same might be said of Robert Wilson. By the time he died last July at the age of 83, Wilson had transformed himself from a stuttering, gay son of conservative southern Baptist parents in Waco, Texas, into New York City's titan of experimental theatre, opera and dance. Wilson's Final Masterpiece Wilson launched many of these theatrical explorations from the Brooklyn Academy of Music (Bam), from 1970's almost-silent play The Life and Times of Sigmund Freud to 2016's Letter to a Man, starring Mikhail Baryshnikov as Vaslav Nijinksy. This spring, his final work will reveal itself to his hometown crowd after an initial 2024 presentation in Düsseldorf. In Moby Dick, Melville's wild rumination on global capitalism, obsession, masculine intimacy and fate comes to life on a stage at Bam defined by many of Wilson's signature gestures. The Collaboration There is Wilson's astonishing use of bands of light, for example, and his demands on performer's bodies to somehow do nothing and everything at once. There's a collaborator, too – in this case, the accomplished British musician Anna Calvi, who's written a raucous and glamorous suite of songs for the show. It's their second collaboration, following 2017's The Sandman. ' David Byrne put me in touch with him,' Calvi says via email, knowing she was a fan of Wilson's work with Tom Waits. '[Byrne] wrote to me, saying, 'Are you ready to go down the rabbit hole?' Which is a very good description of working with Bob!' The Impact of Wilson's Work In many ways, though, Wilson harpoons expectations for what might happen when a god of American theater hunts down a Great American Novel. Wilson's Moby Dick is short, sleek and almost sentimental. And it reminds us that ambition might sometimes have lethal costs, but that life isn't worth living without it. 'All the things that made him Bob Wilson are represented in this project,' says Bam artist director Amy Cassello, who worked with him for decades. The Future of Wilson's Legacy Indeed, Wilson and Calvi largely jettison Melville's notoriously verbose texts, building sea-shanty glossolalia into little cabins for all you need to know about, for example, a bar full of sailors, or how it feels to walk a plank. 'I loved how he always got me to do things I would never normally do,' says Calvi. 'I remember being at a casting and at one point, at Bob's request, I was rolling around on the floor with the other actors!' Moby Dick is at Brooklyn Academy of Music from 29 April to 3 May.

The Licensing Pivot Neurable, a leader in non-invasive brain-computer interface (BCI) technology, has announced a strategic shift from building bespoke hardware to licensing its AI-powered neural sensing platform to Original Equipment Manufacturers (OEMs). This move signals a maturation in the neuro-tech sector, moving from proof-of-concept prototypes to scalable commercial integration. Strategic Shift: The company is abandoning its previous model of singular, deep partnerships in favor of a broad licensing platform. Target Hardware: Licensing partners can integrate the technology into headphones, hats, glasses, and headbands. Current Partners: Existing collaborations include HP HyperX for gaming headsets and iMotions for behavioral research software. The Commercialization Engine The announcement comes on the heels of a significant financial milestone. In December, Neurable secured $35 million in Series A funding, a capital injection designed specifically to fuel this expansion. CEO Ramses Alcaide describes this as an inflection point for the industry, where a viable, scalable business model for neuro-technology finally exists. The goal is to achieve ubiquity comparable to heart rate sensors on wrists. By licensing the technology rather than manufacturing the end-product, Neurable allows partners to maintain full control over product design and user experience while leveraging the startup's core signal processing algorithms. Redefining Intimacy in Wearables While the ambition is to make brain data as common as biometric data, the implications are profound. Unlike heart rate monitors, brain data represents a significantly more intimate layer of personal information. Neurable is addressing the privacy concerns head-on, stating that they adhere to HIPAA standards and go beyond typical startup protocols to ensure data encryption and anonymization. The company emphasizes a consent-based model for training its AI, ensuring that neural data is not collected 'willy nilly' but used strictly for targeted experiments with user permission. This approach will be critical for consumer adoption, as trust is the primary barrier to entry for 'mind-reading' technology. The Future of Neuro-Privacy As Neurable looks to scale, the industry faces a critical challenge: establishing a universal standard for neuro-privacy. The shift to licensing suggests a future where brain-computer interfaces are embedded in consumer electronics, but the success of this market depends entirely on how companies handle the sensitive nature of cognitive data. Neurable’s strategy implies that the next wave of innovation won't just be about detecting brain activity, but about creating a transparent ecosystem where users feel secure in sharing their cognitive performance data for productivity, gaming, or health optimization.

Shakhtar Donetsk have defied displacement, a depleted squad and a relentless travel schedule to book a semi‑final clash with Crystal Palace in the UEFA Conference League. The Turkish ex‑forward turned coach Arda Turan has steered the side through 15 European matches since July, culminating in a Thursday first‑leg in Krakow.The marathon European campaign under Arda TuranSince their opening qualifier in Ljubljana on 10 July, Turan’s side have navigated a hybrid season of Europa League qualifiers, a drop‑down to the Conference League and a grueling knockout run. The club’s chief executive Serhii Palkin describes Turan’s on‑pitch energy – “running three to four kilometres every game” – as a key factor in maintaining performance despite constant travel.Travel toll: distances, matches and logisticsHome fixtures staged at Krakow’s Henryk Reyman Stadium – roughly 1,000 miles from Donetsk.Quarter‑final second leg in Alkmaar required a 24‑hour journey, combining bus and limited air travel.Typical itinerary: post‑match bus to a Polish city (≈4 hours), early‑morning train to Kyiv, training, domestic derby, then immediate travel to London for the next European tie.Overall, the squad has covered over 8,000 km in the current campaign.Strategic resilience: how exile reshapes Shakhtar’s identityForced out of the Donbas Arena in 2014, Shakhtar rebuilt its model around a Brazilian pipeline, now fielding 14 Brazilians including teenage playmaker Isaque Silva. Despite losing 14 players and staff after FIFA’s special regulations, the club’s academy continues to produce talent such as Viktor Tsukanov and Denys Smetana. The “bridge to top European leagues” philosophy remains intact, as evidenced by the £35 m sale of Kévin to Fulham.Looking ahead: what the Palace semi‑final means for Shakhtar’s futureA victory would not only secure a historic European final for a club without a true home ground, but also boost morale across Ukraine, where the match will be watched by a nation still coping with war. Success could attract further investment in the Brazilian recruitment network and cement Turan’s reputation as a manager capable of thriving under extreme adversity. Conversely, a loss would underline the logistical challenges that may limit Shakhtar’s long‑term competitiveness in Europe.

The LeadSports people can be more than the sum of their athletic achievements. Lewis Hamilton stands unquestionably as one of the greatest drivers in the history of Formula One having delivered both records and outstanding performances that will be hard to surpass. Yet it is indicative of his character that the seven-time world champion rates them all as sitting only alongside what might ultimately be his most significant and long-lasting legacy.The Mission 44 InitiativeMission 44 came about because Hamilton was acutely aware of the lack of representation of black people and those from disadvantaged backgrounds in motorsport. In 2021 he established the Hamilton commission to investigate the causes and subsequently created Mission 44 to address them. The foundation supports schoolchildren facing poverty and a lack of role models encouraging a pursuit of science, technology, engineering or maths (Stem) skills and careers in motorsport.Investment and ReachHamilton put his money where his mouth is by investing £20m in the project and its impact was felt immediately. Focusing on grassroots investment to make education more inclusive and to help young people into Stem careers, there have been 550,000 young people involved across the world and 50,000 helped specifically in the Stem and motorsport areas, with over £9m awarded in grants.Transforming Lives in MotorsportYet alongside the numbers are the human stories. In order to directly influence motorsport, in 2022 Mission 44 launched its scholarship programme in partnership with the Royal Academy of Engineering, which would meet the costs of scholars from black or mixed black backgrounds to study for a master's degree in motorsport engineering. This year it will fund them to the tune of up to £43,000 per person, as well as offering vital mentoring, networking and career support. It has proved to be life-changing.The Future of Diversity in F1Unsurprisingly then, the foundation has not remained static in its ambitions. Owuye notes perhaps the greatest barrier she experienced was her background – state educated and with parents she describes as not having professional jobs and who had not attended university. "A defining factor or an obstacle in all of the things that led to this point would be socioeconomic background over anything else and being working class," she says. "Formula One as an industry historically has tended to hire from, and still do, the kind of elite universities and there's not a great deal of socioeconomic diversity at those universities. So naturally, as a result, you see that underrepresentation filter into the industry."

Lead: A Celebrity’s Raw Confession Sparks a Conversation on Perinatal OCD Welsh actress Kimberley Nixon launches her memoir She Seems Fine to Me on 7 May 2026, offering an unflinching look at the intrusive, terrifying thoughts that haunted her after the birth of her son. Published during Maternal Mental Health Awareness Week, the book aims to break the silence around perinatal obsessive‑compulsive disorder. Nixon’s Memoir Exposes the Dark Side of Perinatal OCD The narrative chronicles Nixon’s journey from infertility and IVF to a pandemic‑era birth, detailing how lockdown, hospital restrictions, and a lack of face‑to‑face support amplified her anxiety. She describes vivid, compulsive fears—ranging from her baby’s death to bizarre violent scenarios—and how these thoughts spiraled into suicidal ideation. Numbers Behind Perinatal Mental Health OCD affects roughly 3 % of the general population. Research indicates that over 95 % of new parents experience intrusive thoughts, though most do not develop clinical OCD. Nixon paid £100 per session for exposure and response prevention (ERP) therapy, exhausting her acting savings. Why Perinatal OCD Remains a Hidden Crisis The memoir highlights systemic failures: limited perinatal mental‑health services, reliance on phone consultations, and a lack of continuity in care. Nixon’s experience underscores how stigma forces many mothers to conceal their struggles, worsening outcomes. What the Future Holds for Maternal Mental‑Health Support By speaking publicly, Nixon adds pressure on UK health authorities to expand specialised perinatal OCD services, integrate ERP into NHS pathways, and launch public‑awareness campaigns that normalise intrusive thoughts. If policymakers act, future mothers may receive timely, affordable therapy rather than navigating a fragmented system alone.

The Lead: From Sheffield Pub to Hollywood Film ScoreLast year, Jim Ghedi was having a chicken dinner at his mother's house in Sheffield when he checked his phone. A director had started following him on Instagram, and as a joke, Ghedi messaged him saying he wanted to do his next film score. To his surprise, the director, Michael Sarnoski, responded immediately, offering him the job to score the forthcoming A24 production "The Death of Robin Hood," starring Hugh Jackman and Jodie Comer.The Breakthrough: A Working-Class Folk Musician's Unexpected Hollywood OpportunityDespite having never scored a film before, Ghedi was given the gig. He bonded instantly with Sarnoski through video calls and a shared love of Steeleye Span, and ended up writing the songs and score. He describes the finished material as "quite doomy, earthy and dark" but also "quite light and orchestrated." Ghedi was invited out to LA to work on the project there, but instead chose to stay rooted in Sheffield. Even so, he had moments of impostor syndrome, acknowledging that "it's very rare for someone like me, and where I'm from, to get those kinds of opportunities."The Musical Journey: From Hip-Hop to Folk with Working-Class RootsGhedi, 35, was given a guitar when he was eight and quickly became a skilled player, but his teenage years were lit up by hip-hop and punk. The lyrical output of hip-hop proved formative for him. "Hearing people talk about being raised by a single mum was like, whoa," he recalls. "Here's someone artistically talking about something that I'm also experiencing in my life." Then came the revelatory discovery of Bert Jansch. "It was the first time I'd heard someone who played an acoustic guitar and it was not pretty," he says. "It was really heavy and aggressive."The Class Divide: Folk Music's Middle-Class DominanceWhile Ghedi favours metaphor and nuance rather than state-of-the-nation-style delivery, class is central to his music and ethos. "When I was younger, I was really naive and I tried to assimilate," he recalls. "But I realised: I need to own where I'm from. I'm not trying to be a spokesperson, but the folk scene is very middle class. The divide and the drop-off is huge, and in some ways, the disparity is worse now than when I started."The Future Outlook: Authenticity Over Commercial SuccessGhedi's trajectory to landing a huge project such as "The Death of Robin Hood" is a rare but heartening one. Despite having a memorable time working on the film, with a team on whom he heaps praise, he appears resolutely unmoved by the idea that he now needs to play any kind of game. "As long as I stick to focusing on creativity, nothing else matters," he says. "Whether I'm playing to 10 people in a room or 1,000, it's the same for me."

Successful Surgery Gives Modric a Shot at His Fifth World CupLuka Modric underwent a complex operation on his left zygomatic bone after a head‑to‑head collision with Manuel Locatelli during AC Milan’s 0‑0 draw with Juventus on April 26, 2026. The Croatian Football Federation confirmed the procedure was “completely successful” and expressed confidence in his recovery ahead of the tournament.Injury Timeline and Immediate Club ResponseApril 26, 2026 – Modric exits the match with ten minutes remaining, visibly in pain but stays on the bench.April 27, 2026 – Medical scans reveal a multi‑fragment fracture of the left cheekbone.April 28, 2026 – Surgery performed; AC Milan describes it as “complex, multi‑fragment” but successful.Recovery period – Club does not disclose exact sidelined time; only four Serie A rounds remain.Key Numbers Shaping the SituationAge: 40 years old, making him one of the oldest World Cup participants if he plays.Contract: One‑year deal signed last summer with an option for a further year.League standing: AC Milan sit third, 12 points behind leaders Inter Milan with four games left.World Cup start: June 11, 2026 – Croatia’s Group L matches begin on June 17.Implications for Croatia and MilanThe captain’s swift recovery is crucial for Croatia, which will face England, Ghana and Panama in Group L. Coach Zlatko Dalic emphasized full medical support and confidence that Modric will lead the team. For Milan, Modric’s availability could influence the final league push, though a protective mask may be required if he returns before the season ends.Outlook: Can Modric Make the World Cup Squad?Medical staff expect a “speedy and quality” recovery, aligning with the national team’s preparation schedule. If all goes to plan, Modric should be match‑fit for Croatia’s opening game on June 17. Even if he misses the Serie A run‑in, a mask‑protected appearance in the World Cup remains plausible, preserving his legacy as a five‑time tournament veteran.

The Birth of the “Overview Effect” Series Amid Artemis II Loie Hollowell describes the timing of her latest series as “magical,” linking the launch of NASA’s Artemis II moon mission to the debut of her large‑scale canvases at Pace Gallery in London. The paintings feature twin concave‑convex circles that fit together perfectly when folded, echoing the astronaut’s “overview effect”—the awe of seeing Earth from space. Personal Trauma as Formal Inspiration The series continues Hollowell’s long‑standing focus on pregnancy, birth and the body. Earlier works such as the Split Orb paintings and the Dilation Stage pastel drawings emerged after a difficult hospital birth, while the new canvases were sparked by a “cosmic” home birth of her daughter. Hollowell recounts a near‑fainting moment in labour when she felt both above and inside her own body, a sensation she translates into the twin‑circle motif. Market Reception and Institutional Support Series shown at Pace Gallery (London) – first major institutional presentation. Increasing collector confidence, especially among male buyers, has allowed Hollowell to speak openly about the abortion and birth experiences that inspire her work. Collaboration with her children on new paintings signals a broadened practice beyond solo canvases. Shifting Discourse on Female Bodies in Abstract Art Hollowell confronts the patriarchal notion that “great abstract artists must transcend the body.” By naming works Happy Vagina, Boob Wheel and The Let Down, she foregrounds the corporeal, challenging the historic marginalisation of women’s bodily experiences in the abstract canon. Future Directions for Hollowell’s Cosmic‑Corporeal Practice With growing curatorial backing from female curators and museum shows, Hollowell anticipates a continued blend of scientific awe and intimate anatomy. She hints at further collaborations that may incorporate actual body casts and multimedia elements, pushing the dialogue between abstraction and representation into new, market‑friendly territory.