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Season triumphs set the stage for a historic doubleMay 2026 saw Manchester City Women clinch the WSL title for the first time in a decade and lift the Women’s FA Cup for the first time since 2020. The back‑to‑back silverware has turned the club’s ambition from “winning” to “staying on top”.Shaw’s record‑breaking four‑year extension secures the strike forceJamaican forward Khadija “Bunny” Shaw reversed her announced departure and signed a four‑year deal after senior men’s‑team executives met her contract demands. The club avoided the risk of losing a 21‑goal scorer to rivals Chelsea and turned the announcement into a morale‑boosting moment on the trophy parade stage.Numbers that underline City’s dominanceShaw: 21 goals in 22 league matches.Four City players named in the WSL Team of the Year – Shaw, Yui Hasegawa, Vivianne Miedema, Kerstin Casparij.Casparij led the league with the most assists.City’s unbeaten run in the league stretched to 12 games heading into the FA Cup final.What the double means for English women’s footballThe potential league‑cup double would be the club’s first since the 2018‑19 season and the first FA Cup win in front of fans since 2020. It signals a shift in power away from traditional giants and showcases the growing commercial appeal of the women’s game, especially after a high‑profile contract renewal.Road ahead: Wembley showdown and European aspirationsCity face Brighton & Hove Albion at Wembley on 30 May 2026. A victory would secure the double; a loss would still leave the squad poised for a deeper run in next season’s UEFA Women’s Champions League, where they aim to improve on their 2024‑25 semi‑final appearance.Focus on squad rotation to keep key players fresh for the Champions League group stage.Continued investment in recruitment under head coach Andrée Jeglertz.

The Comeback VictoryTearful Luke Littler admitted his Premier League struggles and the boos from the crowd had made him consider walking away before he beat great rival Luke Humphries in an epic final at the O2. Littler won a nail-biting last-leg decider to regain his crown and pocket a £350,000 jackpot.The world No 1 was subjected to more pantomime booing and whistling from the 16,000 crowd at London's O2 Arena. But the 19-year-old shrugged off the jeers which have followed him around recently to reclaim the title he lost to Humphries in last year's final.The Final ShowdownIt was the third straight meeting between darts' top pair in the final, and it was Warrington thrower Littler who came from 6-3 down to edge a thriller 11-10. The match showcased the incredible skill and mental fortitude of both players as they traded blows in front of the hostile crowd.In the semi-finals, Littler had squandered six match darts as he let a 9-4 lead slip in a bad-tempered match against Gerwyn Price. There was controversy midway through the 15th leg when Price, not on a finish, scored 170 and gave the crowd the "reeling in the big fish" gesture with Littler already throwing.Humphries, 31, had seen off 2021 winner Jonny Clayton 10-9 in a see-saw second semi-final after leading 6-2, only for Clayton to roar 9-7 ahead before Humphries levelled and eventually won.The Prize and PerformanceAdd in his record-equalling six nightly wins over the 17-week marathon and Littler has raked in an eye-watering £410,000. This financial success underscores the growing commercial appeal of darts as a spectator sport.The Premier League Darts has become one of the most lucrative tournaments in the sport, with substantial prize money attracting the world's best players and creating intense competition throughout the season.Mental Fortitude Under PressureSome controversial incidents, not least an on-stage argument with Dutch opponent Gian van Veen in Manchester, left him confiding in girlfriend Faith that the crowd's reaction was getting him down. "It's been a rollercoaster," he said on stage. "The first four weeks I was at the bottom, on the fifth night I won my first night. I had to pick myself up."After Brighton, Littler revealed he had considered quitting: "I came off stage and then in Manchester, I was sat at home saying to Faith 'I don't want to do it anymore'. Just the crowd every week'. I said to her, 'I'm down bad'." The youngster then had to stop speaking as he welled up with emotion.Humphries explained: "It shows what it means to us as players, on the road for 16, 17 weeks, it's hard work." This insight into the mental challenges of professional darts highlights the pressure these athletes face.The Future of DartsLittler's victory reinforces his position as the dominant force in modern darts, particularly given his young age. His ability to perform under extreme pressure and hostile conditions suggests he could dominate the sport for years to come.The controversy surrounding crowd behavior at darts events may prompt organizers to address the issue, potentially implementing measures to ensure a more respectful environment for players while maintaining the passionate atmosphere that makes darts unique.As the sport continues to grow in popularity and financial rewards, we can expect even greater competition and higher standards of performance from players like Littler and Humphries, who are setting new benchmarks for excellence in darts.

Celebrating Queer Nightlife Through Photography A new photo book titled 'Sex, Clubs, Dissent: Visualising Queer Nightlife' offers a striking defence of the culture-shaping role of snapshots taken inside and after queer clubs. Edited by writer and London dancefloor regular Amelia Abraham, the anthology takes an expansive view of nightlife photography from the 1960s until today. The Book's Diverse Collection The book features contributions from artists such as Wolfgang Tillmans, Sunil Gupta, and Kia LaBeija, showcasing a wide range of nightlife photography. The image selection is cacophonous, ranging from film stills and studio portraits to Grindr screenshots, taking readers on a nonlinear dance through scenes of queer sociality. A Platform for Marginalized Voices The book aims to rebalance the history of queer nightlife, which has often focused on white gay men. The cover features a 1978 photo by Meryl Meisler, 'Two Women Embrace on Floor Next to Jupiter's Legs, Les Mouches, NY', highlighting the intention to include marginalized voices. A Celebration of Queer Expression The book includes a generous selection of images from Del LaGrace Volcano's archive, documenting meetings of leather-clad lesbians in London, as well as never-before-published photos from two trans community archives in Mexico City and Buenos Aires.

The Wigmore Hall's 125th Anniversary Celebration Wigmore Hall, a renowned venue for classical music, marked its 125th anniversary with a special gala concert. The event was a partial recreation of the hall's inaugural concert in May 1901, which featured a starry lineup including Ferruccio Busoni and Eugène Ysaÿe. A Tribute to the Past The concert began with a performance of the national anthem, 'God Save the King,' followed by a new piano version of Thomas Adès' 2023 guitar piece 'Vesper (for Henry Purcell).' Adès also performed Beethoven's Op. 109 piano sonata, which showcased his dramatic and polished style. Musical Highlights Thomas Adès performed a new piano version of his 2023 guitar piece 'Vesper (for Henry Purcell)' and Beethoven's Op. 109 piano sonata. Louise Alder and pianist Joseph Middleton performed three Schubert songs, ending with 'Erlkönig,' which was almost like a mini-opera. Alina Ibragimova played the second half of Bach's first Partita for solo violin, in B minor, with freshness, precision, and elegance. Cédric Tiberghien joined Ibragimova for Beethoven's Romance in G and performed Brahms's Paganini Variations. The Venue's Legacy Wigmore Hall has a rich history dating back to 1901 when it was built by Bechstein, a piano manufacturer. The hall has continued to host concerts through the years, including performances by notable artists like David Bowie. Despite facing economic challenges, the venue remains a London home for solo recitals, chamber music, and song. Looking to the Future The Wigmore Hall's 125th anniversary festival continues until June 7, with all concerts being broadcast on BBC Radio 3 and available on BBC Sounds for 30 days. This celebration is a testament to the venue's enduring legacy and its commitment to showcasing classical music.

Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.

The Unlikely World of Greenland Football In a world where football often conjures images of packed stadiums and international superstars, 'No Place for Football' offers a refreshing look at the sport's fringes. The documentary focuses on Greenland's eight-team championship playoff, bringing to light the struggles of the country's football enthusiasts. The Challenges of Playing Football in Greenland The film highlights the difficulties faced by Greenland's footballers, from battling ice and snow to dealing with travel issues that make it hard to arrange matches against teams from outside the island. The team captain, Patrick Frederiksen, is shown hunting for seals, while giant icebergs float near the football pitch. The short playing season, due to the country's harsh climate, is a significant obstacle. The Data Behind Greenland's Football Struggles Greenland has only a few short summer weeks where the weather thaws enough for outdoor matches. Travel issues make it almost impossible to arrange games against teams other than local sides. The country's national side has been turned down by Fifa's North and Central Americas organisation Concacaf. The Impact on Greenland's Football Community Despite the challenges, there seems to be plenty of enthusiasm for football in Greenland. However, the country's footballing powers-that-be appear reluctant to give official sanction to the national side. The documentary offers an interesting insight into the fringes of the global game, showcasing the determination and passion of Greenland's footballers. The Future of Greenland Football As climate change continues to affect Greenland, it's possible that warmer weather could increase the country's chances of developing its football scene. For now, 'No Place for Football' provides a unique perspective on the sport's grassroots level, highlighting the struggles and triumphs of Greenland's football community. The film is available on digital platforms from May 29.

The Lead Barcelona has completed the signing of Anthony Gordon from Newcastle for £70m, a move that brings a direct and intense playing style to their attack. The 25-year-old England winger is known for his turbo-charged talent and ability to terrorize defenses. Gordon's Playing Style Gordon is a versatile right-footed forward who is arguably at his best on the left but capable of playing across the frontline. He is aggressive and direct, reveling in accelerating into space behind defenders and pressing relentlessly from the front with rare intensity. His playing style is not without risk, as he often forces defenders into taking gambles they would prefer to avoid. The Data Analysis In 26 league games for Newcastle, Gordon contributed six goals, three of them penalties, and only two assists. However, in the Champions League, he scored 10 times in 12 appearances and contributed two assists. His performance in the Champions League has drawn praise from top managers, including José Mourinho. The Impact Analysis Gordon's signing is part of Hansi Flick's plan to keep Madrid firmly in their place. His arrival brings unpredictability to Barcelona's attack, and his ability to interchange positions with other forwards could make their attacking trio more formidable. However, Gordon's inconsistency and sometimes selfish play may pose a risk for Flick. The Prediction If Gordon can refine aspects of his game and diplomatic skills at the Camp Nou, he could become a key player for Barcelona. Meanwhile, Newcastle seems poised for an even more dramatic reinvention, with their sporting director pursuing several new signings to strengthen their squad.

The Road to Wembley Wigan Warriors are gearing up for a big presence at Wembley as they compete in the Challenge Cup finals on Saturday. The club has selected two players, Liam Farrell and Jenna Foubister, to represent them at a Wembley photoshoot, showcasing the team's strong squad and dedication to the sport. Wigan's Successful History Wigan have a remarkable record in finals, rarely losing two on the bounce. With 21 Challenge Cups under their belt, the team is driven by a strong mentality and a rich history of success. According to Farrell, 'There's a bit of outside pressure, an expectation from fans in the town to win. There's also a strong mentality at the club of Wigan lads, who have grown up watching us win finals, wanting to reproduce that themselves.' The Next Generation The club's academy graduates account for 20% of all Super League players, demonstrating Wigan's commitment to developing young talent. Foubister, a 19-year-old player, has already made her England debut and won the quadruple, highlighting the club's ability to nurture and support its players. 'The club put a lot into the youth system,' she says. 'They are very supportive in the way they shape players for the future.' A New Era for Women's Rugby Wigan have taken a proactive approach to providing for their female players, with the women's team having sole use of the revamped Edge Hall Road site. This move has helped to increase the team's fanbase and provide a platform for players like Foubister to develop their skills. 'It is a privilege having our own ground,' she says. 'We can go up whenever we want and have the freedom to train, whereas at Robin Park you got slotted in at a certain time.' Building a Legacy As Farrell's career enters its final phase, Foubister aims to become a hero in her hometown and build a legacy for the women's team. 'The men have a lot of history behind them, but the women's team has to build a history of our own now,' she says. With the support of the town and the club, Foubister and her teammates are well on their way to achieving their goals.

The Rise of Recursive Self-Improvement in AIThe word "recursion" is the latest buzzword in AI circles. Two separate startups have taken on the name, and many more have started referencing recursive self-improvement (RSI) in their roadmaps. Like AGI before it, RSI has become a three-letter byword for a cataclysmic AI takeoff – even if there's still a little disagreement about what it exactly means.In basic terms, RSI refers to an AI system that can continuously upgrade itself. Once AI systems can manage the upgrade cycle better than humans, the process can become a closed loop, limited only by the compute power they can access, and humans are no longer necessary or even helpful.Scary or not, that's a vision that a lot of AI labs are eager to chase.Key Players Pursuing Recursive SystemsEarlier this month, well-known AI researcher Richard Socher launched the aptly named Recursive Superintelligence with RSI as an explicit goal. "Our main focus is to build truly recursive, self-improving superintelligence at scale," Socher told TechCrunch at launch, "which means that the entire process of ideation, implementation, and validation of research ideas would be automatic."A number of other prominent researchers are already chasing that same goal, hoping for a breakthrough that will make recursive self-improvement possible.One of the most prominent is Andrej Karpathy, a legendary figure from Tesla and OpenAI, who is using agent swarms to train LLMs on simple tasks for a project he calls Auto-Research. Karpathy has been unusually open about the project, tweeting about milestones regularly and making the building blocks available through a public GitHub repo. So far, the work has mostly been confined to making minor improvements on a GPT-2 scale model — as Karpathy noted in March, "It's not novel, ground-breaking 'research' (yet)" — but it's been enough to convince lots of other researchers to follow the RSI dream. And with Karpathy now working on pre-training at Anthropic, he will have plenty of opportunity to apply the idea at a larger scale.Adaption — founded by Cohere and Google alum Sara Hooker — recently launched a similar tool called AutoScientist in an effort to automate frontier training. Like Karpathy's auto-researchers, the system trains agents to make incremental improvements — but for Adaption, the goal is to make it easier to train a full-scale frontier model. If those same researchers start to push the frontier forward, the system could quickly spiral into something very much like RSI.Disarray founder Doris Xin drew more specific RSI interest when her self-trained machine learning agent took home 28 medals in a recent Kaggle competition, beating out many human-trained agents. As she sees it, the major challenge is reliability."I would argue, given infinite compute and infinite time horizon, we are already there," Xin told me. "I want to make an argument that this is not a creative endeavor, really. It's just a lot of meat-and-potatoes engineering."The Current State of Self-Improving AIThere's also plenty of evidence that the AI industry isn't very close to recursive systems in any meaningful way — and is still grappling with talking to a wary public about its progress. So Google CEO Sundar Pichai basically admitted in a recent podcast interview."It's a continuum, and we are all definitely making progress," Pichai said. "But in the way people describe RSI, that would represent a next level of acceleration and would have a lot of implications, but we aren't quite there yet."But the continuum includes an awful lot of self-improving AI systems.In January, one of Anthropic's lead programmers for Claude Code estimated that "close to 100%" of his team's code was written by the tool — a frank admission that Claude Code was literally writing itself.Just because engineers are using an AI tool doesn't mean the tool can replace them — but Anthropic seems to be getting close to replacing engineers too. In a recent survey tied to the Mythos preview, five out of 18 Anthropic engineers believed that, with harness improvements, this version of Mythos could soon substitute for an L4 engineer — a midlevel programmer who can take on involved projects without supervision.Still, there were some of the same weaknesses you might expect."Some of Claude's major reported weaknesses compared to an L4 include: self-managing week-long ambiguous tasks, understanding org priorities, taste, verification, instruction-following, and epistemics," the report reads.In other words, its weaknesses are everything involved with self-direction, which is the cornerstone for RSI. But sure, for everything else, Claude is ready to step right in.Expert Perspectives on RSI TimelinesJust like the AGI term before it, the AI industry also can't tell us how far away it is from showcasing a meaningful recursive system. When Georgetown's Center for Security and Emerging Technology assembled a group of experts to study RSI last year, the group found a major split in assessments — some expecting an imminent "superintelligence" style explosion while others expected slower progress and an eventual plateau. But all agreed that recursion made the future especially difficult to predict.Helen Toner, director of CSET and a former board member at OpenAI, told TechCrunch that simply using AI tools to do AI research isn't enough to qualify as RSI. "They're just using AI for as much as they can," Toner told TechCrunch. "And I think that is different from the classic definition of RSI, which is really that there are no humans needed."Toner pointed to a recent post by METR's Ajeya Cotra, which distinguishes different milestones on the path to the AI research takeover. One step, which Cotra calls "adequacy," would come when the system can still perform research after all humans are removed — even if the resulting research isn't as valuable or efficient. "Parity" comes when an AI-only system is as good at research as a human-only system. "Supremacy," the final stage, comes when an AI-only system outperforms a collaborative system between humans and AI.Ultimately, Cotra concludes that AI is very close to the adequacy threshold of being able to produce some work on its own — similar to the incremental changes made by Karpathy's Auto-Research system. "I wouldn't be totally shocked if you told me this milestone had already passed, and I expect it to happen in the next couple years," Cotra wrote.She was less clear on when parity will come, but once it does, she thinks it would "massively accelerate the pace of AI progress, leading to AI research supremacy within another year."The Challenges Ahead for Recursive AIWith so much of AI built on scaling laws, there's a strong tendency to think RSI will follow the same curve. Toner thinks that many of those pursuing AI research and development via RSI "think of it as a pretty smooth ladder, where you can just keep scaling up."But even if AI researchers are able to make incremental improvements like Karpathy's auto-researchers, there will be larger challenges in handing off the whole process of research. Toner put it in terms of the history of computing, which has seen human beings handing off more and more of the process while still directing things from the top."We went from machine languages to assembly language and compiled languages; you're getting further and further from the guts of the computer," Toner said. "But the human is still, in some intuitive sense, running the show."Moving beyond that paradigm will take significant challenges, both in engineering and alignment. But even with the massive investments happening, there's no infinite compute available — and the basic trade-off between human labor and machine intelligence will be hard to overcome.The Future of Recursive Self-ImprovementAs for a total recursive AI system of apocalyptic visions? The only thing researchers essentially agree on is that, like AGI, it's not here yet.