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The Incident A brutal night for Victor Wembanyama continued even after he returned to his New York hotel on Wednesday, as he was pelted with boos from jeering Knicks fans and nearly struck by a flying egg. A video shared online showed at least one egg tossed in the direction of the San Antonio Spurs superstar as he entered his hotel, flanked by security, after the team’s Game 4 loss to the Knicks. The Aftermath The confrontation followed a historic collapse by the Spurs, who now find themselves on the brink of elimination after blowing a 29-point lead to the Knicks. Wembanyama missed two key free throws in the game’s final minutes. The Knicks’ victory prompted scenes of bedlam and jubilation across New York City, as ecstatic fans packed the streets, set off fireworks, scaled lamp-posts and at times clashed with police. According to the New York police department, 56 people were taken into custody for charges that ranged from assault to disorderly conduct. The Reaction Earlier this week, players from both teams condemned apparent attacks on Spurs fans by supporters of the Knicks. Video had circulated showing San Antonio fans having their jerseys ripped off in the streets of New York after the Spurs’ win in Game 3 on Monday. “My thoughts of course [are] that we can’t forget it’s a game,” Spurs star Victor Wembanyama said about the incidents. “We’re just playing a game out there. I am all for passion, but [with] the respect of each other. It’s unacceptable.” Added Knicks center Karl-Anthony Towns: “The game is built off of respect and passion. We want everyone to respect each other. We want everyone to enjoy basketball at its purest state. It’s the NBA finals. There’s no better place to watch basketball. Leave the physicality to everyone on the court.”

The Guardian’s latest feature ranks Kathleen Turner’s filmography from 1984 to 2022, presenting a curated top‑20 that showcases the actress’s shifting on‑screen personas and the industry’s changing appetite for her talent.The Guardian’s Curated Countdown of Turner’s Career Highlights20 titles evaluated, ranging from early comedies to recent indie dramas.Rankings are based on a mix of critical reception, cultural impact, and Turner’s performance nuances.Films include Marley & Me (2008), The Estate (2022), Monster House (2006), and The Virgin Suicides (1999).Box‑Office and Critical Reception of the Top PicksWhile many of Turner’s early blockbusters such as Romancing the Stone (not listed) earned multi‑million dollar grosses, the Guardian’s list leans toward titles that earned critical acclaim or cult status. For example, Marley & Me grossed over $140 million worldwide, whereas The Virgin Suicides garnered a modest $10 million but secured a lasting auteur reputation.Turner’s Evolving On‑Screen Persona Across the DecadesThe rankings illustrate a clear trajectory: early roles emphasized sharp wit and physical comedy, mid‑career choices highlighted darker, more complex characters, and later entries show Turner embracing meta‑commentary and voice work. Notable shifts include the “drill‑sergeant” dog‑trainer in Marley & Me and the melancholic mother in The Virgin Suicides.What the List Reveals About Late‑Career Opportunities for Veteran ActorsEntries such as The Estate (2022) and Switching Channels (1988) demonstrate that seasoned performers can still secure roles that blend humor with pathos, often in ensemble casts that benefit from their experience. The Guardian’s commentary suggests a growing industry respect for veteran talent in both lead and supporting capacities.Future Re‑Assessments and Potential RediscoveriesAs streaming platforms revive older titles, several lower‑ranked films—like A Breed Apart (1984) and Switching Channels (1988)—may experience renewed viewership, prompting critics to re‑evaluate Turner’s contributions beyond the marquee hits. The list therefore serves as both a retrospective and a guide for upcoming retrospectives.

The Rise of Archie McParland Plenty of aspiring young players will relate to how Archie McParland once felt. Northampton’s fast-emerging scrum-half, on the verge of a full England debut this summer, possessed the requisite talent but not always the freedom of expression to maximise it. Perfectionists can often be like that, so averse to making the slightest mistake they end up holding themselves back. Breaking Through Self-Doubt Eventually there is a choice to be made: abandon all inner doubt and trust in his ability or stay frustratingly trapped in never never land. The turning point for McParland arrived just after Christmas in Bath when he starred for Saints in a pivotal league fixture at the Recreation Ground having been specifically encouraged by his coaches to follow his gut instinct. “That was the moment,” he says now. “I’d been training well but struggling to put it on to the pitch. In that game we felt quite free to play our game and it all worked out. Since then I’ve been able to show my game more and more.” A Standout Performance In what has been an eye-catching personal season for the 21-year-old there was another prime example at Bath in the sixth minute of the Champions Cup quarter-final in April. Clean off-the-top ball, a deft lob by Rory Hutchinson, a glorious one-handed flick on by McParland to Fin Smith and great support from Tommy Freeman and Fraser Dingwall made for the slickest of first-phase strike plays. Saints lost a thrilling contest 43-41 but for a while their attacking game was untouchable. McParland's Ambitions and Influences McParland also comes from a family accustomed to operating under pressure. His mother Emma is a maxillofacial surgeon at Glan Clwyd hospital near Rhyl specialising in skin cancer of the face and neck and jaw deformities. But despite growing up in north Wales – he first played rugby at Ruthin RFC at the age of five – it was always an England cap he craved. “As soon as I knew what England rugby was I wanted to play for them. To get the call up (to England’s training squad) was an amazing feeling ... I rang my parents straight afterwards and they were over the moon for me.” Future Outlook On the contrary, the evidence strongly points to a deceptively smart operator with a constant thirst for self-improvement. Among other opponents he has been closely studying Bordeaux’s scrum-half and captain, Maxime Lucu, keen to emulate the way the French international artfully controls the tempo of a game and contributes even when he does not have the ball. “Watching Lucu the thing that shouts out to me is his defensive leadership. It’s crazy how much he’s involved in the defensive system and he also leads through his actions. I’d love to put that in my game but equally I want to show my own strengths.

Key Takeaway: Team Uninformed Amid Ongoing Safeguarding ProbeThe Guardian reports that neither the Women's Super League nor the West Ham United women’s team knew about the restrictions placed on David Sullivan – the club’s largest shareholder – despite a formal safeguarding inquiry that began in 2023.Restrictions on David Sullivan Kept From West Ham Women’s SquadAccording to the investigation, the Football Association opened a case after receiving a complaint alleging sexual misconduct unrelated to football. A joint BBC‑Times probe identified seven women accusing the 77‑year‑old of predatory behaviour dating back to the 1980s. Sullivan denies the allegations, and the club’s spokesperson declined to comment on individual cases.Restriction imposed: No direct contact with the women’s first‑team or youth squads.Start date of restriction: 2023.Number of accusers: Seven women.Club’s league finish: 10th in the current WSL season.Numbers Behind the Allegations and Club PerformanceThe story intertwines personal and club data:David Sullivan – 77 years old, longest‑standing shareholder.Seven women have publicly accused him.West Ham Women finished 10th in the WSL, a league operating independently since 2024.His son, Jack Sullivan, served as director of the women’s club from November 2017 to May 2021.What the Secrecy Means for Women’s Football GovernanceThe lack of communication highlights a tension between safeguarding confidentiality and the right of players to be informed about risks. The FA’s policy of not disclosing active case details may protect investigations, but it also leaves squads unaware of potential threats, potentially eroding trust in league governance.Possible Outcomes for West Ham and the WSLLooking ahead, several scenarios could unfold:Increased pressure on the FA to revise its communication protocol with clubs.Potential internal reviews at West Ham United to ensure players are briefed on safeguarding measures.Further legal scrutiny of David Sullivan if the allegations progress.Broader industry debate on balancing confidentiality with player safety in women’s sport.

The LeadMitie has announced an internal investigation following a whistleblower‑provided dossier that alleges racism, antisemitism, Islamophobia and other hate‑speech among staff working in Home Office immigration removal centres.Allegations of Racist and Hate‑Speech Conduct Surface in Immigration Removal CentresThe dossier, seen by the Guardian, lists multiple examples: staff allegedly said immigrants should be “kicked out of our country”, claimed “all Muslim men beat their wives”, and posted derogatory messages such as “old slags” and “shalom cunts”. One employee reportedly liked a far‑right post urging a return to a “Christian city”.Comments made on the job floor and on personal social‑media accounts.References to extremist figures, including a post linked to far‑right activist Stephen Yaxley‑Lennon (Tommy Robinson).Explicit language targeting Muslim, Jewish and migrant communities.Historical Context and Prior Incidents Highlight Ongoing IssuesThese claims echo earlier controversies involving Mitie:In February 2022 the chief executive apologised for a series of racist WhatsApp posts from a 120‑member group called “escorts meet and greet”.A 2021 employment tribunal expressed deep concern after contractors used the slur “cotton pickers” to describe Black colleagues, though the claim was dismissed.In 2025 a racist message was reportedly broadcast over portable radios at the Manston asylum processing centre, prompting a separate investigation.Mitie has since upgraded communications technology to improve traceability of transmissions.Potential Repercussions for Government Contracts and Staff MoraleThe allegations threaten several key areas:Contractual risk: The Home Office may reassess the suitability of Mitie for future immigration‑related contracts if systemic cultural problems are confirmed.Workforce wellbeing: Whistleblowers describe severe stress, anxiety and a feeling of being unsafe, indicating a hostile workplace that could affect staff retention and performance.Public and political scrutiny: Ongoing media coverage could pressure policymakers to impose stricter oversight on private contractors handling vulnerable migrants.What the Investigation Could Mean for Mitie and Home Office OversightAnalysts anticipate several possible outcomes:Comprehensive cultural‑change programmes, including mandatory diversity training and stricter social‑media monitoring.Enhanced reporting mechanisms for staff, with protections against retaliation.Potential contractual penalties or a review of existing agreements if the investigation uncovers systemic failures.Regardless of the investigation’s findings, the episode underscores the need for robust governance of private firms operating within the UK’s immigration system.

The Call for Submissions The Guardian’s music writers have compiled their favourite albums of the year so far – and we’d like to hear about yours, too. Share Your Favourite Album Have you listened to a new album that has had you hooked? Or one you’d recommend? Tell us your nomination and why you like it below. The Submission Form Users can submit their favourite new album of 2026, along with reasons why they enjoy it. The submission form includes fields for name, location, age/background, and contact information. Users can choose to remain anonymous or provide contact details for potential follow-up. Why Your Input Matters By sharing your favourite album, you contribute to a broader conversation about the best music of 2026. Your input may be featured in The Guardian’s coverage of the year’s top albums. How to Participate Interested readers can submit their favourite album through this form. The Guardian encourages users to include as much detail as possible about their chosen album.

The World Cup Advertising Boom ITV has described the World Cup as a 'six-week summer Super Bowl moment' for TV advertising, with the broadcaster expecting to air 51 of the 104 matches across the men's tournament. The event, co-hosted by the US, Mexico, and Canada, is the biggest yet after an expansion from 32 to 48 teams. Advertising Revenue Surge Kelly Williams, the managing director of commercial at ITV, told the Guardian that its advertising revenues are running about 30% higher than it took from the last big football tournament, Euro 2024, when England reached the final. The broadcaster began selling commercial packages for the World Cup last autumn, with Google taking the headline sponsorship to promote its Gemini and Pixel products. Advertiser Interest ITV has sold packages to 220 different advertisers, with 70 of those running TV ads in football coverage for the first time. About eight advertisers are completely new to TV advertising. High-Profile Ad Campaigns One of the most high-profile ad campaigns is Nike's World Cup TV ad, which at six minutes will be the longest commercial ever aired on TV. The ad features superstar footballers and will air for the first time during England's opening match against Croatia. The Impact of AI and Tech Companies Williams added that one thing that 'stood out' among the range of advertisers for the tournament was the number of AI and tech companies booking ad slots. He said that as well as Google, there are ads running from Amazon Web Services, Apple, Dell, Microsoft's Copilot, and Meta. The Future Outlook ITV expects to see a boost from audiences watching England's progress, with the times of the group matches being more unsociable for Scotland's matches. The BBC has the rights to air the remaining World Cup matches in the UK and has opted to broadcast out of its studios in Salford, Manchester.

The Unconventional World Cup Experience The Guardian has released a captivating video that showcases a distinctive way of watching the World Cup, honoring the football legend Diego Maradona through an innovative sensory experience. A Tribute to Maradona The video, titled 'How We Watched the World Cup: Smelling Maradona,' provides a glimpse into an immersive experience where viewers can smell scents associated with Maradona during a World Cup match. The Intersection of Sports and Senses This unique approach blurs the lines between sports, nostalgia, and sensory perception, offering a fresh perspective on how fans engage with major sporting events like the World Cup. The Future of Sports Experiences As sports continue to evolve, experiences like this highlight the creative ways in which fans can connect with their favorite athletes and moments in sports history, potentially setting a new trend in sports entertainment.

In his Guardian column, broadcaster Adrian Chiles warns that the 2026 FIFA World Cup’s pursuit of big‑money sponsorship is crowding out ordinary supporters, turning a once‑celebrated global festival into a corporate showcase. The Commercial Overreach Behind the Expanded Tournament The competition has grown to 48 teams spread across an entire continent, a shift driven less by sporting merit than by the promise of larger broadcasting deals and sponsor exposure. Organisers argue that "bigger is always better," but the expansion has opened the door for corporate hospitality to dominate stadium space. Ticket Pricing and Allocation: Numbers That Exclude Fans Ticket prices have roughly tripled compared with the 2018 edition, according to FIFA data. Only a small fraction of the total ticket pool is earmarked for the general public; the majority is reserved for sponsors, corporate partners and packaged travel groups. Fans report being unable to secure seats even at the earliest sales window, not because of price but because availability is limited by corporate allocations. Impact on Fan Culture and the Authentic World Cup Experience The atmosphere at matches is shifting. Genuine supporters are relegated to narrow sections behind goals, while corporate guests fill the premium stands, creating a disjointed stadium vibe. Chiles notes that the "true spirit of World Cuppery" is now more likely to be found in informal fan gatherings abroad than in the host cities themselves. What Needs to Change: Restoring the Spirit for Future Editions To revive the tournament’s soul, Chiles calls for: A transparent quota guaranteeing a minimum percentage of tickets for the public. Price caps or tiered pricing that keep entry affordable for average fans. Limiting corporate block bookings that crowd out grassroots supporters. If FIFA adopts these measures, the World Cup can reclaim its identity as a festival of football rather than a showcase for corporate profit.