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The United Nations’ Under‑Secretary‑General for Humanitarian Affairs, Tom Fletcher, warned the Security Council on Friday that South Sudan is at a dangerous crossroads, facing the prospect of a full‑scale famine and national collapse.Fletcher stressed that “hunger across South Sudan is tightening its grip,” noting that emergency‑level food insecurity is projected for all ten states during the lean season, which runs until the end of July.After a week‑long visit, he reported that humanitarian compounds have been looted and nutrition centres destroyed around Akobo in Jonglei State, where more than 140,000 people are in “dire need of help.” He warned that his next briefing could be dominated by famine warnings.According to the UN official, over 7.5 million South Sudanese will require food assistance this year. The situation is compounded by expected floods that will further isolate communities and damage livelihoods.Escalating violence fuels the crisisUNMISS head Anita Kiki Gbeho told the council that civilians continue to bear the brunt of intensifying clashes between the South Sudan People’s Defence Forces and the Sudan People’s Liberation Movement/Army in Opposition (SPLM/A‑IO), especially in Jonglei.Fighting surged late last year after a 2018 peace deal ended a five‑year civil war. In December, opposition forces seized government outposts in Jonglei, prompting a retaliatory operation in January that forced more than 280,000 civilians to flee.Fletcher urged the Security Council to secure unhindered humanitarian access, increase flexible funding, and demand that all parties fully respect humanitarian law and protect civilians and infrastructure.As the council deliberates the renewal of the UNMISS mandate—currently set to expire on 30 April—Gbeho warned that “the scale and urgency of needs on the ground are not yet matched by the type of sustained commitment and investment required to fully meet the shared ambition of a sustainable path to peace.”

FIFA President Gianni Infantino has come under fire for the high ticket prices for this year's World Cup in North America. In response, Infantino defended the pricing, stating that the event is the organization's only source of income every four years. Speaking at Semafor's annual world economy summit in New York, Infantino emphasized that FIFA is a nonprofit organization with 211 member nations. 'The main, and so far the only, revenue-generating event for FIFA is the World Cup,' he said. 'The World Cup takes place one month every four years, so we generate money in one month. The 47 months until the next World Cup, we spend that money.' Infantino highlighted that three-quarters of FIFA's member countries rely on grants from the organization to support their football programs. He also noted that the World Cup is a global event that captivates a massive audience, justifying the high ticket prices. A check on the secondary market showed that tickets for the US opener against Paraguay were listed as high as $1,359, while tickets for the final could go for as much as $25,000. In an effort to address complaints about ticket affordability, FIFA introduced a $60 ticket option for a limited number of seats in each venue. Infantino described North America as 'a very special market' and mentioned that he has been living in the US for the past two to three years to better understand the market. This year's World Cup will feature a record 48 teams, organized into 12 groups of four, with games hosted in the US, Canada, and Mexico. The tournament will consist of a record 104 matches.

Ben Roberts-Smith, a 47-year-old former Australian special forces soldier and Victoria Cross recipient, has been granted bail after spending 10 days in prison. He was arrested in Sydney last week and charged with murdering five people in Afghanistan between 2009 and 2012.Roberts-Smith, who was heralded as an Australian war hero and even honoured as the nation’s “father of the year,” denies all charges. The alleged crimes include the murder of unarmed Afghan prisoners by Australian troops. He faces a maximum sentence of life imprisonment if found guilty.The Australian Federal Police (AFP) Commissioner Krissy Barrett stated that “it will be alleged the victims were not taking part in hostilities at the time of their alleged murder in Afghanistan.” The prosecution will also allege that the victims were shot by Roberts-Smith or by subordinates acting on his orders and in his presence.Roberts-Smith's reputation was called into question in 2018 when news reports linked him to the alleged murder of unarmed Afghan prisoners. A judge found in 2023 that many of the journalists’ claims were “substantially true.”Australia deployed 39,000 troops to Afghanistan over two decades as part of US and NATO-led operations against the Taliban and other armed groups.

Hungary’s political landscape shifted dramatically last weekend when Peter Magyar secured a landslide victory, ending Viktor Orban’s 16‑year rule. Magyar, now head of the centre‑right Tisza party, has pledged to steer the nation back toward the European Union and to eliminate Russian oil imports by 2035. Under Orban, Hungary deepened its energy ties with Moscow, opposing EU sanctions and blocking military aid to Ukraine. The country became a key conduit for Russian oil and gas into the EU, largely via the Druzhba pipeline, which delivered up to 93% of Hungary’s crude by 2025, up from 61% in 2021, according to a 2026 Center for the Study of Democracy (CSD) report. Gas dependence is similarly stark: the CSD data show that roughly three‑quarters of Hungary’s annual gas imports come from Russia, amounting to an estimated €15.6 billion ($18.4 bn) since the invasion of Ukraine. Long‑term contracts with Gazprom and reliance on the TurkStream pipeline have locked Hungary into Moscow’s re‑engineered gas export system. Hungary’s nuclear sector also ties it to Russia. The Paks plant, which supplies 40‑50% of the nation’s electricity, is being expanded with financing from Russia’s state nuclear corporation Rosatom. The expansion would raise nuclear output to 60‑70%, reducing overall import needs but preserving a strategic link to Moscow. Magyar acknowledges the difficulty of a swift break. "The geographical position of neither Russia nor Hungary will change. Our energy exposure will also be here for a while," he told voters before the election. Yet he insists that ending dependence does not mean abandoning all contracts, emphasizing a need to balance existing obligations with a political shift away from Russia. Analysts note that diversification will be costly. Russian oil has been purchased at discounted rates due to Western sanctions, and alternatives—such as the Adria pipeline delivering non‑Russian crude to Hungarian refiner MOL—are more expensive. A 2025 joint study by CSD and the Center for Research on Energy and Clean Air suggests the Adria route could help, but price differentials remain a barrier. The EU has set a binding deadline to phase out Russian oil and gas by late 2027. Magyar’s 2035 target therefore exceeds the bloc’s timetable, raising questions about Hungary’s compliance and its future relations with Brussels. European Council on Foreign Relations senior fellow Pawel Zerka warns that Hungary lacks easy substitutes, especially given global supply disruptions like the Strait of Hormuz closure, which has halted 20% of world oil and LNG shipments. Domestically, public sentiment appears hostile to Russia; a recent ECFR poll shows a majority of Tisza voters view Moscow as an adversary. This political pressure limits Magyar’s ability to maintain cordial ties with President Vladimir Putin while pursuing energy security. In summary, Hungary faces a complex transition: it must untangle decades of energy interdependence, manage higher costs for alternative supplies, and align its timeline with EU mandates—all while navigating domestic expectations and regional geopolitical tensions.

Amid a wave of Israeli air strikes that have killed hundreds and displaced roughly 20 % of Lebanon’s population from the south, Lebanese banker Antoun Sehnaoui attracted fierce criticism after being publicly praised for his pro‑Israel activities. Sehnaoui, who chairs Societe Generale de Banque au Liban (SGBL), attended an event at the United States Holocaust Memorial Museum – a venue he has financially supported. The commendation came from Morgan Ortagus, the U.S. Middle‑East envoy who, according to reports, is also Sehnaoui’s romantic partner. Ortagus framed support for Israel as a matter of "moral clarity", even when it entails personal risk. She highlighted Sehnaoui’s funding of a U.S.–Israeli opera project, noting that such transactions are technically illegal in Lebanon under the country’s ban on dealings with Israeli entities. Describing the banker’s lineage, Ortagus said he hails from generations of "committed Lebanese Christian Zionists" and that his family has been "trained to support the State of Israel and the Jewish people." She also referenced his father, Nabil Sehnaoui, a principal backer of the Lebanese Forces militia, which allied with Israel during the 1982 invasion and was implicated in the Sabra‑Shatila massacres. The timing of the endorsement proved especially contentious. Since mid‑March, Israel has been accused of employing a “quadruple‑tap” bombing technique designed to maximise civilian casualties, and more than a million southerners have fled their homes, deepening sectarian tensions. Lebanese social‑media users reacted with outrage, calling for Sehnaoui’s imprisonment, accusing him of betraying his nation, and even alleging he had converted to Judaism. One commentator, academic Makram Rabah, argued that while a museum visit should not be controversial, the overt support for Israel amid a fragile ceasefire is. Ortagus’s own record – marked by staunch opposition to Hezbollah and open advocacy for Israel since her appointment in April 2025 – has already drawn scrutiny over her suitability as a neutral broker in the region. Beyond the political backlash, Sehnaoui faces serious legal challenges. Lebanese prosecutors have filed money‑laundering charges against him and SGBL, alleging illicit currency‑trading activities that exacerbated the country’s financial crisis that began in 2019. The bank denies any wrongdoing. In the United States, a 2020 civil lawsuit filed by families of Hezbollah‑linked attack victims accuses SGBL of providing material support to the militant group – a claim the bank also rejects. Lebanese MP Paula Yacoubian warned that Sehnaoui’s recent maneuvers appear designed to secure personal immunity in exchange for facilitating Israel‑Lebanon normalisation, rather than delivering tangible benefits such as the safe return of displaced residents. While the controversy rages, a tenuous ceasefire has allowed tens of thousands of residents to return to the devastated south, many seeking the remains of loved ones or assessing the damage to their homes.

In the devastated Gaza Strip, a father's quest for truth has become a desperate fight against time and uncertainty. Mohammed Lubbad's world was shattered on October 13, 2023, when an Israeli strike destroyed his home, killing several family members, including his wife and daughter.As Mohammed struggled to come to terms with his loss, he received news that his pregnant wife, Amal, had given birth to a son via Caesarean section at Kamal Adwan Hospital. However, the child's fate remained a mystery as Amal had died from head trauma and abdominal wounds shortly after.Mohammed's search for his son was complicated by the chaos and destruction caused by the ongoing war. He was told that his son might be among a group of premature infants at al-Shifa Hospital, but a lack of accurate medical documentation made it difficult to confirm.As the uncertainty grew, a bitter dispute emerged with another family who claimed the child was theirs. Despite similarities in the child's description, the two families were unable to resolve the matter.In a bid to find closure, Mohammed waited over two years for the evacuated children to return to Gaza. When they finally arrived on March 31, he went to Nasser Hospital in Khan Younis to try and see the child he believed was his. However, a minor dispute broke out with the other family, and medical investigators intervened.The police investigations department confirmed the dispute and emphasized that the initial registration of the baby under the other family's name could not be considered conclusive. Mohammed strongly believes the child is his and insists on a DNA test to settle the matter.However, DNA testing is currently unavailable in Gaza due to the destruction of specialized laboratories during the war. The police investigations department has called for the provision of DNA testing equipment or the facilitation of urgent sample transfers to accredited laboratories in Egypt or Jordan.Mohammed's ordeal has taken a significant psychological toll, affecting his life and work. He refuses to give up and plans to escalate his efforts by organizing a protest outside al-Shifa Hospital. For Mohammed, the truth is the only way to move on from the trauma and uncertainty that has haunted him since the war began.

Thousands of Iranians who had fled Tehran during the recent war have begun returning to their homes or workplaces, despite the fragile truce and looming anxiety over the approaching ceasefire deadline.Mehdi, a 36-year-old IT professional, is one of them. He had fled to the north with relatives in the early days of the war, but has now returned to find his home damaged by blasts, with shattered glass and blown-out bedroom window frames.The city is riddled with ruined buildings, destroyed infrastructure, and an economy in turmoil. Mehdi describes the experience of hearing missiles hit nearby: 'There's a whistling sound I hope you never hear … a missile so close that you don't know if it's going to hit your house or your neighbour's.'Many residents, especially those reliant on the internet, have lost their livelihoods due to the 45-day internet blackout imposed by Iranian authorities. This has left most of Iran's population cut off from the world, with some paying large sums to access the internet through Starlink and VPNs.Noor, an activist based in Tehran, says 10 million Iranians depend on internet access to run small businesses or make an income. The economic pressure has become unbearable, with food items and medications for patients with serious or chronic illnesses becoming difficult to find or afford.The economic crisis has worsened, with factories struggling to operate due to a lack of raw materials, construction workers losing jobs, and workplaces laying off staff or reducing their workforce.

Guardian’s weekly pick showcases seven standout series available to stream from 21 April to 24 April 2026, ranging from gritty dramas on BBC iPlayer to a nature documentary on Disney+.Half Man – Richard Gadd’s first television drama since Baby Reindeer lands on BBC iPlayer on Friday 24 April. The two‑timeline story follows brothers Ruben (Jamie Bell) and Niall (Gadd) as they navigate a volatile, tender relationship in a hostile school environment. Young Niall is portrayed by Mitchell Robertson, while Stuart Campbell plays an aggressive Ruben, delivering a raw look at adolescent trauma.Unchosen – Netflix releases this unsettling thriller on Tuesday 21 April. Molly Windsor stars as Rosie, a woman trapped in a cult‑like household run by Christopher Eccleston’s domineering Mr Phillips. When the enigmatic Sam (Fra Fee) arrives, Rosie’s instincts clash with the patriarchal control, while her husband Adam (Asa Butterfield) adds further tension.Ramy Youssef: In Love – The third HBO Max special drops on Saturday 18 April. Youssef blends sharp cultural commentary with humor, tackling topics from Saudi‑Arabia comedy festivals to AI‑generated porn and modern masculinity, all while maintaining his signature wit.Criminal Record – Returning to Apple TV on Wednesday 22 April, the thriller reunites detectives June Lenker (Cush Jumbo) and Daniel Hegarty (Peter Capaldi). The duo confronts a far‑right threat at an Islamist rally, with Lenker’s investigation colliding with internal police resistance.Orangutan – Disney+ streams this Borneo‑and‑Sumatra documentary on Wednesday 22 April. Narrated by Josh Gad, the film follows young primate Indah through dense jungle hazards, offering intimate wildlife footage that challenges the high bar set by David Attenborough.Running Point – (Details omitted due to truncation) continues the week’s eclectic mix of streaming options, rounding out a diverse slate that caters to drama lovers, comedy fans, and nature enthusiasts alike.

Disney introduced InfinityVision at this year’s CinemaCon, positioning it as a certification for premium large‑format (PLF) auditoriums that meet or exceed undisclosed standards for screen size, brightness and sound quality. While the name sounds like a Marvel spin‑off, the label applies to any film, not just superhero titles. Disney claims roughly 300 screens worldwide already carry the badge, though a public directory has yet to appear. The timing is strategic: Disney’s Avengers: Doomsday is slated for a December debut that coincides with the release of the third Dune film, which has secured a limited run on coveted Imax screens. By promoting InfinityVision, Disney hopes to reassure audiences that alternative PLF venues—such as Dolby, RPX and other branded auditoriums—can deliver an equally spectacular experience, a tactic the author dubs screenmaxxing. Screenmaxxing has become a lifeline for a theatrical sector under pressure from streaming and rising ticket prices. Even the smallest multiplex PLF screens dwarf the televisions owned by the majority of consumers, yet theatres cannot simply charge a $5 premium for a larger screen; they need to sell a demonstrably superior visual and auditory package. Today’s market offers a bewildering array of PLF options, especially in cities where multiple chains compete. Directors like Ryan Coogler (Sinners) and the team behind Project Hail Mary use the variety of formats as a marketing hook, explaining aspect‑ratio differences and visual nuances to fans. Even legacy formats have resurfaced: Paul Thomas Anderson’s One Battle After Another revived the rarely used VistaVision, an analog high‑definition process dormant for half a century, alongside traditional 70mm and Imax prints. Adding to the mix, a new digital projector brand—HDR by Barco—is being rolled out to compete with Dolby‑branded auditoriums. The technology promises deeper blacks, heightened contrast and unprecedented brightness, and has already been adopted by the Alamo Drafthouse chain for its dine‑in locations. Many of these Barco‑equipped rooms also feature Dolby Atmos sound, though the author cautions against conflating sound systems with projection technologies. To gauge HDR by Barco’s performance, the writer visited the Brooklyn Alamo Drafthouse, one of three New York venues using the system (the others are Regal locations equipped with RPX screens). While the recent Super Mario Galaxy movie showcased the projector’s vivid palette, the reviewer chose a more demanding test: Lee Cronin’s horror‑reimagining The Mummy. Compared with a prior Dolby projection of the same film, the Barco version delivered a noticeable boost in clarity—especially in shadow‑heavy scenes—without the oversharpening or motion‑smoothing artifacts sometimes seen on consumer TVs. The experience was “brighter” yet retained natural colour balance, offering a subtle but real upgrade over standard cinema projection. Despite the technical gains, the piece questions whether another premium brand can truly shift audience habits. The author argues that healthy competition among laser‑projection systems may prevent theatres from settling for “dim” images, encouraging cinephiles to seek out PLF venues. However, blockbuster spectacles like the climactic battle in Avengers: Endgame remain visually underwhelming even on an InfinityVision‑certified screen, suggesting that format alone cannot rescue a film’s visual impact. Ultimately, the most compelling case for premium formats may be the construction of genuine Imax theatres, not retrofits. True Imax auditoriums prioritize height over width, delivering an immersive field of view that even high‑end digital projectors struggle to match. Yet only a few dozen such venues exist worldwide; most “Imax” screens are simply Dolby, Barco or RPX rooms equipped with the brand’s hardware. Screenmaxxing, therefore, is likely to remain a niche pursuit rather than a universal solution for the exhibition industry. While hunting for the loudest, sharpest presentation can be entertaining, an overabundance of competing formats may reinforce the perception that a standard movie‑going experience is insufficient—potentially undermining the very audience the industry hopes to attract.