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Andriy Yermak, former chief of staff to Ukrainian President Volodymyr Zelenskyy, has been named an official suspect in a multi‑million‑dollar money‑laundering investigation linked to a luxury housing development near Kyiv. The probe, the largest since Russia’s 2022 invasion, also implicates other senior allies and raises fresh concerns for Ukraine’s EU bid.The Alleged $10.5 Million Money‑Laundering Scheme Tied to a Kyiv Luxury ProjectUkraine’s National Anti‑Corruption Bureau (NABU) and the Specialized Anti‑Corruption Prosecutor’s Office (SAPO) allege that Yermak participated in an organised criminal group that laundered roughly 460 million hryvnias ($10.5 m) through a high‑end real‑estate venture outside the capital. Yermak, who resigned in November, appeared before a Kyiv court on May 12, 2026 and denied the accusations, calling them “unfounded” in a Telegram post. His lawyer, Ihor Fomin, described the case as “groundless” and suggested it was provoked by public pressure.Other figures mentioned in the expanding probe include:Timur Mindich – businessman and former entertainment‑industry partner of Zelenskyy, now under investigation for a separate $100 m kick‑back scheme.Rustem Umerov – head of the National Security and Defence Council, interviewed as a witness in the same real‑estate case.Financial Stakes: 460 Million Hryvnias and $5.4 Million Bail DemandProsecutors are seeking preventive bail of about $5.4 million for the 54‑year‑old Yermak while the investigation continues. The alleged laundering amount of 460 million hryvnias underscores the scale of the alleged scheme and the potential financial exposure for the Ukrainian state.Political Repercussions for Zelenskyy's Administration and EU Accession ProspectsAlthough President Zelenskyy is not personally accused, the scandal arrives at a critical juncture as Kyiv pushes for deeper Western support and EU membership. U.S. senators Jeanne Shaheen and Lindsey Graham have warned that corruption narratives could erode aid. German Chancellor Friedrich Merz recently cautioned against a rapid EU accession, citing corruption among other concerns. Domestic opposition leader Oleksiy Goncharenko warned that the allegations have reached a point Zelenskyy “personally cannot ignore.”Public sentiment mirrors the political pressure: a May 6 survey by the Kyiv International Institute of Sociology found that 54 % of Ukrainians view corruption as a greater threat than the war itself.What Lies Ahead: Legal Outcomes and Ukraine’s Anti‑Corruption TrajectoryThe case is part of the broader “Midas” anti‑corruption operation launched by NABU and SAPO. If Yermak is convicted, it could set a precedent for the independence of Ukraine’s anti‑corruption institutions, which were briefly threatened by a July law aimed at curbing their autonomy. Anti‑corruption advocates, such as Olena Halushka of the Anti‑Corruption Action Centre, argue the investigation demonstrates that “checks and balances really work.” The next steps will likely include further court hearings, possible asset freezes, and continued scrutiny of other senior officials linked to the scheme.

The LeadJennie Garth, known for her role as Kelly Taylor in 'Beverly Hills, 90210,' opens up about the psychological impact of early fame and how she found new purpose in her 50s. The 54-year-old actress, who felt 'stuck' and unfulfilled as her daughters grew up, has launched a podcast and book titled 'I Choose Me,' sharing her journey of self-discovery and the lessons learned from her decades in Hollywood.Finding Purpose at 50Approaching her 50s, Garth experienced a classic midlife crisis, questioning her path and purpose after noticing potential acting jobs becoming 'few and far between.' The deaths of her 90210 co-stars Luke Perry in 2019 and Shannen Doherty in 2024 intensified her sense of urgency, prompting her to share what she's learned with other women experiencing similar standstills. Her new venture, 'I Choose Me,' named after an iconic line from her character on the show, combines memoir and self-help as Garth reflects on her journey from teenage star to mature woman finding her voice.The Price of Early FameGarth candidly admits that her early fame 'screwed with her mind,' describing how she spent 20 years 'trying to keep her head above water.' Starting on the hit show at just 18, she felt developmentally 'held back from the realities of the world,' watching peers experience normal milestones while she was 'slammed into' fame. The experience left her questioning how her unusual path affected her relationships and personal growth, as she struggled to form normal connections while constantly being judged and typecast in the industry.Hollywood's Changing LandscapeThe actress reflects on the sexism she faced in the 90s, noting how young female actors were 'exposed to far more than they should' in terms of sexualization and discrimination. She recalls unspoken expectations about appearance and the pressure to conform to certain standards, including her own decision to get breast enhancement at 24. Garth also discusses how the industry typecast her and her co-stars, keeping them in a 'sort of Aaron Spelling-nighttime-soapy category' that limited their growth opportunities, despite the quality of their work.A New ChapterNow in her 50s, Garth feels she's finally 'caught up' developmentally and is embracing her age with greater wisdom and resilience. Through therapy and self-help, she's found a new voice and purpose, sharing her experiences to help other women navigate similar challenges. Her journey from teenage star to empowered woman reflects both the lasting impact of early fame and the potential for reinvention later in life, as she continues to work while also focusing on personal growth and helping others find their own path to self-acceptance.

New research from the International Data Center Association (IDCA) reveals that datacentres are now responsible for roughly 6% of electricity consumption in the United Kingdom and the United States, intensifying public and political scrutiny over the sector’s rapid energy growth.Datacentre Power Demand Hits 6% of UK and US GridsThe study notes a 15% worldwide increase in datacentre electricity use over the past two years, driven by the surge in AI workloads and internet traffic. Annual global investment in new facilities is approaching $1tn (£740bn), equivalent to nearly 1% of the global economy. In the UK, datacentre electricity share has risen to 5.9%, while the US sits at 6%, far above the global average of 2%. Smaller nations such as Singapore and Lithuania face even higher pressures, with datacentres consuming 19% and 11% of their national grids respectively.Financial and Energy Metrics Highlight Rapid GrowthGlobal investment: ~$1tn in 2025UK grid‑connection queue: grew 460% in H1 2025US “zombie” services: account for 13% of datacentre load, equating to over 3 GW of wasted powerProjected UK demand: could quadruple by 2030These figures align with the International Energy Agency’s estimate that global energy use by datacentres rose 17% in 2025, outpacing overall electricity demand growth of 3%.Community Pushback and Policy Implications Across NationsThe IDCA warns that once a country’s datacentre footprint reaches the 5%‑6% threshold, “significant community and political pushback” becomes inevitable. In the UK, activists and groups such as Greenpeace UK have warned of an “unchecked AI boom” leading to higher energy bills, water‑stress, and renewed reliance on fossil fuels. The report calls for:Greater transparency from tech firms on future datacentre plansMandatory environmental impact assessmentsA ban on new polluting power plants dedicated to AI workloadsAdditionally, the study highlights emerging security concerns, noting that recent attacks on datacentres in the Middle East have underscored the need for integrated cyber‑physical protection strategies.Outlook: Regulation, Transparency, and Security Challenges AheadLooking forward, the IDCA predicts that pressure will mount for:Stricter national grid connection policies to curb the 460% surge in pending requestsIndustry‑wide standards to eliminate “zombie” services and improve energy efficiencyCoordinated security frameworks that address both cyber threats and physical vulnerabilitiesIf policymakers act swiftly, the sector could mitigate its environmental footprint while sustaining the growth of AI and cloud services. Failure to do so may trigger broader societal resistance and accelerate regulatory clampdowns.

The Risks of Sharing Secrets with AI Chatbots The ongoing legal battle between Elon Musk and OpenAI has taken a dramatic turn with the revelation that OpenAI's president, Greg Brockman, kept a diary during the company's founding years. This diary has become central to the case, with one heavily cited extract reading: "Financially what will take me to $1B?" Another scrutinized passage states: "It'd be wrong to steal the non-profit from [Musk]. to convert to a b-corp without him. that'd be pretty morally bankrupt. and he's really not an idiot." The Implications of Chatbot Conversations in Court As millions of people use tools like ChatGPT as a digital confession box or therapist, experts warn that these conversations can be admissible in court. In fact, a lawyer told Axios that "within the next decade," the diary equivalent will be standard discovery in every major executive litigation in the country. This means that you shouldn't trust a chatbot with your secrets, as conversations with AI are not always private and may be retained indefinitely and shared with other humans. The Privacy Concerns of Chatbot Conversations Most chatbot conversations are not private, and users should be wary about sharing sensitive information. A recent case involving a former NFL player who allegedly asked ChatGPT for help after killing his girlfriend demonstrates the potential risks. As David Friedberg, a co-host of the All-In podcast, said: "You're just sitting here at home, like, let me write about the crime I'm committing … and by the way, let me never delete it." The Future of AI and Confidentiality As AI technology continues to evolve, it's essential to consider the implications of sharing sensitive information with chatbots. While chatbots like ChatGPT may seem like a safe space to share your thoughts, they are not a substitute for human therapists or lawyers. In fact, they can be a liability in court. As the use of AI chatbots becomes more widespread, it's crucial to prioritize confidentiality and consider the potential risks of sharing secrets with AI.

The Lead: Carla Simón's Unique Approach to Family DramaFamily reunions in European arthouse cinema are almost always unhappy events, on a scale of strife that ranges from simmering resentment to spectacular score-settling. Carla Simón, however, has a rare gift: she makes you leave the cinema with renewed faith that having relatives and keeping in touch with them may actually be a wonderful thing.No film-maker working in Europe now is as capable of turning birthday gatherings, garden parties or poolside barbecues into thrillingly sprawling canvases of human virtue and vice as this 39-year-old rising star. From a riotous water fight in the Berlinale Golden Bear-winning farming drama Alcarràs to a foul-mouthed dinner table singalong in her new film Romería, Simón directs kinship meetings with the attention to detail that other film-makers may invest in action sequences or dance routines.The Event Details: Romería and the Journey to Self-DiscoveryAmong the tricks Simón employs, she explains, is to ensure her actors only read the script once before the camera starts rolling, so they have to improvise to fill the gaps. She takes her casts to parties, for walks and on shopping trips, and if there are disagreements on the way, so much the better. The ultimate secret sauce, though, is to ignore WC Fields's notorious advice and always work with children and animals."I never get bored of working with kids," she says. "When you are only working with adult actors, shooting becomes more like executing an idea that you have in your mind, and I think that is not interesting. With children, you always have this feeling that that things are going to happen in front of the camera by chance. It keeps things alive."Her new film Romería, meaning "pilgrimage" in Spanish, dives deeper into the story of the biological parents she barely got to know. Eighteen-year-old Marina travels to her relatives in Vigo, in north-western Galicia, purportedly to find the death certificate of her biological father, which she needs to study film-making in Barcelona. The initial reaction is warm, but family is a room with dark corners and locked closets.The Personal Journey: Aids, Loss and Family SecretsSimón's fascination with freewheeling scenes of family life was undoubtedly honed through her own biography. Born in Barcelona in 1986, her father died when she was three and her mother when she was six. Both of them succumbed to Aids. She was 12 when her adoptive mother told her that her parents had been infected with the autoimmune disease through their use of drugs.All of her first three films have been strongly autobiographical: Summer 1993 tells the story of a six-year-old girl who moves to an unspecified location countryside to live with her aunt after the death of her mother, while 2022's Alcarràs is specifically set in the Catalan peach-growing community of her adoptive family.In the film, a cache of letters written by her late mother opens up a portal to the time when her parents met and discovered love – for each other, the Atlantic Ocean and drugs. The letters, Simón explains, are real. "She wrote to her friends and family while she lived in Vigo. Her Catalan is full of mistakes, because teaching Catalan was banned under the Franco regime. But they are the most important thing that I have from my mother, because suddenly I can hear her talking."The Impact Analysis: Spanish Cinema and the Legacy of AidsSpanish cinema has a track record in making films where child actors take centre stage: Ana Torrent's spell-binding turn as a young girl obsessed with the Frankenstein tale in Víctor Erice's 1973 film The Spirit of the Beehive is considered an all-time great performance by a minor, and Simón describes it as "a very, very important film for me".During the transition period after Franco's rule, Madrid gave birth to la movida, a countercultural movement that celebrated lifestyles that had been banned under military rule. "All these kids who were raised under Franco and religious oppression, suddenly freedom arrived and they embraced it", Simón says. "They didn't think much about the future or the consequences of what they were experimenting with. And then the drugs came in."When we talk about this generation in Spain, people sometimes use words like shame and blame, but I feel that's really unfair: people like my parents just had bad luck.The Future Direction: Beyond Family in Simón's Next ProjectHalfway through Romería there is a stylistic shift, from the Eurorealism she favoured in her previous works toward something more magical-realist: there is a mysterious cat you might expect to encounter in a Miyazaki film, and an unforgettable dance number set to Vigo punk rocker's Siniestro Total's song Bailaré Sobre Tu Tumba ("I'll Dance on Your Grave")."These three films I've made are kind of a cycle, because they all talk about my family, adoptive and biological. But since I became a mother a few years ago, I feel that my place in the family changed. When you have kids you feel it's a new period in your life, so I feel like maybe doing something that has nothing to do with my family."Her next film, she confides, is going to be a flamenco musical.

Breaking New Ground: Lee Lai's Historic Win Lee Lai has made history by becoming the first non-binary person and the first graphic novelist to win the 2026 Stella Prize for her book Cannon. This achievement not only highlights Lai's exceptional talent but also marks a significant step forward for representation in literature. The Book: A Graphic Novel of Emotional Depth Cannon follows the life of a queer Chinese woman living in Montreal. The story explores themes of responsibility, family dynamics, and the protagonist's journey through her twenties. Lai's work is praised for its elegant artistry, which evokes a range of emotions from horror and poignancy to humor. The Impact of the Win Lai's win is seen as a triumph not only for her but also for the comics community. The $60,000 prize money is a significant boost for Lai, allowing her more time to focus on her craft. As Lai notes, 'money is time,' and this award will have a substantial impact on her life and career. A New Era for the Stella Prize The Stella Prize, established to recognize outstanding contributions by women and non-binary writers, has taken a significant step forward with Lai's win. By including non-binary writers in 2021, the prize has expanded its scope to embrace a broader range of voices. Lai's achievement sets a precedent and paves the way for future generations of writers. The Future of Graphic Novels Lai's win could potentially increase interest in graphic novels and encourage more readers to explore this medium. As she notes, 'I hope that this is a win for the comics community as well, and that it makes some readers more interested in reading comics.' With Cannon, Lai has demonstrated the power of graphic novels to tell compelling and emotionally resonant stories.

The Deadly Israeli Drone Strikes Three Israeli drone strikes on cars on a major highway linking Beirut to southern Lebanon have killed at least eight people, including two children, Lebanon’s Ministry of Health reported. A photograph of the bombed cars shared by Lebanon’s National News Agency following the attacks on Wednesday in the Jiyeh area, some 20km (12 miles) south of the Lebanese capital, showed the vehicles severely damaged, their exteriors charred and torn apart. Escalating Conflict and Humanitarian Crisis Al Jazeera’s Zeina Khodr, reporting from Tyre in southern Lebanon, said the “conflict is only escalating”. “It is a conflict that is taking a high toll on the civilians who live in these areas,” she said. Lebanon and Israel are expected to hold a new round of direct negotiations in Washington on Thursday, brokered by the United States. Hezbollah, which has been launching attacks on northern Israel and on Israeli troops who have entered and occupied a section of southern Lebanon, says it opposes the negotiations in the US. The Humanitarian Toll On Wednesday morning, the Israeli military issued forced displacement orders for the residents of Meiss el-Jabal, Yanouh, Burj Shemali, Hula, Debl and Aabbasiyyeh, warning that it will soon act against these six southern Lebanese villages “forcefully”. Anyone who remains “endangers their life,” the military said, warning residents to move at least 1,000 metres (0.6 miles) away to “open areas”. After this new round of forced displacement orders – which have been happening almost daily in the past week – Al Jazeera’s Khodr said one of the few remaining hospitals in the area was in the displacement zone. At least 100,000 people still live in the district of Tyre. 13 people were killed in attacks on towns in the south on Tuesday. Two Lebanese Civil Defence paramedics were among the dead. At least 380 people have been killed during the truce. The total death toll since the Israeli invasion and bombardment began on March 2 is more than 2,800. 108 emergency medical services and healthcare workers have been killed in Lebanon during the war. The Future Outlook “All of this is having a huge impact here on the communities in southern Lebanon,” Al Jazeera’s Obaida Hitto said from Tyre. “And there is a growing humanitarian crisis, with over a million people displaced.”

The Artist's Journey Through Love and LossFalling in and then out of love is a universal experience that often brings sadness, grief and heartbreak, and with time, hope and healing. Photographer Diana Markosian used her camera lens to document these complex feelings in her new project, Replaced.She brings the viewer on her journey of having, losing and reclaiming love, in a project that blurs documentary and fiction. "[The moments] no longer existed in the way they had, and I wanted to reclaim them," she says. "I wanted to feel that I could exist in my own story again."Recreating Intimate Moments Through ArtTo document their relationship, Markosian and her team worked with an actor to play her ex-partner. Each intimate image from the series, taken over three months, is a replica of an exact moment once shared with her ex and now shared between her and the actor. Her connection to him deliberately led to his being cast as her partner in the series so that the experience would feel as real as possible.With the actor, she visited Miami, Paris, Naples, Capri and Nice, all places she had once traveled to with her ex-partner. "These locations carry an existing weight of romantic myth," she says. "They are already shaped by cultural narratives of love, desire and idealized experience."The Emotional Toll of ReenactmentShe stayed at the same hotels and did the activities they had once done together, describing the experience as painful but cathartic. "It hurts so much, watching myself be replaced, watching those memories erased, and I didn't want to live in this any more," she says. "I'm so grateful that the project happened quickly."One of the most tender moments she recreates with the model appears in an image of them seated in a bathtub, holding one another with a red light glowing around them. Their vulnerability allows the viewer to reflect on a delicate moment between two people whose past love no longer exists, fostering empathy and prompting the audience to reflect on their own past relationships.Art as a Tool for Processing EmotionsCreating these intimate photographs enabled her to contemplate her journey. "I wanted to acknowledge how these same spaces can be reoccupied," she says, before adding: "If anything, [the project] just showed me how much I loved this person."For the past 16 years, Markosian has not let go of her camera, often using it to reach back and understand her past. "Art has given me a way of processing. I was studying writing, and suddenly found myself holding a camera and not wanting to let go of it; it became just a friend in my life," she says.A Career Built on Memory and ReconnectionShe first picked up a camera at 20, during graduate school at Columbia University. After graduating with a master's degree in journalism, she wanted to see the world, so she moved back to Moscow, Russia, where she was born. There she taught herself how to use the camera.Today, her lens serves as a tool for reconnecting with her past life and reclaiming it as her own. In her previous, highly regarded photo monograph Inventing My Father, she demonstrates her unique ability to reveal the unseen past through her images. Working on the book for 10 years, she depicts her journey of finding her father after 15 years of no contact, following her move to California in 1996 from Armenia, where he lives."Father, my previous work of the past decade, it's all rooted in memory, and I think what's beautiful about memory, there's a blend of fiction, interpretation, and it's very subjective," she says. "So I think I love existing in that territory because none of it is really real."

Ujiri’s Appointment Signals a New Era for the MavericksMasai Ujiri was introduced last week as the Dallas Mavericks’ president of basketball operations and alternate governor, a move the franchise touts as “a match made in heaven.” The hire places the first African to run a major U.S. sports franchise at the helm of a team owned by the ultraconservative billionaire Miriam Adelson.Background: From Raptors Champion to Dallas’ President of Basketball OperationsUjiri’s résumé includes:2003: Co‑founded Giants of Africa while scouting unpaid.2010: Became the first African general manager of an NBA team (Denver Nuggets).2013: Won NBA Executive of the Year.2018: Traded for Kawhi Leonard, leading the Toronto Raptors to their first championship.2026: Hired by the Mavericks after the Luka Dončić trade saga.Financial Stakes: Draft Picks, Revenue Loss, and Ownership WealthThe Mavericks hold the No. 1 pick in the 2025 draft and selected Rookie of the Year Cooper Flagg, plus the 9th, 30th and 48th picks.The 2023 sale of the team to Adelson was valued at $3.5 billion, a fraction of her estimated $35 billion net worth.Analysts estimate the Luka Dončić trade cost the franchise roughly $100 million in revenue.Adelson has contributed more than $100 million to Donald Trump’s 2024 campaign.Culture Clash: Liberal Advocacy vs. Ultraconservative OwnershipUjiri’s public record includes outspoken support for social justice, anti‑racism initiatives, and humanitarian work across Africa. In contrast, Adelson has labeled pro‑Palestinian and Black Lives Matter activists as “enemies” and is known for her right‑wing political donations. The Mavericks’ fan base leans Democratic, creating a potential flashpoint between the franchise’s new leadership and its owner.Outlook: How Ujiri Could Navigate Politics and Rebuild a FranchiseUjiri faces three immediate challenges:Transforming a roster that missed the playoffs despite a top draft pick.Balancing his advocacy with Adelson’s political stance without alienating either side.Restoring fan confidence after the unpopular Luka Dončić trade.If he can replicate the Raptors’ model—leveraging international talent, fostering a community‑first narrative, and using his platform to address broader issues—Ujiri could reposition the Mavericks as both a competitive team and a socially conscious brand. Failure to do so may deepen the cultural rift and jeopardize the franchise’s marketability.