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Pakistan’s top civilian and military leaders have returned home after intensive diplomatic missions aimed at reviving stalled United States‑Iran negotiations. Field Marshal Asim Munir concluded a three‑day visit to Tehran, while Prime Minister Shehbaz Sharif wrapped up a tour of Saudi Arabia, Qatar and Turkey. During his stay in Iran, Munir met President Ebrahim Raisi, Foreign Minister Abbas Araghchi, Parliament Speaker Mohammad Bagher Ghalibaf and the head of Iran’s military central command centre. The Pakistani military described the trip as a demonstration of Islamabad’s “unwavering resolve to facilitate a negotiated settlement… and to promote peace, stability and prosperity.” Iran’s delegation, led by Ghalibaf and Araghchi, had visited Islamabad the previous week for face‑to‑face talks with the United States – the highest‑level contact between Washington and Tehran in decades. Those talks concluded without an agreement, and the ceasefire that followed is set to expire on April 22. Prime Minister Sharif’s itinerary focused on rallying regional support. After meetings in Riyadh and Doha, he and Foreign Minister Ishaq Dar attended a diplomatic forum in Antalya, Turkey. Sharif posted on X that he left Antalya with “fond memories and a renewed commitment to further strengthening the enduring fraternal bonds” between Pakistan and Turkey, and to “continue our close cooperation to advance dialogue and diplomacy for lasting peace and stability in the region.” The flurry of activity comes as Iran re‑imposed restrictions on the strategic Strait of Hormuz shortly after its brief reopening, accusing the United States of violating a reopening agreement. This move has intensified pressure on Washington to re‑engage in talks. Former President Donald Trump has hinted that a second round of US‑Iran negotiations could be hosted in Pakistan in the coming days, praising Munir as “doing a great job.” Al Jazeera’s Kamal Hyder reported that Munir landed back in Islamabad on Saturday, with Pakistani officials preparing for another round of talks expected “within the next few days.” While significant differences remain, the combined diplomatic outreach by Pakistan’s civilian and military leadership has drawn praise from the Trump administration and raised expectations that Islamabad could become the next venue for a breakthrough in US‑Iran relations.

On April 18, 2026, the Guardian published a feature questioning if the forthcoming Michael Jackson biopic can alter public opinion about the legendary pop star. The piece explores the film’s potential to revisit Jackson’s artistic achievements, personal controversies, and enduring cultural impact, asking whether cinematic storytelling can outweigh decades of media scrutiny.The article notes that biopics often serve as powerful narrative tools, capable of reframing historical figures for new generations. By focusing on previously under‑examined aspects of Jackson’s life—such as his creative process, studio collaborations, and the pressures of fame—the film may offer a more nuanced portrait. Critics, however, caution that any dramatization risks oversimplifying or sensationalising complex truths.Industry insiders quoted in the piece suggest that the biopic’s success will hinge on its balance between artistic license and factual integrity. Box‑office projections indicate strong audience interest, especially among younger fans who know Jackson primarily through his music and viral moments. If the film resonates, it could prompt a broader reassessment of his legacy, influencing everything from streaming playlists to academic discourse.Ultimately, the Guardian concludes that while a single film cannot rewrite history, it can spark conversation. Whether the biopic will shift the collective memory of Michael Jackson remains an open question, dependent on both its narrative choices and the public’s willingness to engage with a more layered story.

Just a month and a half before the debut of Claudia Winkleman's eponymous BBC One chatshow, industry profiles lauded her as a presenter with a "Midas touch" for television formats. She had recently departed from the flagship Strictly Come Dancing and boasted recent successes such as The Traitors, its celebrity spin‑off, and Channel 4’s The Piano. After six episodes, the new programme is widely regarded as the least glittering entry in her recent résumé. While the format mirrors the familiar sofa‑chat style popularised by Graham Norton, critics note that it lacks the same cultural punch. In terms of viewership, the premiere on 13 March attracted 1.5 million live viewers, with an additional 700,000 watching via catch‑up services – a slight edge over the final episode of the 33rd series of Graham Norton’s show, traditionally the benchmark for the genre. Nevertheless, analysts describe the series as a dubious career move. The shadow of Norton looms large; the BBC’s decision to involve his production company, So Television, makes direct comparison inevitable, even though Winkleman’s set features a different colour scheme and opens with a pre‑credits “cold open”. Winkleman has introduced audience‑participation segments – from a man who talks to birds on social media to twin opera singers and a couple on their first date. Yet the guest roster remains modest, leaning heavily on theatre talent and stand‑up comedians rather than the A‑list film stars that routinely grace Norton’s programme. Timothée Chalamet, a marquee name who appeared on Norton’s show during the awards‑season rush, exemplifies the challenge. His recent controversial remarks about ballet and opera were made at a university event, underscoring how celebrity discourse is shifting toward podcasts and live streams rather than traditional chatshows. Despite the lukewarm reception, the show is expected to secure a second series, largely because the audience numbers, while not spectacular, are sufficient to avoid a damaging cancellation for the BBC. A third series, however, appears far from guaranteed. Critics also point to Winkleman’s on‑screen persona – described as “too nice and modest” – which contrasts with Norton’s sharper, more irreverent style. Coupled with a broader industry trend that sees the talk‑show format losing prominence, the future of the programme remains uncertain.

Heart Wall opens to the sound of a bustling karaoke session, with audience members belting out Friday‑night pub anthems before the drama even begins. The musical backdrop becomes the thread that ties together a family still haunted by a tragedy from more than twenty years ago.The story follows Franky (Rowan Robinson), who returns to her north‑west hometown after building a life in London with a boyfriend and a new job. Her parents, Dez (Deka Walmsley) and Linda (Sophie Stanton), remain trapped in their own grief – Dez appears overwhelmed by guilt, while Linda searches for happiness elsewhere. The play centres on this unprocessed grief, but also hints at a mystery surrounding Franky’s sister and the strained marriage of her parents, threads that never fully resolve.Under director Katie Greenall, the production delivers moments of genuine emotional revelation, yet the pacing feels uneven. Scenes of intensity erupt abruptly, then dissolve just as quickly, leaving the narrative feeling rushed despite its dense storytelling. Supporting characters such as Charlene (Olivia Forrest) and the pub manager Valentine (Aaron Anthony) remain under‑developed, serving more as generic placeholders than fully realised figures.Visually, the play benefits from Hazel Low’s meticulous set design, which recreates a cosy, authentic pub that grounds the audience. The karaoke framing injects warmth and musical energy, offering a lively contrast to the heavy themes.Ultimately, Heart Wall attempts to tackle a big, aching emotional core within a tight, interval‑free two‑hour run, but it bites off more than it can chew. With additional runtime – perhaps more karaoke interludes – the drama could better honour the depth of its subject matter.For those interested, the play runs at the Bush Theatre, London until 16 May.

Lebanese President Joseph Aoun has declared that his country will no longer be treated as a pawn in international conflicts, following a recent ceasefire with Israel. In a televised address, Aoun emphasized that Lebanon is committed to protecting its rights, unity, and sovereignty. The ceasefire, which was announced after over 2,200 deaths and a million displaced due to Israeli attacks that began on March 2, marks a significant shift in the country's stance. Aoun stated that Lebanon is transitioning from a focus on ceasefire agreements to working on permanent agreements that ensure the rights of its people and the integrity of its land. The Lebanese president expressed gratitude to several international parties, including US President Donald Trump and the Kingdom of Saudi Arabia, for their role in ending the hostilities. He also assured that any future agreements would not compromise Lebanon's rights or territorial integrity. Aoun's statements come after direct talks between Lebanon and Israel in Washington, which drew criticism from the Lebanese public. The president outlined Lebanon's objectives, including the cessation of Israeli aggression, the withdrawal of Israeli forces, and the return of prisoners and displaced persons. Despite the ceasefire, Israel continues to occupy areas of southern Lebanon, with Prime Minister Benjamin Netanyahu asserting that troops would not withdraw during the ceasefire. Aoun's firm stance signals Lebanon's determination to assert its sovereignty and protect its interests in the face of ongoing challenges.

FIFA President Gianni Infantino has come under fire for the high ticket prices for this year's World Cup in North America. In response, Infantino defended the pricing, stating that the event is the organization's only source of income every four years. Speaking at Semafor's annual world economy summit in New York, Infantino emphasized that FIFA is a nonprofit organization with 211 member nations. 'The main, and so far the only, revenue-generating event for FIFA is the World Cup,' he said. 'The World Cup takes place one month every four years, so we generate money in one month. The 47 months until the next World Cup, we spend that money.' Infantino highlighted that three-quarters of FIFA's member countries rely on grants from the organization to support their football programs. He also noted that the World Cup is a global event that captivates a massive audience, justifying the high ticket prices. A check on the secondary market showed that tickets for the US opener against Paraguay were listed as high as $1,359, while tickets for the final could go for as much as $25,000. In an effort to address complaints about ticket affordability, FIFA introduced a $60 ticket option for a limited number of seats in each venue. Infantino described North America as 'a very special market' and mentioned that he has been living in the US for the past two to three years to better understand the market. This year's World Cup will feature a record 48 teams, organized into 12 groups of four, with games hosted in the US, Canada, and Mexico. The tournament will consist of a record 104 matches.

Juba, South Sudan – Growing up, Khloe Nyanda was taught to stay small and avoid taking up space. Defying that lesson, the 21‑year‑old law student at the University of Juba pursued modeling after being inspired by South Sudanese supermodel Adut Akech, whose refugee‑to‑runway story she describes as a "crown".Nyanda’s ambition mirrors that of a new generation of South Sudanese talent, with 95% of models from the country naming Akech as their spark. She began modeling in 2023, but her family remained skeptical, fearing the clash between academic responsibilities and a fashion career.Her personal journey has been marked by familial estrangement after she rejected an arranged marriage and a modelling coach’s advances, leading to loss of support from her stepbrother and other relatives.Beyond social pressures, Nyanda faces systemic obstacles. Since 2023 she has endured multiple visa rejections despite contracts with agencies in London, Paris, and Italy. An attempt to attend Milan Fashion Week was denied by the Italian embassy in Nairobi over bank‑statement issues, while two separate applications to the French embassy in Kampala were also turned down. The absence of South Sudanese embassies in France and Italy forces hopeful models to obtain travel documents from neighboring countries, inflating costs and delays.Another emerging model, 20‑year‑old Alek Mayen Garang, balances her senior‑year studies with runway aspirations. Born in Greater Jonglei and raised in Renk, she spent part of her childhood in Kampala before returning to South Sudan amid the 2016 conflict. Garang draws inspiration from Anok Yai, the American‑South Sudanese model named Model of the Year at the 2025 British Fashion Awards.Unlike Nyanda, Garang found an ally in her elder sister, who accompanied her to her first runway show and helped negotiate parental approval. Her early challenges were technical—learning to walk in heels, maintaining strict diet and skincare regimens—and the lingering fear of rejection at auditions.Both women are part of a broader South Sudanese surge in global fashion. Nine of the world’s top 50 models on models.com hail from South Sudan, underscoring the country’s deep talent pool. Former models have transitioned to design and entrepreneurship, founding South Sudan Fashion Week and creating bespoke wedding gowns.Industry veterans now coach new talent, urging them to prioritize education alongside modeling. Yet a new anxiety looms: the potential rise of AI‑generated Black models, which could further destabilize already precarious careers.Within South Sudan, the Ministry of Culture, Museums and National Heritage has been criticized for its limited engagement with the modeling sector. Advocates argue that official endorsement could shift parental attitudes and legitimize modeling as a respectable profession.Garang recently won the “creativity” award at the national Miss Junub beauty pageant, expanding her vision from personal success to mentoring emerging designers and models. Nyanda, meanwhile, envisions a future beyond the runway: she plans to invest her earnings in establishing a credible mother agency, as well as a school and hospital for orphans, aiming to reinvest in her homeland.“South Sudan is not a place I am running from; it is the place I am running for,” Nyanda declares, embodying a resolve to reshape societal expectations and create pathways for the next generation of South Sudanese talent.

Frenchman Herve Renard has been sacked as Saudi Arabia coach, less than two months before the start of the FIFA World Cup 2026 in North America. Renard, 57, had returned for a second spell as Saudi coach at the end of 2024, having led them at the last World Cup four years ago in Qatar.“That’s football … Saudi Arabia have qualified for the World Cup seven times, including twice with me,” Renard told the news agency AFP on Friday. “And there’s only one coach who has led them through both the qualifiers and the World Cup; that’s me, in 2022. At least there will be that sense of pride.”Renard, a two-time Africa Cup of Nations (AFCON) winner with Zambia and the Ivory Coast, was in charge of Saudi Arabia from 2019 to 2023 before being replaced by Italian coach Roberto Mancini. He served as coach of the France women’s team from 2023 to 2024 and reached the quarterfinals of both the 2023 Women’s World Cup and the 2024 Paris Olympics.Georgios Donis, a former Greece international, is reportedly being lined up as the man to take over from Renard. Saudi Arabia are in Group H at the 2026 World Cup, alongside two former champions, Spain and Uruguay, and debutants Cape Verde. All their group games are scheduled to be played across the United States.The Arab nation has made six World Cup appearances, with a round of 16 finish in 1994 in the US their best result thus far. They suffered a group-stage exit in the last World Cup in 2022 but made headlines worldwide with a shock 2-1 group win over eventual champions Argentina. Saudi Arabia is also due to host the 2034 World Cup.

US President Donald Trump has expressed optimism about a potential nuclear deal with Iran, stating that the two countries are close to an agreement. He claimed that Iran has agreed to halt its nuclear weapons program and return its stockpile of enriched uranium.However, Iran's Ministry of Foreign Affairs presents a different picture. Spokesperson Esmaeil Baghaei stated that Iran must be able to continue enrichment based on its needs, contradicting Trump's claims. No Iranian official has confirmed agreeing to surrender the country's enriched uranium stockpile.Pakistan is playing a crucial role in mediating between the US and Iran. Pakistani army chief Field Marshal Asim Munir held high-level meetings in Tehran with Iranian leaders, including Parliament Speaker Mohammad Bagher Ghalibaf and President Masoud Pezeshkian. Prime Minister Shehbaz Sharif is also engaged in parallel diplomacy with Gulf leaders in Saudi Arabia and Qatar.The US and Iran have different interpretations of the negotiations. Trump's comments suggest a maximalist reading of the negotiating process, while Iran's position remains firm on its sovereign right to enrichment. The April 22 ceasefire deadline adds urgency to the talks.Analysts suggest that any agreement may hinge on deliberate ambiguity, allowing both sides to claim a 'win' on the nuclear issue. The shifting goalposts and evolving US objectives have also contributed to the complexity of the negotiations.