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Arsenal manager Mikel Arteta has called on his side to view the forthcoming clash with Manchester City as a "huge privilege" rather than a source of pressure, stressing the importance of character in what could be a title‑defining encounter. The Gunners currently enjoy a six‑point lead over Pep Guardiola’s City ahead of the Sunday showdown at the Etihad Stadium, but City hold a game in hand that could swing the balance in their favour during the season’s final weeks. Recent form adds drama: Arsenal have dropped three of their last five matches across all competitions, including a League Cup final defeat to City, a shock FA Cup quarter‑final loss to second‑tier Southampton, and a home league loss to Bournemouth. In Europe, Arsenal scraped past Sporting Lisbon, drawing 0‑0 to clinch a 1‑0 aggregate win in the Champions League quarter‑finals, yet their domestic performances have been below the standards expected of a title challenger. Addressing criticism of the squad’s mental resilience, Arteta told reporters, "We have earned the right to be in this position and to be challenging, with an opportunity to win against arguably the best team and best manager this league has ever seen. That is a huge privilege." He added, "Who is more privileged to be in this position? I feel very privileged to have earned the right to play such a big and great game." Arsenal are chasing their first English league title since 2004 after finishing runners‑up for three consecutive seasons. In both 2023 and 2024, they squandered substantial leads, allowing City to overtake them. Artura believes a victory at the Etihad would place Arsenal in a "virtually unassailable" position. "Winning at this stage brings us a bit closer," he said, noting there are six games remaining and the match is "really important for both teams." Reflecting on the recent League Cup loss, Arteta urged his players to channel that pain into motivation: "The pain we felt afterwards, we need to use the right way on Sunday. Learn from that game and the things we want to change for the next one." He also dismissed rumors of a motivational fire‑lighting stunt at the training ground, explaining that the club employs varied themes to prepare for each match, with the players' own initiative being the most valued. Statistically, Arsenal have failed to win any of their last ten league visits to the Etihad, losing seven of those encounters—a barren run that stretches back to 2015. When asked whether he might advise his side to settle for a draw to protect their six‑point cushion, Arteta was unequivocal: "We prepare every game to win, that is why we are where we are, and we are going to continue to do the same."

Stuart Heritage revisits Hacks as its final season rolls out on Sky Atlantic, Now, HBO Max and Stan, asking whether the series can recapture the brilliance that earned it an Emmy for Best Comedy in 2024.When the show first burst onto the scene, it was hailed as the pinnacle of comedy, outshining drama‑heavy series like The Bear. Its early acclaim rested on the razor‑sharp chemistry between Jean Smart (Deborah Vance) and Hannah Einbinder (Ava), a dynamic that felt both vicious and hilarious.That reputation has been challenged by newer satire such as The Studio, which swept the 2025 Emmys with bigger stars and slicker production. In contrast, Hacks managed only supporting trophies for Smart and Einbinder, prompting the question: can the show rally in its swan song?The latest run marks a noticeable upgrade from the muddled third and fourth seasons, where Vance’s late‑night talk‑show stint exposed the series’ structural cracks. This season, Vance is slapped with a Conan O’Brien‑style gag order that bans her from public jokes, giving her a fresh, if absurd, source of conflict.Early episodes burst with energy as Vance concocts wild schemes—pursuing an EGOT, penning a memoir, even eyeing a Madison Square Garden gig. The momentum feels promising, yet the show’s signature venomous satire is muted.Where Hacks once thrived on Vance’s bitter, anti‑heroic edge and her hostile banter with Einbinder’s Ava, the current tone has softened into a more amicable camaraderie. This shift defangs the series, making it feel less like the cutting industry critique it once was.The finale lands as a bewildering, almost ChatGPT‑generated one‑act play, delivering an unearned climax that feels more like a stunt to secure another Emmy for Smart than a satisfying narrative closure.Despite uneven seasons, the core performances remain the show’s strongest asset. Smart and Einbinder continue to deliver compelling, powerhouse portrayals that will likely be the lasting memory of Hacks for its fans.In the end, the final season offers moments of fun but ultimately signals the end of the series’ once‑sharp satire, leaving viewers to mourn the loss of its original bite.

The world of cinema is often associated with scripted perfection, but a growing trend on social media suggests that some of the most iconic lines and scenes were improvised on the spot. However, this claim is often far from the truth.Across the internet, content creators are spreading misinformation about famous movie scenes, claiming that they were made up on the spot. For example, Al Pacino's kiss of death in The Godfather II and Heath Ledger's frustration in The Dark Knight are often cited as examples of improvisation.However, these claims are often fabricated and have been debunked by industry insiders. The accounts that spread these lies tend to have a lot in common, including a focus on "history" in their handles and a formulaic approach to their content.The trend is driven by a desire for engagement and profit. Social media platforms reward creators for making content that generates likes, replies, and shares, and some creators are taking advantage of this by spreading misinformation.Despite the fact that many commenters are savvy enough to point out the errors in these claims, they are still helping creators to profit. And while some creators may not be intentionally lying, they may not know when they are spreading untruths.The article suggests that this trend is a symptom of a larger issue - the monetization of misinformation on social media. It also highlights the importance of media literacy and critical thinking in the digital age.Ultimately, the myth of improvisation in cinema is a complex issue that resists a simple explanation. While it may be nice to feel involved in a production and to know a behind-the-scenes secret, it's also important to separate fact from fiction.

Pet owners are facing MRI bills that dwarf those for comparable human scans. A recent quote of £1,500 for a dog’s MRI contrasts with a typical private‑hospital price of £700 for a person, highlighting a stark disparity. Industry data from NimbleFins shows the average cost of a dog MRI in 2025 was £3,789, with cats at £3,161 and rabbits around £2,500. By comparison, WeCovr estimates a full‑body human MRI at £1,500‑£2,500. Even the lower end of these ranges exceeds many veterinary quotes, confirming that animal scans are a more expensive business. VAT adds a further 20% surcharge on veterinary services, a tax not applied to most private hospital care. On a £1,500 bill, roughly £250 goes to HMRC, inflating the final amount. According to Rob Williams, president of the British Veterinary Association, the cost structure is fundamentally different. Animals must be anaesthetised for MRI, CT or X‑ray procedures, which requires a dedicated anaesthetic monitor and a technician to operate the scanner. Williams estimates that anaesthesia accounts for 25‑40% of the total price. The same high‑end scanners used in human hospitals are installed in veterinary practices, but utilisation rates are far lower. A typical vet may perform only one or two scans per day, whereas a hospital runs the machine continuously, spreading installation, servicing and energy costs over many more cases. This lack of economies of scale forces vets to charge more per scan. Additional overhead comes from the need to outsource image interpretation. While hospital radiographers read scans in‑house, vets often send images to external specialists, creating another cost layer absent in human care. The price issue has attracted regulatory scrutiny. A two‑and‑a‑half‑year CMA investigation found that vet service fees rose 63% between 2016 and 2023, outpacing general inflation. The report highlighted reduced competition due to chain consolidation and opaque pricing. In response, the CMA now requires practices to publish prices and provide written estimates for any treatment exceeding £500 (including VAT). This aims to give owners the chance to compare offers before committing to expensive procedures such as MRIs. Price‑comparison platform Vet Fair founder Richard Wilkinson reports price variations of 100‑150% between neighbouring practices for the same service. His data also show that ultrasounds from large chains cost 57% more than those from independent clinics. While the CMA reforms may not immediately lower fees, they promise greater transparency, enabling pet owners to make informed decisions and avoid overpaying for high‑tech diagnostics.

Equity’s Choreographers and Movement Directors Network (CMDN) says that theatre’s physical storytellers are still marginalised by awards bodies and should receive dedicated recognition.At the recent Olivier Awards, Fabian Aloise secured the best theatre choreographer prize for "Evita" at the London Palladium. While the network welcomed the visibility, it pointed out that the movement directors behind the nominated productions were omitted from any specific category, sparking a broader debate about the language used to credit theatrical creation.CMDN highlighted several movement directors whose work shaped this season’s most impactful shows, naming Leanne Pinder ("Punch"), Sarah Golding ("Kenrex"), Imogen Knight ("Dead Man Walking"), Jenny Ogilvie ("Into the Woods"), Sung Im Her ("The Glass Menagerie"), Lucy Hind ("Inter Alia") and Kloé Dean ("The Boy at the Back of the Class").Movement direction, the network explains, is not always dance but is essential to a production’s physical language, characterisation and dramatic flow. "If we celebrate the impact of physical storytelling, we must also evolve how we acknowledge the artists behind it," CMDN said.The network praised the Black British Theatre Awards for expanding their choreography category in 2022 to include movement direction, but noted that the UK Theatre Awards and Critics’ Circle Awards still lack dedicated categories for either choreography or movement direction.Founded in 2023 by movement director and choreographer Polly Bennett, CMDN now counts over 200 members. In a 2025 interview, steering‑group member Ellen Kane asked, "Why aren’t there Oscars or BAFTAs for choreography? Why aren’t we being credited?"Last month, more than a hundred theatre professionals signed a petition urging the Olivier Awards to create a separate video‑design category, arguing that the current system lumps video designers with other disciplines. This year’s Olivier winners illustrate the overlap: Tom Pye (set) and Ash J Woodward (video) shared the best set‑design award for "Paddington: The Musical", while Aideen Malone (lighting) and Roland Horvath (video) shared best lighting‑design for "Into the Woods".

The Evolution of Observability in the AI EraThe market for IT reliability tools has undergone a significant paradigm shift. The industry has moved past the era of simply tracking everything to a focus on controlling complexity and costs. However, the rapid adoption of AI agents within enterprises has introduced a new, critical category of workload that requires specialized monitoring. InsightFinder, a startup grounded in 15 years of academic research, is capitalizing on this shift by leveraging machine learning to proactively identify and fix issues in IT infrastructure.Diagnosing the 'Black Box' of AI FailuresInsightFinder has officially launched its new product, Autonomous Reliability Insights, designed to tackle the root causes of AI model errors. Unlike traditional tools that focus solely on the model itself, this solution integrates data, model, and infrastructure monitoring to provide a holistic view. The company’s CEO, Helen Gu, a computer science professor at North Carolina State University, explains that the biggest misconception is that AI observability is limited to LLM evaluation during development. In reality, a robust platform must support end-to-end feedback loops covering development, evaluation, and production.Real-World Application: InsightFinder recently helped a major U.S. credit card company resolve a fraud-detection model that was drifting. The issue wasn't the AI model itself, but outdated cache in server nodes.Technical Approach: The platform utilizes a combination of unsupervised machine learning, proprietary large and small language models, predictive AI, and causal inference to analyze data streams.Why InsightFinder's $15M Round Signals a Market ShiftThe $15 million Series B round, led by Yu Galaxy, comes at a time when the observability space is crowded with competitors like Datadog, Dynatrace, and Grafana Labs. However, InsightFinder's financial performance indicates a strong market demand for its specific approach. The company reports revenue growth of over threefold in the past year and secured a seven-figure deal with a Fortune 50 company within three months.Funding Allocation: The capital will be used to expand the team (currently under 30 people) and invest in sales and marketing to scale its go-to-market motion.Total Raised: InsightFinder has now raised a total of $35 million in funding.Bridging the Gap Between Data Science and SREThe core value proposition of InsightFinder lies in its ability to bridge the communication gap between data scientists and site reliability engineers (SREs). While data scientists understand the AI but not the system, and SREs understand the system but not the AI, InsightFinder provides the insights that connect these two worlds. Gu argues that this unique combination of expertise and customizability acts as a significant moat against larger competitors.The Future of Autonomous IT OperationsAs enterprises continue to integrate AI agents into their core workflows, the demand for observability tools that can handle the full stack will only increase. InsightFinder's trajectory suggests that the future of IT operations lies in autonomous remediation—systems that not only detect anomalies but also fix them without human intervention. The company's success with Fortune 50 clients indicates that deep, enterprise-grade integration is the key differentiator in this emerging market.

The Energy Information Administration (EIA) is set to transition from voluntary pilots to a mandatory nationwide survey, compelling data centers to publicly disclose their energy usage and power bills. This regulatory shift aims to bring a rapidly expanding industry into the fold of federal oversight, addressing concerns over its escalating environmental footprint. From Pilot to Nationwide Regulation The EIA's strategy involves a phased approach, beginning with targeted pilot surveys in key regions. These initial studies focused on 196 companies across Texas, Washington state, and the Washington, D.C.-Northern Virginia metro area. The agency anticipates completing these pilot surveys by September, after which it will roll out a comprehensive, mandatory questionnaire covering data centers nationwide. Political Catalyst: The initiative was spurred by a letter from Sens. Josh Hawley and Elizabeth Warren urging the EIA to monitor the industry's energy consumption. Implementation Timeline: While the mandatory survey date is not yet set, the EIA expects to finalize the methodology following the September pilot completion. Strategic Focus: The surveys will specifically target the details of power bills, providing granular data on electricity demand. Why the Grid is Under Pressure Requiring data centers to reveal their power usage is a critical step for grid stability and environmental planning. As the technology sector, particularly AI, drives a surge in data center construction, the strain on the national power grid becomes increasingly apparent. By mandating transparency, the EIA aims to provide policymakers with the data needed to manage load balancing and prevent potential energy shortages. The Future of Data Center Compliance This move signals a new era of regulatory scrutiny for the tech industry. We can expect that once the mandatory data is collected, the EIA will use it to model future energy scenarios. This could lead to stricter efficiency standards or targeted infrastructure investments in regions with the highest concentrations of data center activity.

Arsenal manager Mikel Arteta expressed his pride in his team's performance after they reached the Champions League semi-finals for the first time in their history. The Gunners secured a spot in the last four with a gritty draw against Sporting, despite being without their injured captain Martin Ødegaard and Bukayo Saka.Declan Rice, who was captain in Ødegaard's absence, revealed that he had come off his sickbed to play a crucial role in the match. 'He was shattered,' Arteta said of Rice. 'He had no chance to play today, he wasn’t feeling good at all today, he played 94 minutes at the level that he’s done.'The match was a closely contested affair, with both teams creating chances. Leandro Trossard headed against a post from a Max Dowman corner late on, while Sporting's João Simões fired into the side netting with virtually the last kick of the match.Arteta attributed his team's success to their durability, saying, 'That is the reason why we are the only English team in the competition, because this league and this schedule takes the hell out of you, and it’s very difficult to do what we’ve done.'Rice also addressed criticism of the team's recent performances, saying, 'If you don’t play well, if you don’t play good, take it with a pinch of salt and keep moving.'Arsenal will now face Atlético Madrid in the semi-finals, having maintained their record as the only unbeaten team left in this year’s competition. They will also look to bounce back from their recent Premier League defeat to Bournemouth when they face Manchester City on Sunday.

Why does the war in Sudan persist three years after it began? According to the latest episode of Al Jazeera’s podcast The Take, the answer lies in the network of external actors that continue to fund and arm the warring factions – the Sudanese Armed Forces (SAF) and the Rapid Support Forces (RSF). The episode, hosted by journalist Malika Bilal and featuring political analyst Dallia Abdelmoniem, explores how regional and global rivalries have turned Sudan into a proxy battleground. With the United States and Israel engaged in a broader confrontation with Iran, and tensions in the Strait of Hormuz inflating oil prices, the cost of fuel and food in Sudan has surged, worsening an already dire famine situation. Key insights from the discussion include: Foreign financing and arms supplies keep both the SAF and RSF operational, preventing a decisive military outcome. US‑Israel‑Iran dynamics divert international attention and resources, allowing the Sudanese conflict to fester. Rising global fuel prices driven by Strait of Hormuz instability increase transport costs, making humanitarian aid more expensive and less accessible. Food price spikes exacerbate famine risk for millions of displaced Sudanese, deepening the humanitarian crisis. The podcast also notes that without a coordinated diplomatic push to address the external backers and the broader geopolitical tensions, a sustainable cease‑fire remains unlikely. Production credits go to Tamara Khandaker (producer), with contributions from Noor Wazwaz, Sari el‑Khalili, Spencer Cline, Chloe K Li, and Tuleen Barakat. Editing was handled by Alexandra Locke, while Alex Roldan provided sound design and Hisham Abu Salah and Mohannad al‑Melhem managed video editing. Listeners can follow the conversation and future episodes on X, Instagram, Facebook, and YouTube.