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The Culinary Connection Today you're going to eat art, says Federico Valdez, a chef at the School of Mexican Cuisine with the word Queso (Cheese) tattooed on his forearm. Today, you're going to eat history. In a sun-filled dining room lined with Mexican flowers, books and artefacts, unfolds a three-course feast inspired by Frida Kahlo, her life, her art and her loves, including her first lesbian affair. The starter, inspired by her childhood fascination with revolution, is a lightly spiced Mexican take on pirozhki, the Russian favourite. The main dish – served with pulque, an agave-derived drink Kahlo loved – taps into her rebellious spirit. It's called Frida Against the World, a giant stuffed chilli that sits amid a nutty, beany sauce similar to the one eaten at Kahlo's wedding to Diego Rivera, then the most famous artist in the world, now much more in her shadow. When she found Rivera in bed with her sister, she said: 'I'm going to get all my furniture and leave. I hate you' "I wanted this to be hot and horny," says Valdez, explaining that halved figs were added to reference Kahlo's sexuality. "Her first love, with a female teacher, happened at a time when Mexico wasn't so open. I wanted to get in all that spicy gossip. I'm not a big fan of playing it safe." The Exhibition Preview I'm in Mexico City with a Tate delegation just as the huge jacaranda trees are blooming purple and violet across its parks and boulevards – to follow in Kahlo's footsteps ahead of Frida: The Making of an Icon, a show of more than 30 of her works at Tate Modern in London that seems destined to be a summer blockbuster, adding yet more fuel to Fridamania. One work, Self Portrait With Thorn Necklace and Hummingbird, was painted in 1940 after her painful divorce from Rivera. A spider monkey, similar to the one he gave her as a present, is pulling on her thorn necklace, drawing blood. The two soon remarried, Kahlo inscribing the clocks in their house with the years of their separation and reunion. "The exhibition is like a movie," says Tobias Ostrander, its curator. "Frida is the star but it's also about her life, her people, her impact." Charting Kahlo's rise from unknown painter to global phenomenon, the show will also examine merch (expect a Kahlo Barbie) and gauge her influence on later artists. On display, too, will be many of the artist's treasured possessions, including her brilliantly patterned tehuana dresses. Graciela Iturbide's ghostly photographs of her crutches, customised medical corsets and prosthetic leg will also feature. These were taken 50 years after Kahlo's death, when all her belongings were finally freed from the bathroom in which Rivera had ordered them to be locked away. The Casa Azul Experience This took place at Casa Azul, the house in Coyoacán (The Place of the Coyote Owners) where Kahlo was born and spent most of her 47 years. It's now a beautiful, beguiling museum with smooth exterior walls painted a gorgeous blue. These border shiny red concrete paths that thread through fountains and lush gardens bursting with palm, yucca, cactus and bougainvillaea. "We don't know exactly where the blue came from," says Perla Labarthe Álvarez, the museum director. "But in her diary, Frida expressed what the colour meant to her: purity, electricity and love. Because of her health – she had surgery all her life, more than 30 operations – she was at home a lot so it had to be a comfortable place where she could rest. Many of her still lifes were done in the garden. She called her home A Place Full of Places." It's a perfect description. For this is a breathtakingly evocative location, even leaving aside the fact that Trotsky lived here for two years with his wife, having a brief affair with Kahlo. The Artistic Legacy Tours begin in the living room, with its hefty pyramid-style fireplace designed by Rivera and, as an old photo shows, once flanked by two of his macabre Judas dolls, papier-mache devils that are stuffed with fireworks and set alight at festivals. Opposite is Kahlo's mesmerising portrait of her beloved photographer father, painted 15 years after he died, his eyes as captivating as hers. On the walls, photos and texts detail the polio Kahlo contracted at the age of six, leaving her with one shorter leg, and the trolley-bus crash at 18 that impaled her on an iron handrail and left her in pain for much of her life, as well as unable to have children. She could never paint this accident, even though what she did paint was often deeply painful and personal – and these works were largely created at Casa Azul, upstairs in her studio, where visitors can see the easel adapted to allow her to use brushes lying on her back or seated in her wheelchair.

The Festival's Evolution: From 80s Giants to New BloodNot long ago, it was a running joke that Download, the biggest rock and metal festival in the UK, kept overlooking new blood and digging up the same 80s giants. But recent editions have finally started emphasising first-time headliners and making at least minor strides in representation. This year, four-decade veterans Guns N' Roses return, while Limp Bizkit make their headlining debut and Linkin Park, now co-fronted by Emily Armstrong, become the first band with a female singer to top the bill. It only took 23 years.Day One Highlights: Deathcore and Nu-Metal ResurgenceOn Friday, Swiss deathcore upstarts Paleface Swiss dominate the second stage early. Frontman Marc Zellweger is furious that the festival will only let him have one free hot meal, and he unloads his anger over a torrent of hellacious breakdowns. German party-starters Electric Callboy command one of the weekend's biggest crowds on the main stage before before hip-hop legends – and noted nu-metal inspirations – Cypress Hill slide seamlessly from classic to classic. Limp Bizkit dedicate their performance to late bassist Sam Rivers and friend Dougie Miller, and turn their set into karaoke night, putting every lyric on the video screen behind them. Take out the samples of Soft Cell and Spandau Ballet shoehorned in between their nu-metal ragers and the show would be considerably shorter, but that does nothing to upset the heaving crowd. Tens of thousands – many sporting Fred Durst's signature red cap – gleefully bounce, yell and mosh.Day Two: Cultural Fusion and Metal's FutureOn Saturday morning, British-Iranian trio Lowen bewitch the fourth stage with their Middle Eastern prog metal. Frontwoman Nina Saeidi invokes Iranian tradition using her piercing vocals, not to mention her ritualistic dress. British sludge-metallers Conjurer play material from their latest album, Unself, about singer/guitarist Dani Nightingale's experiences as a neurodivergent non-binary person. Let Us Live, which roars for the protection of the trans community, is a sledgehammer-heavy highlight. Trivium are reliably explosive on the main stage, tearing through 20 years of melodic yet ferocious hits in just over an hour, but the energy doesn't spill over for Guns N' Roses.The Main Stage: Expectations vs. RealityTime has robbed Axl Rose's voice of its rasp, and he barely interacts with his thin audience. There's no between-song chat – he doesn't even offer as much as a song title – whereas his bandmates' playing is spotless but lifeless. Midway through what's been promoted as a 200-minute set by GnR, Blood Incantation offer a reprieve on the fourth stage, their death-metal/kosmische mashup rocketing the tent to the outer reaches. Those who return for the headliners witness them finish 40 minutes earlier than planned.Day Three: Avant-Rock and Festival StealersSunday morning begins with screeching guitar feedback from rising UK avant-rockers Unpeople, who can lay claim to the loudest performance of the weekend. Led by Wolfgang Van Halen (son of guitar great Eddie), Mammoth deliver an understated show that owes more to Foo Fighters and Alter Bridge than his dad's 70s flair. Indian metal band Bloodywood are the best main-stage act of the weekend, their tight jams loaded with motivational messaging and vibrant folk, but US rock band Letlive steal the whole festival from the third stage. Singer Jason Aalon Butler leads an incendiary, interactive rally, then rips the drum riser apart and climbs the scaffolding. It feels righteous and dangerous in all the ways rock should.Linkin Park's New Chapter: Honoring the Past, Embracing the FutureLinkin Park's Chester Bennington is still missed nine years after his death, but his band refuse to wallow in grief. Their performances of One Step Closer, Crawling and In the End reaffirm their status as generation-defining songs, uniting Donington in singalong, and Armstrong and co-vocalist Mike Shinoda are all smiles throughout. Faint blasts the audience home on one last wave of 2000s angst, ending a comparatively diverse Download in triumphant form.

The UK’s New Stadium-Filling Country PhenomenonZach Bryan has successfully captivated the UK with his "With Heaven on Tour," transforming arenas into massive celebrations of raw emotion and rock-infused country. The 30-year-old Oklahoma native, formerly a US navy officer, has rapidly ascended from a self-released artist to a global superstar, now commanding tens of thousands of fans who sing back every word.The Atmosphere of an Inclusive RodeoBryan’s stage presence is a masterclass in accessibility and intensity. Opening with a cover of "Come Together" while wearing an Ozzy Osbourne T-shirt, he immediately bridges the gap between rock and country. His message of inclusivity—"I hope you know whoever you are, we accept you here"—resonates deeply, offering a welcoming alternative to a genre that can often feel hostile to outsiders.Deconstructing the Musical SetlistThe show balances high-energy barnstorming with intimate folk storytelling. Key highlights include:Barnstorming Bangers: "Overtime," "Motorcycle Drive By," and the surging "Say Why."Folksy Intimacy: "Pink Skies" and "Oklahoma Smokeshow," where the crowd's reaction to "He's an asshole from back home" highlights the communal bonding.Emotional Catharsis: "Something in the Orange," which drew tears from many men in the audience, showcasing his brand of wholesome masculinity.Breaking Down Barriers in the IndustryBryan’s success in the UK signifies a major cultural shift. The country music genre, once resistant to British audiences, is now spawning festival phenomena and filling stadiums. By infusing his sound with Springsteen-like intensity and raw storytelling about addiction and self-doubt, he has created a universal appeal that transcends borders.The Future of Fan EngagementThe tour concludes with a 15-minute encore that defies traditional stage etiquette. Bryan jumping down to barriers and handing his guitar to a fan demonstrates a new era of artist-fan intimacy. This level of connection suggests that the future of country music lies not just in the music, but in the shared, unfiltered experience.

The Collective Response to Epstein's LegacyWhat began as a WhatsApp conversation among playwrights has transformed into a powerful artistic statement against sexual abuse and institutional complicity. More than 80 writers, mobilized after the release of the Epstein files, have created 'All the Rage,' a guerrilla-art installation that transforms 15 spaces at London's Theatre Deli into a multi-sensory exploration of abuse, anger, and resistance.The Architecture of Anger: A Theatrical RevolutionThe installation represents a groundbreaking fusion of art forms, described by co-producer Anoushka Warden as 'art exhibition meets theatre meets activism.' Visitors navigate through a maze of interconnected spaces featuring live performances, installations, and graffiti-covered walls bearing poems, essays, and theatrical scenes. The collective nature of the project is evident in the central composite play 'All the Rage,' which weaves together contributions from all participating writers.The Power of Collective CreationDespite having only four days for rehearsals and setup, the female/non-binary collective has achieved remarkable attention to detail. Among the most striking elements are embroidered clothing pieces by Jenifer Toksvig containing pages from the Epstein files, and a reconstructed teenage bedroom by Julie Tsang and Kerry Fitzgerald that captures the cusp of childhood and adulthood for girls in Epstein's orbit. The installation's immersive quality creates an overwhelming experience that mirrors the complexity and weight of the subject matter.Cultural Impact and the #MeToo ContinuumThe project arrives at a moment when questions about institutional change linger following the #MeToo movement. Through direct references to Epstein and broader explorations of male abuse, the installation implicitly asks what has truly changed since the watershed moment of Harvey Weinstein's arrest. The work connects historical patterns of abuse with contemporary experiences, suggesting that while societal awareness has grown, systemic issues persist.The Future of Activist Art'All the Rage' represents a new model for activist art—one that emerges organically from communities rather than being commissioned by institutions. The project demonstrates how social media can facilitate rapid mobilization for creative responses to pressing social issues. As one playwright's refrain suggests, 'Craft your stories,' this installation may serve as a call to arms for future artistic activism that gives voice to marginalized experiences and challenges institutional complicity.

The Lead: A New Vision for Venice TheatreWillem Dafoe's second year as artistic director of the Venice Theatre Biennale marks a significant departure from his inaugural program, embracing a broad, outward-looking vision that celebrates cultural fusion and gives voice to marginalized stories. The 54th edition, titled 'Alter Native,' presents a diverse lineup spanning from Europe to Indonesia and India, creating genuine encounters between theatrical traditions.The Event Details: A Curatorial TransformationWhere last year's program felt nostalgic and experimental, this year's biennale showcases Dafoe's evolved curatorial approach. The lineup features productions that blend theatrical traditions from across the globe, including Satoshi Miyagi's Mugen Noh Othello, which merges Japanese Noh theatre with Shakespeare, and Christos Stergioglou and Alex Drakos Ktistakis' Cries, combining physical theatre with musical storytelling.The theme 'Alter Native,' according to Dafoe, represents 'encounters between cultures – moments when what is familiar enters into dialogue with you and becomes a catalyst for transformation.' This approach is exemplified by the selection of Emma Dante, a Sicilian playwright known for featuring social outcasts, as this year's recipient of the Golden Lion for lifetime achievement.The Cultural Impact: Centering Marginalized VoicesA recurring theme throughout Dafoe's programming is the amplification of marginalized narratives and lesser-heard stories. This focus manifests most powerfully in Davide Iodice's Promemoria, which takes audiences inside San Giobbe, a care home for elderly people in Venice. The production features 21 residents with cognitive decline or Alzheimer's, alongside nine actors, creating a year-long project of extreme tenderness that celebrates humanity's resilience.Similarly, Stergioglou and Ktistakis' Cries distills the voices of migrants and those enslaved or displaced throughout history, presented through song at the open-air Teatro Verde venue. The production comes alive in its angriest song about migrants who reluctantly flee their homes, only to face hostility and prejudice in the west.The Artistic Innovation: Reimagining Theatrical TraditionsThe biennale showcases several productions that reimagine established theatrical forms. Miyagi's Mugen Noh Othello reconfigures Shakespeare's drama to center Desdemona, the murdered wife, employing the 13th-century ritual of Mugen-Noh theatre. Miyagi explains that the protagonist of Mugen-Noh is always a ghost stuck in a repeated story, and the dramatic ritual aims to release them from their purgatory through storytelling.Dorcy Rugamba's Letter to the Absent adapts his book Hewa Rwanda, dedicated to his family who died in the Rwandan genocide of 1994. Rugamba explains that 'the genocide kills people twice: first it kills in the body, but after that their existence itself can disappear in the way you tell their story.' His work seeks to give victims their full story, allowing them to become the main characters rather than mere sufferers defined by their deaths.The Future Outlook: Theatre as TransformationDafoe's biennale demonstrates how theatre can serve as a medium for cultural dialogue and personal transformation. By centering marginalized voices and blending theatrical traditions from across the globe, the productions create spaces where the dead can be reborn and where cultural encounters become catalysts for change.The success of this year's program suggests a future direction for international theatre festivals—one that prioritizes inclusivity, innovation, and the power of storytelling to bridge cultural divides and give voice to those often unheard in traditional theatrical spaces.

The Controversial Coal Terminal Plan The Trump administration's plan to build a coal export terminal in Oakland, California, has sparked intense opposition from local residents, lawmakers, and environmental activists. The project, which would receive $75m in funding, aims to establish a sprawling coal export terminal in the nearby port of Oakland. Resistance from Local Communities Residents of West Oakland, a neighborhood known for its rich history of Black activism, are strongly opposed to the project. They argue that the terminal would bring significant environmental and health risks, exacerbating existing pollution issues in the area. The West Oakland Environmental Indicators Project, a grassroots organization focused on environmental justice, has been actively campaigning against the project. Environmental Concerns and Health Risks The proposed coal terminal has raised concerns about air and water pollution, as well as the potential for coal dust to coat the neighborhood. Local organizers have cited fears that trains delivering shipments will release coal dust into the air, posing health risks to residents. The area is already burdened with pollution from nearby highways, ports, and industry. Legislative Opposition California lawmakers, including state assembly member Mia Bonta, have vowed to fight the project. Bonta introduced a bill that would require a full environmental impact report before local agencies approve facilities that will handle, store, or export coal. Other lawmakers, such as Congresswoman Lateefah Simon, have also expressed their opposition to the project. The Future of the Project The fate of the coal terminal project remains uncertain, with local organizers and lawmakers continuing to push back against the Trump administration's plans. The project's timeline is unclear, but residents and activists are gearing up for a prolonged fight.

The Breakthrough in Lupus Treatment Five lupus patients in England are in remission after being treated with a revolutionary therapy that genetically modifies their own cells, in a medical breakthrough that could offer people a cure, doctors have said. Understanding CAR T-cell Therapy CAR (chimeric antigen receptor) T-cell therapy involves removing a type of white blood cell also called T lymphocytes, which are crucial for hunting out infected or damaged cells, and engineering them to spot and destroy disease. The T-cells are then fed back into the patient via an infusion to reset their immune system. The NHS Trial In an NHS trial led by University College London hospitals foundation trust (UCLH) and University College London (UCL), nine patients with severe lupus were recruited. They had not previously responded to any treatments. Most had lupus nephritis, a serious complication involving the kidneys. Six patients received a lower dose of CAR-T and three got a higher dose. Five of those on the lower dose, who were followed up for an average of 11 months, went into remission within just a few months. The Impact on Patients One of the five patients, Katie Tinkler, said she no longer had any of the main symptoms of the disease more than three decades after her diagnosis. She has also skied for the first time in a decade and was able to dance at her daughter’s wedding. The Future of Lupus Treatment Prof Karl Peggs, the director of UCLH’s biomedical research centre, said that while larger studies were needed, CAR T-cell therapy could offer people the chance of a cure. “These findings are truly groundbreaking and offer fresh hope to people living with lupus,” he said.

Understanding the UK's Social Media Ban for Under-16s The UK government has announced plans to ban social media use for individuals under the age of 16. This move is part of a broader effort to protect young people from the potential negative impacts of social media on their mental health and well-being. Key Details of the Ban The ban is intended to restrict access to social media platforms for users under 16. The specifics of how the ban will be enforced and what exceptions might be made are still being considered. Reasons Behind the Ban The decision to implement this ban comes amid growing concerns about the impact of social media on young people's mental health. Research has suggested that excessive social media use can lead to increased rates of depression, anxiety, and other mental health issues. Implementation and Enforcement The government has not yet provided detailed information on how the ban will be enforced. It is likely that social media companies will be required to implement age verification measures to restrict access to their platforms for under-16s. Potential Impact and Future Outlook The effectiveness of the ban in reducing the potential harms of social media for young people remains to be seen. The government will need to balance the need to protect young people with the rights of individuals to access information and communicate online. Next Steps Further details on the ban, including its implementation timeline and specific requirements for social media companies, are expected to be announced in the coming weeks and months.

The Surge in AI-Powered Investment FraudIncreasingly elaborate investment scams involving gold, cryptocurrencies and wine have soared in the past year with more than £220m lost to the fraud, according to a report from UK Finance. UK banks reported almost 15,000 investment scams in 2025 as criminals use artificial intelligence to dupe people out of their money at an unprecedented scale.The Evolution of Investment ScamsCriminals are leveraging advanced technologies to create more convincing fake investment opportunities. Typically, they promise high returns on investments that could range from gold, property and carbon credits to cryptocurrencies and wine. The recent deepfake videos of Reform leader Nigel Farage fighting the Bank of England's governor Andrew Bailey exemplify how sophisticated these scams have become, with AI enabling the creation of realistic but fraudulent content.Financial Impact and StatisticsAbout £221.5m was lost to scams in which people were persuaded to move their money to a fake investment or a fictitious fund, a rise of 40% from the year before. The annual fraud report revealed that a total of £1.28bn was stolen last year, an increase of 4%, and there were more than 4m cases. This suggests that eight people are being defrauded of a total of £2,500 every minute. Authorised push payment (APP) frauds, whereby criminals trick an individual into transferring money to an account they hold, were up by almost a fifth.Industry Response and Regulatory ChallengesThe mandatory fraud reimbursement scheme for APP fraud reimbursed 88% of losses, the report said. However, there has been a repeated call for tech platforms, where many scams originate, to be forced to verify online sellers and to contribute more money to fraud prevention. Ruth Ray, UK Finance's managing director for economic crime, stated that tech companies had the ability to tackle more fraud but were not investing in the expertise to do so. "Given most APP fraud still starts via online tech platforms or via telecoms, we urgently need stronger, enforceable responsibilities to be placed on these sectors," Ray emphasized.Future Outlook for Fraud PreventionAs AI technology continues to advance, the sophistication of investment scams is likely to increase, making detection more challenging for financial institutions and law enforcement. The industry may need to develop more robust verification systems and implement real-time transaction monitoring to identify suspicious activities. Additionally, greater collaboration between financial institutions, tech companies, and regulatory bodies will be essential to create a unified defense against these evolving threats. Public awareness campaigns will also play a crucial role in educating consumers about the tactics used by fraudsters.