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The Chancellor's Tax Cut Rachel Reeves, the chancellor, announced a temporary reduction in VAT on the children’s menu in restaurants from 20% to 5% between June and September, in order to help families with the cost of living crisis and offer a boost to the hospitality sector. Restaurateurs' Skepticism Restaurateurs have questioned the impact of the tax cut, with Will Murray, the owner of London restaurant Fallow, saying it's a 'small soundbite that won't make any difference.' Murray noted that most kids' food is already discounted at the cost of the restaurant anyway, and the VAT cut wouldn’t even make up that shortfall. The Data Analysis The UK's VAT rate for restaurants is 20%, one of the highest in Europe, with the European average being around 12%. In Italy, for example, VAT on food sold in restaurants is set at 10%. Some restaurateurs, like Tim Martin, the founder and chair of the Wetherspoons pub chain, plan to cut the cost of kids' meals during the summer, while others see the measure as merely 'symbolic.' The Impact Analysis The hospitality sector has long called for VAT rates on food and drink to be cut in line with other European countries. UKHospitality, the lobbying group for the industry, said it was likely that restaurants would cut costs on the menu for children after direction from government but that it was 'up to individual operators.' The Prediction Kate Nicholls, the chair of UKHospitality, urged the government to be bold and cut VAT for the entire hospitality sector, stating that VAT is the single biggest lever it can pull to lower prices, tackle inflation, drive demand, boost spending, generate growth, and create new jobs.

The Evacuation Order About 40,000 people in Southern California have been ordered to evacuate their homes as emergency responders race to prevent a large tank containing hazardous chemicals from leaking or exploding. The Chemical Tank Failure Residents in six Orange County cities were told to leave their homes on Friday after a storage tank containing up to 7,000 gallons (26,500 litres) of methyl methacrylate – a highly flammable chemical used in the production of plastics – began to fail the previous evening. The Risks and Response The tank is one of three located at GKN Aerospace in Garden Grove, about 49km (30 miles) from Los Angeles. GKN Aerospace manufactures parts for several aviation companies, including Airbus and Boeing. Orange County Fire Authority Division Chief Craig Covey said the tank could either rupture, causing its contents to spill onto the ground and create a plume, or explode. The Evacuation and School Closures Firefighters were able to reduce the tank’s temperature from a safe distance, buying crews more time to stabilise the situation. Garden Grove Police Chief Amir El-Farra said more than 4,000 people had refused to evacuate. Local mayor Stephanie Klopfenstein urged those still in the area to leave immediately. More than a dozen schools have also been closed, with officials warning they don’t know how long the evacuation order will remain in place.

The Lead The Birthday Party, a film by Léa Mysius, brings a change of pace to the Cannes competition with its home-invasion suspense thriller. Adapted from Laurent Mauvignier's French bestseller Histoires de la Nuit, the film has its moments but falters in the third act. The Film's Dark Atmosphere Set in a remote French village, the story revolves around Thomas (Bastien Bouillon), a dairy farmer struggling with money woes. His family, including his wife Nora (Hafsia Herzi) and their daughter Ida, face a sinister threat when three tough guys, played by Benoît Magimel, Paul Hamy, and Alane Delhaye, invade their home on Nora's 40th birthday. The Performance Highlights Benoît Magimel stands out with a ripe turn, embodying a menacing character. The film also features Monica Bellucci as an elegant artist living next door, adding to the tense atmosphere. Despite some narrative shortcomings, the film manages to deliver a claustrophobic and bizarre experience. The Impact Analysis The film's screening at the Cannes film festival highlights its significance in the current cinematic landscape. While it may not fully absorb all plot twists, the tension is capably managed, making it a grimly compulsive watch. The Prediction As a contribution to the thriller genre, The Birthday Party will likely appeal to fans of rural suspense stories. Despite some flaws, Léa Mysius's direction and the performances, particularly by Benoît Magimel, make it a noteworthy entry in this year's festival lineup.

The Lead: A New Kind of Celebrity Hot SeatThe Assembly brings together a 28‑strong panel of autistic, neurodivergent and learning‑disabled interviewers to grill high‑profile guests for up to three hours. The result is a mix of raw emotion, humour and unexpected intimacy that has quickly become ITV's most talked‑about chatshow. How "The Assembly" Merges Neurodiversity with Celebrity InterviewsThe format, adapted from France’s Les Rencontres du Papotin, opens each episode with a clear rule‑set: no question is off‑limits and every guest must answer honestly. Rylan Clark’s first appearance set the tone with blunt queries like “Are they your real teeth?” and “Did you ever consider having a real suntan?”. Subsequent guests—including Danny Dyer, David Tennant, Jade Thirlwall and Stephen Fry—have faced probing topics ranging from personal trauma to sexual preferences, often leaving them laughing, crying or both. Viewership, Awards and International Roll‑outHalf‑million YouTube views for Danny Dyer’s debut episode, the series’ most‑watched clip.Series nominated for a Bafta and winner of an RTS award.Commissioned in 20 countries across Europe, North America and Australasia.Three‑hour recording windows give guests space for genuine connection, a stark contrast to the typical 10‑minute segment on traditional chatshows. Why the Show Is Shaking Up the Talk‑Show LandscapeBy handing editorial control to neurodivergent interviewers, the programme challenges the “sound‑bite” culture of mainstream TV. Viewers report increased awareness of autism and learning disabilities, while celebrities appreciate the chance to be seen beyond PR‑driven narratives. The blend of entertainment and representation has created a “cult following” that even attracted selfies from Bafta‑winning stars. What’s Next for "The Assembly" and the Wider TV IndustrySeason 2 has already featured Stephen Fry, whose outrageous questions sparked viral moments. Producers hint at future political guests such as Keir Starmer and Tony Blair, and a possible spin‑off with former Scottish First Minister Nicola Sturgeon. If the current trajectory holds, the format could inspire a new wave of inclusive programming, prompting rival broadcasters to experiment with longer‑form, unscripted interviews that prioritize authenticity over commercial sell‑through.

The Director’s Missed Moment: Hairy Armpits Cut from the Final EditAt the Hay Festival in Wales, Emerald Fennell explained that a scene featuring Margot Robbie's character Cathy with "extremely hairy armpits" did not survive the final cut of her 2026 adaptation of Wuthering Heights. She called the loss "unfortunate" because period pieces often sanitize female bodies.Why the Scene Was Intended and What Was LostFennell described the unshaven underarms as "so important" to her vision of a realistic 19th‑century woman.The director questioned the historical plausibility of razor‑free armpits in other period adaptations, especially those of Jane Austen.She also referenced other unconventional set details, such as the "skin room" and a controversial "fish scene" involving a dead fish.Contextual Numbers: Release Timing and Audience ReachThe film premiered on Valentine’s Day 2026, positioning it as a romantic‑gothic offering.Starring Margot Robbie and Jacob Elordi, the movie attracted attention from both literary fans and mainstream audiences.Industry Impact: Shifting Standards for Body Authenticity in Period DramaFennell’s regret underscores a broader debate about how period films portray women’s bodies. Traditional productions often present hairless, polished figures, reinforcing a modern aesthetic rather than historical accuracy. By pushing for visible body hair, Fennell challenges the industry norm and invites future creators to reconsider the balance between visual appeal and authenticity.Looking Ahead: The Future of Unvarnished Period StorytellingIf directors continue to prioritize realism, we may see more productions that retain natural body features, prompting audiences to adjust expectations. Fennell’s upcoming, undisclosed project—described as "profoundly evil"—suggests she will keep testing the boundaries of comfort and authenticity, potentially influencing a new wave of bold, unfiltered period narratives.

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.

The LeadBritain's roads are in a state of crisis, with potholes becoming an increasingly common and dangerous problem for motorists across the country. The annual battle against road damage has become a symbol of wider infrastructure challenges facing the nation, as local authorities grapple with limited budgets, aging infrastructure, and the increasing pressures of climate change on road surfaces.The Scale of the ProblemRecent data reveals the extent of Britain's pothole crisis. Local authorities in England and Wales filled nearly 1.7 million potholes in 2024 alone, yet the problem continues to grow. The Road Surface Treatments Association estimates that it would take over a decade to clear the current backlog of road repairs at current funding levels. This represents a significant challenge for both urban and rural communities, with some areas reporting increases in pothole-related accidents and vehicle damage.Funding ChallengesThe financial constraints facing road maintenance are substantial. Since 2010, local authority funding for road maintenance has decreased by over 40% in real terms, while the number of miles of road has increased. The government's recent announcement of additional funding for road repairs has been welcomed by local authorities, but many argue it falls far short of what is needed to address the systemic issues. The complex funding landscape, with responsibilities split between central government, local councils, and private utilities, creates additional bureaucratic hurdles for effective road maintenance.Technical Solutions and InnovationIn response to the growing crisis, engineers and local authorities are exploring innovative solutions to create more durable road surfaces. New materials, including recycled plastics and modified asphalt formulations, promise longer-lasting repairs. Smart road technologies that can detect early signs of deterioration are also being piloted in several areas. However, the high initial costs of these technologies and the need for specialized training present barriers to widespread adoption.Impact on Communities and BusinessesThe consequences of poor road conditions extend beyond mere inconvenience. Potholes contribute to increased vehicle maintenance costs, with UK motorists spending an estimated £2.8 billion annually on repairs related to road damage. Commercial vehicles face particularly significant challenges, with increased fuel consumption, higher maintenance costs, and delivery delays all impacting business operations. Rural communities, often dependent on road transport for both goods and services, are disproportionately affected by poor road conditions.Future OutlookAddressing Britain's pothole crisis will require a multi-faceted approach combining increased funding, technological innovation, and more strategic planning. The government's upcoming National Infrastructure Strategy will be crucial in setting priorities for the coming decade. There is growing consensus that a shift from reactive repairs to proactive maintenance will be essential to break the cycle of deterioration. As climate change brings more extreme weather conditions, the resilience of road surfaces will become an increasingly important consideration in infrastructure planning.

The Evening's Premier TV Offerings Television tonight presents an eclectic mix of dramas, game shows, and special celebrations across multiple channels. From a trippy group holiday drama on BBC One to a classic darts game show on ITV, viewers have plenty of options to choose from. Dramatic Escapes and Twisted Holidays Two Weeks in August airs at 9pm on BBC One, featuring Jessica Raine and Damien Malony as friends on a problematic Greek holiday. The drama takes a turn when the group consumes hallucinogenic mushrooms, leading to a twisty, trippy experience. Leila Farzad, Dolly Wells, and Hugh Skinner also star in this sun-soaked drama. Game Shows and Celebrity Competitions Bullseye for Soccer Aid premieres at 5.55pm on ITV1, bringing together celebrities for a classic darts competition. Freddie Flintoff returns as host, with teams including Kym Marsh and her sister-in-law Claire, Jon Richardson and Angela Barnes, and Olly Murs and Mark Wright competing under Richard Ashdown's judging eye. Nobody's Fool at 9pm on ITV1 presents a new quiz show hosted by Danny Dyer and Emily Atack. Ten contestants compete at a manor to appear the most intelligent, with a £100,000 prize at stake. The show combines elements of social experiment with competition, described as "Destination X meets The Traitors." Unique Accommodations Around the Globe World's Most Secret Hotels airs at 8pm on Channel 4, showcasing extraordinary accommodations worldwide. In East Lothian, Scotland, the Bus Stop offers glamping in luxury buses. In Arizona, Castle Hot Springs is located 11km down a dirt road near the Bradshaw Mountains thermal waters. The series is narrated by Julie Walters. Celebrating a Music Icon Cher at the BBC honors the singer's 80th birthday at 9pm on BBC Two. The special features clips of Cher's performances and chatshow moments throughout her career. Cher holds the distinction of being the only artist with US Billboard No 1s in every decade between the 1960s and 2010s, with hits including "I Got You Babe," "Walking in Memphis," "Strong Enough," and "Believe." Classic Detective Reimagined Monsieur Spade at 9pm on U& Drama features Clive Owen as Sam Spade, Dashiell Hammett's iconic detective. Set in 1963 in the south of France, the retired Spade investigates the murder of six nuns, becoming entangled in jurisdictional conflicts with the Vatican. Owen brings a "rumpled melancholy" to the role. Film Highlights for Tonight Is This Thing On?, now available on Disney+, is inspired by the true story of how John Bishop became a comedian. Bradley Cooper directs this drama about marriage and midlife crisis, starring Will Arnett as a New York financier who finds unexpected fulfillment through stand-up comedy. Laura Dern co-stars as his estranged wife. Tom Clancy's Jack Ryan: Ghost War is now streaming on Prime Video. The John Krasinski-led espionage thriller follows the CIA analyst as he teams up with Sienna Miller's MI6 agent to pursue a rogue black ops operative from London to Dubai. The film offers a more relaxed take on the spy genre compared to the high-octane Mission: Impossible series. My Favourite Cake airs at 9pm on BBC Four, celebrating the art of baking with a focus on favorite cake recipes and techniques.

The Executive SummaryTulsi Gabbard has formally resigned as the Director of National Intelligence (DNI), a move that marks a significant political realignment within the Trump administration. Her departure, effective May 23, 2026, raises immediate questions about the stability of the intelligence community and the future direction of US foreign policy under the current administration.A Sudden Shift in the Intelligence CommunityThe resignation comes as a surprise to many within the Beltway, given the high-profile nature of the DNI role. Gabbard's tenure was defined by a radical departure from traditional intelligence gathering norms, often clashing with career officials at the FBI and CIA.Role: Director of National Intelligence (DNI)Administration: Trump's Second TermDate of Resignation: May 23, 2026Key Context: Significant internal friction with traditional intelligence agenciesThe Political Fallout of the 2026 ResignationGabbard's exit is likely to be interpreted as a capitulation to internal party pressures. Her unorthodox approach to intelligence—often prioritizing diplomatic engagement over hard power—has alienated key factions within the Republican base and the defense establishment. The resignation suggests that the administration is pivoting away from the radical restructuring she championed toward a more traditional, hawkish stance.What Comes Next for US Intelligence StrategyMarket analysts and political strategists predict that the White House will move quickly to appoint a replacement who can restore order to the intelligence apparatus. The next DNI is expected to be a consensus candidate with deep ties to the defense establishment, aiming to repair the fractured relationships between the White House and the intelligence community.