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Ethiopia's Contested Election LandscapeAddis Ababa, Ethiopia – Ethiopia will hold general elections on June 1, 2026, with Prime Minister Abiy Ahmed's governing Prosperity Party (PP) widely expected to secure a decisive victory. A fragmented opposition and violence in parts of the country could keep millions from voting, raising questions about the legitimacy of the electoral process.In the capital, Addis Ababa, the ruling party has closed major roads, including Meskel Square in the city centre, to stage large rallies for supporters, while opposition parties say they have been barred from holding comparable gatherings.Election Dynamics and Government Campaign StrategyThe electoral board claims more than 50 million people have registered to vote out of a population of at least 130 million, though critics dispute these figures, pointing to large parts of the country affected by conflicts in regions including Amhara and Oromia, as well as lingering instability following the Tigray conflict.Several of the country's most populous regions, including Amhara, Oromia, Gambella and Tigray, remain unstable after a civil war that ended in 2022, killing an estimated 600,000 people and displacing millions.Regional Conflicts and Electoral Legitimacy"The polls are primarily a symbolic exercise intended to confer legitimacy on the incumbent," Kjetil Tronvoll, professor at Oslo New University College and an expert on Ethiopia, told Al Jazeera. "Multiparty elections in Ethiopia have never been a genuine contest with the real possibility of changing government, neither under the Ethiopian People's Revolutionary Democratic Front (EPRDF) nor under the PP.""With the exclusion of Tigray, the challenge is far bigger than it appears on the surface," Tronvoll said, adding that it reflects Ethiopia's political and territorial crisis. "It is a consequence of the federal government's lack of territorial control and the erosion of federal authority over political institutions in the region."Suppression of Opposition and Media ControlMany opposition voices have been pushed out of formal political space, with armed movements active across Amhara, Oromia and other regions. Tigray has been excluded entirely from the election, as the Tigray People's Liberation Front (TPLF), a banned but influential political actor in the region, consolidates its authority.Opposition leader Mistresilasie Tamerat, 23, who heads the Ethiopian People's Revolutionary Party (EPRP), says she has been repeatedly denied permits and venues to organize rallies, an issue also highlighted by the Ethiopian Human Rights Commission (EHRC), a government-established human rights body.Press Freedom Under SiegeMuch of Ethiopia's media and journalists have been warned against critical coverage of the upcoming election, while the media regulatory authority has come under scrutiny for its actions against the press, including the reported deportation of journalists and restrictions affecting outlets such as The Economist and The Africa Report.Ethiopia now ranks 145th out of 180 countries in Reporters Without Borders' 2025 Press Freedom Index, alongside Eritrea, North Korea and Iran near the bottom of the ranking. Addis Standard, a leading critical online publication, has had its licence withdrawn, while The Reporter newspaper, the country's largest-circulation paper, has been warned to align its reporting with government narratives.Diminished Public Engagement and Future OutlookDays before the vote, the mood in Addis Ababa is subdued. There are few campaign signs beyond those of the governing party and little visible political activity, reflecting a mood shaped by double-digit inflation and an influx of displaced people fleeing insecurity elsewhere in the country.Even music perceived as critical of the government, including songs by popular artist Teddy Afro, is increasingly absent from public spaces and radio broadcasts, residents say. For many Ethiopians, the election represents a continuation of the status quo rather than a genuine opportunity for political change, with the government's control over institutions and public space ensuring its anticipated victory.

Olly Murs Steps Into the Unknown for Soccer AidOlly Murs recently completed a brutal 400km journey from Old Trafford in Manchester to the London Stadium by running, cycling and rowing – and raised £830,000 for Unicef. On Sunday, he will take part in the 20th annual Soccer Aid match, along with Jill Scott, Tom Hiddleston, Wayne Rooney, Jermain Defoe, Owen Cooper and Angry Ginge.Under the VinesPressing concerns: the first season of this breezy wine-making daytime drama saw chalk-and-cheese step-cousins Louis (Charles Edwards) and Daisy (Rebecca Gibney) grow close after jointly inheriting a kaput New Zealand vineyard. But as this second run begins, Louis seems set on heading back to London with his ex.Gardeners' WorldWith summer making an early appearance, now is the time to embrace Monty Don’s colourful, bold flowers. Only got a patio to play with? Rekha Mistry has big plans for a small space. And Carol Klein is discovering the science of what happens to a seed from the very moment it is sown.Hunting Britain’s Fugitives: DispatchesHow many people are at large in the UK, guilty of serious crimes, but on the run and easily evading the authorities? Lawbreakers may think justice will never catch up with them, but some are less successful at escaping the attentions of reporter Matt Shea, who takes it upon himself to track them down and, in spite of the potential threat of violence, confront them.PoniesAmerican widows Bea (Emilia Clarke) and Twila (Haley Lu Richardson) have made an impactful debut as spies in Moscow in 1977: they’ve burned down a pub. How can they top that? A confident comedy drama fleshes out its two protagonists by giving Bea a new mission that requires her to toughen up, while Twila benefits from letting her guard down.Smoggie QueensLike a more chaotic, camper Beautiful People, the series ends with a bang as the gang, through flashbacks, recount a cheating scandal that happened during the final of the Mr Teesside competition. Expect several unreliable narrators, fake chest hair and “Detective Sexy” (AKA Dickie wearing fake breasts and a Sherlock cap).Film choiceFuze (David Mackenzie, 2025), 6.15am, 12.10pm, 8pm, Sky Cinema Premiere. Two of the bookies’ favourites to be the next James Bond go head to head in David Mackenzie’s tense, rug-pulling thriller. Aaron Taylor-Johnson stars as no-nonsense army bomb disposal major Will Tranter, called to defuse a second world war bomb in central London.

The Uncertain World Cup Match New Zealand will play their first World Cup game in 16 years with much of the planet watching what is surely the biggest event of the group stage. But little attention will be on whether New Zealand can record their first World Cup win with Iran their opposition on 15 June. The Event Details Ever since the US and Israel attacked Iran on 28 February, there has been uncertainty surrounding this World Cup fixture in Los Angeles. There were conflicting signals whether the Islamic Republic of Iran would allow the national football team to travel to the home of its attacker, and whether the US would welcome Team Melli. The Current Status With kick-off now weeks away, it appears the game will go ahead as planned. Still, there is the possibility of protests by the large local Iranian population in “Tehrangeles”, many of whom fled the 1979 revolution, and acts of defiance by players. The Impact Analysis New Zealand, who also face Egypt and Belgium in their group, are very much the supporting cast in this drama. It is an unusual situation for any team to be in but that has been the case for the past three months with Bazeley never quite sure who the opposition would be for New Zealand's biggest game since 2010. The Prediction “Right now we’re still continuing as though we’re playing Iran,” Bazeley said in March. “They’re the team that qualified and we got drawn against them. That’s still the fixture and until we get told otherwise, we’ll ‌continue ⁠with that preparation. Obviously, if things change, then we’ll deal with that.”

The Plan Switzerland has qualified for the World Cup for the sixth time in a row and will head to the US west coast with high expectations. Coach Murat Yakin has set ambitious goals, stating, "We want to play the best World Cup seen from a Swiss team." Switzerland's World Cup History Switzerland has never advanced past the quarter-finals at the World Cup, with their last appearance at that stage being in 1954 on home soil. They have typically been eliminated in the last 16, as seen in their 2022 loss to Portugal. Group B Fixtures 13 June v Qatar, San Francisco (noon local, 8pm BST) 18 June v Bosnia and Herzegovina, Los Angeles (noon local, 8pm BST) 24 June v Canada, Vancouver (noon local, 8pm BST) The Coach: Murat Yakin Murat Yakin's appointment as coach in August 2021 was a surprise, given he was managing second-tier FC Schaffhausen at the time. Despite some challenges, he extended his contract to 2028 after a positive Euro 2024. Star Player: Granit Xhaka At 33, Granit Xhaka remains Switzerland's most important player, dictating the tempo of the game and ensuring a balance between defense and attack. This could be his last World Cup, but he may continue his international career afterward. One to Watch: Johan Manzambi Johan Manzambi, a Geneva-born midfielder, has impressed with his performances at Freiburg. Europe's top clubs are monitoring him, and he could become one of the most expensive Swiss transfers after the World Cup. Unsung Hero: Remo Freuler Remo Freuler, a midfielder from Zurich, has worked hard to reach the top. He complements Xhaka well in midfield, excelling in running capacity, one-on-one situations, and footballing intelligence.

Spotify's AI Music Strategy Spotify's chief executive has defended the company's move into AI-generated music, claiming it offers users and creators a better alternative to piracy and unregulated AI slop. The New Feature Last week, the platform announced a new feature in which premium users will be allowed to create their own, AI-generated remixes and song covers using music from participating artists. The feature comes as a part of a deal with Universal Music Group that sent Spotify's shares up 16% last week. The Data Analysis Spotify's feature will cost extra money, and allow 'one song to become 10,000', said Norström. There appears to be clear demand for AI-generated music, with three AI-generated songs topping music charts last year, including Spotify's. The Impact Analysis Ed Newton-Rex, a composer and campaigner for protecting artists' copyright, said: 'I think if you are going to have AI music, it's clearly better that you have AI music that is rooted in consent.' However, he also warned that the feature could lead to human artists facing greater competition from AI-generated work. The Prediction Newton-Rex said Norström's decision to frame Spotify's move as a choice to prioritise curated AI content over AI slop elided the more real, pressing competition between human artists and AI-written music. 'The framing is absolutely AI music versus human music. Whenever someone listens to AI music on Spotify, they are not listening to a song that is simply made by a human. There are only so many hours that you listen to music in a day.'

Celebrating Queer Nightlife Through Photography A new photo book titled 'Sex, Clubs, Dissent: Visualising Queer Nightlife' offers a striking defence of the culture-shaping role of snapshots taken inside and after queer clubs. Edited by writer and London dancefloor regular Amelia Abraham, the anthology takes an expansive view of nightlife photography from the 1960s until today. The Book's Diverse Collection The book features contributions from artists such as Wolfgang Tillmans, Sunil Gupta, and Kia LaBeija, showcasing a wide range of nightlife photography. The image selection is cacophonous, ranging from film stills and studio portraits to Grindr screenshots, taking readers on a nonlinear dance through scenes of queer sociality. A Platform for Marginalized Voices The book aims to rebalance the history of queer nightlife, which has often focused on white gay men. The cover features a 1978 photo by Meryl Meisler, 'Two Women Embrace on Floor Next to Jupiter's Legs, Les Mouches, NY', highlighting the intention to include marginalized voices. A Celebration of Queer Expression The book includes a generous selection of images from Del LaGrace Volcano's archive, documenting meetings of leather-clad lesbians in London, as well as never-before-published photos from two trans community archives in Mexico City and Buenos Aires.

Creating an Inclusive Space Robyn Steward, a 39-year-old autistic trumpeter, had never been to a nightclub before discovering Fabric in London. Inspired by its accessibility features, she decided to host her space-themed experimental music night, Robyn's Rocket, at the venue. The Event Details Robyn's Rocket aims to create a space where people with and without learning disabilities and autism can come together without any power dynamic. The event features detailed visual storyboards, tech and access riders, and a sensory dancefloor that transforms sound into tactile vibrations. The Data Analysis Steward's experience with autism and multiple disabilities, including cerebral palsy, informs her approach to creating an inclusive space. Robyn's Rocket has been running since 2017, booking noise bands, DJs, and improv groups in various London venues. The Impact Analysis The event's focus on integration and accessibility has a significant impact on the community. Steward's approach helps to break down barriers and create a sense of equality among attendees. The Prediction As Robyn's Rocket continues to grow and expand, it is likely to inspire more inclusive and accessible events in the future, promoting a culture of acceptance and understanding.

Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.

The Remix of a Classic Words, words, words. Can Hamlet retain its tragic force without using most of them? This hour-long dance-theatre remix by the late South African choreographer Dada Masilo preserves few speeches and its opening is not auspicious, crashing straight into “To be, or not to be” shorn of context and characterisation. The Dance of Ophelia and Hamlet There follows, as is customary, a meeting between the prince and Ophelia, but Masilo replaces the usual cruel encounter with stolen moments amid a ceremony, as if they are meeting anew like Romeo and Juliet at the Capulet ball. Matching each other’s movements, amid clapped hands, thrusting shoulders and rippling chests, they grow closer with a hint of tango footwork. From this flashback, Masilo practically fast-forwards their choreography with a sense of doom. The Emotional Depth of Gertrude Letting the pair share a tender duet reinforces their romance but also heightens the violence of the nunnery scene where they are traditionally first seen together. Masilo adds another new scene to show Gertrude’s despair upon receiving news of Old Hamlet’s death rather than introducing her as sanguinely remarried to his brother. We see her seek strength amid grief, supported by courtiers whose pulsing, grounded movement is a message of persistence. This is dancing felt in the gut. The Impact of Movement and Music Wooed offstage, Gertrude returns for a convivial ceremony where a young couple are ticked off for getting too raunchy on the dancefloor. Movement styles across generations and cultures are blended by Masilo, who drew attention for remoulding ballet’s classics. Her ensemble is often an industrious force, driven by relentless percussion, as each scene breaks like a wave against Thuthuka Sibisi’s compositions. The Tragic Conclusion The latter stages lose focus but the choreography’s omnipresent sense of returning to the earth foreshadows a climax where all are struck down by the kingdom’s collective sickness, stressed by the lighting of Suzette le Sueur (who also provides some of the elegant costumes). It’s a collection of often piercing scenes that never quite establish full collective power – a tragedy out of joint. At Sadler’s Wells, London, until 26 May