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The Return of a Hip-Hop LegendAfter nearly two decades away from the UK stage, Mike D—founding member of the legendary Beastie Boys—made a triumphant return to British shores with an unexpected yet fitting performance in a Tyneside bingo hall. The 60-year-old hip-hop icon brought his unique energy and style to North Shields, where he became what is likely the first legendary rapper to ever yell "Wassup, North Shields?!" to an adoring crowd.An Unconventional Venue for a Legendary PerformerThe setting itself was part of the charm—a bingo hall in the northeast of England, far from the traditional concert venues that typically host artists of Mike D's stature. The stage featured turntables, a six-piece band in matching outfits, and even bingo tables at the back, creating an atmosphere that was simultaneously low-key and monumental. Backed by 5D—a band that includes his own sons and members who are more than half his age—Mike D delivered a performance that blended nostalgia with fresh energy.New Material Takes Center StageRefreshingly and bravely, Mike D's setlist focused almost entirely on new material, including tracks from his forthcoming album. The performance featured storming recent singles like "What We Got" and showcased his distinctive reedy wordplay over hypnotic grooves in tracks like "I Don't Care." The set included "Make It Stop," which paid homage to Kraftwerk, and "True Colours," a massive electronic-rock-rap mashup that demonstrated his continued musical evolution. The only nod to his past came with an uproarious performance of "So What'cha Want," a Beastie Boys classic that had the crowd chanting for more.Bridging Generations and Musical ErasThis performance marks a significant moment in Mike D's career, representing both a continuation of his musical journey and a bridge between generations. Performing with his sons as part of 5D, the show highlighted the passing of the musical torch while maintaining the inimitable joie de vivre that defined the Beastie Boys' legacy. The reference to Newcastle's "Venom sample"—a nod to the time the Beasties sampled the Geordie metal band on "Check Your Head"—demonstrated his connection to the local music scene and his appreciation for the region's contribution to his own musical heritage.A New Chapter for a Hip-Hop IconMike D's return to the UK stage suggests a renewed period of activity for the artist following years of relative quiet following the death of bandmate Adam "MCA" Yauch in 2012. The enthusiastic reception and the focus on new material indicate that fans can anticipate more music and performances from the hip-hop legend in the coming years. As the only disappointment noted by reviewers was that there wasn't more of the engaging, fun hour-long show, it appears that Mike D's comeback is not just a nostalgic trip down memory lane but the beginning of an exciting new chapter in his already illustrious career.

The Lead The Edinburgh Festival 2026 promises to be an exciting event with a wide range of theatre productions. From feminist explorations to epic dramas, there's something for everyone. Roleplay and Mayflies Producer Francesca Moody brings 'Roleplay', a new offering by Australia's Hannah Reilly, about a feminist podcaster who becomes an online 'slutfluencer'. Meanwhile, Andrew O'Hagan's coming-of-age novel 'Mayflies' is adapted by Ben Harrison and directed by Grid Iron. 'Roleplay' - Summerhall, 6-31 August 'Mayflies' - Brown's of Leith, 7-30 August Epic Dramas Paines Plough's Katie Posner directs 'After Party', an epic drama by Morna Young, which explores family secrets on the night of an actor's 80th birthday celebrations. Additionally, Internationaal Theater Amsterdam revives Tony Kushner's 'Angels in America', a masterpiece about AIDS in the 1980s, directed by Ivo van Hove. 'After Party' - Traverse, 6-30 August 'Angels in America' - King's theatre, 15-20 August Unique Performances Other notable productions include '116 Grams: A Play to Lose Weight' by Letícia Rodrigues, 'Cathy' starring Elaine C Smith, and 'The Jolly Fisherman' by John Dinneen. '116 Grams: A Play to Lose Weight' - Zoo Southside, 7-30 August 'Cathy' - Traverse, 31 July-30 August 'The Jolly Fisherman' - Underbelly, 5-31 August Experimental and Innovative The festival also features experimental and innovative productions like 'Bigfoot Ripped My Dog in Half I Saw It' by Xhloe and Natasha, 'The Singer' with music and lyrics by KT Tunstall, and 'Concerts of the Future' by Ciaran Frame. 'Bigfoot Ripped My Dog in Half I Saw It' - Summerhall, 6-30 August 'The Singer' - Traverse, 4-30 August 'Concerts of the Future' - Summerhall, 6-31 August Powerful Messages Lastly, productions like 'Hang Time' by Zora Howard and 'A Trial – After An Enemy of the People' tackle serious issues like racialised violence and social justice. 'Hang Time' - Royal Lyceum, 20-23 August

The Lead In a revealing interview, Mark Williams, beloved for his portrayal of Arthur Weasley in the Harry Potter films, shares candid insights about his experiences on set, his relationships with fellow cast members, and the enduring impact of his iconic roles on both his career and public recognition. On-Set Memories and Fellow Actors Williams reflects on the challenges and joys of filming the Harry Potter series, noting that the worst part was "being away from home and the long hours," while the best was "the work and talking to the other actors." He recalls the legendary storytelling abilities of his co-stars, particularly Michael Gambon and Richard Griffiths, whose backstage anecdotes were "brilliant, and completely unpublishable." One of the more unusual on-set activities involved browsing agricultural equipment magazines with Robbie Coltrane. "With Robbie Coltrane I used to like going through Plant Trader, which was a sales magazine for big stuff: cranes, tractors, earthmoving equipment. We never purchased anything, but we came close," Williams reveals. The Unexpected Recognition Williams shares an amusing anecdote about recognizing someone unexpected on the Harry Potter set. While filming in the Ministry of Magic, he spotted his accountant among the extras. "When we'd stopped shooting I went over and said: 'Harry? What are you doing?' He said: 'Oh, it's a group of us. We just come and do supporting artist extra work for a laugh. That guy over there is a high court judge, and he's a contract law specialist.'" This experience taught him to "never underestimate the extras," highlighting the diverse backgrounds of people working in the film industry. Career Highlights and Collaborations When asked about his favorite collaborations, Williams cites two distinct areas: working with Hugh Laurie in films like "101 Dalmatians" and "The Borrowers," and his relationships with costume departments. He recalls a particularly memorable meeting with costume designer Bunny Christie on "Shakespeare in Love," who looked him up and down and declared, "Hmm, a make, I think," making him feel like he'd "arrived" in the industry. Williams also discusses his role as Brian Williams in "Doctor Who," describing his character as "the sort of antihero," and expresses his fondness for the maritime culture of the British Isles, which he'd love to explore in a potential documentary series. Iconic Catchphrases and Public Perception The interview touches on Williams' most famous catchphrases from "The Fast Show," including "Suits you, sir" and "Nice." While he doesn't find himself frequently quoting these lines in everyday life, he reveals that his mother used to say "Which was nice" without acknowledging its origin. When asked if he's tired of hearing his catchphrases, Williams responds with characteristic humor: "If you can't do the time, don't do the crime." When asked which catchphrase he wishes was his, Williams singles out Catherine Tate's "How very dare you?" as "a work of genius," noting its political undertones and versatility. Life Beyond Harry Potter Williams discusses his current role as Father Brown, revealing his love for the "Britishness" of music hall traditions and the "lunacy, the madness of it." While he has an excellent voice and can perform an uncanny George Formby impression, he hasn't pursued a singing career, though he has played Doctor Dolittle on tour. He also shares his thoughts on the Harry Potter studio tour, particularly fond of "Fluffy's paw," describing it as "a giant animatronic hand" that reminds him of Ray Harryhausen's work, noting that such creations are unique to films.

The Lead Addie E Citchens's debut novel Dominion has been shortlisted for the Women's Prize, offering a scathing critique of patriarchy through the lens of a prominent Black church family in Mississippi. The Event Details The novel, set in the fictional town of Dominion, Mississippi, revolves around the Winfrey family, particularly Rev Sabre Winfrey Jr and his wife Priscilla. The story explores the exercise of dominion through violence, charisma, piety, and male entitlement. The Character Analysis The narrative unfolds through the perspectives of Priscilla and Diamond, Wonderboy's teenage girlfriend. Both women become tragically bound to Wonderboy, with Priscilla having helped create and enable him, and Diamond experiencing the cruelties that flourish under his indulgence. The Impact Analysis Citchens astutely interrogates the ways religious performance can become a theatre for power, highlighting the hypocrisy of public holiness masking private cruelty. The novel reveals itself to be a tale about inheritance: the inherited scripts of masculinity, the inherited submission of women, and the inherited sadness of towns built atop generations of grief. The Prediction Dominion has been praised for its bruising, funny, and deeply intelligent exploration of the ways women’s lives are warped by the whims and cruelty of men. The novel offers a powerful portrayal of what becomes possible when women begin to imagine lives larger than those who diminish them.

The Grim Reality of China's Gig Economy Hu Anyan's memoir, 'I Deliver Parcels in Beijing', began as a blog and became a bestseller in China, selling nearly 2 million copies. It details his experiences as an internal migrant, working 19 jobs in six cities over 20 years, often in terrible conditions and for very low wages. The Daily Grind Hu's jobs included security guard, hotel waiter, delivery driver, bicycle salesman, bike courier, gas station attendant, and logistics warehouse worker. He often worked long shifts on little sleep and went without food for eight hours at a time. The Human Cost The book, translated by Jack Hargreaves and narrated by Winson Ting, conveys the dehumanizing reality of Hu's experiences and the struggles of internal migrants in China. It is a grim indictment of a system that prioritizes convenience over people's well-being. Further Listening Maybe I'm Amazed by John Harris, a moving account of a father's bond with his autistic son, narrated by the author. Creation Lake by Rachel Kushner, a novel about an American spy who infiltrates a group of eco-warriors in France, narrated by the author.

Visual Overview of the Biennial’s Core NarrativeThe Guardian’s picture‑rich report presents a snapshot of the Upstate Photography Biennial, emphasizing three intersecting motifs: lesbian rebels challenging gender norms, exotic dancing as a form of bodily expression, and domestic scenes that foreground everyday intimacy.Exploring the Three Narrative ThreadsLesbian rebels: Photographs showcase queer subjects asserting agency through bold poses and activist symbolism.Exotic dancing: Images capture kinetic performances that blur the line between art and ritual, highlighting movement as narrative.Domesticity: Intimate home settings reveal the quiet power of routine, contrasting the overt rebellion of the other themes.Why These Themes Resonate in Contemporary PhotographyBy juxtaposing radical queer visibility with sensual performance and ordinary life, the Biennial reflects a broader cultural appetite for nuanced representation. The curatorial choice underscores a move away from singular aesthetic statements toward layered, socially aware storytelling.Implications for Regional Art PlatformsHighlighting such diverse subject matter positions Upstate New York as a fertile ground for experimental photography, potentially attracting wider curatorial interest and funding. The exhibition may encourage other regional festivals to adopt similarly inclusive programming.Looking Ahead: The Next Chapter for the BiennialFuture editions are likely to build on this momentum, inviting more artists who explore identity, performance and the private sphere. Continued media coverage, like the Guardian’s visual essay, will be crucial in amplifying the Biennial’s impact beyond its geographic locale.

In June 2026, Costa Rica’s constitutional court ordered the state‑run electricity company ICE and the Ministry of Environment and Energy (MINAE) to insulate bare power lines in the Nosara district within six months, after a sharp rise in wildlife electrocutions that left more than 100 animals dead, the majority of them howler monkeys.Constitutional Court Mandates Immediate Safety MeasuresThe court found that ICE and MINAE had failed to implement effective safeguards on uninsulated lines, violating obligations to protect wildlife. The ruling follows a coordinated campaign by twenty conservation groups, including International Animal Rescue Costa Rica (IARCR), under the banner “This Is NOT Pura Vida.”Escalating Toll on Howler Monkeys: Recent StatisticsThe rescue centre reported 108 electrocuted animals in 2025, with howler monkeys accounting for up to 90% of cases.National data show 6,262 wildlife electrocution incidents between June 2022 and June 2023.Development pressure—new houses, restaurants and hotels—has created fresh “electrocution hotspots” deeper in the forest.Broader Environmental and Development ImplicationsThe surge highlights a clash between Costa Rica’s booming eco‑tourism sector and its reputation as a biodiversity haven. While MINAE claims to have introduced a “broad range of measures” to curb electrocutions, critics argue that without insulated wiring the problem will persist nationwide, not just in Nosara.What the Next Six Months Could Mean for Wildlife SafetyImplementation will be closely monitored by IARCR’s chief executive, Gavin Bruce, who sees the ruling as a potential catalyst for country‑wide standards. If ICE complies, the number of monkey fatalities could drop sharply, and the case may set a precedent for other Latin American nations grappling with similar infrastructure‑wildlife conflicts.

The Lead At first, the small purple flowers are hard to spot in the weak May sunshine. Slowly the drifts of delicate mountain pansies, along with the white rosettes of alpine pennycress, begin to jump out, scattered across an area little bigger than a football pitch, on the banks of the River Allen in Northumberland. The Metal-Tolerant Ecosystem This is a pocket of calaminarian grassland, an increasingly rare habitat where specialist plants called metallophytes have adapted to live in soils deeply contaminated by heavy metals, the legacy of more than 1,000 years of lead mining. "This is absolutely a case of nature responding to pollution caused by humans," says Geoff Dobbins, estates manager for the Northumberland Wildlife Trust, who is passionate about saving these grasslands. The Evolution of Metallophytes The grasslands originally evolved in small patches around rocky upland outcrops, where veins of lead, cadmium and zinc had been exposed by the elements. As these began to be mined, according to Dr Ruth Starr-Keddle, a botanist at the North Pennines National Landscape, a biocrust of lichens and mosses developed that could tolerate toxic wastewater washing over them. The Natural Cleanup Process Despite their delicate appearance, these specialist plants can live in soils 30 times more toxic than most other species can tolerate. As they grow, metallophytes act as "hyper-accumulators," cleansing the soils that feed them through a process called phytoremediation. This turns the metals they absorb through their roots into complex organic compounds, which are locked away below the surface once the plants die. The Mining Legacy The barren, rocky uplands of the northern Pennines were first mined by the Romans, but the industry reached its peak in the mid-18th century. Today, the landscape is dotted with abandoned workings and spoil heaps; some high up on the moors, others closer to the rivers and the water the industry needed. "If you took samples from most of the rivers in the North Pennines, most have got contamination from lead mining in them," says Dr Starr-Keddle. The Future of These Unique Habitats As they become cloaked in more thuggish plants such as gorse and broom, and the zinc and lead brought by mine-wash became slowly buried beneath a blanket of humus, there is a growing debate about whether these human-made meadows should be protected or allowed to gently fade away. About 30% of Europe's calaminarian grasslands are found in the UK, although they are scarce, covering just 450 hectares (1,100 acres), with pockets in northern England, mid-Wales and the Highlands of Scotland.

Why Reducing Screen Time Has Become CriticalSmartphones have become the primary source of dopamine for many, leading to compulsive scrolling that erodes mental wellbeing. Recent legal action against major platforms underscores the urgency of adopting concrete habits to break the cycle.Legal Wake‑Up Call: Meta and YouTube Fined $6 MillionIn March, Meta and YouTube were ordered to pay a combined $6 million after a U.S. court ruled their platforms were deliberately designed to be addictive. The ruling serves as a public acknowledgment that the tech industry’s engagement loops can have harmful consequences.Numbers That Reveal the Scope of Phone AddictionSearch interest for “phone addiction” has risen steadily over the past decade, according to Google Trends data for the UK.The court‑imposed fine totals $6 million, a tangible financial penalty for design practices that prioritize user attention over health.Experts cite parallels between substance addiction and app usage, noting similar patterns of positive and negative reinforcement.How Excessive Screen Use Is Reshaping Mental Health and Tech DesignProf Marcantonio Spada, emeritus professor of addictive behaviours at London South Bank University, explains that intermittent rewards—likes, notifications, short videos—keep the brain in a state of anticipation, amplifying the “hangover” effect after prolonged scrolling. Psychotherapist Hilda Burke observes that patients often experience low mood, sleep disruption, and concentration problems linked to phone overuse.Both experts stress the importance of conscious choice: moving from passive “I found myself scrolling” to active “I chose to open Instagram.”Practical Steps to Reclaim Control Over Your DeviceTrack your time: Use built‑in tools like Android’s Digital Wellbeing or iOS’s Screen Time to monitor app usage and set limits.Schedule screen‑free periods: Implement “wait training” by leaving the phone behind during walks or designating a full screen‑free day (e.g., Sundays).Change your lockscreen: Replace distracting widgets with neutral images or information that discourages immediate checking.Set clear boundaries: Turn off non‑essential notifications, especially for messaging apps, to reduce the urge to respond instantly.Create physical distance: Keep the phone in another room during meals or focused work sessions.What the Future Holds for Digital Wellbeing Tools and RegulationAs courts continue to hold platforms accountable, we can expect tighter scrutiny of design features that exploit attention. Meanwhile, operating‑system providers are likely to expand Digital Wellbeing and Screen Time functionalities, offering more granular controls and proactive alerts. Users who adopt the outlined habits now will be better positioned to benefit from these upcoming enhancements while safeguarding their mental health.