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The Unlikely Miss America Suzette Charles, a 63-year-old singer from Philadelphia, is about to release her self-titled debut album 33 years after it was initially shelved. Charles, who was crowned the first biracial Miss America in 1984, has had a lifetime of adversity, including a distressing tour with Bill Cosby and mistreatment by record labels. Early Life and Career Charles started performing at a young age, singing in commercials for Colgate and Coca-Cola, and appearing on Sesame Street and The Electric Company. At 15, she sang on the soundtrack to the film version of Hair and narrowly missed out on the role of Coco Hernandez in Fame. The Miss America Controversy Charles competed in Miss America 1984 as Miss New Jersey and came first runner-up, but was crowned winner after Vanessa Williams, the original winner, was forced to resign due to a nude photoshoot. Charles says the pageant organisers' reaction was not justifiable and that the contest is a relic of the past. Confronting Bill Cosby Charles was invited to sing on tour with Bill Cosby, but rumours of his vile behaviour were rife even back then. She kept her distance during the tour, refusing late-night requests from Cosby to discuss notes on her show alone. Charles says she was shocked when Cosby's abuse was finally uncovered. The Debut Album Charles had been working on her debut album with Stock Aitken Waterman, but it was shelved when the songwriters split up. She has now reunited with Mike Stock to finally finish the project. Stock says Charles is a talented singer who deserves to be in the same bracket as Paul McCartney and Donna Summer. A New Chapter Charles says she had to start living for herself and that her debut album is a new chapter in her life. She hopes her story will inspire others to pursue their dreams, despite adversity.

The Lead Hans Niemann, the 22-year-old US grandmaster at the center of a cheating controversy in chess, has achieved a significant victory by winning the $50,000 first prize at the Warsaw Rapid & Blitz in Poland. Niemann's Dominant Performance Niemann, competing as a wildcard, finished with a score of 22.5/36, edging out Fabiano Caruana, the US champion and world No 3, by half a point. He dominated the rapid section, remaining unbeaten, and managed to recover from three consecutive defeats in the blitz section. The Data Analysis Niemann's score: 22.5/36 Caruana's score: 22/36 Wesley So's score: 21/36 Prize money: $50,000 The Impact Analysis This victory marks a significant milestone in Niemann's career, which has been marred by controversy. His game against Magnus Carlsen at the 2022 Sinquefield Cup led to allegations of cheating, a $100m lawsuit, and an out-of-court settlement. A Netflix documentary and a forthcoming book have also highlighted the scandal. The Prediction With this win, Niemann is now a strong candidate for the US Olympiad team and is closing in on a place in the classical world top 10, being only 12 points away in live ratings. His immediate target is to become the US No 1 and potentially a world championship candidate before 2030.

The Verdict in the Making: A Quick OverviewThe race for the Premier League Player of the Year is tighter than ever, with midfield maestros, a prolific striker, a standout goalkeeper and a creative winger all staking a claim based on assists, goals, chance creation and decisive moments.Bruno Fernandes: United’s Creative EngineBruno Fernandes stayed at Manchester United despite a summer link‑up rumor, adapting to Ruben Amorim’s deep‑lying role before returning to his preferred No 10 under Michael Carrick. In the latter 20 games United recorded 15 wins, three draws and two defeats, with Fernandes adding 11 assists and 3 goals.19 assists total – one shy of the 20 by Henry and De Bruyne in their PFA‑winning seasons124 created chances, 56 more than the next best (Dominik Szoboszlai)5 goals and 8 assists while playing out of positionDeclan Rice: Arsenal’s Defensive Anchor and PlaymakerDeclan Rice has been described by Mikel Arteta as a “lighthouse”, guiding Arsenal’s buildup and defensive solidity. He leads the team in ball recoveries, ranks second for interceptions and carries, and has created the most chances (63) for any Arsenal player.Second in squad for forward passes and carriesTop for final‑third passes and entriesArsenal have conceded only 26 goals in 36 games, the league’s best defensive recordErling Haaland: Goal Machine Turned PlaymakerErling Haaland continues his record‑breaking form with 26 Premier League goals this season and eight assists, matching his best assist return from 2022‑23 and ranking third for open‑play assists.13 goals in his first 10 league gamesFastest to 100 Premier League goals (111 games)Eight assists, third‑highest in the league for open‑playDavid Raya and Rayan Cherki: The Unsung InfluencersDavid Raya has kept clean sheets in half of Arsenal’s league matches (18 of 36), positioning him for a third consecutive Golden Glove. Rayan Cherki provides Manchester City with unpredictable creativity, tallying 16 goal involvements and delivering decisive moments such as the 83rd‑minute winner against Nottingham Forest.Raya: 18 clean sheets, key saves against Brighton, Chelsea and West HamCherki: 16 goal involvements, multiple match‑winning contributionsHow the Candidates Shape Their Clubs’ Title PushesEach contender’s output directly correlates with their club’s position in the title race. United’s resurgence under Carrick hinges on Fernandes’ vision; Arsenal’s defensive resilience and transition play are anchored by Rice; City’s attacking potency remains fueled by Haaland’s dual threat; and Arsenal’s fine margins are often decided by Raya’s saves.Who Has the Edge for Player of the Year?Statistically, Fernandes leads in assists, Rice dominates defensive metrics, Haaland tops goal‑scoring charts, while Raya and Cherki excel in niche impact moments. The final decision will likely balance raw numbers with the narrative of influencing a title‑winning campaign, making the award a tightly contested showdown among these five elite performers.

The LeadEnsemble Modern and HK Gruber's album "Dancing on a Volcano" presents an eclectic snapshot of musical Germany between 1920 and 1933, capturing a creative era that would be suppressed by the Nazi regime. This live recording features works by composers who ultimately fled Germany, their music deemed "too modern, too jazzy, too Jewish" by the rising fascist power.The Musical Landscape of Pre-War GermanyThe album showcases four distinct voices from this turbulent period. Hindemith's Kammermusik No 1, premiered in 1922, was controversially described as having "a lewdness and frivolity only possible for a very special kind of composer." Gruber's performance embraces its neo-classical spikiness and jazz-age energy with almost cartoonish glee.In contrast, Korngold's 1920 music for Shakespeare's Much Ado About Nothing represents Viennese neo-Romanticism, which Gruber leavens with a pinch of acerbic wit. Schoenberg's Accompaniment to a Cinematographic Scene, premiered in 1930 under Klemperer, offers eight minutes of existential angst in Johannes Schöllhorn's lean-textured 1993 chamber version.The Historical Context and Cultural SignificanceThe period represented by this album—1920 to 1933—encompasses the Weimar Republic, a time of extraordinary cultural flourishing in Germany despite economic and political instability. The featured composers represent the diversity of musical expression during this era, from Hindemith's modernism to Korngold's Romanticism to Schoenberg's atonality.What makes this recording particularly significant is how it captures music that would soon be suppressed by the Nazi regime. The album's title itself, "Dancing on a Volcano," evokes the sense of living on the edge of catastrophe that characterized this period.The Legacy of ExileAll four composers featured on this album ultimately left Germany and settled in the United States, forced into exile by the Nazi regime. Their departure represented a profound brain drain for German musical culture, as these composers had been at the forefront of musical innovation.The jewel in the crown of this recording is Gruber and Christian Muthspiel's Kurt Weill Foundation-sanctioned arrangement of The Seven Deadly Sins. Wallis Giunta's performance, more opera diva than Weimar chanteuse, delivers no shortage of bite, while Amarcord's male quartet kvetch and wheedle as her rapacious family. Gruber's razor-sharp yet flexible interpretation drips idiomatic venom.Contemporary Relevance and Musical ResilienceThis album serves as both a historical document and a vibrant musical experience. The works featured demonstrate not only the creativity of this period but also the resilience of art in the face of political oppression. By recording these pieces today, Ensemble Modern and HK Gruber ensure that this important chapter in musical history continues to be heard and appreciated.The recording is available on streaming platforms, making this historically significant music accessible to new audiences who might otherwise never encounter these works. In an era where political polarization once again threatens artistic freedom, this album serves as both a reminder of what was lost and a celebration of what endures.

The Return of Smoggie QueensPhil Dunning's Middlesbrough-set LGBTQ+ comedy returns to BBC Three tonight at 10pm, promising more endearingly lo-fi hijinks at Keith's World of Carpets. The gang are throwing a coming-out party for Stewart, but after Keith busts out his terrifying homebrew ("fermented for 37 years"), everything gets a bit psychedelic. The timing isn't great for Dickie (Dunning) when his ex turns up. While the show never quite manages to be uproarious, viewers can expect to snigger happily throughout.Other Notable TV TonightBeyond Smoggie Queens, tonight's television lineup offers a diverse range of programming:Unreported World (7.30pm, Channel 4) - Explores faith-based treatments in the Philippines amid soaring healthcare costsHidden Treasures of the National Trust (9pm, BBC Two) - A literary-themed opener exploring Agatha Christie's Greenway Estate in DevonHacks (9pm, Sky Atlantic) - Final season focuses on legacy and the stories celebrities tell about themselvesFirst Dates (10pm, Channel 4) - Fred Sirieix hosts another batch of hopeful romanticsSt Denis Medical (10.40pm, BBC One) - Nurse Pam takes temporary charge with surprising consequencesThe Running Man (7am, 8pm, Sky Cinema Premiere) - Edgar Wright's new adaptation of Stephen King's dystopian thrillerThe Cultural Significance of LGBTQ+ RepresentationSmoggie Queens represents an important example of authentic LGBTQ+ representation in mainstream television. The show's setting in Middlesbrough, a working-class northern English town, provides a refreshing counterpoint to the more common metropolitan portrayals of LGBTQ+ life. Its return to BBC Three demonstrates the channel's continued commitment to diverse programming that reflects the full spectrum of British experience.The Evolution of Drag Comedy on TelevisionDrag comedy has evolved significantly from its early appearances on television, moving from novelty acts to nuanced character studies. Shows like Smoggie Queens contribute to this evolution by placing drag performers at the center of narratives that explore identity, community, and belonging. The show's lo-fi aesthetic and focus on character-driven comedy rather than spectacle represents a maturation of the genre.The Future of Regional Comedy ProgrammingThe return of Smoggie Queens highlights a growing trend toward regionally specific comedy programming that moves beyond London-centric narratives. By setting the show in Middlesbrough and embracing local dialects, cultural references, and landscapes, the program offers viewers an authentic representation of northern English life. This approach not only provides refreshing diversity but also challenges the traditional power dynamics in British television production.

The Caribbean Twist on a Victorian ClassicNicholai La Barrie’s production at the Lyric Hammersmith delivers a distinct, gleefully camp reinterpretation of Oscar Wilde’s 1895 masterpiece. By utilizing an all-Black cast, the play moves beyond simple color-blind casting to infuse the text with a vibrant Caribbean identity. The production draws clear inspiration from the National Theatre’s recent campy interpretations, elevating the aesthetic with West Indian inflected accents, colorful headscarves, and flamboyant costumes designed by Rajha Shakiry.Key Cast Performances: Jamael Westman is cast as the louche Viscount Arthur Goring, while Chiké Okonkwo plays the upright Sir Robert Chiltern. Emmanuel Akwafo delivers a standout performance by doubling as the Chilterns' disapproving butler and Goring's servant.Aesthetic Elements: The set design and costumes waver between period and modern, creating an outrageous yet elegant atmosphere. The visual style is further enhanced by 'Pirates of the Caribbean' eyeliner and a soundtrack featuring tracks by DJ Luck & MC Neat, Ms Dynamite, and Ezra Collective.Modernizing Political CorruptionWhile the play is set in the drawing rooms of the aristocracy, its core theme of clandestine corruption remains strikingly relevant. The production draws parallels to modern political scandals, such as 'cash for questions,' though it tempers the sting by framing the protagonist's crime as a 'sin of one's youth.' This approach allows the audience to focus on the farcical nature of the aristocratic mores rather than a heavy-handed political critique.A Flamboyant Tribute to Queer HistoryThe camped-up nature of the production takes on added significance when viewed through the lens of Wilde’s tragic history. The play originally transferred to the Criterion theatre without Wilde’s name due to his prosecution for gross indecency. This current revival serves as a flamboyant celebration of queerness and a form of artistic payback, honoring the playwright’s legacy while reasserting his presence in the narrative.The Future of Classic RevivalsThe success of this production signals a growing trend in the theatre industry towards 'global majority' casting and the recontextualization of classic texts. With the show set to transfer to the Bristol Old Vic from 10-20 June, it demonstrates that traditional plays can be successfully modernized to resonate with contemporary audiences while maintaining their original wit and charm.

The LeadRenowned actress Linda Bassett reflects on her distinguished career spanning decades of theatre work, her celebrated collaboration with playwright Caryl Churchill, and her upcoming role in Alexander Zeldin's "Care" at the Young Vic. Known for her understated yet powerful performances, Bassett shares insights into her approach to acting and the profound impact of theatre on her life.The Career JourneyBassett's path to acting wasn't conventional. Despite coming from a non-theatrical family, she discovered her passion at age four when she was unexpectedly thrust into a Sunday school Easter play. "I was in bliss," she recalls. Her formative years included ushering at the Old Vic during Laurence Olivier's legendary tenure, where she witnessed groundbreaking performances and even sold ice creams during intermissions.After briefly studying English at Leeds University, where she focused on drama rather than academics, Bassett began creating devised work in Leeds and Coventry. This experience, she suggests, "made me a bit gobby," developing her confidence to make suggestions as an actor, though she admits she sometimes oversteps when working with certain playwrights.The Churchill ConnectionBassett's most significant artistic relationship has been with playwright Caryl Churchill, beginning with "Fen" in 1983 and continuing through to "What If If Only" in 2021. She describes auditioning for Churchill as "enormous" because it launched her on a particular trajectory. Her disconcerting clarity has made her a peerless interpreter of Churchill's work, which some audiences find forbidding."They're not hard to watch," Bassett protests of Churchill's plays. She recalls her iconic monologue in "Escaped Alone" where the phrase "terrible rage" is repeated 25 times in succession. "It was the only thing to say at that point. The words fed the feeling, and it was the audience who felt it, not me, which is ideal." Churchill's writing, she notes, is "so distilled, no excess baggage," requiring actors to find "the one way" to play them.From Call the Midwife to CareDespite notable film roles including "East Is East" and "Calendar Girls," many audiences know Bassett as stern nurse Phyllis in the BBC's "Call the Midwife." "Complete strangers come up and say, I love you. My wife loves you, my mother loves you. It's extraordinary," she remarks of the public's connection to the character. Despite playing Phyllis for over a decade, she found fresh aspects to explore, learning "how to be" more matter-of-fact and practical than her natural disposition.Currently rehearsing Alexander Zeldin's "Care" at the Young Vic, Bassett plays Joan, a woman who after caring for her family begins showing signs of dementia and needs care herself. "She's convinced, as many people are, that she's just in for respite. She never loses the idea that she's going home," Bassett explains. The role draws from personal experience; after a heart attack, she spent two weeks recuperating in a care home, giving her "an insight into what it's like when you become helpless."The Actor's Philosophy"Every part is an education," Bassett states. "That's the glory of being an actor. You learn about human feelings and frailty and rottenness. The writer puts their soul on the page, and you inhabit that. I've always felt I was a writer's actor." This philosophy has guided her selective approach to roles, resulting in a "remarkably free of crap" CV despite turning down numerous opportunities.Though she hasn't performed as many classics as she might have hoped—"I think I'm seen as a working-class actress"—Bassett values the authenticity she brings to her roles. With Zeldin directing "Care," she appreciates his desire for "absolute truthfulness," which "suits me down to the ground." As she prepares for this new challenge, she acknowledges the nerves: "Every new part you're starting again. It's a bit scary, but I think we'll be all right."The Future of TheatreAs a veteran performer who has witnessed theatre's evolution, Bassett remains committed to the medium's power. She recalls the impact of Ronald Pickup's messenger speech in Peter Brook's production of Seneca's "Oedipus": "People fainted every night. You didn't see anything, his voice was enough. That's the power of theatre, isn't it?"Looking ahead, Bassett continues to seek roles that challenge her and explore the human condition. Whether through her meticulous interpretation of complex playwrights like Churchill or her willingness to portray the vulnerability of aging in "Care," she remains dedicated to the craft that has defined her life. "Every part is an education," she reiterates, and with each new role, Linda Bassett continues to learn, grow, and enrich the theatrical landscape.

Weekend Football Lead: High Stakes Across EnglandThe upcoming weekend packs a double‑header of drama: the FA Cup final at Wembley and a series of Premier League fixtures that will decide the title, European places and World Cup selections.FA Cup Final: Guardiola’s Quest for a 17th TrophyManchester City face Chelsea in what could be Pep Guardiola’s third‑last match in charge. A victory would hand him his 17th major trophy and cement his legacy, while a loss would leave the season ending on a sour note.FA Cup final: Chelsea v Manchester City, Saturday 3pm (BST)Premier League Title Race and European Qualification BattlesAt Villa Park, Aston Villa take on Liverpool with a Champions League spot on the line. Simultaneously, Manchester United host Nottingham Forest and Everton meet Sunderland, each fighting for a place in Europe.Aston Villa v Liverpool, Friday 8pm (BST)Manchester United v Nottingham Forest, Sunday 12.30pm (BST)Everton v Sunderland, Sunday 3pm (BST)Key Player Spotlights: Colwill vs. Haaland and World Cup AspirationsLevi Colwill returns from a knee injury and will line up against Erling Haaland at Wembley, a test that could revive his England chances. Meanwhile, Harry Maguire hopes a strong showing for Manchester United will secure a spot in Thomas Tuchel’s World Cup squad.Impact on Club Finances and European RevenueSecuring Champions League qualification brings an estimated £100 million boost in broadcasting and match‑day revenue. A Europa League win for Villa would open an extra slot, potentially benefiting clubs like Brentford and Brighton with increased prize money and exposure.Looking Ahead: How the Weekend Could Reshape the 2026 SeasonIf City win the FA Cup and retain the league title, Guardiola’s era may end on a high. A Villa victory in the Europa League could reshape the Champions League allocation, while strong performances from emerging talents such as Colwill and Josh King may influence squad planning for the next season.

OpenAI has engaged external counsel to assess a breach‑of‑contract claim against Apple over a lackluster ChatGPT integration that was expected to drive billions in new subscriptions. The move, reported by Bloomberg, comes as the AI firm navigates ongoing litigation with Elon Musk and growing tension with its biggest backer, Microsoft. OpenAI’s Frustration with Apple’s ChatGPT Integration The partnership, announced at Apple’s WWDC in June 2024, embedded ChatGPT into Siri and the iPhone’s Visual Intelligence feature, allowing users to snap photos and query the model. OpenAI executives say the feature was buried in the UI, hard to discover, and far below projected revenue, prompting the company to consider a formal breach notice. Financial Stakes and Missed Revenue Projections Industry watchers had anticipated the tie‑up could funnel billions of dollars in subscriptions to OpenAI and secure premium placement on one of the world’s most‑used mobile platforms. Instead, Bloomberg notes that actual earnings are “nowhere close” to expectations. By contrast, Apple’s recent AI partnership with Google commands roughly $1 billion a year, and the European Commission fined Apple €1.8 billion in March 2024 for App Store practices, underscoring the high financial stakes of platform deals. What Apple’s Partner Policies Mean for the Ecosystem The dispute adds to a long list of strained relationships Apple has had with partners—from Google Maps’ removal in 2012 to Adobe’s Flash ban in 2010 and Spotify’s App Store grievances that led to the EU fine. Apple’s control over its ecosystem means third‑party developers are effectively guests, and any perceived overreach—such as OpenAI’s hardware ambitions led by former Apple design chief Jony Ive—can trigger pushback. Possible Legal Paths and Future Scenarios OpenAI’s counsel may issue a breach‑of‑contract notice without filing a full lawsuit, likely waiting until the Musk trial concludes. If litigation proceeds, outcomes could include renegotiated revenue shares, mandated UI prominence for AI features, or broader industry pressure on Apple to adopt more partner‑friendly policies. Conversely, a settlement could preserve the integration while granting OpenAI clearer performance metrics.