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The film 'Fuze' is a London heist thriller that promises to deliver a wild ride with its intricate plot and high-stakes action. Written by screenwriter Ben Hopkins and directed by David Mackenzie, the movie boasts a talented cast, including Theo James and Aaron Taylor-Johnson.Aaron Taylor-Johnson plays Major Will Tranter, a bomb disposal officer who becomes embroiled in a daring heist. The plot thickens when a crew of bank robbers, led by Theo James and Sam Worthington, use a giant unexploded WWII device as a diversion to tunnel into a safe-deposit vault.The film's tense moments include a three-second bank transfer of millions of illicit dollars, which can be monitored on a smartphone in real-time. The reviewer notes that the movie's chutzpah and athletic plot contortions help to make up for its innate silliness.The movie features a star-studded cast, including Gugu Mbatha-Raw as the Met's chief superintendent. With its action-packed plot and high-stakes heist, 'Fuze' is set to thrill audiences when it hits cinemas on April 3 in the UK, April 16 in Australia, and April 24 in the US.

Cricket Australia released its 21‑man contract roster for the 2026‑27 season, rewarding most Ashes‑winning players but leaving out Sam Konstas and veteran all‑rounder Glenn Maxwell as the board prepares for an unusually dense calendar. Fast‑bowler Brendan Doggett, who debuted in the opening Ashes Test at Perth last November, secured his first national contract. Meanwhile, opener Jake Weatherald retained an upgraded deal despite a modest series average of 22.33 runs. Both Michael Neser and spinner Todd Murphy were again awarded full contracts, reflecting the board’s focus on depth ahead of a schedule that kicks off with a two‑match home Test series against Bangladesh in August. Following the Bangladesh series, Australia will embark on ODI tours of Zimbabwe and South Africa, a home white‑ball series versus England, and a marathon stretch of 10 Test matches in 14 weeks. The latter includes contests against New Zealand, India and the historic 150th Anniversary Test at the MCG. Konstas, who burst onto the scene with a memorable 60‑run debut against India on Boxing Day 2024, failed to build on that promise, accumulating only 103 runs across nine further Test innings for an average of 16.30. The lack of consistency cost him a place on the new list. Despite the setback, selector chair George Bailey stressed that the 20‑year‑old’s journey is far from over. “He is highly talented and still on a development path,” Bailey said. “We saw encouraging signs toward the end of the season, with more consistent starts in the Sheffield Shield.” Bailey added that Konstas could feature in the upcoming Australia A tour to India, noting the board’s continued interest in his progress. Alongside Konstas and Maxwell, the contract cuts also affected Lance Morris, Jhye Richardson and Matt Short. Long‑time opener Usman Khawaja remains absent following his retirement. Weatherald’s contract renewal signals the selectors’ confidence in his potential to open the batting against Bangladesh, although Bailey cautioned that final selections will be made closer to each series, with extensive camp periods in Brisbane to fine‑tune the squad. Current contracted players: Xavier Bartlett, Scott Boland, Alex Carey, Pat Cummins, Brendan Doggett, Nathan Ellis, Cameron Green, Josh Hazlewood, Travis Head, Josh Inglis, Matthew Kuhnemann, Marnus Labuschagne, Nathan Lyon, Mitchell Marsh, Todd Murphy, Michael Neser, Steve Smith, Mitchell Starc, Jake Weatherald, Beau Webster, Adam Zampa.

Johannes Radebe, also known as Jojo from Strictly, is a natural performer who shines brightly as Lola in the musical Kinky Boots. His stage presence is magnetic, and his dancing is mesmerizing. Radebe's portrayal of the drag queen Lola is captivating, with impressive entrances and a strong performance.The musical, based on the 2005 film, tells the story of a Northampton shoe factory that switches to making boots for drag queens. The show features a riot of colors and sparkle, with impressive costumes designed by Robert Jones and Tom Rogers. The story follows Charlie Price, who returns to his hometown to take over the family business and, along with Lola and her friends, devises a plan to save the factory.Radebe's performance is supported by a talented cast, including Courtney Bowman as Lauren and Scott Paige as George. While Radebe's singing voice may not be as strong as his dancing, he brings a unique energy to the role. The show's direction by Nikolai Foster ensures that the cast delivers the right tone, but the musical may lack depth in its storytelling.Overall, Kinky Boots offers an enjoyable night out, with a blend of music, dance, and comedy. The show runs at the London Coliseum until July 11.

Turkey broke a 24‑year absence from the FIFA World Cup by defeating Kosovo 1‑0 in the playoff final held in Pristina. The decisive goal came from forward Kerem Akturkoglu in the 53rd minute, delivering the Turkish side, ranked 25th globally, a long‑awaited return to football’s premier tournament.The match unfolded before a sold‑out crowd eager to witness Kosovo, ranked 79th, potentially make its first major‑tournament appearance less than a decade after joining FIFA and UEFA. Despite the home advantage, the hosts fell short, ending a remarkable qualifying run.Turkey’s success arrived under the guidance of coach Vincenzo Montella, who blended emerging talents with seasoned internationals to overcome the pressure of two decades of missed qualifications.In the parallel European playoff, Sweden edged Poland 3‑2 to claim their own World Cup ticket. Viktor Gyokeres secured the victory with a late winner two minutes from full‑time, after a seesaw battle that saw Anthony Elanga open the scoring, Nicola Zalewski equalise, and Gustaf Lagerbielke restore Sweden’s lead in the 44th minute.Poland briefly levelled the contest after the break through Karol Swiderski, but Gyokeres capitalised on a chaotic scramble in the box to clinch the win.Sweden’s triumph places them in Group F for the 2026 World Cup alongside the Netherlands, Japan and Tunisia, marking the nation’s first tournament appearance since 2018.

On a surprisingly quiet evening at Wembley, England’s 1-0 defeat to Japan unfolded in a half‑hour that was more ceremonial than competitive. The opening thirty minutes were fluffy and formless, offering little in the way of decisive play but plenty of clues about the team’s underlying issues.For manager Thomas Tuchel, the concession of the opening goal will likely linger in post‑match analysis sessions. The loss adds another chapter to what critics describe as the “never‑ending story of England footballdom,” where each friendly serves as a diagnostic test rather than a showcase of progress.Injuries and omissions forced Tuchel to field a makeshift side featuring Phil Foden, Morgan Rogers, Cole Palmer and Kobbie Mainoo. The line‑up lacked traditional power runners and aerial threats, resembling a “false nine” formation that felt experimental but ultimately failed to generate a clear tactical identity.Japan’s solitary goal came after Palmer lost possession in an attacking area, leaving a void that England’s midfield could not fill. The Japanese attack exploited the space, threading a pass through the centre of England’s formation and scoring with ease. The goal underscored England’s lack of pressure and positional awareness in the defensive third.Despite the disappointment, the match offered a glimpse of individual talent. Harry Maguire and Dan Burn were deployed on set‑pieces, and Jude Bellingham remained an unused asset, highlighting the depth of options available for the upcoming World Cup.Atmospherically, the match resembled a village fête more than a high‑stakes international fixture. Pre‑match entertainment featured a medley of music, fireworks and quirky performances, creating a backdrop that contrasted sharply with the on‑field performance.Analysts noted that England’s approach felt like an attempt to dress up “borrowed tactical clothes” rather than a coherent game plan. The lack of a defined structure left the side vulnerable to Japan’s disciplined, technically sound play.Looking ahead, Tuchel now faces the task of reconciling his experimental selections with the need for a pragmatic, battle‑ready squad. The friendly serves as a reminder that, while England possesses individual brilliance, the team must resolve its tactical ambiguities if it hopes to contend seriously for the 2026 World Cup.

Mbappé, now 27 and entering his third year as France captain, admits the shift from star player to team caretaker feels "strange" but rewarding. Approaching his 100th cap, the Real Madrid forward says he now prioritises the collective over personal glory.He highlighted that the squad possesses more talent and potential than in 2022, noting that if current form continues he will soon surpass Olivier Giroud’s 57‑goal record, sitting just one goal behind the veteran after a recent strike against Brazil.France’s recent friendlies in the United States underscore that confidence. A 2‑1 win over Brazil saw Dembélé feed Mbappé for the opener, with Hugo Ekitike adding a second, while a 3‑1 victory against Colombia featured first‑time scorer Désiré Doué and a crucial header from Marcus Thuram.The attacking depth is now a hallmark of Didier Deschamps’ side. Alongside Mbappé, Ousmane Dembélé, Michael Olise, Rayan Cherki and Hugo Ekitike rotate fluidly across the front line, offering creativity and unpredictability that render the old “Mbappé‑Giroud foil” obsolete.Defensively, the team showed signs of vulnerability. Misplaced passes and missed tackles were evident, though Maxence Lacroix earned his first cap against Colombia and impressed enough to stake a claim for the World Cup roster.Logistical hiccups also featured in the US tour. Coach Deschamps complained about lengthy airport checks and a mid‑match cooling break that disrupted momentum, describing the three‑minute pause as “not ideal” for teams on the verge of breaking down opponents.Despite these concerns, the camp’s mood remains optimistic. Mbappé believes the squad can “aim high,” while Deschamps continues to fine‑tune his final selection, aware that a wealth of attacking talent alone does not guarantee tournament success.

The women's college basketball landscape has witnessed a remarkable phenomenon: for the second consecutive year, the same four teams have secured their spots in the Final Four. UConn, UCLA, Texas, and South Carolina are set to battle it out for the championship, marking a historic repeat. This achievement is a testament to the dominance of these programs, with UConn being the reigning national champion. The Huskies, led by coach Geno Auriemma, have established themselves as a standard in women's college basketball, boasting 12 national championships and 25 Final Four appearances. Under Auriemma's leadership, UConn has won an impressive 1,288 games in 41 seasons. The Huskies (38-0) have been nearly unbeatable this season, with a 54-game winning streak and an average margin of victory of 37.8 points. They are led by first-team All-Americans Sarah Strong and Azzi Fudd, with eight players averaging at least 6.8 points per game. Strong emphasized the team's depth, stating, "I feel like no other team has a bench like us. We can have kind of anyone off the bench step up and change the whole pace of the game." UConn will face a familiar opponent in South Carolina, which they defeated in last year's title game. The Gamecocks (35-3) have reached the Final Four seven times in the past nine seasons under coach Dawn Staley, winning three national championships. They are led by second-team All-American Joyce Edwards, who averages 19.6 points per game. Meanwhile, UCLA (35-1) is seeking its first national championship under coach Cori Close. The Bruins are led by two-time All-American Lauren Betts, who averages 18.5 points and 7.6 rebounds while shooting 60.1% from the field. They will face Texas (36-3), which steamrolled its first four NCAA Tournament opponents by an average of 35.5 points per game. The Longhorns are led by fifth-year guard Rori Harmon and All-American forward Madison Booker.

Ghana's head coach, Otto Addo, has been sacked by the Ghana Football Association (GFA) just 72 days before the start of the 2026 World Cup. The decision comes after a 2-1 defeat to Germany in Stuttgart, which marked Ghana's fourth consecutive friendly loss.The GFA announced the termination of Addo's contract, effective immediately, following a disappointing run of results that included a 5-1 loss to Austria and defeats to Japan and South Korea in November. Addo, a Germany-born former Ghana international, was reappointed in March 2024 but failed to qualify for the 2025 Africa Cup of Nations despite having talented players like Antoine Semenyo and Mohammed Kudus in his squad.During his second spell as coach, Addo managed eight wins and nine losses in 22 games. He previously led Ghana at the 2022 World Cup, where they secured a notable 3-2 victory over South Korea but exited the tournament at the group stage after losses to Portugal and Uruguay.Ghana, preparing for their fifth World Cup appearance, are set to face England, Panama, and Croatia in Group L this summer, with their match against England scheduled for June 23.

The Bauhaus movement, renowned for its revolutionary approach to art and design, also played a pivotal role in empowering female photographers to explore and redefine the boundaries of the medium. During its existence, the Bauhaus school became a hub for creative experimentation, attracting talented individuals from diverse backgrounds. Among them were several women who made significant contributions to photography, often pushing against traditional norms and exploring new artistic expressions. Their work not only expanded the possibilities of photography but also left a lasting impact on the art form, influencing generations of photographers to come.