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The Lead: A Bold Re‑imagining of Garland’s Final YearsThe Guardian’s review opens by noting that Drag Race star Jinkx Monsoon brings her celebrated Judy Garland impersonation to a new narrative context—a love triangle set in 1960s London. The revival of Peter Quilter’s 2005 play shifts focus from Garland’s early exploitation to her later struggles with addiction and a fraught personal life.The Production’s Narrative Twist: Love, Addiction, and Queer IconographyMonsoon’s Garland is caught between steadfast pianist Anthony (Adam Filipe) and opportunistic suitor Mickey (Jacob Dudman).The script juxtaposes private hotel scenes with public performances at Talk of the Town, highlighting the clash between fame and personal decay.Queer themes surface through Anthony’s admiration and Mickey’s homophobic contempt, underscoring Garland’s status as a queer icon.Musical Direction and Visual Design: Orchestrating EmotionMusic direction by Nick Barstow and arrangements by Leo Munby anchor the drama, with Garland’s torch songs—"Just in Time" and "You Made Me Love You"—serving as emotional pivots.Designer Jasmine Swan creates a stark white‑curtain stage, while lighting designer Prema Mehta introduces a Technicolor‑inspired transition that mirrors Garland’s cinematic legacy.Critical Reception: Performance Nuances and Structural FlawsMonsoon’s vocal performance is praised for its dynamic range, capturing both triumph and fragility.The review notes repetitive hotel scenes that, while authentic to addiction’s grind, can feel grindingly static.Supporting characters are deemed functional, serving more as narrative devices than fully fleshed personalities.Future Outlook: Potential for a One‑Woman ShowcaseThe critic suggests that Monsoon’s talent hints at a possible solo rendition of Garland’s story, which could amplify the intimate connection she already establishes with the audience. The show runs at Soho Theatre Walthamstow until 21 June, offering theatre‑goers a chance to experience this layered homage before any further developments.

English Heritage has finished a 7‑metre‑high, £1 million reconstruction of a 4,500‑year‑old Neolithic hall, called the Kusuma Neolithic Hall, near the Stonehenge visitor centre. The structure is slated to open to the public this summer and will later serve as an immersive educational hub for schools. Recreating a 4,500‑Year‑Old Neolithic Hall at Stonehenge The hall is based on the archaeological footprint of Durrington 68, a “square‑in‑the‑circle” building discovered two miles from Stonehenge. Excavations first began in 1928 by Maud Cunnington and were revisited in 2007 by the Stonehenge Riverside Project. The reconstruction features a horseshoe‑shaped ring of post holes and four massive internal roof‑support pillars, mirroring the original layout. Experimental archaeologist Luke Winter oversaw the design, using Neolithic carpentry studies and pollen data to ensure authenticity. Every timber was shaped with replica stone tools, and the frame was aligned with the winter solstice – the shadow of the central post falls precisely on the midsummer sunrise. £1 Million Investment and Volunteer Workforce Cost: £1 million Construction period: nine months Volunteer involvement: >100 volunteers contributed hand‑crafted timber work Opening: Summer 2026 Future educational capacity: aim to serve nearly 100,000 students annually by 2031 Educational and Cultural Impact on Heritage Tourism The hall forms the first phase of English Heritage’s broader educational expansion, which will also include the Clore Discovery Lab and Weston Learning Studio, scheduled for completion by the end of 2026. By offering a free, hands‑on experience – from making prehistoric cheese to shaping pottery – the project is expected to boost visitor numbers and deepen public engagement with Neolithic heritage. Curator Win Scutt emphasizes that the reconstruction highlights the communal spirit of Neolithic societies, providing a tangible illustration of how ancient peoples built collective monuments as expressions of social identity. Future Role in Neolithic Research and Learning Beyond tourism, the hall serves as a living laboratory for researchers. The experimental construction process has already shifted expert confidence from a 50 % to a 75 % likelihood that the original Durrington 68 structure was roofed. Ongoing studies will use the hall to test hypotheses about building techniques, seasonal alignments, and social organization. As the site opens to schools, it will become a model for immersive archaeology, potentially inspiring similar reconstructions across the United Kingdom and informing curriculum development for the national education programme on the Neolithic period.

Gaël Monfils turned Court Philippe‑Chatrier into a celebration arena on Thursday, teaming with his wife Elina Svitolina to win a star‑studded exhibition titled “Gael & Friends.” The night blended tennis, music and heartfelt tributes as the French favorite prepared for his final French Open appearance.The Celebration Match on Court Philippe‑ChatrierThe event featured a line‑up of current and former champions, including Novak Djokovic, Jannik Sinner, Alexander Zverev, Stefanos Tsitsipas, Naomi Osaka, Maria Sakkari and rising American Iva Jovic. Former Davis Cup teammates Jo‑Wilfried Tsonga and Richard Gasquet added nostalgic moments, while Monfils and Svitolina capped the night by clinching the exhibition.Numbers Behind the Night: Titles, Appearances, and Age13 ATP titles won over his career.39 years old at the time of the farewell.19th main‑draw appearance at Roland Garros.Two‑decade professional journey, highlighted by a 2008 semifinal run.Key contributions to France’s Davis Cup finals in 2010 and 2014.Why Monfils’ Farewell Resonates Across French TennisMonfils’ charisma has long made him a crowd‑puller, and his willingness to blend entertainment with sport created a unique bond with French fans. The exhibition underscored his role as a cultural ambassador for tennis in France, reinforcing the sport’s popularity beyond pure competition.Looking Ahead: Monfils’ Legacy and French Tennis FutureWhile a Grand Slam title eluded him, Monfils leaves a legacy of showmanship and perseverance that younger French players can emulate. His final match against compatriot Hugo Gaston in the first round will be watched as a symbolic passing of the torch to the next generation.

The LeadA friend of mine was recently left in tears after filling up the car she relies on to drive to work. Thanks to the US-Israeli attacks on Iran, prices at the pumps have soared. She wasn't sure how her family was going to make it to the next paycheck.It is a personal story and a distressing one, but the big picture is truly obscene. Fossil fuel companies are raking in monstrous, unearned war profits taken from the pockets of people like you, me, my friend, and any of us who fills up a vehicle or pays an energy bill.The War-Profits Bonanza$30m an hour: that's the pure, unearned profits banked by the world's top 100 oil and gas companies in the first month of the conflict in Iran, purely due to the spike in the oil price. Now the first numbers are in, and that $30m may have been a major underestimate.Shell's profit for the first three months of 2026 more than doubled to $6.9bn, as did BP's, to $3.2bn. TotalEnergies profits also surged by more than 50%, up to $5.8bn. Even in the Gulf itself, where the flow of oil through the strait of Hormuz has been heavily restricted, some companies have still flourished. Aramco, the state oil company of Saudi Arabia, saw its profits soar by 26% to $33.6bn in the first quarter.The Financial Impact on ConsumersThose four companies alone, benefiting not just from the oil price hike but also bumper oil-trading profits, made $23m an hour for the whole of January, February and March. And the Iran conflict only started on 28 February.To get some idea of the scale of this, imagine I gave you $6,200. What would you do? Pay off a loan? Book a fancy holiday? A second later, I give you another $6,200; then again, for hours, weeks and months. That is the rate of profit of just those four companies.There is plenty more to come for the industry. Oil and gas supplies will take months to return to prewar levels, and reserves are getting dangerously low. Even if the oil price remains at today's level of about $100 a barrel, those 100 companies will make $234bn by the end of the year. Remember, the companies, and petrostates such as Russia, have done no extra work for this, just ridden a soaring oil price. Also remember, you are paying for this. Where I live in the UK, household energy bills are about to jump by £209 ($280) a year for the average home.The Industry's Climate ObstructionThe profits are extreme, but not new: big oil and gas has been wildly profitable for decades. It has made an average $1tn a year in pure profit for about 50 years. The fossil fuel sector also benefits from explicit subsidies that totalled $1.3tn in 2022, according to the International Monetary Fund.These riches have funded the lobbying and campaigns that block climate action and have done so for years, long after the science became crystal clear. As an example of the consequences, the UK's official climate advisers said on Tuesday that all care homes and hospitals will need air conditioning within the coming 10 years, to stop the heat killing people.The Green Transition AccelerationBut here's that silver lining I promised: these peak profits contain the seeds of their own downfall. Sky-high fossil fuel prices are pushing people, companies and nations to supercharge their rush towards green power for the simple reason that it is now cheaper and more reliable. Solar power does not need to transit through the strait of Hormuz, as Bill McKibben has observed.The numbers on the surge in renewable energy deployment, already exponential, are not yet in, but they will almost certainly be huge. Green funds are already attracting billions of dollars in new investments and one consultancy estimates that an oil price of $100 a barrel will drive $4tn of extra green investment by 2030.Big oil remains a formidable political force but, on the ground, people are already voting with their feet. Sales of new electric cars in the UK leapt by 59% in April, for example. The pain and anger of today's energy crisis may yet become a critical turning point in confronting the climate crisis.

Meta has reached a confidential settlement with Breathitt County Schools in Kentucky, ending a lawsuit that alleged the company’s social networks are engineered to be addictive and cause mental‑health harm to students.Meta Settles Kentucky School District Lawsuit Over Alleged Addiction DesignThe settlement was announced less than three weeks before the case was set to go to trial in federal court in California. While the exact terms were not disclosed, Meta emphasized its ongoing work on safety tools such as Teen Accounts and parental controls.Financial Stakes and Settlement LandscapeThe Kentucky district originally sought more than $60 million to cover mental‑health services and a 15‑year remediation program.Meta’s settlement follows similar agreements by TikTok and Snap with the same group of roughly 1,200 school districts.Recent jury verdicts ordered Meta and YouTube to pay $6 million in damages and Meta to pay $375 million in civil penalties for related claims.Implications for Social Media Regulation and Child SafetyThe case adds pressure on the industry to redesign features such as infinite scrolling and autoplay video, which plaintiffs argue are deliberately addictive. Lawmakers and advocacy groups are citing these lawsuits as evidence that existing self‑regulation is insufficient, potentially accelerating federal or state legislation aimed at protecting minors online.Future Legal Battles and Industry OutlookAttorneys for the remaining school districts say they will continue pursuing justice, with another 1,200 districts still in litigation. Upcoming trials include an individual case in California and a Tennessee attorney‑general suit slated for July, while a federal case by the Tucson Unified School District is scheduled for January 2027. The outcomes of these cases will likely shape the next wave of social‑media liability and could force broader industry changes.

Tonight’s Must‑Watch TV HighlightsThe Guardian’s latest TV guide showcases a mix of drama, comedy and culinary spectacle across Britain’s major broadcasters. From a stylish Cold‑War thriller on Sky Atlantic to the nation’s biggest curry restaurant on Channel 4, the line‑up promises both intrigue and comfort food for viewers.‘Ponies’: A Cold‑War Thriller Starring Emilia ClarkeEmilia Clarke headlines ‘Ponies’, a star‑filled, stylish and surprisingly fun Cold‑War drama airing at 9 pm on Sky Atlantic. Clarke plays Bea, a highly educated Russian‑speaking secretary who teams up with street‑smart Twila (Haley Lu Richardson). Together they investigate the mysterious deaths of their husbands in Moscow, operating as “persons of no interest”. The cast also includes Adrian Lester and Harriet Walter.Scheduling Slots and Audience Reach Estimates9 pm – Sky Atlantic: ‘Ponies’ (Cold‑War thriller)8 pm – Channel 4: “World’s Biggest Curry Restaurant” – a behind‑the‑scenes look at the Royal Nawaab in Stockport.9 pm – BBC Two: “Hidden Treasures of the National Trust” – cultural‑heritage documentary narrated by Toby Jones.10 pm – BBC Three: “Smoggie Queens” – comedy sketch series.10:05 pm – Sky Atlantic: “Hacks” – penultimate episode of the AI‑satire comedy.11:40 pm – BBC One: “St Denis Medical” – double‑bill US mockumentary.While exact viewership figures are not yet released, prime‑time slots on Sky Atlantic and Channel 4 typically attract 1–2 million live viewers, with additional streaming audiences on platform‑specific apps.Why Cold‑War Drama Is Resurfacing on UK TVThe renewed interest in Cold‑War narratives aligns with a broader cultural fascination for geopolitical tension and espionage, spurred by recent successful series such as *The Americans* and *Killing Eve*. By pairing a high‑profile star like Clarke with a genre that blends thriller, period intrigue and dark humor, broadcasters aim to capture both legacy audiences and younger viewers seeking fresh takes on historic settings.What This Means for Next Season’s Programming ChoicesGiven the strategic placement of *Ponies* alongside eclectic factual and comedy offerings, networks appear to be betting on a diversified schedule that balances prestige drama with accessible reality‑TV formats. If *Ponies* secures strong live and on‑demand numbers, we can expect more star‑driven, genre‑hybrid projects to fill prime‑time slots in the coming months, potentially nudging streaming services to compete with similar high‑budget, historically‑rooted series.

The LeadThe Guardian's Politics Weekly podcast has brought attention to allegations of a new financial arrangement involving former President Donald Trump, which critics are calling a "slush fund" designed to benefit his associates and allies.The Financial Arrangement DetailsThe podcast examines the structure and purpose of this fund, which has emerged as a subject of political controversy. While specific details about the fund's operations remain limited, the discussion centers on how such arrangements might influence political processes and donor relationships.The Political Impact AnalysisThis development comes at a time when political financing and ethics are under increased scrutiny. The alleged slush fund could potentially reshape perceptions of Trump's political operation and influence fundraising strategies for upcoming elections.The Future OutlookPolitical observers are watching closely to see how this story develops and whether it will have any lasting impact on Trump's political standing or the broader conversation about campaign finance reform in the United States.Listen to the full episode on Politics Weekly YouTube channelCheck out The Guardian's US podcast: Stateside with Kai and CarterSend questions and feedback to [email protected] The Guardian at theguardian.com/politicspodus

The Accolade Juan Mata had been written off, another caught in the mire of Australian football despite being a World Cup winner. Ever-smiling, now the 38-year-old also has the last laugh, having won the A-League Men’s Johnny Warren medal, the award for the competition’s player of the year. The Season's Impact After receiving the accolade, the out-of-contract Melbourne Victory playmaker said he wondered at the start of the season whether he would even go around again. Mata had endured a difficult introduction to Australia in 2024, after he signed with Western Sydney Wanderers following brief spells in Turkey and Japan. At the time, the arrangement made sense: both club and player – whose peaks were years past – were looking to bring joy back to football. The Data Analysis Mata played 1,684 minutes, scoring five times and assisting others for 13 goals, in a season of promise that ultimately ended suddenly. Victory were unlucky to lose to Sydney FC in the elimination final. The Impact Analysis Mata said he would have traded the Johnny Warren medal for club success, and expressed his appreciation for the Melbourne club. “They created a context and an environment in which I could enjoy football again,” he said. Everyone in the club, my teammates, they have a fantastic culture, and it is a privilege to be part of this.” The Prediction Mata’s future is uncertain. He said after receiving the award he would now take some time to consider his options. He is yet to confirm even whether he will play again. “That’s the big question for me now, what I want to do in my life – if I want to keep playing or not,” he said. “It’s difficult to stop when you’re enjoying. It’s also a good time to stop when things are going well. That’s what I said [after he won] the Victory medal, and that’s the way I feel.

The Passing of a NASCAR LegendTwo-time NASCAR Cup Series champion Kyle Busch has died at 41 after being hospitalized with a severe illness, NASCAR announced in a Thursday statement. The racing organization expressed their sadness, calling Busch "one of our sport's greatest and fiercest drivers" and extending condolences to his family, Richard Childress Racing, and the motorsports community.Racing Career and AchievementsBusch, a Las Vegas native, won championships in 2015 and 2019 and held the record for most wins across NASCAR's three national series with 234 victories. He was in his fourth season at Richard Childress Racing after previously winning titles with Joe Gibbs Racing. This season, he ranked 24th in the Cup Series standings with two top-10 finishes in 12 races.The Final RaceDuring a NASCAR Cup Series race on May 10 at Watkins Glen, Busch radioed in to his crew requesting medical aid after struggling with a sinus cold that was exacerbated by the intense G-forces and elevation changes at the upstate New York road course. Despite his condition, Busch continued to race and finished eighth.A Polarizing Figure in MotorsportsKnown as "Rowdy" and "Wild Thing" for his post-race fights, regular feuds with other drivers, and sometimes outlandish behavior, Busch stormed onto the Cup Series scene in 2005 by winning rookie of the year. Over his career, he won 63 Cup Series races and became one of the most recognizable figures in NASCAR.Legacy and FamilyBusch is survived by his wife, Samantha, and children Brexton and Lennix. His death marks the end of an era for NASCAR, as one of its most successful and controversial drivers has passed away at a relatively young age, leaving behind a legacy of remarkable achievements and memorable moments on the track.