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Rehab did not happen to Lena Dunham; she walked into it. The writer describes the moment she entered a stone‑manor facility in the Berkshires, Massachusetts, and was immediately asked to remove her designer shoes and answer mundane questions about her diet, a surreal welcome that felt like a college orientation—except many of the fellow residents struggled with IV heroin. She notes the unsettling blend of patients and staff, all dressed in ordinary clothes, making it impossible to tell who was who. A tattooed man in a Harley‑Davidson shirt turned out to be a sober companion, while a grandmother knitting in slippers battled a severe Benadryl addiction that had once ruined her daughter’s wedding. “Never judge a drug addict by their Patagonia half‑zip fleece,” she writes. Using the pseudonym “Rose O’Neill” – after the pioneering cartoonist – Dunham reflects on feeling trapped in a cycle reminiscent of the late‑career decline of the early 20th‑century artist. It was only after she allowed staff to use her real name that she began to reclaim her identity. Her therapist, Dr. Mark, a kindly man in khakis, asked her to articulate the root causes of her admission. Dunham linked her descent to chronic physical illness, relentless stress from supporting multiple families, hormonal turmoil after a hysterectomy, and a fraught romantic relationship. She also disclosed past sexual trauma, describing the rehab experience as “a fever dream” that echoed those memories. Medication played a paradoxical role. While Klonopin eased anxiety and Percocet dulled pain, the initial IV dose produced a euphoric “shiver through the whole body, better than any orgasm.” She acknowledges the temporary relief as a “pause button” that allowed her racing thoughts to quiet, yet also recognized the danger of dependence. Group sessions revealed complex dynamics. A fellow patient, Walter, breached confidentiality, prompting staff to enforce policy and send him home. The ensuing discussion divided the group, with some defending Walter’s lapse and others demanding accountability. Dunham’s own voice was subdued, emphasizing the tension between personal safety and collective responsibility. In a values‑mapping exercise, Dunham listed ART, FAMILY, MAKING PEOPLE FEEL SEEN as her core priorities, contrasting them with the values of the people she had surrounded herself with during active addiction. This exercise highlighted the stark misalignment between her aspirations and the environment she had inhabited. Despite the strict regimen, Dunham was granted a brief leave to attend the 2018 Met Gala. The decision sparked intense debate among staff about safety, yet she ultimately walked the red carpet, feeling “wan and haunted” amid flashing cameras and champagne she could not enjoy. The experience underscored the surreal juxtaposition of celebrity life and rehab recovery. During the final week, she formally identified as an addict and faced the pivotal question from Dr. Mark: “Do you want to be sober?” The answer marked a turning point, culminating in a moment of pure joy as she ran outdoors, feeling her legs move of their own accord. She closes with a vivid scene of spotting a robin’s egg on the grass, a simple yet profound reminder of life’s unexpected beauty. The memoir Famesick, published by Fourth Estate on 14 April, expands on these revelations and invites readers into the often‑hidden world of addiction behind the celebrity façade.

Zohran Mamdani celebrated his 100‑day anniversary as New York City’s mayor amid a backdrop of frigid crowds at City Hall and a historic milestone: the city filled 100,000 potholes in just over three months. The 32‑year‑old Democratic socialist, the first Muslim mayor of the United States’ wealthiest city, framed his early tenure as a test of whether a platform built on affordability could be translated into concrete governance. His administration’s headline achievement is the launch of a universal childcare initiative. Partnering with Governor Kathy Hochul, the mayor secured $1.2 billion from the state’s 2026 budget—funds drawn from existing revenue streams rather than new taxes—to add 2,000 daycare seats in low‑income neighborhoods. Sign‑ups for two‑year‑old slots will open in June, with allocations announced by August. “One in four New Yorkers lives in poverty, and after housing, childcare costs are pushing families out of the city,” Mamdani told Al Jazeera, underscoring the program’s role in curbing a citywide affordability crisis. Parallel to the childcare rollout, the mayor’s pothole‑filling campaign has become a symbolic win. By early April, crews had patched the 100,000th pothole, a move Mamdani described as proof that the city can handle “the smallest tasks in New Yorkers’ lives” before tackling larger challenges. However, the administration faces criticism on several fronts. Snowstorm responses earlier in the year exposed gaps in emergency planning, prompting Mamdani to acknowledge the need for better tools to manage “bus stops, sidewalks, and crosswalks.” A newly released cost‑of‑living index revealed that 62 % of New Yorkers cannot afford basic expenses, with families on average falling nearly $40,000 short of a sustainable budget. The burden is especially acute for communities of colour—77 % of Hispanic and 65 % of Black residents are financially strained. Fiscal conservatives, such as Manhattan Institute adjunct EJ Mahon, argue that New York already imposes the highest tax rates on millionaires in four decades, warning that further “tax‑the‑rich” rhetoric could drive wealth out of the city. Local commentator Aria Singer echoed this concern, suggesting that aggressive tax hikes might prompt billionaires to relocate, undermining job creation. Housing remains a central battleground. Rents have risen roughly 25 % since 2019, and while Mamdani’s proposal to freeze rents would affect only about half of the rental stock, his administration is pushing an aggressive construction agenda to increase supply and stimulate competition. Political dynamics add another layer of complexity. The mayor’s ability to raise taxes or fund ambitious projects hinges on Governor Hochul’s approval, as the city lacks autonomous authority over most tax levers. Moreover, initiatives like free city buses require cooperation with the state‑run Metropolitan Transit Authority (MTA). Strategist Adin Lenchner of Carroll Street Campaigns cautioned that sustained grassroots pressure will be essential for Mamdani to translate his agenda into lasting policy, noting that even former President Barack Obama struggled to maintain such momentum. Beyond policy, Mamdani has confronted a surge in xenophobic incidents targeting Jewish and Muslim communities, including a vehicle attack on a Brooklyn Jewish centre and an alleged ISIS‑inspired explosive device outside his Gracie Mansion residence. He condemned the violence, emphasizing that “such acts are antithetical to who we are.” As the 100‑day mark passes, the mayor’s focus has shifted from the symbolic cold of his inauguration to the practical heat of governing a city that demands tangible results. While potholes may seem minor, Mamdani argues they are a litmus test for public trust: “If we can’t fix the pothole you hit every day, how can you trust us with bigger challenges?”

Ukrainian President Volodymyr Zelenskyy has confirmed that his country's technology played a crucial role in shooting down Iranian drones in the Middle East. This development comes after Zelenskyy announced last month that expert teams had been deployed to the region following the outbreak of the United States-Israeli war on Iran.In a recent statement, Zelenskyy revealed that Ukrainian forces participated in operations using domestically produced interceptor drones against 'Shahed' drones, which are similar to those used by Russia during its ongoing conflict with Ukraine.Key highlights of Zelenskyy's statement include:Ukrainian forces successfully destroyed Iranian 'shaheds' in several countries.The operations were not limited to training missions but involved actual support in building modern air defence systems.Ukrainian experts provided crucial advice on strengthening air defence systems in countries that collaborated with them.Zelenskyy expressed optimism about the future, stating that it is only a matter of time before mass production of interceptors capable of destroying drones with jet engines commences.Kyiv has effectively utilized cheap drone interceptors to neutralize Russian drones before they reach their targets. As part of the agreement, Ukraine is receiving weapons to protect its energy infrastructure and, in some cases, financial arrangements.During his recent visits to Gulf nations, including Qatar, Saudi Arabia, Jordan, and the United Arab Emirates, Zelenskyy signed defence agreements with the UAE, Qatar, and Saudi Arabia.

The acclaimed HBO series Hacks is set to conclude with its fifth and final season, which promises to be a joyful and lighter chapter in the story of its two lead characters.Created by Paul W. Downs, Lucia Aniello, and Jen Statsky, Hacks has been a critical darling since its debut in 2021, earning a 99% Rotten Tomatoes score and 12 Emmy wins, including Outstanding Comedy Series in 2024.The show revolves around the unlikely partnership between Deborah Vance (played by Jean Smart), a veteran comedian, and Ava Daniels (played by Hannah Einbinder), a young comedy writer. Their relationship evolves over four seasons, navigating the challenges of comedy, fame, and personal growth.Paul W. Downs, who plays Jimmy on the show, revealed that the creators had the ending in mind from the beginning. The final season focuses on Deborah's comeback and her relationship with Ava, which has deepened into affection, mutual respect, and love.The new season features a more playful tone, with episode ideas that include anxiety dream sequences, a meditation on AI, and a farcical episode where Deborah forces Ava to lean into a misunderstanding. Downs describes the season as “sunnier, more playful, but with just enough heart and pathos” to provide a satisfying conclusion.Hacks has been praised for its unique take on comedy and its ability to transcend the entertainment industry, exploring themes of identity, dignity, and human connection. The show's conclusion will be available on Sky and NOW in the UK, HBO Max in the US, and Stan in Australia.

Four months after Australia introduced its under‑16 social‑media ban, Sydney teenager Noah Jones says his online experience has been largely unchanged – he has not been removed from any platform.Jones recounts a brief hiccup on Instagram that he quickly resolved, and notes a friend who temporarily lost access to Snapchat but managed to circumvent it. "That’s pretty much my whole experience of the ban," he says.Despite his personal continuity, Jones is now a plaintiff in a High Court challenge mounted by the Digital Freedom Project, which argues the ban infringes the implied constitutional right to political communication.The eSafety Commissioner, Julie Inman‑Grant, recently disclosed that more than 5 million accounts have been deactivated since the policy’s rollout, yet over two‑thirds of teenagers remain active on the ten targeted platforms – Facebook, Instagram, Snapchat, TikTok, YouTube, X, Twitch, Kick, Threads and Reddit. Young users are reportedly bypassing facial‑age estimation tools, especially when they are within two years of turning 16.Further eSafety findings reveal that 66 % of parents say platforms did not request age verification, and when ages of 14 or 15 were detected, platforms often prompted users to undergo facial‑recognition checks and simply adjust the displayed age rather than enforce deactivation.Communications Minister Anika Wells has urged the commissioner to "throw the book at" non‑compliant services, noting that fines could reach up to $49.5 million per breach in federal court. However, any penalties are likely to be considered only after the High Court decides the law’s validity.Wells also pledged new legislation imposing a digital duty of care on platforms, obliging them to take reasonable steps to prevent harm. The bill is slated for parliamentary debate later this year.The Digital Freedom Project, led by NSW Libertarian MP John Ruddick, contends that banning under‑16s from holding accounts effectively silences their participation in political discourse, as logged‑out viewing does not permit meaningful engagement.Legal scholars are divided. Prof. Sarah Joseph of Griffith University warns that an ineffective law could breach the implied freedom of political communication, while Monash University’s Prof. Luke Beck argues that the law’s purpose is to compel platforms to enforce age restrictions, not to achieve 100 % compliance.Beck points out that most legislation is not perfectly effective – citing murder laws and age‑restricted media – and that courts typically assess whether a law is a proportionate means to a legitimate aim.The government acknowledges that the age limit imposes a burden on political communication but maintains the measure is justified to mitigate risks from algorithmic recommendation systems, endless feeds, and other features that can amplify harm.Jones will turn 16 in August, at which point the ban would no longer apply to him. His mother, Renee Jones, says she faced online backlash for opposing the ban, with some critics even suggesting her children be taken away."It’s my right to choose how I raise my children in a digital world," she asserts, emphasizing strict household rules: no devices in bedrooms, phones locked at night, and shared passwords for parental oversight.Jones acknowledges the downsides of social media – bullying and explicit content – but stresses that his generation relies on these platforms for news and forming opinions, more so than traditional media.Both Jones and his mother argue the legislation was rushed and is failing to address the core concerns about harmful content, leaving many teens, like Noah, to navigate the digital landscape largely unchanged despite the ban.

Mom’s mantra – “don’t borrow trouble” – became the compass that steadied Feimster during the uncertain early years of her comedy career. She says the simple advice helped her shift focus from endless worry to actually performing. Growing up, Feimster was captivated by Carol Burnett’s slapstick brilliance, a love sparked by her grandmother’s nightly reruns. The legendary comedian’s on‑ and off‑screen silliness shaped Feimster’s own comedic sensibility. When she was cast as the beaver Nibbles in the upcoming Zootropolis 2, the process was anything but typical. “The script was top‑secret,” she recalls, noting that she entered the recording booth with only a brief scene description from director Jared Bush, never knowing how pivotal her character would become. Feimster also laughs about a nightmare charity gig in a Virginia biker bar, where the stage was literally a wooden crate, the lighting resembled a construction site, and a karaoke machine served as the sound system. “Nobody, including me, enjoyed the show,” she admits. Unlike many performers, she has no elaborate pre‑show rituals. She arrives minutes before the curtain rises, chats with the audience, and treats each performance like a regular day, much to the amusement of co‑host Tom Papa. The relentless travel schedule is a double‑edged sword. Feimster describes the constant touring as exhausting, with the added pressure of having to write fresh material after every special. “You finish one project and must start from scratch,” she says, highlighting the creative churn that fuels her growth. On set with Arnold Schwarzenegger for the film Fubar, Feimster found the experience inspiring. She notes that the legendary actor’s varied career – from bodybuilding champion to governor – made every day on set feel like a master class. Looking ahead, Feimster has wrapped two Netflix comedies: one starring Will Ferrell as a washed‑up pro golfer where she plays his caddie, and another ensemble with Kim Kardashian, Nikki Glaser and Brenda Song. She hints at a future shift toward a more serious, less self‑referential role. Meanwhile, her current stand‑up show “Takin’ Care of Biscuits” continues its North American and European leg, with a stop at London’s Hackney Empire on 3 June and the tour running through 9 August.

The United Kingdom's Defence Minister, John Healey, announced that British forces had successfully tracked and deterred three Russian submarines in a covert operation within UK waters in the High North maritime region. This area is strategically important due to its proximity to key shipping routes and crucial undersea cables.Healey revealed that the month-long operation, which involved British warships and military aircraft, did not find evidence of Russian vessels damaging undersea infrastructure. However, the decision to publicly disclose the operation was made to 'call out' Russian activity and send a clear message to Russian President Vladimir Putin.“We see you, we see your activity over our cables and pipelines. And you should know that any attempt to damage them will not be tolerated, and will have serious consequences,” Healey stated. The British Defence Ministry identified the submarines as an Akula-class Russian nuclear-powered attack submarine and two specialist submarines from Russia's Main Directorate of Deep Sea Research (GUGI), which defence experts consider one of Moscow's most secret facilities.The Russian embassy in London rejected the British government's claims that its submarines posed a threat to undersea cables. According to Healey, the Russian attack submarine was likely a decoy to distract from the two specialist vessels designed to survey underwater infrastructure during peacetime and sabotage it in conflict. The operation highlights growing concerns about threats to undersea cables, which connect about 99 percent of global internet traffic, with the UK having 60 cables near its waters.

OECD preliminary figures reveal a 23% decline in international development assistance between 2024 and 2025, the steepest annual fall recorded since the organization began tracking aid.The United States was the primary catalyst, with its official development assistance slashing nearly 57% in 2025, a reduction that accounts for roughly three‑quarters of the overall drop.Total aid from the 34 DAC members fell from $214.6 billion to $174.3 billion. American contributions shrank from about $63 billion in 2024 to just under $29 billion the following year, according to the OECD.Other major donors—including Germany, the United Kingdom, Japan and France—also trimmed their budgets, and only eight DAC countries managed to meet or exceed their 2024 levels.The cuts arrive at a time of heightened global economic and food‑security uncertainty, exacerbated by the ongoing US‑Israeli conflict with Iran.OECD official Carsten Staur described the plunge as “deeply concerning,” urging donors to reverse the trend as humanitarian needs surge. Oxfam’s Development Finance Lead Didier Jacobs warned that wealthy governments are “turning their backs on millions of lives in the Global South” by cutting life‑saving aid while funding conflict.Academic research links the U.S. reductions to a rise in armed conflict across Africa, with the Center for Global Development estimating that the cuts could have caused between 500,000 and 1,000,000 excess deaths in 2025. A Lancet analysis warns that continuing the downward trajectory may result in **over 9.4 million additional deaths by 2030**.Under President Trump, the United States has dismantled the U.S. Agency for International Development (USAID) and pursued a handful of bilateral agreements with African nations that tie aid to mineral access and health data. Simultaneously, the administration is seeking a historic $1.5 trillion military budget for FY2027** and between **$80 billion and $200 billion** for the Iran‑Israel war effort.Analysts and NGOs are calling on DAC members to restore aid levels and reinforce the global humanitarian system, which they say faces its most serious crisis in decades.

NASA unveiled a historic photograph showing Earth disappearing behind the Moon’s edge, taken by the Artemis II crew aboard the Orion capsule during a record‑setting lunar flyby. The image, dubbed “Earthset,” arrives more than 57 years after the famed Apollo 8 Earthrise shot that first revealed our planet from lunar orbit.The four‑person crew—American astronauts Reid Wiseman, Christina Koch, Victor Glover and Canadian astronaut Jeremy Hansen—captured the view on April 6, 2026, deliberately echoing Bill Anders’ December 1968 photograph. Their mission, part of NASA’s broader Artemis program, is designed to lay the groundwork for a 2028 crewed Moon landing.After sharing the image on X, the White House highlighted its significance, noting it as “the first photo from the far side of the Moon, showing humanity from the other side.” The administration also posted a separate NASA picture of a solar eclipse observed during the flyby, describing it as “a view few in human history have ever witnessed.”Beyond the Earthset, the Artemis II astronauts have provided detailed observations of lunar topography and reported witnessing a solar eclipse when the Moon passed in front of the Sun—an event rarely seen from that perspective.The original Earthrise photograph, taken during Apollo 8’s ten lunar orbits, has been celebrated as one of the most influential images ever captured, featuring in Life magazine’s 2003 compilation “100 Photographs That Changed the World.” The new Earthset image adds a contemporary counterpart, reinforcing the enduring power of space photography to shape public perception of Earth’s place in the cosmos.