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Executive Summary: Reeves' Bid to Remain ChancellorRachel Reeves is mobilising backbench support to keep her chancellorship if Keir Starmer is replaced, arguing her credibility with bond markets is essential for the UK’s fiscal stability.Backbench Lobbying Intensifies as Labour Leadership ShiftsLabour MPs are being urged to back Reeves in the event that Andy Burnham wins the Makerfield by‑election and succeeds Starmer as prime minister. Allies warn that a switch to Ed Miliband would unsettle the bond market.Reeves’ supporters claim she is the only candidate who can safeguard the country’s finances.Burnham is reportedly considering Miliband for chancellor.MPs express concern over a “double change” in leadership.Economic Indicators Strengthen Reeves' PositionRecent data provide a factual backdrop to the political maneuvering:International Monetary Fund raised its UK growth forecast to 1% for 2026, up from 0.8%.Inflation fell to 2.8%, outpacing expectations.Government borrowing in April exceeded forecasts, highlighting fiscal pressure.Political Ramifications and Market PerceptionThe chancellor’s lobbying has sparked debate within Labour:Supporters stress the importance of fiscal predictability for bond‑market confidence.Critics argue Reeves bears responsibility for unpopular policies such as cuts to winter fuel payments.Analysts note her “Great British Summer Savings” plan and surprise VAT cut on family attractions as attempts to bolster public support.Bond‑market observers warn that a sudden leadership change could raise borrowing costs, while unions fear a shift toward a less market‑friendly chancellor.Looking Ahead: Scenarios for the TreasuryIf Burnham ascends to the premiership, the chancellor’s seat could become a focal point of intra‑party negotiation. Potential outcomes include:Reeves retains the role, providing continuity for markets.Ed Miliband is appointed, prompting a reassessment of fiscal strategy.A prolonged leadership contest that stalls key economic reforms.Analysts suggest that Reeves’ ability to navigate both economic data and internal party dynamics will determine whether the Treasury maintains its current course or pivots toward a new fiscal direction.

The Lead 'Ponies' is a weirdly joyful and bizarrely endearing espionage thriller cum female buddy caper set in 1970s Moscow. The series, starring Emilia Clarke and Haley Lu Richardson as two widows turned spies, has been praised for its unique blend of modern feminist sensibility and 70s movie aesthetics. The Event Details The show's setup is almost embarrassingly absurd: the wives of two dead CIA agents persuade their husbands' boss to take them on as spies, on the grounds that the KGB will never suspect that women have been recruited. The series follows their adventures as they navigate the world of espionage, using their unique skills and personalities to overcome challenges. The Character Dynamics Clarke and Richardson play Bea, a Wellesley-educated daughter of Belarussian emigrants who speaks fluent Russian, and Twila, a brash, blue-collar American. Their chemistry makes them greater than the sum of their parts, and their odd couple dynamic is a highlight of the show. The Impact Analysis 'Ponies' is a mashup of genres and tropes, but it is its own thing too – and an unexpected treat at that. The show's blend of humor, action, and heart makes it a standout in the espionage thriller genre. The Prediction With its unique blend of style, humor, and heart, 'Ponies' is likely to appeal to fans of espionage thrillers and female buddy comedies alike. The show's success could pave the way for more innovative and genre-bending series in the future.

The Lead: A New Kind of Celebrity Hot SeatThe Assembly brings together a 28‑strong panel of autistic, neurodivergent and learning‑disabled interviewers to grill high‑profile guests for up to three hours. The result is a mix of raw emotion, humour and unexpected intimacy that has quickly become ITV's most talked‑about chatshow. How "The Assembly" Merges Neurodiversity with Celebrity InterviewsThe format, adapted from France’s Les Rencontres du Papotin, opens each episode with a clear rule‑set: no question is off‑limits and every guest must answer honestly. Rylan Clark’s first appearance set the tone with blunt queries like “Are they your real teeth?” and “Did you ever consider having a real suntan?”. Subsequent guests—including Danny Dyer, David Tennant, Jade Thirlwall and Stephen Fry—have faced probing topics ranging from personal trauma to sexual preferences, often leaving them laughing, crying or both. Viewership, Awards and International Roll‑outHalf‑million YouTube views for Danny Dyer’s debut episode, the series’ most‑watched clip.Series nominated for a Bafta and winner of an RTS award.Commissioned in 20 countries across Europe, North America and Australasia.Three‑hour recording windows give guests space for genuine connection, a stark contrast to the typical 10‑minute segment on traditional chatshows. Why the Show Is Shaking Up the Talk‑Show LandscapeBy handing editorial control to neurodivergent interviewers, the programme challenges the “sound‑bite” culture of mainstream TV. Viewers report increased awareness of autism and learning disabilities, while celebrities appreciate the chance to be seen beyond PR‑driven narratives. The blend of entertainment and representation has created a “cult following” that even attracted selfies from Bafta‑winning stars. What’s Next for "The Assembly" and the Wider TV IndustrySeason 2 has already featured Stephen Fry, whose outrageous questions sparked viral moments. Producers hint at future political guests such as Keir Starmer and Tony Blair, and a possible spin‑off with former Scottish First Minister Nicola Sturgeon. If the current trajectory holds, the format could inspire a new wave of inclusive programming, prompting rival broadcasters to experiment with longer‑form, unscripted interviews that prioritize authenticity over commercial sell‑through.

The Director’s Missed Moment: Hairy Armpits Cut from the Final EditAt the Hay Festival in Wales, Emerald Fennell explained that a scene featuring Margot Robbie's character Cathy with "extremely hairy armpits" did not survive the final cut of her 2026 adaptation of Wuthering Heights. She called the loss "unfortunate" because period pieces often sanitize female bodies.Why the Scene Was Intended and What Was LostFennell described the unshaven underarms as "so important" to her vision of a realistic 19th‑century woman.The director questioned the historical plausibility of razor‑free armpits in other period adaptations, especially those of Jane Austen.She also referenced other unconventional set details, such as the "skin room" and a controversial "fish scene" involving a dead fish.Contextual Numbers: Release Timing and Audience ReachThe film premiered on Valentine’s Day 2026, positioning it as a romantic‑gothic offering.Starring Margot Robbie and Jacob Elordi, the movie attracted attention from both literary fans and mainstream audiences.Industry Impact: Shifting Standards for Body Authenticity in Period DramaFennell’s regret underscores a broader debate about how period films portray women’s bodies. Traditional productions often present hairless, polished figures, reinforcing a modern aesthetic rather than historical accuracy. By pushing for visible body hair, Fennell challenges the industry norm and invites future creators to reconsider the balance between visual appeal and authenticity.Looking Ahead: The Future of Unvarnished Period StorytellingIf directors continue to prioritize realism, we may see more productions that retain natural body features, prompting audiences to adjust expectations. Fennell’s upcoming, undisclosed project—described as "profoundly evil"—suggests she will keep testing the boundaries of comfort and authenticity, potentially influencing a new wave of bold, unfiltered period narratives.

Lead: From On‑Screen Heroine to Real‑World SurvivorIn a candid Guardian interview, Hannah Murray reflects on the paradox of feeling liberated after quitting acting, only to be drawn into a high‑priced wellness cult that jeopardised her mental health. The experience culminated in a psychotic break, a brief hospitalisation, and a subsequent bipolar diagnosis.The cult’s promise and Murray’s descent into its underbellyAt 27, Murray joined an organisation that marketed “wisdom and specialness” for a fee running into thousands of pounds. The group’s charismatic leader, identifiable by a symbolic necklace and a giant Starbucks cup, offered a quick fix for the emptiness Murray felt after years of fame‑driven validation.Initial attraction: desire for lasting “specialness” beyond acting roles.Practices: meditation, gratitude diaries, and “spiritual” workshops.Cost: substantial financial outlay combined with escalating mental strain.The hidden price tag and mental‑health falloutThe cult’s financial demands were matched by a severe psychological toll. Murray experienced a catastrophic psychotic episode, leading to a brief stay in an acute mental‑health unit where she was diagnosed with bipolar disorder.Impact: What Murray’s story reveals about the wellness industry’s lure for young creativesHer narrative underscores a broader vulnerability: young, high‑profile individuals often seek quick‑fix solutions to the pressures of fame, making them prime targets for exploitative “wellness” enterprises. Murray notes a lack of critical scrutiny surrounding the industry’s promises, which are frequently presented as universally benign.Future outlook: Growing calls for accountability and mental‑health advocacyAs more public figures share similar experiences, the wellness sector may face increased regulatory attention and a push for transparent, evidence‑based practices. Murray’s memoir adds momentum to a cultural conversation about protecting vulnerable talent from predatory self‑help movements.

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.

The Unlikely Inspiration A family comedy starring Kristen Stewart and Corbin Bleu sparked a thirst for adventure in a young girl, leading her to pursue a life she never thought possible. A Life-Changing Film The 2004 film 'Catch That Kid' tells the story of three kids who rob a bank to pay for Stewart's father's expensive surgery. The film's successful heist and the trio's escape on go-karts left a lasting impression on the young girl. A Journey of Self-Discovery The girl's fascination with the film led her to declare that she would become the first black, female, Muslim Formula One driver. Although she couldn't afford to pursue this dream, she studied mechanical engineering and eventually landed a job on a remote oil rig. The Allure of Oil Rigs The woman was drawn to the adventure and technical challenges of working on oil rigs. She worked as a measurement while drilling (MWD) specialist and drilling engineer, often in demanding conditions. A New Chapter Although she eventually left the oil rigs to become a writer, she remains grateful to Kristen Stewart and her co-stars for inspiring her to take a path she never would have considered otherwise.

The Premier League 2025-26 Season Review The 2025-26 Premier League season has come to a close, with several teams exceeding expectations and others falling short. In this review, we'll take a closer look at the standout teams, including Arsenal, Aston Villa, and Bournemouth. Arsenal's Dominant Season Arsenal fans have a lot to celebrate as their team won the league title. The team's manager, Mikel, received praise for his ability to get the team over the line, despite some critics questioning his tactics. The team's defense was particularly impressive, with 19 clean sheets. Stars: Raya, Gabriel, Saliba, and Rice were consistent performers throughout the season. Flops: Martinelli struggled to find form, scoring only one league goal, while Madueke lacked composure in front of goal. Aston Villa's Europa League Success Aston Villa had a remarkable season, culminating in a joyous party in Istanbul after their Europa League final victory. The team's manager, Unai Emery, received praise for his ability to get the team to perform when it mattered. Stars: McGinn was a standout player, with his leadership and game management being particularly impressive. Flops: None mentioned. Bournemouth's Historic Achievement Bournemouth made history by qualifying for Europe for the first time. The team's manager, Andoni Iraola, was praised for his genius and the team's energetic and exciting brand of football. Stars: Alex Scott, Junior Kroupi, and Rayan were spectacular performers. Flops: None mentioned. The Verdict The 2025-26 Premier League season was filled with surprises and standout performances. Arsenal's title win, Aston Villa's Europa League success, and Bournemouth's historic achievement made for an exciting conclusion to the season.

The World Cup AbsencesThe world's best football players will travel to North America this summer for the most anticipated sporting event of the year: the FIFA World Cup 2026. While the 48-team tournament will feature young prodigies and veterans alike, some stars will not be at the tournament, having missed out due to injuries or because their nations failed to qualify.Stars Who Missed QualificationSeveral high-profile players will not be at the World Cup because their countries failed to secure qualification. Among them are:Khvicha Kvaratskhelia (Georgia) - The Paris Saint-Germain winger, one of the most feared in European football, will not be on the plane to North America as Georgia failed to qualify.Robert Lewandowski (Poland) - The 37-year-old Barcelona striker left the pitch in tears after Poland narrowly missed out on qualification. With 89 goals in 165 appearances for Poland, he has never advanced beyond the round of 16 at a World Cup.Gianluigi Donnarumma and Sandro Tonali (Italy) - Italy's failure to qualify for the World Cup for a third consecutive time means the tournament will be devoid of some of the finest Azzurri talents, including the star goalkeeper and midfielder.Victor Osimhen and Ademola Lookman (Nigeria) - Nigeria's shock penalty shootout defeat to the Democratic Republic of the Congo in the African playoffs means fans will miss out on watching these two bright attackers.Bryan Mbeumo (Cameroon) - Cameroon's failure to qualify came as a surprise as the Indomitable Lions hold the African record for the most World Cup appearances with eight overall.Injury-Related AbsencesSeveral players who would have likely been selected for their national teams have been ruled out due to injuries:Hugo Ekitike (France) - The France forward ruptured his Achilles tendon while playing for Liverpool against PSG in April, an injury that could sideline him until January 2027.Estevao (Brazil) - The 19-year-old suffered a grade four hamstring injury while playing for Chelsea in April, crushing his dream of making his World Cup debut.Rodrygo (Brazil) - The Real Madrid winger suffered a torn meniscus and ACL in his right knee while playing for Madrid in March and is expected to be out until the end of 2026.Xavi Simons (Netherlands) - The attacking midfielder suffered an anterior cruciate ligament (ACL) injury while playing for Tottenham Hotspur against Wolverhampton Wanderers.Other Notable AbsencesSeveral other high-profile players will also miss the tournament:Fermin Lopez (Spain) - Misses out after requiring surgery on a fracture in his right foot.Serge Gnabry (Germany) - Ruled out with a torn adductor muscle in his right thigh.Cole Palmer and Phil Foden (England) - Omitted from England's squad after both had disappointing seasons.Takumi Minamino and Kaoru Mitoma (Japan) - Minamino was left out after suffering an ACL tear while Mitoma also misses out after suffering a hamstring injury.Eder Militao, Joao Pedro, and Richarlison (Brazil) - All dropped from Brazil's squad due to injuries.Jan Oblak (Slovenia) - The goalkeeper and captain will be absent after Slovenia failed to qualify.Dominik Szoboszlai (Hungary) - Faces a similar fate after Hungary missed out on qualification.