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Cole’s First Head‑Coach Role Marks a Turning PointAfter seven years of coaching on the training‑ground, former England defender Ashley Cole stepped into his inaugural head‑coach position at Cesena in mid‑March 2026. The appointment follows a personal journey that began when Cole met his wife Sharon Canu in Italy and has culminated in a dugout of his own in the Emilia‑Romagna city.Cole’s Appointment as Cesena Head CoachThe club, owned in part by American businessman Mike Melby, dismissed manager Michele Mignani and turned to Cole to inject “an exciting, energetic team that plays on the front foot.” Cole, 45, highlighted his seven‑year apprenticeship under various coaches and expressed gratitude for the opportunity, noting that his experience “means there is nothing more I could do to prepare.”Cesena’s Current Standing and Early ResultsLeague position: 9th in Serie B (as of 29 April 2026)Recent form: lost opening match under Cole, followed by a 3‑1 victory over playoff rivals CatanzaroWinning streak before appointment: 0 wins in the previous six‑seven gamesThe early win sparked a brief surge in fan enthusiasm, but consistency remains a challenge as the squad adapts to Cole’s tactical shift.What Cole’s Philosophy Means for Serie B and the ClubCole advocates a possession‑based, attacking style that emphasizes “intensity without the ball” and keeping wingers forward. He acknowledges the defensive realities of Serie B—teams often sit deep with ten men—but argues that controlling the ball creates more scoring opportunities and allows effective pressing. This approach could differentiate Cesena from the traditionally pragmatic clubs in the division and potentially raise the tactical standard of the league.Future Outlook for Cole and CesenaIf Cole can translate his philosophy into consistent results, Cesena could climb into the playoff zone and perhaps challenge for promotion to Serie A. For Cole, success would cement his transition from elite player to respected manager, opening doors to higher‑profile appointments. Conversely, failure to adapt could see the club revert to a more conservative setup and Cole’s managerial ambitions stall.

The Legacy of Robert Wilson Not far into Herman Melville's 1851 epic novel Moby-Dick, a shipowner describes the man who will take their whaler on a tragic quest. Captain Ahab, he says, is 'a queer man … a grand, ungodly, godlike man.' The same might be said of Robert Wilson. By the time he died last July at the age of 83, Wilson had transformed himself from a stuttering, gay son of conservative southern Baptist parents in Waco, Texas, into New York City's titan of experimental theatre, opera and dance. Wilson's Final Masterpiece Wilson launched many of these theatrical explorations from the Brooklyn Academy of Music (Bam), from 1970's almost-silent play The Life and Times of Sigmund Freud to 2016's Letter to a Man, starring Mikhail Baryshnikov as Vaslav Nijinksy. This spring, his final work will reveal itself to his hometown crowd after an initial 2024 presentation in Düsseldorf. In Moby Dick, Melville's wild rumination on global capitalism, obsession, masculine intimacy and fate comes to life on a stage at Bam defined by many of Wilson's signature gestures. The Collaboration There is Wilson's astonishing use of bands of light, for example, and his demands on performer's bodies to somehow do nothing and everything at once. There's a collaborator, too – in this case, the accomplished British musician Anna Calvi, who's written a raucous and glamorous suite of songs for the show. It's their second collaboration, following 2017's The Sandman. ' David Byrne put me in touch with him,' Calvi says via email, knowing she was a fan of Wilson's work with Tom Waits. '[Byrne] wrote to me, saying, 'Are you ready to go down the rabbit hole?' Which is a very good description of working with Bob!' The Impact of Wilson's Work In many ways, though, Wilson harpoons expectations for what might happen when a god of American theater hunts down a Great American Novel. Wilson's Moby Dick is short, sleek and almost sentimental. And it reminds us that ambition might sometimes have lethal costs, but that life isn't worth living without it. 'All the things that made him Bob Wilson are represented in this project,' says Bam artist director Amy Cassello, who worked with him for decades. The Future of Wilson's Legacy Indeed, Wilson and Calvi largely jettison Melville's notoriously verbose texts, building sea-shanty glossolalia into little cabins for all you need to know about, for example, a bar full of sailors, or how it feels to walk a plank. 'I loved how he always got me to do things I would never normally do,' says Calvi. 'I remember being at a casting and at one point, at Bob's request, I was rolling around on the floor with the other actors!' Moby Dick is at Brooklyn Academy of Music from 29 April to 3 May.

On Monday 29 April 1996, Newcastle United’s 1‑0 win at Leeds set up a dramatic finale to the Premier League season. Manager Kevin Keegan exploded on live TV, declaring he would “love it” if Manchester United slipped, a line that has become folklore in English football. The 1996 Newcastle‑Leeds Showdown and Keegan’s Live Retort Newcastle’s victory, courtesy of Keith Gillespie, moved them three points behind Manchester United with two games left. Before the match, Sir Alex Ferguson had hinted that Leeds and Nottingham Forest would not try as hard against Newcastle as they did against United, planting a psychological seed. In the post‑match interview with Sky Sports’ Richard Keys and Andy Gray, Keegan seized the bait, delivering the now‑legendary tirade. Keegan’s exact words: “I will love it if we beat them. Love it.” The interview was recorded in a cramped broadcast hut plagued by a foul smell, only salvaged by a player’s deodorant. Fans outside Elland Road reacted by honking horns and shouting “Love it!” as the clip aired. Points, Positions and the Title Race Math The standings after the Leeds game were: Manchester United: 84 points (already crowned champions after beating Middlesbrough 3‑0). Newcastle United: 81 points, with a final‑day draw against Tottenham leaving them on 82. Leeds United: 81 points after a 1‑1 draw with Newcastle. Even if Newcastle had won their last two fixtures, United’s superior goal difference would have kept them ahead, but the psychological edge gained from Keegan’s outburst is argued to have contributed to the team’s inability to clinch the title. Psychological Warfare: Ferguson’s Mind Games vs Keegan’s Fury Ferguson’s pre‑match comments were a classic example of “dark arts” mind‑games, aiming to sow doubt in Newcastle’s confidence. Keegan’s fiery response turned the tables, exposing the tension between the two managerial styles. Former players recall the interview energising the fanbase but also adding pressure on the squad. Gillespie later said the passion showed “absolutely brilliant reaction”. Keegan later dismissed the incident as “nothing to do with mind games”, blaming Ferguson’s habit of finding excuses. Legacy of the ‘Love It’ Moment in Modern Football Culture Three decades on, the phrase is invoked whenever a rival club’s fortunes waver. It has become a cultural touchstone for passionate, outspoken managers and is frequently referenced in media retrospectives. Keegan, now 75 and recovering from cancer treatment, continues to appear at events, reminding fans that the spirit of that night endures. Looking ahead, the episode underscores how media moments can amplify on‑field narratives, a lesson modern managers heed in an era of instant‑share social platforms.

The Economic Impact of the Iran War Britain is facing a £35bn economic hit and the risk of a recession this year as the fallout from the Iran war adds to the pressure on Keir Starmer’s government, a leading thinktank has warned. Niesr's Economic Forecast The National Institute of Economic and Social Research (Niesr) said that even under a best-case scenario the UK economy would grow at a much slower pace this year and next because of the Middle East conflict. Niesr downgraded its previous growth forecasts for 2026 by 0.5 percentage points, to 0.9%, and by 0.3 percentage points in 2027, to 1%. Under an adverse scenario, involving the global oil price hitting $140 a barrel, Britain would face a much bigger inflation shock than currently anticipated, which would risk plunging the economy into a recession in the second half of this year. The Government's Response With households facing a rise in energy costs linked to the Iran war, the chancellor, Rachel Reeves, has said that “nothing is off the table” as the government considers options to provide a targeted and temporary support package. The Data Analysis The economic hit from the Iran war has the potential to add almost £24bn to UK government borrowing by the end of the decade. This would almost entirely erase Rachel Reeves’s headroom against her self-imposed fiscal rules. The Impact Analysis The Middle East conflict has laid bare the fact that the UK remains highly exposed to global energy shocks. Even if hostilities ease rapidly, higher energy prices will leave households poorer, businesses facing higher costs, and the economy materially smaller than expected only a few months ago. The Prediction Financial markets widely expect the Bank of England to keep interest rates unchanged on Thursday. However, Niesr expects the Bank to raise interest rates by a quarter point in July to 4%, although it cautioned that a rise in borrowing costs from Threadneedle Street at its next policy meeting on Thursday could not be ruled out.

The University Strike and Escalating TensionsIslamabad, Pakistan – Afghanistan's Taliban authorities say Pakistani mortars and missiles struck a university and residential neighborhoods in the eastern province of Kunar on Monday, killing at least seven people and wounding more than 80. Taliban deputy spokesperson Hamdullah Fitrat called the attacks 'unforgivable war crimes' against civilians and academic institutions, while Pakistan's Ministry of Information and Broadcasting rejected the account as a 'blatant lie.'Afghanistan's Ministry of Higher Education reported that about 30 students and professors were among the wounded, with Sayed Jamaluddin Afghani University sustaining extensive damage. The competing claims over the attack have now raised fears that the already fragile ceasefire between the two countries might completely collapse.The Fragile Peace Process in UrumqiThe heightened tensions follow days after peace talks held in the Chinese city of Urumqi between the two sides that Afghan Foreign Minister Amir Khan Muttaqi described as 'positive.' The talks, hosted by China in early April, brought delegations from both sides together for the first time since the conflict's most intense phase in February and March, when Pakistan struck Kabul multiple times and declared it was in 'open war' with Afghanistan.However, the engagement was thin from the start, with delegations at the diplomatic level and no political contact throughout. Pakistan maintained a firm position, demanding action in writing. 'Until Afghanistan puts something in writing, no verbal commitment will be trusted,' said Mehmood Jan Babar, a Peshawar-based political and security analyst.The Limits of Regional MediationThis is not the first time a diplomatic opening has quickly unraveled. A ceasefire mediated by Qatar and Turkiye in October 2025 was followed by continued low-level clashes. A temporary Eid ceasefire in March was almost immediately disputed, with the Taliban alleging Pakistan carried out dozens of mortar strikes while the truce was still in effect.The most contentious episode came on March 16, when a Pakistani air strike destroyed the Omar Hospital in Kabul, a 2,000-bed addiction treatment facility. Afghan officials put the death toll at more than 400, while the United Nations recorded 143. Pakistan insisted that its target was not the hospital, but nearby military installations and an ammunition depot.The Core TTP DisputeAt the heart of the conflict is a dispute that predates the current fighting. Pakistan accuses the Afghan Taliban of providing sanctuary to the Pakistan Taliban, known by the acronym TTP, which has carried out attacks across Pakistani provinces. Afghanistan rejects accusations that it is sheltering or aiding the TTP and other anti-Pakistan groups.'The Taliban have not accepted Pakistan's main demand in the way Islamabad wants,' said Tameem Bahiss, a Kabul-based security analyst. 'They may be unwilling because of ideological or historical links, or unable because acting against the TTP could create internal divisions. Whatever the reason, the outcome is the same: Pakistan's demands remain unmet.'The Path Forward Without TrustChina's role as host of the Urumqi talks carries significant weight, as Beijing is Pakistan's largest trading partner and has infrastructure investments in both countries. However, analysts note that no agreement is possible without a written guarantee and a guarantor to enforce it.'Pakistan does not want to enter into any agreement that brings it no tangible benefit,' said Babar. 'Until a written commitment comes, nothing else moves.' Afghanistan has its own demands, including keeping borders open, allowing trade, and accommodating Afghan refugees. 'Without a credible verification mechanism, any agreement will remain fragile and may collapse as soon as the next attack or accusation takes place,' warned Bahiss.

Amnesty International has formally requested an investigation into a US air strike in Yemen, alleging it constitutes a war crime and resulted in the deaths of at least 68 detainees.The Saada Strike and the March-May CampaignThe rights group released a report on Tuesday detailing a strike on April 28, 2025, targeting a detention facility in Saada in northwestern Yemen. The facility had operated for years as part of a larger prison complex and had previously been visited by representatives of the International Committee of the Red Cross and the United Nations, who found no evidence the compound was being used for military purposes.The organization argues that the Trump administration’s approach to air strikes in Yemen from March to May 2025 should have triggered alarm regarding the erosion of safeguards for civilians.Casualty Analysis and Systemic FailuresAmnesty International’s investigation highlights a disturbing pattern of civilian harm, citing the Saada strike as one of the deadliest civilian incidents linked to a US strike in recent years. The report details the following casualty figures:68 detainees killed in the Saada strike47 detainees injured156 people killed in a separate US strike on a school in Minab, Iran, including 120 childrenThe group asserts that the US failed to take all feasible precautions to avoid civilian harm, a violation of international humanitarian law.Erosion of Civilian Protection ProtocolsThe impact of these strikes extends beyond immediate casualties, creating a humanitarian crisis for survivors. Amnesty interviewed six Ethiopian men wounded in the attack, revealing that five were unable to work due to their injuries and relied on family support.One survivor, identified as Jirata, 30, testified that he lost one leg and had a metal rod inserted in the other. He stated, “I have lost hope, and I have nothing left that keeps me going. The US government caused all this.”Nadia Dar, director of Amnesty International USA, criticized the administration for systematically weakening safeguards while displaying a “dangerous disregard for the lives of civilians endangered by armed conflicts.”Future Implications for US Military OversightWith no public findings released by the US military a year after the incident, Amnesty is calling for a shift in accountability mechanisms. The organization is urging Washington to conduct prompt, transparent, and independent investigations into strikes in Yemen and Iran.The report suggests that the next major development will likely involve increased pressure on the US Congress to enforce stricter oversight of military operations and mandate reparations for civilians harmed in these conflicts.

The Rise of Rugby's Elite Speedsters The world of rugby union is witnessing a paradigm shift with the emergence of exceptionally gifted young players who are redefining the sport. Noah Caluori, a 19-year-old winger for Saracens, has been making waves with his incredible speed and agility on the field. Caluori's Record-Breaking Performance Caluori's recent performance against Leicester was nothing short of phenomenal. He scored a try that was described as 'from another planet' by commentators, showcasing his deft skills and searing acceleration. This is not an isolated incident, as he has consistently impressed with his speed and agility, including registering five tries in a game against Sale. The Data Behind the Phenomenon Caluori has scored 18 tries in just nine Premiership matches. He is two tries short of Sam Simmonds' all-time league record. The Impact on Rugby Union The emergence of Caluori and other young speedsters like Louis Bielle-Biarrey and Immanuel Feyi-Waboso is having a profound impact on the sport. They are bringing a new level of excitement and athleticism to the game, which could potentially attract a new, younger audience. The Future of Rugby As these players continue to impress, it is likely that they will play a significant role in shaping the future of rugby union. With their exceptional skills and charisma, they have the potential to launch rugby's image into the stratosphere and transform it into the most compelling fast show in sport.

The Lead: From Sheffield Pub to Hollywood Film ScoreLast year, Jim Ghedi was having a chicken dinner at his mother's house in Sheffield when he checked his phone. A director had started following him on Instagram, and as a joke, Ghedi messaged him saying he wanted to do his next film score. To his surprise, the director, Michael Sarnoski, responded immediately, offering him the job to score the forthcoming A24 production "The Death of Robin Hood," starring Hugh Jackman and Jodie Comer.The Breakthrough: A Working-Class Folk Musician's Unexpected Hollywood OpportunityDespite having never scored a film before, Ghedi was given the gig. He bonded instantly with Sarnoski through video calls and a shared love of Steeleye Span, and ended up writing the songs and score. He describes the finished material as "quite doomy, earthy and dark" but also "quite light and orchestrated." Ghedi was invited out to LA to work on the project there, but instead chose to stay rooted in Sheffield. Even so, he had moments of impostor syndrome, acknowledging that "it's very rare for someone like me, and where I'm from, to get those kinds of opportunities."The Musical Journey: From Hip-Hop to Folk with Working-Class RootsGhedi, 35, was given a guitar when he was eight and quickly became a skilled player, but his teenage years were lit up by hip-hop and punk. The lyrical output of hip-hop proved formative for him. "Hearing people talk about being raised by a single mum was like, whoa," he recalls. "Here's someone artistically talking about something that I'm also experiencing in my life." Then came the revelatory discovery of Bert Jansch. "It was the first time I'd heard someone who played an acoustic guitar and it was not pretty," he says. "It was really heavy and aggressive."The Class Divide: Folk Music's Middle-Class DominanceWhile Ghedi favours metaphor and nuance rather than state-of-the-nation-style delivery, class is central to his music and ethos. "When I was younger, I was really naive and I tried to assimilate," he recalls. "But I realised: I need to own where I'm from. I'm not trying to be a spokesperson, but the folk scene is very middle class. The divide and the drop-off is huge, and in some ways, the disparity is worse now than when I started."The Future Outlook: Authenticity Over Commercial SuccessGhedi's trajectory to landing a huge project such as "The Death of Robin Hood" is a rare but heartening one. Despite having a memorable time working on the film, with a team on whom he heaps praise, he appears resolutely unmoved by the idea that he now needs to play any kind of game. "As long as I stick to focusing on creativity, nothing else matters," he says. "Whether I'm playing to 10 people in a room or 1,000, it's the same for me."

The Film's Premise and ExecutionPeel back the layers and sadly there is nothing much going on inside this American indie drama from director Zeshaan Younus; it's a movie that's aiming for noir, but ends up more of a shade of drab grey. It's contrived and frustrating, with a painfully pretentious voiceover by its lead character Parker (Renee Gagner). She's an actor in Los Angeles who returns to her home town after her sister Indiana (Rosie McDonald) is killed. "Sister, you were right." muses Parker. "I am never fully anything or anyone. Instead, I am practically everyone and everything."Character Development and Dialogue IssuesIt's film in which actors shot in closeup deliver lines looking pensive, with an air of meaning and depth, while not actually saying anything meaningful. Before her death, we watch Indiana brokering some kind of dodgy deal with a biker. She leaves a voicemail for Parker: "I'm in pretty deep out here ... If anything happens to me don't come looking." Which is advice promptly ignored by her sister after Indiana is killed. Instead, Parker searches for answers, although this is a film with loftier intentions than solving a murder.Visual Style and Cinematic ApproachIn places it feels like a film school project, self-conscious without much thought for the audience. There are echoes of David Lynch, though this has none of the danger or strangeness, despite some murky, atmospheric camerawork by cinematographer Justin Moore.Release InformationI've Seen All I Need to See is in UK cinemas from 1 May.