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In a heartwarming display of community compassion, the childhood home of Argentine football legend Diego Maradona has been transformed into a soup kitchen to support those struggling amid President Javier Milei's austerity measures.Located at 523 Amazor street in Fiorito, a Buenos Aires suburb where Maradona grew up in extreme poverty, the initiative provides meals and clothing assistance to locals in need. The neighborhood, home to about 50,000 residents, features numerous murals commemorating Maradona's illustrious career.As a criminal negligence trial begins against the medical team responsible for Maradona's final care, his childhood community continues his legacy of compassion. Neighbors visit 'Diego's house,' where volunteers prepare chicken stew and other meals in large cauldrons in the yard, accompanied by cumbia music, Maradona's preferred genre.Diego Gavilan, a local who benefits from the kitchen's services, shared that Maradona would often emphasize the need to help those struggling with hunger. Gavilan, who collects cardboard and scrap metal, began visiting the soup kitchen after Milei implemented radical free-market reforms in December 2023.Despite statistics showing poverty reduction under Milei, primarily due to decreasing inflation, family finances remain in crisis. Over 20,000 business closures have been reported due to increased imports and plummeting consumption.Gavilan expressed gratitude for the assistance, noting that Maradona suffered greatly from hunger in the same neighborhood as a child. The facility operates without dining accommodations, with volunteers distributing food in bags to those waiting at the entrance.Maria Torres, one of the centre's cooks, believes Maradona would approve of his childhood home's charitable repurposing, saying, 'People are going hungry.'

Ghana has named Portuguese veteran Carlos Queiroz as head coach of the men’s national team, a move made less than two months before the kickoff of the 2026 FIFA World Cup.The Ghana Football Association (GFA) announced that Queiroz will assume immediate responsibility for the squad’s tournament preparations, working alongside key stakeholders to finalize the roster.“The Executive Council of the Ghana Football Association, working with all key stakeholders, has appointed Carlos Queiroz as head coach of the senior national team, the Black Stars,” the GFA said in an official statement.At 73, Queiroz recently departed his role as Oman’s manager after the side failed to qualify for the World Cup, but his appointment marks his fifth consecutive World Cup appearance, this time guiding Ghana.Ghana found itself without a coach 72 days before the tournament after parting ways with Otto Addo following friendly defeats to Austria and Germany in March.Queiroz’s World Cup résumé includes leading Portugal to the round of 16 in 2010 and steering Iran through three editions, recording three wins in 13 matches.Born in Mozambique, the former goalkeeper has also managed Egypt, Japan, Colombia and South Africa, and previously helmed Portugal in the early 1990s.“This is not just another job – it is a mission,” Queiroz said. “I am ready to give everything of my experience and knowledge once again, in service of the game and the happiness of people.”He was chosen from more than 600 local and foreign applications because of his extensive World Cup experience.Ghana have been drawn into Group L alongside Croatia, England and Panama.The Black Stars will fine‑tune their tactics in warm‑up matches against Mexico on May 22 and Wales on June 2.

Barcelona's young star Lamine Yamal is drawing inspiration from two sports icons as he attempts to lead his team to a remarkable comeback in the Champions League quarterfinals. Yamal, just 18 years old, changed his Instagram profile picture to a photo of LeBron James holding the NBA trophy after the Cleveland Cavaliers' historic comeback against the Golden State Warriors in 2016. The Cavaliers trailed 3-1 in the series before winning the title, a feat Yamal hopes to replicate with Barcelona against Atletico Madrid.“He’s one of the figures who can inspire me for this match,” Yamal said during a news conference. “I’ll think about how he did it, and hopefully it works out the same for me.”Yamal also spoke highly of his idol, Neymar, who led Barcelona to a stunning 6-1 victory over Paris Saint-Germain in the 2017 Champions League, coming back from a 4-0 deficit in the first leg. “I’ve watched [the 6-1 match] several times, and I watched it live as well,” Yamal said. “Neymar is a player who was very important for me during my childhood. He’s my idol, and I’ll always be grateful to him for everything he’s given to football.”Barcelona coach Hansi Flick expressed confidence in his team's ability to pull off the comeback, stating, “I believe in my team, and I think we can do it. It’s possible.”The match against Atletico Madrid is crucial, with the winner advancing to face either Arsenal or Sporting Lisbon in the semifinals.

Celebrating two decades since its West End debut, Avenue Q is back at London’s Shaftesbury Theatre until 29 August, offering a refreshed version of the Broadway‑to‑London hit that originally won Tonys for Best Musical, Book and Score.The revival, billed as a “love letter to the original”, is helmed once again by Jason Moore – the director who first staged the show in 2006. At 55, Moore admits that returning to a work he originally conceived is unusual, but he sees the anniversary as an opportunity to upgrade the show’s scale, technical ambition and cultural sensitivity.Created by composers Robert Lopez and Jeff Marx with book by Jeff Whitty, the musical blends colourful Sesame‑Street‑style puppets with adult themes such as sex, racism, housing crises and existential angst. While the core story remains, the production team has added contextual notes to jokes that might puzzle Gen‑Z audiences – for example, the reference to 1980s sitcom star Gary Coleman is retained but clarified for modern viewers.Moore’s casting criteria emphasise a youthful “innocence” and a strong aptitude for puppeteering. As actor Emily Benjamin explains, performing through a puppet is an “ego death” that forces the performer to shift focus from self to the character, reducing vocal anxiety and deepening emotional honesty.Behind the scenes, puppet director Iestyn Evans coordinates a complex choreography where human actors operate hand‑and‑rod puppets in full view, interacting simultaneously with fellow performers. This layered performance style demands precise timing, especially when tackling songs like “Everyone’s a Little Bit Racist” and “If You Were Gay”, which have sparked whole‑company discussions about their relevance and sensitivity today.Moore acknowledges that the show’s transgressive edge – famously illustrated by “naked puppets having sex” – still feels bold, even as contemporary West End productions such as Oh, Mary! and The Book of Mormon have pushed similar boundaries. He argues that the musical’s core questions – “how do you give your life meaning?” – remain timeless, and that the updated production aims to engage a new generation of audiences.As Benjamin puts it, “they might just be little cloth things, but people can often empathise with something that isn’t real more directly than with a human being telling the same story.” The revival therefore hopes to prove that puppetry can still provoke, entertain and resonate in today’s cultural climate.

Gordon Ramsay's latest reality TV venture, Secret Service, has taken the Kitchen Nightmares formula to new heights by sending the famously fiery chef undercover to expose the horrific conditions at a struggling Washington DC restaurant, Parthenon. Ramsay arrived at the Parthenon in the early hours of the morning, donning a baseball cap and driving a SUV. He had been contacted by a whistleblower from within the restaurant, who arranged for him to break in overnight to investigate the kitchen's state. Upon entering, Ramsay was met with a scene that looked like the aftermath of a crime, with fatty burnt-orange goo covering the prep surfaces and a black light scan revealing a kitchen in a shocking state of disarray. The kitchen's condition was so bad that Ramsay predicted "rats the size of my grandmother's cat" could be present. He then descended into the sticky horror of the basement, where he found a bandsaw used to slice racks of lamb with fleshy residue on it, and a plastic bag of raw chicken sitting in bloody ice-water. A bacteria expert later confirmed the presence of tiny things wriggling in the samples. The next day, Ramsay sat in a broadcast truck, monitoring the restaurant's service via a wall of monitors and headphones. He directed the filming, barking orders and reacting to the listeria-flavoured fiasco unfolding before him. The footage was then edited with special spy effects, including a green light blinking in the corner and the name of the room displayed at the top of the screen. Ramsay's team also sent in two young chef pals to pose as diners, wearing body-mounted cameras to gather evidence. When they ordered the bandsaw lamb, Ramsay shouted into their earpieces, "Don't eat those lamb chops!", before bursting into the restaurant to confront the staff. The intervention led to a dramatic showdown with the restaurant's owner, Pete, and his family. Ramsay's tough love approach and emotional truths helped to bring about a watershed moment in their lives. The restaurant was subsequently refitted and a new menu implemented, with Pete's son Mikey taking charge. The show's mix of kitchen reality and cheesy espionage did not detract from the emotional impact of the transformation, as Pete tearfully thanked Ramsay for his intervention. The identity of the secret insider who contacted Ramsay was also revealed, adding a gripping mystery to the episode.

Itch! thrusts viewers into a nightmarish scenario where a hyper‑contagious disease forces victims to scratch themselves to death. The film’s most striking moment features a woman literally tearing her own skin, a set‑piece that showcases the director’s knack for visceral body‑horror despite a shoestring budget. The narrative then shifts to a cramped department store, where a rag‑tag group of uninfected shoppers must endure a claustrophobic dialogue‑driven showdown. While the premise echoes classic confinement thrillers such as John Carpenter’s The Thing and Assault on Precinct 13, the limited resources prevent the film from fully capitalising on these influences. Critics note that a larger budget could have amplified the already effective practical effects, and a tighter script would have deepened the human drama. The ensemble includes a widowed father (played by director‑screenwriter Bari Kang) juggling single‑parenthood, a cantankerous customer (portrayed by Douglas Stirling) who complains about price‑matching on Amazon, and several other archetypal figures. However, the screenplay struggles to give each character a distinct emotional arc, leaving audiences at a distance. Despite these shortcomings, the film’s core concept—an epidemic of fatal itching—offers a fresh angle for the under‑served eczema community and delivers moments of genuine horror. Itch! becomes as much a character study as a genre piece, though the balance tilts unevenly. The movie is available on UK digital platforms from 20 April 2026 and on US digital platforms from 21 April 2026.

According to a recent report, the cost of a round‑trip train ticket from New York City’s Penn Station to MetLife Stadium could surge sevenfold to more than $100 during the 2026 FIFA World Cup.The Athletic cited sources familiar with NJ Transit’s pricing strategy, noting that the agency told Fox 5 New York the exact fare has not yet been finalized, with a decision expected in the coming days.At present, NJ Transit lists a standard round‑trip fare at $12.90, with discounted rates for children, seniors and passengers with disabilities. The proposed increase would eliminate these reduced‑price options, pushing the ticket price above the six‑figure mark for a single journey.Transportation costs have become a focal point of the World Cup debate, joining concerns over the sky‑high match tickets. For context, the Massachusetts Bay Transportation Authority recently raised its Boston‑to‑Gillette Stadium fare from $20 to $80 for the tournament.New Jersey Governor Mikie Sherrill emphasized her commitment to protecting taxpayers, stating that the state will not subsidize travel for World Cup spectators."When I came into office about two months ago, I immediately got to work on the World Cup," Sherrill said. "One of the key things I wanted to make sure of was that we were not going to be paying for moving people who were viewing the World Cup on the backs of New Jersey taxpayers and New Jersey commuters."NJ Transit estimates that operating its services for the eight World Cup matches at MetLife—including the July 19 final—will cost roughly $48 million.The agency added, "The ticket prices for match‑day travel have not been finalized. However, as the Governor has clearly stated, the cost for the eight matches will not be borne by our regular commuters."In February, Governor Sherrill cancelled a planned $5 million fan festival at Liberty State Park, redirecting the funds toward smaller watch parties and events across the state.Officials anticipate tens of thousands of fans will rely on the rail network to reach MetLife, especially as parking availability will be sharply reduced compared with typical concert or NFL game days. NorthJersey.com reported that portions of Penn Station will be reserved exclusively for World Cup ticket‑holders for a four‑hour window before each of the eight matches.

Atlético Madrid have secured a spot in the Champions League semi-finals for the first time in a decade, overcoming a spirited Barcelona side 3-2 on aggregate. The victory was sealed with a crucial goal from Ademola Lookman just seven minutes after Barcelona had levelled the tie.The win marked a significant moment for Diego Simeone's side, who had been waiting 10 years for this achievement. Simeone expressed his pride in his team's performance, stating, 'We give everything to win the cup.' The coach also praised his players, saying, 'I've been here 14 years and never stop feeling emotional.'Barcelona, led by Lamine Yamal, fought hard to mount a comeback but ultimately fell short. Despite being down to 10 men for 10 minutes after Eric García was sent off, they continued to push for a goal that would have taken the tie to extra time. However, Ronald Araújo's header in the 96th minute went over the bar, securing Atlético's victory.The win sets up a thrilling semi-final matchup for Atlético, who are eager to return to the final and exorcise the ghosts of past defeats. Simeone's side will look to build on this momentum as they pursue European glory.

Liverpool's impressive second-leg performance against Paris Saint-Germain ultimately proved insufficient, as they were eliminated from the Champions League with a 4-0 aggregate defeat. Ousmane Dembélé's late double dashed Anfield's hopes of another European comeback.Manager Arne Slot expressed his disappointment, lamenting Liverpool's inability to capitalize on their numerous scoring chances. He credited his players and fans for their efforts, stating, 'I have to give a lot of credit to the players for how hard they worked and to the fans for helping us execute our gameplan by always getting behind us.' Slot also acknowledged that the team's future looks bright, despite the current setback.The match took a concerning turn with Hugo Ekitiké's suspected achilles injury in the 27th minute. Slot described the situation as 'really bad' but noted that further assessments are needed to determine the full extent of the damage. This injury adds to Liverpool's concerns, particularly given the limited minutes Florian Wirtz, Alexander Isak, and Ekitiké have played together this season.Slot reflected on the team's performance, saying, 'We are very disappointed because there were parts of the second half where you could feel, ‘If we could just score now, this could become a very special night.’ Creating chances is one thing, though; scoring is another.' He also praised his team's dominance against PSG, noting that not many teams can create as many chances as Liverpool did.