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The LeadLionel Messi's participation in the FIFA World Cup has been the subject of fan queries for the past few months, but his inclusion in Argentina's preliminary squad for the tournament may have put those concerns to rest. The global football superstar was among the 55 players named by Lionel Scaloni in his initial World Cup roster, though the 38-year-old has yet to fully confirm his availability as Argentina look to defend their title.The Squad AnnouncementScaloni's preliminary roster includes 16 forwards, with Messi being the most prominent name. The selection comes as Argentina prepares to defend their World Cup title in a tournament co-hosted by Canada, Mexico, and the United States. The squad announcement also included Gianluca Prestianni despite a six-match ban imposed on the player that could see him miss his team's first two group games.The Messi QuestionMessi has repeatedly hinted that his time on the global stage may be coming to an end. "I'm conscious that I'm playing my final matches, and I'm enjoying them to the maximum," Messi said after an Inter Miami game in June. "I'm sure that you're watching my final moments in football's elite." However, he has neither committed nor cut ties with La Albiceleste in the run-up to the monthlong tournament, which begins on June 11.Team Dynamics and Prestianni's BanMessi's teammates have been very clear about their wishes. "With Messi, we might have scored two or three more goals," Julian Alvarez said after Argentina's 4-1 win over Brazil in the South American qualifiers last year. Rodrigo de Paul echoed Messi's fans in Argentina and around the world when he said: "The best of our teams is always when the number 10 is playing because he is the greatest of all time."Meanwhile, 20-year-old Prestianni is set to miss at least two of Argentina's World Cup fixtures as he serves a six-match ban for using homophobic slurs during a UEFA Champions League game in February. Playing for Benfica of Portugal, Prestianni was accused of hurling verbal insults towards Real Madrid's Vinicius Jr. The original penalty was handed out by UEFA before FIFA extended the punishment to all worldwide sanctioned matches.World Cup Defense TimelineArgentina open their title defense against Algeria on June 16 in Kansas City, Missouri, before facing Austria on June 22 in Dallas, Texas, and Jordan at the same venue on June 27. The World Cup will conclude on July 19. Messi scored seven goals for Argentina as they lifted the World Cup trophy for the first time in 36 years at the Qatar 2022 tournament, including the team's first goal in regulation time in the final against France.

The 2026 Australian federal budget, unveiled by Treasurer Jim Chalmers, delivers a mix of modest deficit improvements and bold tax reforms, most notably the removal of the 50 % capital gains tax discount and a $36.2 bn cut to the NDIS. The Budget’s Core Ambitious Tax Reforms The government is ending the long‑standing 50 % CGT discount and introducing a minimum 30 % tax rate on capital gains. Negative gearing is limited to new‑build properties, with existing investors grandfathered. Meanwhile, the National Disability Insurance Scheme (NDIS) will see spending flat‑lined in nominal terms, falling about 10 % in real terms by 2029‑30. Fiscal Numbers: Deficit Forecasts and Revenue Shifts Deficit projected to be smaller over the next four years than in the December mid‑year outlook. Unemployment forecast capped at 4.5 %. CGT reform expected to raise $2.3 bn in 2029‑30. NDIS cuts total $36.2 bn over four years. Potential revenue from a 25 % gas export tax estimated at $17 bn, but not pursued. Petroleum Resource Rent Tax (PRRT) revenue remains modest, lower than beer and spirits excise. Policy Impact: Housing, NDIS, and Gas Revenue Choices Housing affordability remains a challenge; ending the CGT discount and restricting negative gearing aim to curb speculative demand, though the $2.3 bn revenue gain is modest relative to the 26‑year legacy of the discount. NDIS cuts will reduce real‑term support for people with disability, potentially widening inequality. The decision to forego a gas export tax in favour of a modest PRRT increase reflects reliance on volatile oil prices rather than a stable revenue stream. Outlook: What the Next Four Years May Hold If economic parameters hold—higher oil prices and inflation sustaining tax receipts—the deficit trajectory could stay on a downward path. However, any slowdown in commodity markets or a resurgence in unemployment could erode the modest fiscal gains. The housing reforms may gradually temper price growth, but significant affordability improvements will likely require further policy action beyond 2029‑30.

The Artist's Monument to Forgotten WorkersAn air of civilisational wipeout hangs over the Gehrenseestrasse complex, an abandoned housing estate on the north-eastern outskirts of Berlin, where the city still looks shabby without the chic. The insides of the nine prefabricated blocks have long been gutted; six floors of empty window frames stare hollow-eyed over multi-lane carriageways. In the courtyard, paintballers have left behind wooden barricades from when they played at World War III.Yet in one of the second-floor rooms of Berlin's largest ruin, artist Sung Tieu is waltzing across the concrete floor and reliving scenes from her childhood. "Here was the single bed I shared with my mother for three years," she says, pointing into a corner of the small room. "Two metres by 90cm, can you believe it?" There in the corridor is where her neighbours used to make bánh bao dumplings on camping stoves, for lack of private kitchens. "I still remember the smell." Here was the door through which she used to entertain her best friend when his mother locked him in during working hours. "We played cards through the gaps," she recalls with glee.But she also still remembers where neo-Nazis tried to throw molotov cocktails into the building: "They eventually set up a net because the windows kept on getting smashed".The Mosaic Recreation of a Lost CommunityThese days, few people have heard of the Gehrenseestrasse complex, whose last tenants left in 2002. But if Tieu had her say, it would be as essential a stop on the tourist trail as the Brandenburg Gate, the Reichstag or Checkpoint Charlie. There is, in her view, no place that better tells the story of the Vertragsarbeiter generation – the oft-forgotten workers who were hired on fixed-term contracts from socialist "brother states" in Vietnam, Mozambique, Angola or Cuba to boost the East German economy. "To me, this place is a monument," says Tieu.By the end of this summer, many more people in Germany – and art enthusiasts around the globe – will know about her childhood home. For this year's Venice Biennale, Tieu has clad the German pavilion with a like-for-like replica of the complex's facade, recreating the grey concrete and smudges of graffiti with three million mosaic stones made in Ravenna. She conceived the pavilion in tandem with the artist Henrike Naumann, who died in February from cancer aged only 41.Bureaucracy as Artistic MediumThe woman I meet at a Vietnamese restaurant in Berlin's Lichtenberg district is the antithesis of that exoticised cliche: modest, dressed all in black, analytical in her answers to my questions. She talks me dispassionately through the more experimental food options on the menu, but comes alive when explaining bilateral treaties and labour regulation."I really try to avoid the pure post-migrant diaspora narratives. By focusing on individual experience you can lose sight of the bigger picture. Contracts, state treaties, floorplans – that's what I am interested in. There has to be a certain formal toughness."Looking through her catalogue raisonné you are reminded of Marcel Duchamp. You see an artist dedicating her career to seeking ever more minimalist ways to express the same idea, from Cubist painting to readymade to annotations of chess moves. And in Tieu's case, that big idea is bureaucracy. In 2015, she reprogrammed the scrolling LED displays at a shop inside the Dong Xuan Centre, Berlin's largest Asian market, to display the texts of immigration treaties. For a group show at Berlin's Haus der Kulturen der Welt in 2024, she transcribed by hand documents from the national archives on the East German porcelain industry, authenticating them with her own ornamental stamp. Her website, fittingly, is just a long index of file names and a deadpan biography section: "Sung Tieu is an artist."Childhood Trauma and Artistic Vision"I think it's also a childhood trauma," she says when I ask her where her interest in bureaucracy comes from. "I've had to fill out forms for my mother since I was five, since she didn't speak any German. And by the time I was seven my German was better than hers. Bureaucracy was part of my childhood – I studied politics and administration because I wanted to understand it."Born in 1987 in Hai Duong, northern Vietnam, Tieu moved with her mother to what was by then the formerly socialist East German regions in 1992. They were joining up with her father, who had moved to the GDR five years earlier via a bilateral agreement for factory workers from the socialist republic.Initially announced in the romantic spirit of ideological solidarity, the treaty between the two states soon became a more hard-nosed deal, addressing ongoing labour shortages in East Germany while helping to rebuild a war-ravaged Vietnam, which took a...The Legacy of Forgotten WorkersTechnically there was no racism in the GDR, because it wasn't documented. But of course it always existed. This is the uncomfortable truth that Tieu's installation confronts – the erasure of immigrant experiences in official narratives, even as these workers were essential to East Germany's economy.Through her art, Tieu transforms personal memory into collective history, giving voice to the thousands of contract workers who built East Germany but were never fully acknowledged as part of its society. The Venice Biennale installation, with its meticulous recreation of a housing complex that many would prefer to forget, serves as both memorial and critique – a reminder that the stories of immigrants are integral to understanding modern Germany.The Future of Migration Narratives in ArtAs Europe continues to grapple with questions of migration and identity, artists like Sung Tieu are pioneering new forms of expression that move beyond personal stories to examine the structures and systems that shape immigrant experiences. By focusing on bureaucracy, architecture, and official documents, Tieu creates art that is both deeply personal and universally relevant.The Venice Biennale platform ensures that these often-overlooked histories reach a global audience, challenging visitors to reconsider their understanding of migration, labor, and belonging. As Tieu continues her exploration of these themes, we can expect more installations that transform bureaucratic systems into powerful artistic statements, creating spaces where the voices of the marginalized can be heard and remembered.

The Film's Unique Narrative Structure Directed by Patrick Leung, Ciao UFO is a Hong Kong drama that employs a non-linear narrative, jumping between different time frames. The film follows a group of childhood friends as they grow up in a working-class Hong Kong housing estate. The Story of Friendship and Growth The story centers around four kids: Kin, Heem, Hoyi, and Little Brother, who share a life-changing experience in 1985 when they see a UFO in the sky. As they grow up, their paths diverge, with each character pursuing different goals and facing various challenges. The Impact of Hong Kong's Changing Landscape The film is set against the backdrop of Hong Kong's transformation, particularly the 1997 handover to China. This significant event serves as a pivotal moment in the characters' lives, influencing their decisions and futures. A Blend of Realism and Melodrama Ciao UFO is not a sci-fi film, but rather a multi-stranded realist drama that explores the complexities of human relationships and the city's evolution. The film features a cast of colorful characters, including a spaced-out uncle and a superstitious grandfather. A Long-Awaited Release Despite being made in 2019, Ciao UFO is only now receiving an international release due to distribution issues. The film still feels fresh and relevant, particularly in today's volatile economic climate.

The Lawsuit Against Ben Affleck and Matt Damon Two Miami sheriff's deputies have filed a lawsuit against Ben Affleck and Matt Damon, claiming the Hollywood actors' portrayal in a Netflix crime drama makes them look like 'dirty cops'. The Event Details The officers, Jonathan Santana and Jason Smith, deputies with the Miami-Dade county sheriff's office, are seeking defamation damages from the actors' production company Artists Equity. The Rip is a dramatization of a 2016 drugs bust on a private residence in Miami Lakes in which $24m cash was recovered. The Data Analysis The money was found in 24 buckets containing a million dollars each – hidden behind drywall in the property. The haul represented the largest ever recovered by the Miami-Dade police department. The Impact Analysis The lawsuit's plaintiffs, who were part of the real-life team that made the bust on which the fictionalized account in the film was built, say The Rip portrays them in a negative light. 'When you rip something, you're stealing something,' Santana told 7 News Miami, referring to the crime thriller's title. 'We never stole a dollar.' The Prediction It is not the first time The Rip, which was released in January, has angered members of the south Florida community. The Guardian has contacted Artists Equity for comment. Netflix, which is not part of the deputies' lawsuit, settled a defamation case in 2022 with the chess grandmaster Nona Gaprindashvili, who said she was defamed in its drama The Queen's Gambit.

The End of an Era: Katie Archibald's Cycling Career Katie Archibald, the Scottish track cyclist who won gold medals at the Rio and Tokyo Olympics, has announced her retirement with immediate effect. A Decorated Career The decision means the 32-year-old, who also won multiple world, European and Commonwealth titles, will not compete in July's Commonwealth Games in Glasgow. Archibald said: 'The draw of the real world has been pulling me for a while, but I've been too scared to leave the world I know and love and, ultimately, to let go of something I'm good at.' The Data Behind Her Success 51 medals won at world, European, Commonwealth, and Olympic levels 6 European titles 1 world title 1 Commonwealth Games bronze A New Chapter: Nursing Career She is now retraining to be a nurse. 'I've fallen completely in love with the whole thing,' Archibald said. 'When I let my friends and teammates know I was retiring from sport, they assumed it was because I wasn't coping doing both.' The Impact on the Cycling World Team GB's performance director, Stephen Park, described Archibald as 'relentless' and said that 'her performances on track and habits and characteristics, off the bike, set the tone for the rest of the team and elevate those around her.' Looking to the Future Archibald said she would 'keep learning, keep seeing the world, keep meeting incredible people,' but added: 'I don't know where I'll get these feelings again, though.' 'Riding the last lap of the Rio 2016 Olympic Games team pursuit final, I was so connected to the effort it was – just as in 2014 – like my mind left my body,' she said. 'I don't know if I'll be able to experience that feeling in the future.'

The blockade of the Strait of Hormuz has ignited the worst energy crunch in modern history, exposing the thin strategic petroleum reserves of developing nations and raising fears of deeper economic turmoil.Strait of Hormuz Blockade Triggers Unprecedented Energy CrunchAs the conflict disrupts one of the world’s most vital oil transit routes, governments have rushed to release emergency stockpiles. The International Energy Agency (IEA) coordinated a release of 400 million barrels in March, a move that highlighted the stark contrast between the well‑stocked OECD members and the resource‑starved Global South.Oil Reserve Gaps: Numbers Expose Global South VulnerabilityIEA comprises 32 member countries, representing only about 16% of the world’s population.Member states hold 1.2 billion barrels in public reserves plus 600 million barrels in mandated private reserves.The IEA’s buffer rule calls for reserves equal to 90 days of net imports.China alone maintains roughly 1.4 billion barrels, surpassing the combined reserves of the US, Japan, Europe and Saudi Arabia.Analyst Claudio Galimberti estimates that over 70% of the world’s population lives in countries lacking sufficient buffers.The Asian Development Bank cut its 2026 growth outlook for developing Asia to 4.7% from 5.1%.Economic Shockwaves for Import‑Dependent Developing EconomiesImport‑reliant nations such as Pakistan, Indonesia, Bangladesh and Vietnam report reserve windows of merely 5‑30 days, far below the IEA standard. Khalid Waleed, research fellow at the Sustainable Development Policy Institute, warns that “strategic petroleum reserves are a luxury for countries facing foreign‑exchange constraints, debt pressures and food‑import bills.”Without adequate buffers, these economies face soaring fuel prices that cascade into higher food costs and social unrest, undermining growth prospects and fiscal stability.Future Path: Regional Cooperation and Renewable PushExperts argue that reserves sufficient for 120‑150 days are needed to absorb future shocks. Building such buffers will require substantial financing, but partnerships with the private sector and accelerated investment in renewable energy could offset costs.Regional arrangements—such as cross‑border electricity trade, emergency energy sharing, and joint financing for strategic infrastructure—are being discussed for South Asia, ASEAN, Africa and small‑island states. However, analysts caution that divergent interests between net‑importers and net‑exporters may limit the effectiveness of such blocs.In the longer term, the energy crunch may spur the Global South to demand a greater voice in the IEA or to create a complementary body that reflects the realities of a diversified demand landscape.

Texas Attorney General Files Lawsuit Claiming Netflix Spied on ChildrenOn May 12, 2026, the state of Texas sued streaming giant Netflix, alleging the company harvested data from child users and engineered its platform to be addictive through autoplay and other dark‑pattern features.Allegations of Data Harvesting and Dark‑Pattern DesignThe complaint states Netflix falsely told consumers it did not collect or share user data, while in reality it sold viewing habits to data brokers and advertising technology firms, generating billions of dollars annually. It also accuses Netflix of using autoplay to automatically start new shows, keeping viewers, especially children, engaged longer than intended.Financial Stakes and Potential PenaltiesAdvertising revenue: Billions of dollars per year from a newly built ads business.Proposed civil fines: Up to $10,000 per violation under the Texas Deceptive Trade Practices Act.Data‑deletion demand: Netflix must purge illegally collected data and cease targeted advertising without consent.Industry‑Wide Implications and Legal PrecedentThe lawsuit follows a wave of litigation against tech firms for addictive design, highlighted by a recent California jury verdict holding Meta and YouTube liable for similar practices. Texas cites that verdict as precedent, signaling that streaming services could face heightened scrutiny over child‑safety and data‑privacy standards.Outlook: How This Could Reshape Streaming and Privacy LawIf the case proceeds, Netflix may need to redesign its user interface, implement stricter data‑privacy safeguards, and potentially face substantial fines. The action could also prompt other states to file comparable suits, accelerating regulatory pressure on the broader streaming and tech ecosystem.

The Shift from Sequential to Simultaneous ProcessingFormer OpenAI CTO Mira Murati has officially entered the AI race with her new venture, Thinking Machines Lab. The startup is challenging the current standard of AI interaction by introducing 'interaction models' designed to process input and generate responses simultaneously, effectively mimicking the fluidity of a phone call rather than a text-based chat.The Breakthrough in Full-Duplex AIUnlike traditional Large Language Models (LLMs) that operate on a sequential loop—listen, wait, respond—Thinking Machines Lab is building models capable of 'full duplex' processing. This allows the AI to interrupt, interject, and converse in real-time, moving away from the rigid 'user speaks, AI listens' structure.Model Name: TML-Interaction-SmallStatus: Research preview (limited release coming in the next few months)Founder: Mira Murati (ex-OpenAI CTO)Speeding Up the ConversationThe technical claims are centered on latency. The company states that TML-Interaction-Small responds in 0.40 seconds. This is roughly the speed of natural human conversation and significantly faster than the current benchmarks seen in models from OpenAI and Google.From Text Chains to Phone CallsThis technology represents a fundamental shift in user experience. By removing the 'wait time' between turns, the AI becomes a conversational partner rather than a static tool. This moves the industry toward voice-first interfaces that feel less like software and more like human communication.The Future of Native InteractivityWhile benchmarks are promising, the real test will be real-world usability. If Thinking Machines can deliver on this 'native interactivity,' we may see a rapid decline in text-based chat interfaces in favor of voice-first AI assistants that can truly interrupt and engage dynamically.