Fifa plans symbolic Israel v Palestine fixture in new under-15s tournament

Fifa's Symbolic Match Proposal Fifa wants to schedule a symbolic match between Israel and Palestine as the opening game of a new under-15s tournament in the United States in September. Tournament Details Although not an official Under-15 World Cup, the competition will be open to all 211 Fifa members, including Russia, who remain banned at senior level. The venue for the tournament has not been confirmed but Miami is regarded as the most likely. Fifa has extensive offices in the city. The first tournament will be a boys’ competition, with a girls’ edition 12 months later. The Data Analysis The proposed match is part of Fifa's efforts to use football as a vehicle to promote peace and global unity, led by President Gianni Infantino. The Impact Analysis Infantino experienced embarrassment in April when an attempt to orchestrate a handshake between the Palestinian and Israeli delegates at the governing body’s congress in Vancouver backfired. The Palestinian Football Association’s president, Jibril Rajoub, refused to stand alongside the Israel FA’s vice-president, Basim Sheikh Suliman. The Prediction Fifa sources rejected the suggestion that attempting to meddle in Israeli-Palestinian politics was dangerous given events in Vancouver. Infantino remains determined to use football to promote peace, stating: “Let’s work together to give hope to the children, let’s work together for that.”

The Lead: Civilian Casualty in Drone StrikeA video has emerged showing a Palestinian civilian being killed by an Israeli drone strike while sitting with others in Gaza. The footage, which has been circulating on social media, appears to show the moment when the drone fired missiles at the group of people, resulting in at least one fatality. The incident has raised concerns about the use of military drones in civilian-populated areas and the potential for civilian casualties in conflict zones.The Event Details: Gaza Drone Strike FootageThe video, which was reportedly filmed on June 15, 2026, shows several men sitting together in what appears to be an outdoor area in Gaza. Without warning, a drone launches missiles at the group, resulting in an explosion. The footage captures the immediate aftermath, with bystanders rushing to help the wounded. The exact location and identities of the victims have not been confirmed, but local sources indicate that the man killed was an unarmed civilian.The Impact Analysis: Escalating Tensions in the RegionThis incident comes amid heightened tensions between Israel and Palestinian groups in Gaza. The use of drones in military operations has been a point of contention, with critics arguing that such technology increases the risk of civilian casualties. International human rights organizations have repeatedly called for greater accountability in the use of such weapons, particularly in densely populated areas like Gaza. The release of this video is likely to draw international attention to the issue and may lead to renewed calls for investigations into Israeli military practices in the region.The Prediction: Future Implications for Drone WarfareAs drone technology continues to advance, incidents like this are likely to become more common unless international regulations are established. The proliferation of drones in military arsenals worldwide raises complex questions about the laws of war and the protection of civilians. In the coming months, we may expect increased diplomatic pressure on Israel to review its drone policies, as well as broader international discussions about regulating the use of autonomous weapons systems. The long-term impact of such incidents on the already fragile peace process in the Middle East remains uncertain.

The forthcoming play “Savage” will open at the Curve Theatre in Leicester next February, offering a biographical look at Paul O’Grady’s evolution from a Vauxhall club drag queen to a national television icon. Developed with the support of O’Grady’s widower Andre Portasio and penned by playwright Jonathan Harvey, the production promises a nostalgic yet timely celebration of British drag culture.From Vauxhall Beehive to West End: The Story Behind “Savage”Harvey’s script draws heavily from O’Grady’s autobiographies, stitching together anecdotes from the 1980s AIDS crisis, police raids on gay venues, and the creation of the flamboyant alter‑ego Lily Savage. The narrative follows O’Grady’s early days as a care worker‑turned‑drag performer, his rise to mainstream fame with heart‑warming TV shows, and his final retirement of the Savage persona in 2005.Key Figures and Production TimelineDanny Beard (Drag Race UK winner) will portray Paul O’Grady on stage.Jonathan Harvey – playwright known for Beautiful Thing and Gimme Gimme Gimme.Andre Portasio – O’Grady’s widower, providing personal insight and endorsement.World premiere: February 2026 at Curve Theatre, Leicester.Planned West End run: London, later in 2026 (venue to be confirmed).Reviving Drag’s Roots: Cultural Impact of the PlayBeard emphasizes that the production offers younger audiences a glimpse of “the real deal” drag—raw, comedic, and socially charged—contrasting today’s polished, American‑styled performances. By foregrounding O’Grady’s activism during the AIDS crisis and his genuine connection with marginalized communities, “Savage” seeks to reaffirm the historical lineage of British drag and its role in LGBTQ+ visibility.Future Prospects: London Run and LegacyWith critical buzz already building, the West End transfer could cement the play as a touchstone for biographical theatre about LGBTQ+ figures. Success may inspire further stage adaptations of other drag legends, while also reinforcing Leicester’s reputation as a launchpad for high‑profile productions. The timing—shortly after O’Grady’s recent work for Boom Radio—ensures the story remains fresh in public memory, potentially driving ticket sales and media coverage well into 2027.

The Lead Robert De Niro has renewed his attack on Donald Trump at an event in New York on Sunday. Speaking at Rise Up, Sing Out: A Concert for the first amendment, the actor led the crowd in a repeated cry of “shut the fuck up!” in response to assorted remarks and policies of the current president. De Niro's Protest “I’m pretty close to being a free speech absolutist,” said De Niro, “even speech I don’t like, and there’s plenty of that around. So when I hear something I don’t like, I use my own free speech to respond. “When I hear Trump say, as he did a few days ago, ‘I don’t think about Americans’ financial situation, not even a little bit,’ I say, ‘Shut the fuck up,’” he said. The Chant De Niro offered a further example of what he considered egregious leadership, saying: “On Wednesday, Trump said, ‘I love the inflation.’” He then asked the crowd to say “Shut the fuck up!” with him, which they duly did. De Niro continued: “Trump said he won the 2020 election. Ready? Shut the fuck up!” Patriotism and Abuse The actor, who frequently finds himself at loggerheads with Trump, also compared expressions of patriotism today to domestic abuse. “I hate to say it, but loving our country is starting to sound like an abused spouse saying they love their abuser,” he said. Criticism of Trump He added: “I can’t love a country that starts stupid and inhumane wars, killing thousands of innocents and indirectly causing the deaths and suffering of millions more. “I can’t love a country that takes healthcare away from millions of people and uses that money to enrich their pals in the Trump-Epstein class. I can’t love a country that sends out masked militias to shoot citizens in the streets, torture our neighbours, and separate families. “I can’t love a country that’s led by a racist, misogynist, xenophobic tyrant. And let me just say it: I can’t love the country that’s led by Donald Trump and his sycophant Congress.” Conclusion He concluded by saying: “I want to love my country again. I want my country back.”

The Enigmatic 'Dry Leaf' Georgian film-maker Alexandre Koberidze appeared to revive the spirit of the French New Wave with his previous film What Do We See When We Look at the Sky? – an unhurried, meandering and garrulous movie with its own cheeky sort of low-tech magic realism as it followed its nose around the city of Kutaisi. His new film is a mystifying three-hour road movie, shot (as was his debut film Let the Summer Never Come Again) on low-res video, like that of an obsolete cameraphone. The Search for Lisa A middle-aged man called Irakli (David Koberidze) receives a letter addressed to him and his wife, Nino (Irina Chelidze), from their twentysomething photographer daughter Lisa, announcing that she wishes to disappear from their lives. A police officer tells them that Lisa is an adult who can do what she likes. But an oddly emotionless Irakli sets out to track her down anyway, even though another more conventionally plausible movie would have found room for a conversation about the cost of a private detective. Lisa was photographing football fields when she vanished, so Irakli’s plan is just to drive around the country’s football fields, asking people nearby if they’ve seen her. A Challenging but Visually Striking Film With Irakli in the car is Lisa’s friend Levani who is … invisible. We hear him. We don’t see him. (The same goes for some of the people that Irakli talks to.) This invisibility creates a baffling extra level of oddity and contrivance to this film, which, for some, added and created nothing. As a formal experiment, Dry Leaf has its own conviction and self-possession and there is a deliberate, if opaque artistry here: one shot shows us a dry leaf under Irakli’s car-tyres, another gives us wet leaves in a waterfall. The soft-edged, pixelated look is, however, interesting and surprisingly watchable, bringing a kind of painterly effect. What's Next for 'Dry Leaf' Dry Leaf is set to screen at the ICA, London from 18 June, offering audiences a chance to experience this unique and challenging film for themselves.

The LeadAustralia's social media ban for under-16s has been in place for six months, with mixed reactions from parents and carers. The ban aims to protect young people online, but some argue it's difficult to enforce and that teenagers are finding ways to get around it. Parental Perspectives on the BanParents and carers in Australia have shared their experiences with the ban. Freya, a 44-year-old mother from Melbourne, says the ban has given her 'an extra tool in the battle against devices' with her children, aged 12 and 14. She notes that the ban has reduced arguments about social media use and that her children are less likely to ask for social media accounts. The Ban's EffectivenessHowever, not all parents agree that the ban is effective. Boris, a father of two from Brisbane, feels that the ban has failed and that the legislation is toothless. He says that many of his son's friends are still on social media and that his son feels left out. Diverse Opinions on the Ban's ImpactSimon, a father of two from Perth, thinks that the ban will have a positive effect in the long run. He says that his younger son, who got a mobile phone after the ban came into force, has not asked for social media access and is happy to use WhatsApp and YouTube instead. Challenges and ConcernsSome parents, like Elizabeth from Melbourne, say that the ban has not reduced social media use for her 15-year-olds, who have managed to circumvent TikTok and Instagram's age verification technology. She also notes that the ban could lead to social isolation for some children, as her children interact less with friends after school and on weekends. Unintended ConsequencesEdward, a single father from Canberra, says that the ban has made monitoring and managing device use more difficult. He notes that his son still uses YouTube without signing in, and that he can't restrict channels or see the content he's viewing.

FIFA’s discrimination monitor at the 2026 World Cup has urged the governing body to dismiss Australian VAR analyst Shaun Evans for making a hand sign that mirrors a recognized hate symbol during the pre‑game broadcast of the Germany‑Curacao opener. Discrimination Monitor Calls for VAR Official’s Removal During the live cut‑away, Evans formed an “OK” symbol with his right hand in front of his right leg. The gesture was captured from the World Cup broadcast centre in Dallas, though the match took place in Houston. The Fare network, a long‑time partner of FIFA and UEFA, labeled the sign “neo‑Nazi” and demanded Evans be barred from further World Cup duties. Historical Context of the “OK” Gesture as a Hate Symbol In 2019, the Anti‑Defamation League (ADL) officially designated the upside‑down “OK” sign as a hate symbol. The symbol originated on the far‑right forum 4chan as a hoax before being co‑opted by white‑supremacist groups. ADL director Oren Segal emphasized that context determines whether the sign is hateful, noting a “volume of use for hateful purposes.” Potential Repercussions for FIFA and World Cup Integrity FIFA has not yet responded to Al Jazeera’s request for comment. If Evans remains, critics argue it could undermine FIFA’s commitment to combating racism and discrimination. Fare observed that TV directors stopped introducing the VAR panel in subsequent matches, suggesting a reactive shift in broadcast practice. What This Could Mean for Future VAR Oversight Evans is one of 30 video review analysts selected for the tournament across the United States, Canada, and Mexico. The incident may prompt FIFA to implement stricter vetting and real‑time monitoring of on‑air officials. National bodies such as the Professional Football Referees Association and Football Australia are being consulted, potentially leading to broader policy changes.

The Incident Involving Shaun Evans Fifa's discrimination monitor at the World Cup called for a video assistant referee (VAR) to be removed for appearing to make a hand gesture resembling a white supremacist sign. When the official broadcast of Germany's opening game against Curaçao on Sunday cut pre-game to show the team of VAR officials, Shaun Evans from Australia made an “OK” symbol with his right hand in front of his right leg. The Gesture and Its Implications “Advice from our experts is that the gesture used clearly resembles an upside down ‘OK’ hand symbol used as a ‘white power’ symbol in global far-right circles,” the Fare network, a longtime partner of Fifa and Uefa, the European football governing body, to monitor racist and discriminatory chants, flags and symbols at international games, said in a statement. “Clearly this official should have no further role to play in this World Cup,” Fare said in a statement, describing the gesture as “neo-Nazi.” The Data Analysis Shaun Evans is among 30 VAR officials selected by Fifa to work at the World Cup being played in the United States, Canada and Mexico. The gesture was designated a hate symbol by the New York-based Anti-Defamation League in 2019. The Impact Analysis The incident has raised concerns about racism and discrimination in football, and Fifa was asked for comment. In Australia, the Professional Football Referees Association and the governing body Football Australia were contacted for comment. It was unclear if Evans, working at his first game at the World Cup, was making a political gesture or playing a children’s game prank. The Prediction “Why is a VAR supervisor using this symbol at a global football event at the very moment he knows the cameras are on him?” Fare said. “We note that in the two subsequent games it appears TV directors have stopped introducing the VAR panel to the TV audience.”

The LeadEngland's cricket team faces significant selection challenges ahead of the second Test against New Zealand as key bowler Ollie Robinson has been ruled out due to a knee injury. The setback comes as England is already dealing with the absence of regular captain Ben Stokes and bowler Gus Atkinson.The Injury SetbackSeamer Ollie Robinson, whose performance guided England to victory in the first test against New Zealand, will miss the second match due to a sore right knee. The 32-year-old experienced knee soreness after a training session on Friday and underwent a scan the following day, with the ECB calling up uncapped Henry Crocombe as cover. Robinson will remain with the squad and undergo rehab work on his knee ahead of the third test.The Team's Current ChallengesPlaying his first test in more than two years, Robinson took seven wickets including five in the first innings to be named player of the match as England won by 115 runs on a difficult wicket at Lord's. His absence adds to England's selection woes, with the pair of Stokes and Atkinson already left out of the second test following an investigation into an incident in a London nightclub.The Road AheadThe second match of the three-test series begins at The Oval on Wednesday. England will need to regroup quickly and find replacements for their missing players as they aim to maintain their lead in the series against New Zealand.