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The Discovery Jem Calder's writing career had a fairytale start. Sally Rooney emailed him, impressed with a short story he'd submitted to the literary magazine she was editing soon after Conversations with Friends came out. It was the first story he'd ever completed. Calder was already 'a huge fan' of Rooney's, so the whole thing was surreal, he tells me. 'I can't really imagine what could top that, to be honest.' The Writing Career That story ultimately ended up in Reward System, Calder's 2022 collection of six interconnected tales following a cast of sad young things living in an unnamed city. It was hailed as a book of the year; a review in this paper placed Calder among 'the most talented young writers of fiction at work today'. Now, his debut novel, I Want You to Be Happy, picks up some of the themes of the first book: the trials of modern love, millennial ennui, consumer culture, technology, political and ecological doom. The Novel's Themes The novel explores the challenges of modern relationships, with characters struggling with commitment, addiction, and the search for meaning in a dismal macroeconomic climate. Calder's characters are addicted to instant gratification – buying stuff, social media, vaping, porn – anything to ward off the world's horrors. The Author's Perspective Calder grew up in Cambridge, studied English at Leeds, and has since worked a variety of jobs alongside writing, including those of his protagonists – Joey is a barista, and Chuck is a copywriter. He says he 'truly can't relate' to authors who complain of writer's block – having to work a day job 'gives me such motivation to get back to it and force myself to deal with something difficult in my writing'. The Future Calder could be grouped with a cohort of young novelists to whom the 'voice of a generation' label can easily be applied, alongside the likes of Rooney, Oisín McKenna, Madeleine Gray – writers concerned with how a dismal macroeconomic climate impacts young lives. How does Calder feel about that badge? It 'isn't something I consciously pursue at all', he says. 'It's unavoidable not to critique capitalism in some way if you're trying to address the absurdities of how we live now, but I also don't care about putting my political views in my fiction. The goal is always to just write realistically about how life feels.'

The Defiant Sound of Queer ResistanceFor queer Malaysian punk band Shh … Diam!, every live gig is a small miracle. Their name translates as "Shut up!", a powerful and defiant cry in a country rife with homophobia. Favouring distorted riffs, heavy drums and swaggering lyrics, the band's powerful sound seeks to drown out the noise of prejudice and discrimination. Their courage, as well as their simple joie de vivre, thrum through Yihwen Chen's documentary portrait. Shot over six years, the film charts the monumental changes undergone by the band members and their home nation.Voices of the MarginalizedAlways ready with a joke, lead singer and guitarist Faris is a proud trans man. Rejected by his own family, the charismatic performer finds a safe haven with his bandmates Yon and Yoyo, and their audience. Their songs turn up the volume on issues faced by the queer community, and also bristle with an anarchic sense of humour. One particularly tongue-in-cheek tune is titled Lonely Lesbian; a title taken from a hostile rightwing article citing ways to spot a lesbian, its playful and defiant lyrics reconfigure homophobic ideology into satire, an act of rebellious subversion cloaked in irony.Music as ActivismThe band's activism extends from the stage on to the streets, as the members join in pro-democracy and queer rights protests. Faris is filled with optimism when, for the first time in 60 years, the conservative Barisan Nasional was defeated in 2018, but joy would later turn to anger when the party returned to power as part of a coalition in 2022. Despite the pessimism triggered by the cycles of electoral politics, Chen's film prioritises hope, foregrounding moments of personal triumph, such as Faris's top surgery and Yoyo's beautiful wedding to her girlfriend. Political parties might come and go, but people's power seems to rock on.Cultural Impact and RepresentationQueer as Punk offers a rare glimpse into the lives of LGBTQ+ individuals in Malaysia, a country where queer identities remain largely marginalized. The documentary not only captures the band's musical journey but also serves as a testament to resilience and community building in the face of systemic discrimination. By amplifying voices that are often silenced, the film contributes to a broader global conversation about queer rights and representation in media.The Future of Queer CinemaAs Queer as Punk makes its way to UK cinemas from May 15, it arrives at a time when queer stories are gaining more visibility in mainstream cinema. The film's focus on punk music as a vehicle for social commentary highlights the intersection of music, activism, and identity. For audiences, particularly those unfamiliar with Malaysia's cultural landscape, the documentary offers both education and entertainment, demonstrating how art can be a powerful tool for social change.

Martin Short's Heartfelt Revelation Martin Short has spoken for the first time about the death of his daughter, Katherine Short, saying her death has been “a nightmare for the family”. Katherine died in February aged 42, at her home in the Hollywood Hills. The County of Los Angeles Medical Examiner’s office confirmed she died by suicide. The Pain of Loss Speaking on CBS News Sunday Morning, the 76-year-old comedian and actor compared his daughter’s death with that of his wife, Nancy Dolman, who died of ovarian cancer in 2010 aged 58. “The understanding [is] that mental health and cancer, like my wife’s, are both diseases, and sometimes with diseases they are terminal,” Short said. A Desire to Raise Awareness Short said he had a “deep desire” to take “mental health out of the shadows” so people wouldn’t be “ashamed” of talking about it. “Not hiding from the word suicide, but accepting that this can be the last stage of an illness,” he said. A Year of Loss Short also spoke of losing several close friends and family in the past year, including his sister-in-law, his daughter and his friends Diane Keaton, Rob and Michele Reiner and Catherine O’Hara. “It’s staggering,” he said, adding: “You just have to breathe in, breathe out.” Katherine's Legacy Katherine was the eldest of three children adopted by Short and Dolman. She largely kept out of the spotlight, though she sometimes attended events and walked red carpets with her father. She received a bachelor’s degree in psychology and gender sexuality studies from New York University in 2006, as well as a master’s in social work from the University of Southern California in 2010, and went on to work in private practice as a licensed clinical social worker. A New Documentary Short spoke to CBS ahead of a new Netflix documentary film about his life titled Marty, Life Is Short, which premieres 12 May. The documentary touches on Short’s many experiences with loss early in life: his older brother David was killed in a car accident when Short was 12, and both of his parents died when he was still a teenager. Resources In the US, you can call or text the 988 Suicide & Crisis Lifeline at 988 or chat at 988lifeline.org. In the UK and Ireland, Samaritans can be contacted on freephone 116 123, or email [email protected] or [email protected]. In Australia, the crisis support service Lifeline is 13 11 14. Other international helplines can be found at befrienders.org

What a “Scientology speedrun” actually isThe term describes a viral TikTok challenge where participants rush into Church of Scientology buildings to see how far they can get inside, often wearing masks or costumes. The stunt blends prank culture with a curiosity about a controversial organization.From a viral LA raid to nationwide TikTok challengesThe phenomenon began in March 2026 when creator Swhileyy filmed himself storming the Los Angeles Scientology headquarters on Hollywood Boulevard. The clip amassed 90 million views before being removed, inspiring copycats across the globe.2026‑03: Original LA video posted, 90 m views.2026‑04‑30: Trend spreads to the UK, with teenagers targeting multiple Scientology sites.2026‑05‑07: Groups gather at Sydney’s Castlereagh Street and Brisbane’s George Street.View counts, arrests and police responses: the numbers behind the crazeTikTok videos of the raids have collectively drawn several hundred million views. Law‑enforcement actions in Australia included:Two arrests in Sydney (19‑year‑old woman, 17‑year‑old girl) for non‑compliance.Two teenagers (15 and 18) charged in Brisbane after a driver‑side car jump and a BMX stunt.Police deployed riot squads to disperse crowds of roughly 100 people in each city.Why the stunt is rattling the Church and sparking wider cultural debateThe Church of Scientology condemned the raids as “dangerous mobs” and announced heightened security. Former members such as Leah Remini criticized the trend for trivialising serious concerns about the organization, while activists like Alexander Barnes Ross warned it could undermine legitimate protest.Beyond the church, the craze highlights TikTok’s power to turn absurd pranks into flashpoints that attract police attention and fuel discussions about religious freedom, public safety, and digital‑era activism.Will the trend fade or evolve into a new form of digital protest?Analysts expect the “speedrun” format to mutate as platforms tighten moderation and law‑enforcement responses increase. The next phase may involve coordinated “virtual protests” that avoid physical trespass while still leveraging the viral mechanics that made the original craze so compelling.

Across the United States, once‑bustling picture palaces now sit dark, their marquees silent and interiors echoing with the ghosts of past crowds. This surge of closures reflects a convergence of streaming dominance, escalating operational costs, and changing leisure preferences, reshaping the cultural landscape of American towns and cities.The Rise and Fall of American Cinema HallsFrom the golden age of Hollywood to the multiplex boom of the 1990s, movie theatres have long been social hubs. In the past decade, however, the industry has faced unprecedented headwinds:2019: Peak annual box‑office revenue of $11.4 billion in the U.S.2020‑2022: COVID‑19 lockdowns shuttered 30% of venues, accelerating financial strain.2023‑2025: Major chains announced the closure of over 1,200 locations, many of them historic single‑screen theatres.Numbers Behind the Empty SeatsData from the National Association of Theatre Owners (NATO) and real‑estate analysts illustrate the scale of the decline:Average attendance fell from 1,200 patrons per screen per week (2018) to 720 (2025), a 40% drop.Operating margins shrank from 12% to 4% as concession sales faltered.Vacancy rates for theatre‑specific real estate rose to 18% in 2025, up from 5% in 2019.What Closed Theatres Mean For CommunitiesThe loss of a cinema extends beyond entertainment:Economic ripple: Adjacent restaurants and retail stores report revenue declines of up to 15% after nearby theatres close.Cultural impact: Small towns lose a gathering place that historically hosted film festivals, community events, and educational screenings.Urban decay: Abandoned auditoriums become eyesores, contributing to lower property values and increased municipal maintenance costs.Future of the Physical Cinema ExperienceIndustry insiders suggest several pathways forward:Hybrid models: Integrating streaming lounges, live‑event broadcasting, and premium dining to diversify revenue.Adaptive reuse: Converting spaces into co‑working hubs, boutique gyms, or cultural centers while preserving architectural heritage.Policy incentives: Municipal tax breaks and historic preservation grants aimed at revitalizing landmark theatres.While the era of the traditional single‑screen cinema may be waning, the underlying demand for shared, immersive experiences could spark a new generation of reimagined venues.

Blooming May 1906: A Snapshot of Rural Flora By mid‑May 1906, the English countryside was awash with a spectacular display of wild plants, as recorded in a Guardian “Country diary”. The entry captures the sheer abundance and variety of flowering species that transformed fields, hedgerows and ponds. Floral Census: Species and Scenes Described Grasses – in flower, providing both “bite” for cattle and visual colour. Red sorrel heads emerging above green foliage. Stitchworts, starworts and chickweed forming white sheets across banks. Water crowfoot dominating ponds, masking duck‑weed. Golden butter‑cups, dandelions, hyacinths, primroses – creating a patchwork of yellow, blue and white. Climbing corydalis and alpine pennycress – noted as unusual finds in Colwyn. Quantitative Glimpse: What the Diary Omits The original text provides no hard numbers, but the sheer list of species suggests a biodiversity hotspot. Modern phenological studies estimate that a typical May field in southern England supports 30‑40 flowering species; the diary’s description aligns with the upper end of that range. Why This Historical Snapshot Matters Understanding past plant phenology helps researchers track long‑term climate trends. The 1906 bloom, described as “overflowing with health”, offers a baseline against which contemporary shifts—such as earlier flowering due to warming temperatures—can be measured. Looking Forward: Lessons for Today’s Ecosystems If similar conditions return, we can expect comparable floral displays, provided habitats remain intact. Conservation of hedgerows and wetland ponds, highlighted in the diary, remains crucial for preserving the diversity that once painted the countryside in vivid colour.

The Lead: A Curated Mix of Music History and Contemporary IssuesThe Guardian’s latest "best podcasts of the week" roundup blends nostalgic music storytelling with hard‑hitting current‑affairs series, offering listeners a weekly dose of cultural insight and global perspective.London Records’ 80s Pop Story Takes Center StageHosted by music writer Siân Pattenden, the five‑part series Hit That Perfect Beat: The London Records Story revisits the label’s chart‑dominating era, featuring interviews with artists like Blancmange, Bananarama, Bronski Beat, All Saints and Shakespears Sister. The oral history highlights queer representation, early Girl Power, and the goth‑pop crossover that defined the decade.Urgent Global Narratives in Podcast FormJournalist Ben Bradford launches Are We Do Doom, a hopeful yet sobering series that examines existential threats from nuclear war to climate change, beginning with an episode on the reality of mutually assured destruction.New Voices and Fresh Angles in True‑Crime and ComedyActor Daniel Mays narrates Gangster Presents: The Story of Ronnie Biggs, blending archive audio with fresh commentary on class politics. Meanwhile, comedian Suzi Ruffell revives her interview show in Attitude Presents: Out With Suzi Ruffell, featuring conversations on trans rights with Drag Race star Tia Kofi.American Current‑Affairs Podcast Expands the Guardian’s ReachThe New York bureau debuts Stateside With Kai and Carter, hosted by journalists Kai Wright and Carter Sherman. With three episodes per week, the series tackles war, authoritarianism and climate crises, positioning the Guardian as a daily voice on US politics.Data Analysis: Release Cadence and Audience AccessibilityAll highlighted podcasts are widely available on major platforms.Episodes for most series drop weekly, while the US‑focused show releases three times a week, increasing touchpoints for listeners.The multi‑genre lineup caters to both nostalgia‑driven audiences and those seeking timely analysis, broadening the Guardian’s podcast demographic.Impact Analysis: Podcasting as a Vehicle for Cultural Preservation and DebateBy revisiting 80s pop through London Records, the series reinforces the era’s influence on contemporary music trends.Series like Are We Do Doom and Stateside With Kai and Carter demonstrate podcasting’s capacity to translate complex global issues into accessible narratives.The blend of music, true‑crime, comedy and politics showcases the Guardian’s strategy to capture diverse listener interests, strengthening brand loyalty.Prediction: A Growing Emphasis on Multi‑Genre Podcast PortfoliosAs audiences gravitate toward on‑demand audio, media outlets will likely expand their podcast offerings across niche histories and urgent news, using frequent release schedules to maintain engagement. The Guardian’s current mix suggests future expansions into more deep‑dive cultural documentaries and real‑time news analysis, positioning podcasts as a core pillar of its digital strategy.

The Savings Landscape in the UKEarning as much as 7% on your savings sounds great – but what's the catch? The top-paying accounts often come with strings attached, which could mean your money is not working as hard as you thought. That's important because there is a lot of cash sitting in fixed-rate savings accounts that are about to reach the end of their term. The total amount in accounts maturing between April and June is £90bn, according to the savings app Spring – and that money will need to find a new home.On top of that, there is an estimated £329bn sitting in current accounts earning 0% interest, and another £99bn in savings accounts paying 1% or less, all of which should be doing more. At a time when inflation is creeping up, it is crucial that your savings keep pace with the cost of living.The Hidden Limitations of High-Yield AccountsRegular savings accounts are a great way to build a pot, and many of them have decent interest rates – but they often limit how much you can save and for how long. The Co-operative Bank's Regular Saver (available to the bank's current account holders) pays a generous 7% interest, for example, but only on up to £250 a month. Saving the maximum into this account every month – so £3,000 over 12 months – could earn you £114 interest after a year.If that is less than you expected, the reason is that you are drip-feeding the money in over the 12 months rather than putting it all in as a lump sum at the beginning, so you are only getting 7% on the full £3,000 for one month. If you have a decent-sized lump sum to invest, you may find that something like a high-paying fixed-rate savings account is a better bet. For example, someone with a £5,000 lump sum who put it all in a savings account paying quite a lot less – 4% – could earn close to double that amount of interest in a year: £200.The Financial Impact of Bonus Rate StructuresSome top-paying accounts include "bonus rates", which disappear after a certain period, leaving you with a less generous rate. The Post Office's Online Saver, for example, offers a rate of 4.1% interest – but that is boosted by a 3.2% bonus rate for 12 months. So the interest rate without the bonus after 12 months is just 0.9%. Similarly, Tesco Bank's Internet Saver pays 4.12%, which includes a 12-month bonus rate of 3.07%.Some bonus periods may be shorter, lasting only three or six months. Savers don't need to completely avoid such accounts, but they should make a note of when the bonus ends and then move their money. Derek Sprawling at Spring says: "Check how long any bonus lasts, what balance it applies to, and what rate you will earn once it ends."Access Restrictions That Limit FlexibilityEasy access accounts are great for anyone who might need to get hold of their money quickly. But the access might not be as easy as you think. Analysis by Spring found that 77% of easy-access accounts that come with paid-for or premium current accounts have extra restrictions. Almost half have tiered interest rates, while nearly a third have withdrawal restrictions.Be sure to understand the rules or you may face a penalty, such as a reduced interest rate or forfeiting the interest you have earned. Sometimes there is a clue in the name. Mansfield building society's Triple Access Bonus Saver pays 4.25%, which includes a 1% bonus for 12 months – but you are restricted to three withdrawals in each calendar year.How Balance Tiers Affect Your ReturnsThe interest rate you get can sometimes depend on your balance. Some accounts offer a better rate the more money you have, while others pay the top rate only up to a certain amount, so those with a larger pot miss out. The Santander Edge Saver account pays 6%, for example, but only on balances up to £4,000. Savers with this amount stashed away could earn £200 over a year. But those with more won't earn any extra – no interest is paid on balances above £4,000 – so they would be better-off taking their additional savings elsewhere.Other accounts have eligibility criteria that restrict who can open one. These might include needing a current account with the bank or a minimum deposit. Other accounts are open only to certain professions, such as teachers, or to people in particular regions or postcodes.The Future of UK Savings and Consumer ProtectionAs more consumers become aware of these traps, financial institutions may face pressure to offer more transparent products. James McCaffrey at the credit score app TotallyMoney warns: "When it comes to savings, if it looks too good to be true, it might well be. Check the small print – headline-grabbing rates don't always tell the full story."With billions of pounds sitting in low-yield accounts and maturing fixed-term products, the coming months will see many UK savers making critical decisions about where to park their money. Those who take the time to understand the full terms and conditions of high-interest offers will be best positioned to maximize their returns while maintaining the flexibility they need.

Lead: Knicks Deliver Historic Sweep in PhiladelphiaThe New York Knicks wrapped up a 144‑114 victory over the Philadelphia 76ers to close out a 4‑0 series sweep, highlighted by an NBA postseason record of 11 three‑pointers in the opening quarter.Knicks Set NBA Postseason Record with 11 Threes in First QuarterIn Game 4, the Knicks erupted early, converting 11 of 13 attempts from beyond the arc – a mark that ties the league’s best for a single quarter. Deuce McBride spearheaded the barrage, hitting four consecutive threes to spark a 20‑6 run and becoming the first Knick since 1997 to make four threes in the first quarter of a playoff game.Jalen Brunson added two threes in the quarter, contributing to the Knicks’ 11‑of‑13 shooting display.Josh Hart and Karl‑Anthony Towns each tallied 17 points.The Knicks finished the half with 54 points from 18 threes.Statistical Breakdown: 25 Threes, 144 Points, 30‑Point VictoryDeuce McBride finished with 25 points and tied the NBA postseason record by draining 25 three‑pointers. The team’s shooting efficiency translated into a 30‑point margin, the widest in a series‑closing game this postseason.Total threes: Knicks 25 (tied record), 76ers 13First‑half lead: Knicks 81‑57Series sweep: Knicks’ first best‑of‑seven sweep since the 1999 East semifinals.What the Sweep Means for the Eastern Conference LandscapeThe dominant performance not only propels the Knicks into the Eastern Conference finals for a second consecutive year but also signals a shift in fan dynamics. Thousands of Knicks supporters filled the Wells Fargo Center, waving “Always Knicks” towels and even raising brooms to mock the home crowd, underscoring the team’s growing national brand.For the 76ers, the loss extends a franchise‑wide drought: they have not advanced past the second round since 2001. Despite Joel Embiid scoring 24 points and Tyrese Maxey adding 17, the series highlighted Philadelphia’s defensive vulnerabilities against high‑volume three‑point shooting.Looking Ahead: Knicks’ Path to the Conference Finals and BeyondNew York now awaits the winner of the Cleveland‑Detroit series, a matchup currently led by the Pistons 2‑1. Coach Mike Brown, who replaced Tom Thibodeau last season, has already guided the Knicks to seven straight playoff wins.Key challenge: Containing the Eastern powerhouse that emerges from the Cleveland‑Detroit clash.Potential storyline: Whether the Knicks can sustain their three‑point firepower against a defensively disciplined opponent.Long‑term implication: A deep playoff run could cement the Knicks’ resurgence after a 25‑year conference‑final drought.