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Roy Hodgson's return to management with Bristol City got off to a winning start with a hard-fought victory over Charlton. The 78-year-old, who first managed in 1982, oversaw a thrilling second half that saw both teams create numerous late chances. The match began with Emil Riis Jakobsen having a chance to open the scoring within three minutes, but he failed to capitalize. Hodgson was ecstatic when Max Bird set up Scott Twine to score the opening goal. Charlton equalized through Lyndon Dykes after a throw-in down their right side. Hodgson was visibly upset, questioning the throw-in decision. Scott Twine's free-kick proved decisive, as it led to Noah Eile scoring the winning goal from a tight angle. Bristol City could have extended their lead through Riis Jakobsen and Twine, while Charlton's substitutes Matt Godden and Tyreece Campbell also missed chances. Hodgson's victory comes 44 years after his first managerial stint. He emphasized the importance of humility in coaching, advising against getting too proud of wins. His interim role at Bristol City will last for six games before he steps down.

Al Jazeera presents an in‑depth look at Mohamed Salah, exploring the intertwining of his football achievements, personal faith, and the evolving public narrative surrounding elite athletes. The piece highlights how Salah’s on‑field success—marked by record‑breaking goal tallies and pivotal titles—has become a platform for discussing broader cultural themes. His openness about his religious beliefs offers a rare glimpse into the personal convictions that shape his professionalism. By examining Salah’s influence beyond the pitch, the article underscores a changing perception of sports figures: no longer seen solely as entertainers, but as individuals capable of driving social dialogue and challenging stereotypes. Through interviews, match footage, and commentary from peers, the feature illustrates how Salah’s story resonates with fans worldwide, fostering a deeper appreciation for the role of faith and identity in modern football.

Fire Island, a picturesque barrier island off the coast of Long Island, has long been a haven for LGBTQ+ individuals and a hub for artistic expression. The island's legacy as a queer mecca is deeply intertwined with its history of artistic innovation, which is now being celebrated in a new book titled 'Fire Island Art: 100 Years'.The book, edited by John Dempsey, president of the Fire Island Pines Historical Society, delves into the island's artistic heritage, showcasing the works of pioneers like Paul Cadmus, Jared French, and Margaret French, who formed the artistic collaboration PaJaMa. Their paintings and photographs captured the unconventional intimacies and beauty of the island, setting the stage for future generations of artists.Over the years, Fire Island has attracted a diverse array of talented artists, including Peter Hujar, Paul Thek, and Robert Mapplethorpe. These artists found inspiration in the island's serene landscapes, beaches, and vibrant queer community. Mapplethorpe, in particular, immortalized the beauty he found on the island, contributing to the island's reputation as a haven for creative expression.The book also highlights the contributions of women artists, who faced challenges in gaining acceptance on the island. Ksenia M Soboleva's chapter sheds light on the experiences of women artists, who began to make their mark in the late 1980s. This period saw an increase in lesbian presence in Cherry Grove, which reached unprecedented heights.Today, Fire Island continues to nurture artistic talent through initiatives like the Fire Island Artist Residency in Cherry Grove and its Pines sibling Boffo. These programs have launched the careers of notable artists such as Salmon Toor, Raúl de Nieves, Cassils, and Leilah Babirye. However, the legacy of Fire Island's artistic community is threatened by climate change and the rising right, which seeks to erase queer and trans people from public life.Dempsey emphasizes the importance of preserving Fire Island as a sanctuary for marginalized communities. 'Fire Island Art: 100 Years' serves as a testament to the island's enduring legacy as a haven for artistic expression and queer culture.

Thomas Tuchel admitted with a wry smile that trying to assemble a cohesive side in just three days for the Uruguay friendly was "ridiculous," underscoring the chaotic nature of England’s recent international window. The match at Wembley ended in a 1‑1 draw with Uruguay, followed three days later by a 1‑0 loss to Japan. Tuchel framed these results as preferable to a harsher narrative, but the underlying issues were far more complex. Tuchel’s strategy hinged on a 24‑man squad for Uruguay, with the intention of auditioning fringe players, before bolstering the team with eleven established internationals for the Japan game. However, a cascade of injuries crippled his plans: John Stones withdrew with a fitness problem, Reece James was sidelined, Jude Bellingham arrived unfit, and later Declan Rice, Bukayo Saka, Jordan Henderson and Harry Kane all pulled out. These absences forced Tuchel to experiment with formations – a 4‑2‑4 against Japan featuring twin No 10s Cole Palmer and Phil Foden, and a hurriedly assembled setup against Uruguay after only four training sessions in three days. The result was a lackluster performance, with moments of technical skill but no decisive attacking thrust. Tuchel emphasized the concept of load management, noting the heavy minutes his players logged during a grueling club season. He argued that the friendlies allowed a lighter touch, yet the fatigue was evident, especially in the Japan match where he observed “clear signs of tiredness.” Despite the setbacks, Tuchel took responsibility for the tactical choices, stating, “I am responsible for changing the structure because I wanted to give us more security.” He also highlighted that the squad’s resilience in September, October and November will be crucial as they head toward the World Cup. Looking forward, Tuchel stressed that avoiding over‑exertion now could pay dividends in the summer, insisting, “We will not start doubting. We will not let go of our dream.” The manager’s candid assessment suggests a cautious approach to player workload as England prepares for the next competitive phase.

The Guardian’s March reading roundup gathers a diverse set of recommendations from both its writers and its readership, offering a snapshot of the titles that captured their attention over the past month.John Lanchester highlights two recent British novels that resonated with him after completing his own manuscript: Drayton and Mackenzie by Alexander Starritt, a story of friendship intertwined with business, and The New Life by Tom Crewe, which explores gay life in the 1890s. His European picks include Eurotrash by Christian Kracht, a darkly comic road‑trip tale, Perfection by Vincenzo Latronico, a critique of the digital‑nomad lifestyle, and Olga Tokarczuk’s genre‑defying Drive Your Plow Over the Bones of the Dead. Lanchester also notes his own recent release, Look What You Made Me Do, available from Faber for £20 via the Guardian bookshop.James, a regular Guardian reader, is immersed in Tom’s Crossing by Mark Danielewski. He describes the 1,200‑page modern western as a masterclass in character depth and meticulous detail, urging readers not to be deterred by its length.Patmeena Sabit turns to shorter forms when time is scarce, recommending Hue and Cry by James Alan McPherson for its understated humanity, Fifty‑Two Stories (a new Chekhov collection translated by Richard Pevear and Larissa Volokhonsky) for its blend of classics and previously untranslated pieces, and Ada Limón’s poetry collection Bright Dead Things for its poignant beauty. Sabit also promotes her own work, Good People, published by Virago at £16.99.David praises Zbig: The Life of Zbigniew Brzezinski, America’s Cold War Prophet by Edward Luce, calling it a dense yet illuminating autobiography that traces U.S. and global power dynamics from the 1960s to the early Trump era, and recommending a piecemeal reading approach.Arash finds profound resonance in Mother Mary Comes to Me by Arundhati Roy. He describes the memoir as an emotionally powerful tribute to Roy’s mother, noting its refusal to fall into gendered clichés while championing compassion and resistance against chauvinism.

While AI is transforming the workforce, certain jobs that require human expertise and dexterity are becoming increasingly valuable. Cale Mouser, a 23-year-old diesel engine repair expert, is a prime example. He earns a six-figure salary and has even taught at a college level, showcasing the complexity and demand for skilled trades.Mouser's journey into diesel technology began just five years ago. He quickly demonstrated an aptitude for the field, leading to a degree in diesel technology and a faculty position at North Dakota State College of Science. His expertise has taken him to international competitions, including WorldSkills in Lyon, France, where he earned a fifth-place medallion of excellence.His story highlights a growing trend: young adults are finding success and fulfillment in skilled trades. Eva Carroll, a 20-year-old electrical installation specialist, is another example. She and her team took silver at SkillsUSA, a nationwide workforce development organization for students. Carroll's passion for electrical work was sparked by a high school elective, and she now sees a future in construction management or estimation, with potential earnings above $90,000 a year.These fields, often referred to as 'middle-skill' jobs, require training and credentials beyond high school but not a four-year bachelor's degree. They over-index on human expertise, applying learned proficiency to problem-solving and high-stakes decisions. According to Prof David Autor, these jobs are poised to benefit in an AI-entwined economy, where humans collaborate with technologies to form new expertise.AI is not a threat to skilled trades, as Autor notes that these jobs require lots of judgment, dexterity, and adaptability, making them difficult to automate. Chelle Travis, executive director of SkillsUSA, sees a surge in interest from policymakers and CEOs in developing work-based learning programs for students. With over 440,000 students nationwide, SkillsUSA's annual championships draw thousands of competitors, showcasing the growing appeal of skilled trades.

Demonstrators took to the streets of cities across the United States for the first 'No Kings' protest since the joint US and Israeli war against Iran began one month ago. The protests, which mark the third round of nationwide 'No Kings' demonstrations, saw over 3,300 events planned across all 50 states, with large crowds expected in cities such as New York, Los Angeles, and Washington, DC.The main event was scheduled for the Minneapolis-St Paul area in Minnesota, known as the Twin Cities, which became a focal point for Trump's hardline immigration crackdown in December. More than 3,000 federal immigration agents descended on the Twin Cities, leading to accusations of excessive force during deportation raids.In January, agents shot and killed two US citizens, Alex Pretti and Renee Nicole Good, prompting nationwide outrage and calls for reform. Dozens of lawsuits have been filed as a result of the operation, which was wound down in February.Progressive Senator Bernie Sanders addressed attendees, and rock icon Bruce Springsteen performed at the event, along with folk singer Joan Baez. Actor Robert De Niro told the crowd in Minnesota in a pre-recorded address, 'You've shown bravery in the face of armed attack by government thugs, and you stood together and ran them out of town'.The previous two 'No Kings' marches took place in June and October and drew millions of people. Trump responded to the October protest by posting an AI-generated video depicting himself dumping faeces on the protesters. The US is currently in the midst of campaigns for its pivotal midterm elections in November, which will see Trump's Republican Party seek to defend its majorities in both chambers of Congress.Democrats are hoping to gain seats as Trump's popularity droops. Sanders was among the speakers who reminded protest attendees of the importance of the upcoming vote, saying, 'We will not allow this country to descend into authoritarianism or oligarchy. In America, we the people will rule'.

Rania Jaber had always dreamed of having a daughter, and when Narjis was born in 2020, she was overjoyed. Narjis was a bright and caring child, always looking out for her parents and twin brothers. Tragically, on March 2, Israeli bombs struck the family's home in Maifadoun, south Lebanon, killing Narjis and her aunt.Jaber described her daughter as 'wise beyond her years,' recalling how Narjis would comfort her during stressful times. The last thing Narjis said to her mother was, 'Mama, you're my life. Don't cry, I love you so much.' Hours later, Narjis was killed in the airstrike that left her mother and two brothers injured.Narjis's death is one of many child casualties in the conflict. Since the war began, 120 other children in Lebanon have been killed by Israeli strikes, making up nearly 10% of all deaths in the country. The Basma family, who were killed in an airstrike on their home in Nabatieh on March 14, is another example of the devastating impact on families.Experts warn that exposure to violence in children can lead to long-term developmental and behavioral issues. Dr. Rabih El Chammay, head of the national mental health program at the Lebanese ministry of public health, emphasized that 'children wake in fear, parents carry unbearable worry, and the hurt will echo for years, if not generations, after the bombs fall silent.'Jaber plans to seek psychological treatment for her sons once the war ends, deeply concerned about the long-term trauma caused by the bombing. For now, she and her family must cope with the immense grief of losing Narjis, a child described as 'incredibly kind, gentle, and loving.'

The creator of the AI actor Tilly Norwood, Eline van der Velden, has revealed that she received death threats following a global backlash against her project. Van der Velden developed Tilly Norwood to spark conversation about the role of AI in the entertainment industry.Van der Velden's AI creation, Tilly Norwood, gained significant attention last year when she announced that talent agents were interested in signing the AI actor. This led to widespread condemnation from prominent actors and acting unions, including Melissa Barrera, Mara Wilson, and Ralph Ineson, as well as Sag-Aftra and Equity.In an interview with the Guardian, Van der Velden expressed her surprise at the intensity of the backlash, stating, “The death threats and the hate … my goodness, loads,” she said. Despite the negative reaction, Van der Velden remains committed to her vision of integrating AI into the entertainment industry.Van der Velden founded Particle6 and its AI arm, Xicoia, and debuted Norwood in a short comedy sketch called AI Commissioner last autumn. Norwood has gained a significant following, with 141,000 followers on Instagram.Van der Velden believes that AI actors like Norwood could be beneficial for some performers, allowing them to maintain anonymity while still engaging in acting. She noted, “I think it’s great for some actors, it might actually be a blessing that they can have a digital twin,” emphasizing that fame can be burdensome.Van der Velden continues to advocate for the use of AI in entertainment, highlighting its potential to offer actors more creative freedom. She has now featured Norwood in a new music video, with lyrics written by an AI chatbot, and controls Norwood’s avatar using motion capture techniques.