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The Forgotten OriginsThe last time the US hosted the men's World Cup in 1994, many Americans viewed soccer as a game they watched their kids play on Saturday mornings, not the world's most beloved sport. Thirty-two years later, the sport has exploded in popularity and the USA have become a regular fixture at World Cups. But many people don't realize the US's World Cup history extends all the way back to the first tournament staged – when the US men had their best-ever finish, reaching the semi-finals.The tale of those connected with the US team is often bleak, but it's also more deeply rooted and richer than is often appreciated. As US soccer fans turn their attention to the future of the sport, we revisit four often overlooked moments – and one widely celebrated kick – of the USA's early World Cup history.Tragedy and TriumphSix of the 16-man squad who went to Uruguay for the first World Cup were British, but all played their club football in the US, an indication of the strength of domestic league at the time. A 3-0 win over Belgium in their opening game – which shared with France v Mexico the honor of being the first-ever game at a World Cup – was followed by a 3-0 win over Paraguay in which Bert Patenaude scored the first World Cup hat-trick – although it was only in November 2006, 32 years after his death, that the disputed second of his three goals was finally confirmed as having been scored by the Fall River striker.Substitutions were not introduced to the World Cup until 1970, meaning injuries could have a huge influence on the outcome of a game, reducing a side to 10 men or fewer. And injuries severely afflicted the USA in their semi-final against Argentina. The goalkeeper Jimmy Douglas struggled on with a twisted knee and the midfielder Ralph Tracy missed the whole of the second half after fracturing his right leg. Andy Auld, meanwhile, was temporarily blinded after the physio Jack Coll dropped a bottle of chloroform as he tended to the forward's split lip. After battling gamely, the USA conceded three late goals and lost 6-1.The Mystery of Donelli and SchroederThe USA entered the 1934 tournament late and were very fortunate that Fifa agreed to let them play a qualifier against Mexico in Italy shortly before the first round. The USA won 4-2 in front of 10,000 spectators in Rome, all their goals being scored by Aldo "Buff" Donelli, who would later become a coach in the NFL with the Pittsburgh Steelers and the Cleveland Rams. Mexico blamed their defeat on the fact their journey to Italy had taken 15 days, while the USA had managed to cross the Atlantic in just nine. In the first round, the USA lost 7-1 to the eventual champions Italy; if the journey hardly seemed worth it for just two games, they were at least better off than poor Mexico, who went straight home after their qualifying defeat.The US team manager in Italy was Elmer Schroeder, who had also been part of the backroom staff in 1930. In 1932 he had been elected as the first US-born president of the United States Football Association (the body that is now US Soccer) and although he did not seek re-election in 1934, he led the national squad at the 1936 Olympic Games as well, and remained manager of Philadelphia Germans until 1949. Four years later, his badly beaten body, bound with the cord from the window-blinds, was found on the bed in his apartment. Although nobody was ever convicted of his homicide, it seems probable that he was murdered by a serial killer who preyed on gay men in Philadelphia in the early 1950s.The Disappeared HeroThe USA withdrew from a playoff against the Dutch East Indies for the 1938 World Cup but did qualify for 1950. It was at that tournament in Brazil that they achieved perhaps their most notable result, beating England 1-0 in Belo Horizonte, one of the greatest shocks in World Cup history. The only goal was scored by Joe Gaetjens, diverting in a shot from Walter Bahr. Gaetjens had been born in Haiti and was awaiting US citizenship at the time; early US soccer history was based on a liberal immigration policy.Gaetjens never got his citizenship, returning to Haiti soon after. His family were distant relations by marriage of Louis Déjoie, who lost the 1957 presidential election to the notorious François "Papa Doc" Duvalier. In 1964, when Duvalier declared himself dictator for life, most of Gaetjens's family fled the country.Gaetjens, though, had had little involvement in politics and decided to remain. He was soon arrested by the Tonton Macoute, Duvalier's secret police, and never seen again. It's believed he was murdered at the Fort Dimanche prison, but his body has never been found.The Shot Heard Around the WorldThe modern history of the USA at the World Cup begins with Paul Caligiuri's "shot heard around the world" in Port of Spain in November 1989 – a 30-yard left-foot volley that secured a 1-0 win over Trinidad and Tobago and booked the USA's place at Italia 90. Qualification was seen as an essential part of preparation for hosting the tournament in 1994, for reasons of credibility if nothing else. The USA lost all three games they played in Italy, but, with the exception of 2018, they've been at every World Cup since.

The LeadThis felt a hugely significant victory in the Scottish title race. Celtic require only two more of them to successfully defend the league. For the Rangers manager, Danny Röhl, yet another second-half capitulation will only increase murmurings about his capability of delivering success at Ibrox. Rangers will end this season trophyless and third in a two-horse race – remarkably, given the tens of millions spent on assembling their squad.The Title Race ImplicationsCeltic have moved to within a point and three goals of Hearts. Next stop for Martin O'Neill and his players is Motherwell on Wednesday evening. With Hearts hosting Falkirk at the same time, there is the increasing possibility of the title being decided when the Edinburgh club visit Celtic Park on Saturday. Supporters of Celtic and Hearts are likely to have run out of fingernails by then.Maeda's Match-Winning PerformanceCeltic anxiety here was confined to a first-half spell. Mikey Moore had sent Rangers in front, the Tottenham loanee pouncing after Youssef Chermiti's shot was blocked into his path. Impatience was rising among the home support as Yang Hyun-jun pulled Celtic level. Yang met an Arne Engels cutback, with Rangers appealing in vain for offside against Benjamin Nygren.The teams traded chances for the remainder of the first period but it was Celtic who rose to the occasion thereafter. Daizen Maeda stole in front of Emmanuel Fernandez to prod O'Neill's team in front. Rather than offer a strong response, Rangers wilted. Maeda's second of the game was a stunner, the Japanese flicking the ball up before producing an outrageous overhead kick that looped over Jack Butland. A Bojan Miovski header that hit the bar in stoppage time was the sum of Rangers' reply.Rangers' Season WoesFor Rangers, this defeat represents another significant setback in what has been a disappointing season. Despite substantial investment in their squad, they find themselves trophyless and third in a league that should have been a two-horse race. Manager Danny Röhl faces increasing pressure as questions mount about his ability to deliver success at Ibrox, with this second-half capitulation likely to intensify those concerns.

The Accusation Against Rebel Wilson Rebel Wilson has been accused in court of being a liar who made up terrible claims about her colleagues and completely rewrote history. The Pitch Perfect star copped the blunt assessment in the dying hours of a fiery defamation battle where she is being sued by Charlotte MacInnes, the lead actor in musical comedy The Deb which Wilson directed, co-produced and starred in. The Defamation Claims MacInnes claims Wilson defamed her in a series of social media posts that suggested she is a liar and a sellout who walked back a sexual misconduct complaint to further her career. The posts claimed MacInnes confided to the older actor – and later recanted – she felt uncomfortable when the film’s co-producer Amanda Ghost asked to have a shower and a bath together. The Inconsistencies in Wilson's Evidence MacInnes’ barrister Sue Chrysanthou SC accused Wilson of a “complete revision of history” littered with dishonesty during her emphatic closing address in the Federal Court on Friday. She noted the Bridesmaids actor testified she told local producer Greer Simpkin about the alleged complaint on the day it was made to her, but that had been contradicted in court. Simpkin gave evidence she had not heard that Wilson claimed her co-star felt uncomfortable about the incident until it was relayed by Ghost a week later. Wilson's own witnesses have discredited her, Chrysanthou told the court. The Impact on MacInnes MacInnes has suffered devastating harm as a result of the social media posts and hasn’t worked since she starred in a stage production – a role which she had previously secured, her barrister said. “My client has been unable to eat, unable to sleep, has been distressed … (she) fears what Rebel Wilson is going to do to her next,” Chrysanthou said. “No young woman dreams of being pulled into the spotlight by a celebrity and maligned”. Wilson's Response But Wilson testified the young star doesn’t appear to have sustained any damage to her reputation or career, pointing to the lead role and a six-figure record deal MacInnes has secured. “She’s changed her story, she’s flip-flopped and she’s been given huge benefits,” she said.

The Fallout and Preparations Usually the most scrutiny at the glittering Bafta TV Awards is reserved for the stars’ outfits on the red carpet and the winners’ acceptance speeches. But this Sunday those behind the show will be watching with bated breath and taking the event “extremely seriously” after changes were made to how TV coverage of Bafta’s awards ceremonies is handled after the broadcast of racially offensive words during February’s Bafta film awards. The Incident and Its Aftermath During February’s event, John Davidson, who has Tourette syndrome, involuntarily used the N-word while actors Delroy Lindo and Michael B Jordan were on stage presenting a prize. Show host Alan Cumming apologised immediately and the word – which was repeated by Davidson later – should have been edited out as the Baftas are filmed with a delay. The Data Analysis The event at London’s Royal Festival Hall is a hugely complex affair with 2,000 guests expected, including Claudia Winkleman, Jessica Gunning, Paapa Essiedu, Richard Osman, Jodie Whittaker, Alex Hassell, Stephen Graham and Ashley Walters. The Impact Analysis The incident led Bafta to review its planning and procedures, and apologise “unreservedly”. There was also a review and an apology from the BBC, which aired the show and admitted it breached its own editorial standards in airing the N-word. The Prediction Bafta is understood to be taking Sunday’s show “extremely seriously” with additional staff on hand to help ensure any potential issues during the ceremony are escalated quickly to its production partner Penny Lane, whose two bosses will, as usual, be attending the show, and the BBC, which has top executives also attending.

Standout Art Pieces at the 2026 Venice Biennale The 2026 Venice Biennale features several standout art pieces that are worth noting. Here are some of the most notable ones: Florentina Holzinger's Post-Apocalyptic Pavilion Florentina Holzinger's pavilion is a post-apocalyptic installation that features her suspended upside down from the clappers of a large bell. The pavilion also includes a woman riding a speedboat in circles, two others suspended at the top of a pole, and another sitting entirely submerged in a tank. The installation is transgressive and thought-provoking, and it quickly became the talk of the town. Sanya Kantarovsky's Eerie Seances Sanya Kantarovsky's paintings are like stills from very intense films. His show features book-lined rooms with incredible Murano glass chandeliers, and it culminates with an incredibly detailed sculpture of the head of a boy, also in Murano glass. The atmosphere is like a weird seance between the centuries. Gabrielle Goliath's Hypnotic Mourners Gabrielle Goliath's performance, Elegy, is a ritual of mourning for women killed in acts of sexualized or racialized violence. The performance features operatically trained female performers holding a single high note, and it is both hypnotic and moving. Carrie Schneider's Photographic Curls Carrie Schneider's photographic curls are a 1.5km-long installation that repeats over and over a still from Chris Marker's 1962 film La Jetée. The installation is thought-provoking and visually stunning. Lydia Ourahmane's Coin-Slot Art Lydia Ourahmane's sculptural show features components drawn entirely from the city of Venice. The show includes a beautiful new wooden pier, a bead curtain of Murano glass, and a contraption once used in a church to illuminate a Bellini. The installation is touching and thoughtful. Lawrence Abu Hamdan's Audio Detective Work Lawrence Abu Hamdan's installation, 450XL: the Story of a Fugitive Sound, investigates human rights abuses using sound as evidence. The installation features 15 screens resembling protest placards and is both thought-provoking and visually stunning. Zhanna Kadyrova's Origami Deer Zhanna Kadyrova's origami deer are a series of paper sculptures that are both beautiful and moving. The installation features a huge concrete deer dangling irresolutely from a crane on a flatbed truck, and it is accompanied by touching footage of the origami deer's journey.

The Lead The 2026 Venice Biennale has kicked off with 99 countries participating, including first-time participants Somalia and Qatar. The event was overshadowed by protests, including one by Pussy Riot against Russia's participation. Female Nudity Takes Center Stage Female nudity was a recurring theme at the biennale, with several artworks featuring naked women. Austria's pavilion featured naked speedboat riders, while Denmark's pavilion showcased porn stars worrying about men's sperm counts. Richard Prince's Girlfriends pictures, appropriated from old biker mags, also sparked conversation. Protests and Politics The presence of Russia at the biennale was a contentious issue, with Pussy Riot protesting outside the Russian pavilion. The group played a song called 'Disobey' and temporarily forced the pavilion to close its doors. The UK government also expressed opposition to Russia's participation. The Art of Avoiding 'Woke' Work Some countries attempted to avoid creating 'woke' art, but ended up with lackluster results. The US pavilion, featuring Alma Allen's sculptures, was criticized for being devoid of meaning or aesthetic pleasure. Maritime Themes Abound Maritime themes were a common thread throughout several pavilions, including Israel, Uzbekistan, and Canada. The Austrian pavilion featured Florentina Holzinger's SeaWorld Venice, which drew huge crowds.

The UK's First Community-Owned Solar Battery Project The UK is set to host its first community-owned solar battery project, with plans to install a battery storage system at Ray Valley Solar, a large community-owned solar park in Oxfordshire. Project Details and Investment Ray Valley Solar has 36,000 solar panels generating enough clean electricity to power about 7,000 homes for a year. The project uses profits to provide grants to community initiatives that help reduce carbon emissions and make homes, schools, and businesses more energy efficient. The battery installation, planned for October, will have a capacity to store 12 megawatt hours of electricity every day, saving enough electricity to power an additional 300 homes a year. The Low Carbon Hub is seeking to raise between £500,000 and £1.3m to finance the installation, offering investors up to 5% return on their investment. Financial Impact and Benefits By selling electricity at a higher price during the evening peak, Low Carbon Hub estimates it can increase its community benefit contribution to £1m over the battery's 15-year lifetime. Community Impact and Future Outlook The project has attracted huge interest from other community energy groups around the UK, with Low Carbon Hub running 56 community-owned renewable energy projects across Oxfordshire. The UK government has pledged to spend up to £1bn on community-owned green energy schemes, but more policy support is needed to ensure everyone can benefit from the shift to clean energy.

The Misstated Emissions Developers working for Google have significantly misstated how much carbon two proposed AI datacentres will contribute to the UK’s total emissions in planning documents reviewed by the Guardian. The tech company wants to build two huge datacentres – one 52-hectare (130 acre) project in Thurrock and another at an airfield in North Weald, both in Essex. To do so, developers are required to submit planning documents calculating how much carbon these projects will emit as a proportion of the UK’s total carbon footprint. The Calculation Error In both cases, they appear to have compared one year of the proposed datacentre’s emissions with the UK’s entire five-year carbon budget, understating the significance of their emissions by a factor of five, according to experts at the tech justice nonprofit Foxglove. Google's Thurrock datacentre claimed its emissions would amount to 0.033% of the UK’s budgeted carbon footprint between 2028 and 2032, but it will actually be 0.165% of the total. The North Weald datacentre said it would emit 0.043% of the UK’s total carbon budget from 2033 to 2037, but it will actually emit 0.215% of the total. The Impact Analysis These apparent misstatements are another example of a pile-up of faulty calculations surrounding AI development and its environmental footprint in the UK. The three developments will account for more than 1% of the UK’s carbon budget in 2033, equivalent to the emissions of a mid-sized city such as Bristol. The Prediction “Google has serious questions to answer about its dubious datacentre pollution figures,” said Tim Squirrell, the head of strategy for Foxglove. “Unless they can explain themselves, it looks like they are seriously misleading the council and the public over the climate pollution their facility will cause.”

The Diller-Altman Trust Dynamic Billionaire media mogul Barry Diller doesn’t think OpenAI CEO Sam Altman is untrustworthy, despite recent reporting to the contrary. Onstage at The Wall Street Journal’s “Future of Everything” conference this week, Diller vouched for the AI exec, who has been accused by some former colleagues and board members of being manipulative and deceptive at times. The AGI Conundrum Diller, who is friendly with Altman, was responding to a question about whether or not people should put their faith in Altman to ensure that artificial intelligence benefits humanity. In particular, he was asked about the theoretical form of AI known as artificial general intelligence, or AGI, which could one day outperform humans on any task. The Limits of Trust in AI Development The media exec, a co-founder of Fox Broadcasting and chairman of IAC and Expedia Group, said that while he believes Altman is sincere in his pursuits, that’s not really the area of concern people should be focused on. Rather, it’s the unknown consequences that will result from AI. “One of the big issues with AI is it goes way beyond trust,” Diller said. “It may be that trust is irrelevant because the things that are happening are a surprise to the people who are making those things happen.” The Unknowns of AI Progress Diller added that the development of AI is a journey into the unknown, with even those creating it unsure of the outcomes. He emphasized that progress in AI is inevitable and that the focus should be on preparing for its consequences. “We have embarked on something that is going to change almost everything. It is not under-reported. Now, whether these huge investments are going to come through — I couldn’t care less. I’m not invested in it, but progress is going to be made,” The Need for Guardrails Diller also highlighted the importance of establishing guardrails for AI development to prevent unforeseen negative consequences. He warned that if humans don’t think about guardrails, then the alternative is that “another force, an AGI force, will do it themselves. And once that happens, once you unleash that, there’s no going back.”