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The UAE's Shocking Exit from Opec The United Arab Emirates has quit the Opec oil cartel in a heavy blow to the group and its de facto leader, Saudi Arabia, amid the global energy shock caused by the Iran war. Reasons Behind the UAE's Decision The UAE's energy ministry said that the constraints on the strait of Hormuz meant the decision to leave would not have a huge effect on the market. Leaving Opec will give it greater “flexibility” and was in line with its “long term strategic and economic vision”, he said. Impact on Opec and the Oil Market The UAE's departure will come into effect on Friday. The move came after the UAE, a regional business hub and one of Washington’s most important allies, criticised fellow Arab states for not doing enough to protect it from numerous Iranian attacks during the war. The Brent crude oil price has reached as high as $119.50 a barrel since the outbreak of the war in Iran. On Tuesday, it rose 3.4% to $111.67. Future Implications for Opec Jorge León, an analyst at Rystad, said: “The UAE withdrawal marks a significant shift for Opec. Alongside Saudi Arabia, it is one of the few members with meaningful spare capacity – the mechanism through which the group exerts market influence. “While near-term effects may be muted given ongoing disruptions in the strait of Hormuz, the longer-term implication is a structurally weaker Opec.”

The Psychosexual Horror SensationAddison Heimann's second feature, Touch Me, is a bold and unconventional film that wears its heart – and other appendages – on its sleeve. It's the queer, disaffected millennial live-action hentai psychosexual horror-drama-comedy that a specific slice of the viewing public has been waiting for. The film explores complex relationships and human (and alien) behavior with a unique blend of horror and sensuality.A Complex Living SituationAt the center of Touch Me is the friendship between Joey (Olivia Taylor Dudley) and Craig (Jordan Gavaris), which begins as clearly affectionate but becomes increasingly problematic. Craig pays the rent while Joey doesn't, creating an imbalance that allows Craig to get away with questionable behavior, like asking Joey to stay in her room with the lights out when his Grindr date comes over because he's told the guy he lives alone.The Alien IntruderInto this dynamic struts Joey's former lover, Brian (Lou Taylor Pucci), who is more than a little bit problematic himself. He possesses charm, choreographed dance routines, and is an almost literal demon in the sack. Brian is a sometimes-tentacled alien – and a narcissist. As a character, Brian feels somewhat modeled on Frank-N-Furter from Rocky Horror, with a hedonistic outlook, pansexual orientation, and ear for a toe-tapping tune, though his aesthetic is less fishnets, more Jesus in a hip-hop tracksuit.Horror Meets ComedyHeimann has so much to say about difficult friendship dynamics, relationship challenges, and general millennial malaise that it's a relief that the tone and pace is mostly light and zippy, though it occasionally meanders. There are several genuinely hilarious moments once the film kicks into horror mode, as the manipulative, self-pitying and narcissistic alien defends himself in much the same way as a manipulative, self-pitying and narcissistic human might, with the hollowness of his words made gleefully transparent by the horror context.A Unique Sensual ApproachThe cherry on top of this admittedly weird cocktail is a strong streak of genuine sensuality. If it's your first encounter with tentacle sex on screen, you might be surprised how appealing Heimann and his cast have managed to make it seem. The film balances its shocking elements with genuine emotional depth, creating a viewing experience that is both provocative and thought-provoking.Release InformationTouch Me is set to be released on digital platforms from May 4th, offering audiences a chance to experience this unique blend of psychosexual horror and millennial comedy for themselves.

The UAE's Strategic Shift The United Arab Emirates said on Tuesday it quit OPEC and OPEC+, dealing a heavy blow to the oil exporting groups and their de facto leader, Saudi Arabia, at a time when the Iran war has caused a historic energy shock and unsettled the global economy. Implications for Global Oil Markets The move is expected to have significant implications for global oil markets, potentially altering the balance of power among oil-producing nations and influencing oil prices. The Road Ahead As the global economy continues to navigate the challenges posed by the Iran war and the ongoing energy crisis, the UAE's decision to exit OPEC and OPEC+ will likely have far-reaching consequences for the future of oil production and global economic stability.

The Evolution of AI Meeting Notetakers AI meeting notetaker apps have realized that transcribing meetings and providing summaries alone is not enough to justify their business models and valuations. They now want to act as a full workspace where users bring in data from different sources, search across all of it, and make decisions about their business. Following notetakers like Read AI, Fireflies.ai, and Fathom, Otter is now launching enterprise search by acting as a Model Context Protocol (MCP) client. Otter's New Enterprise Search Feature Otter has been around for nearly a decade now, but it has been making moves toward becoming an enterprise productivity tool in the last few months. With this launch, users can connect their Gmail, Google Drive, Notion, Jira, and Salesforce accounts and query that data along with existing meeting data. The company said that it will soon allow connections with Microsoft Outlook, Teams, SharePoint, and Slack. Users can not only search for data across these tools but can also push meeting summaries to Notion or draft a Gmail message. AI Assistant Redesign The company said that it has also redesigned its AI assistant to be consistently present across the whole interface, so users can ask questions anytime. The assistant can understand the context of the screen, such as a particular meeting or a channel, and answer questions accordingly. Botless Meeting Capture and Enterprise Preferences Meanwhile, most notetakers are following Granola’s lead and allowing for a botless meeting capture — recording meetings using a device’s system audio rather than having a bot join the call. Otter said that it brought this feature to the Mac app late last year, and is now launching a Windows app with a similar feature. Otter CEO Sam Liang said that the company’s enterprise customers prefer when a meeting notetaker joins the call. User Growth and Financials 25 million users and $100 million in annual recurring revenue last year Now has 35 million users Otter said that it has a deduplication feature that prevents a swarm of bots from joining a meeting simultaneously to avoid situations where there are more bots than humans on a call.

The LIV Golf Event Postponement LIV Golf's inaugural tournament in New Orleans scheduled for the end of June is likely to be postponed until the autumn, according to multiple local reports. Event Details and Financial Implications New Orleans television station WDSU and nola.com were among the first to report Monday that the Bayou Oaks event at City Park planned for late June was being moved to later in the year. An announcement by LIV Golf and the Louisiana Economic Development agency was expected on Tuesday. The swap would mean that LIV Golf would not have any tournaments in the United States for a three-month period from northern Virginia on 7-10 May at Trump National until the 6-9 August event at Trump Bedminster in New Jersey. The Impact of Saudi Funding Concerns The development comes two weeks after LIV Golf CEO Scott O'Neil assured staff and players the season would continue “uninterrupted and at full throttle.” O’Neil was responding to speculation the Public Investment Fund of Saudi Arabia would no longer provide financial support to a league that already has spend more than $5bn since it began in 2022. Reasons for the Postponement LIV Golf is said to be looking to move the New Orleans event to the autumn to avoid peak summer temperatures, ensure the course is in championship shape and to avoid attendance and viewership conflicts with the World Cup. New Orleans is not hosting any World Cup matches. Financial Agreements and Repercussions Louisiana officials stated last August when the tournament was announced they had agreed to pay LIV Golf $5m and spend an additional $2.2m on improvements to the Bayou Oaks course in City Park. WDSU reported Louisiana will be repaid $1m, which the state had already paid to LIV in advance of the tournament.

The Rise of Rugby's Elite Speedsters The world of rugby union is witnessing a paradigm shift with the emergence of exceptionally gifted young players who are redefining the sport. Noah Caluori, a 19-year-old winger for Saracens, has been making waves with his incredible speed and agility on the field. Caluori's Record-Breaking Performance Caluori's recent performance against Leicester was nothing short of phenomenal. He scored a try that was described as 'from another planet' by commentators, showcasing his deft skills and searing acceleration. This is not an isolated incident, as he has consistently impressed with his speed and agility, including registering five tries in a game against Sale. The Data Behind the Phenomenon Caluori has scored 18 tries in just nine Premiership matches. He is two tries short of Sam Simmonds' all-time league record. The Impact on Rugby Union The emergence of Caluori and other young speedsters like Louis Bielle-Biarrey and Immanuel Feyi-Waboso is having a profound impact on the sport. They are bringing a new level of excitement and athleticism to the game, which could potentially attract a new, younger audience. The Future of Rugby As these players continue to impress, it is likely that they will play a significant role in shaping the future of rugby union. With their exceptional skills and charisma, they have the potential to launch rugby's image into the stratosphere and transform it into the most compelling fast show in sport.

A three‑season Arabic comedy series, Smatouha Minni (You Heard It From Me), is turning a rented flat in Beirut’s Gemmayzeh neighbourhood into a satirical battlefield against the region’s rising “red‑pill” misogyny.The Rise of Smatouha Minni: A Feminist Satire from Beirut’s GemmayzehCreated by Amanda Abou Abdallah, the show features actress Maria Elayan in a series of exaggerated characters that mock patriarchal advice, from “change the diapers” jokes to absurd “second‑wife” recommendations. Filmed in a modest living‑room studio, each episode blends comedy sketches with pointed commentary on gender‑based online subcultures.Viewership Metrics and Social ReachInstagram podcaster “Dr Abdullah Mohammed” – 749,000 followers.Series launch: June 2020, now in its third season.Audience: hundreds of thousands of YouTube viewers, with strong engagement from young Arab women.Shifting Gender Narratives in the Arab Media LandscapeThe series arrives amid a “re‑intensification” of patriarchal backlash, fueled by the “red pill” ideology popularised by figures like Andrew Tate. By using humor, Smatouha Minni disarms defensiveness, giving viewers a vocabulary to challenge misogynistic tropes and encouraging dialogue on topics traditionally considered taboo.What Lies Ahead for Satirical Feminist Content in the RegionWith its German registration allowing circumvention of local censorship and an online‑first distribution model, the show is poised to expand its reach. If audience growth continues, similar productions may emerge, further pressuring regional platforms to address gender equity and potentially prompting regulatory responses.

The Film's Premise and ExecutionPeel back the layers and sadly there is nothing much going on inside this American indie drama from director Zeshaan Younus; it's a movie that's aiming for noir, but ends up more of a shade of drab grey. It's contrived and frustrating, with a painfully pretentious voiceover by its lead character Parker (Renee Gagner). She's an actor in Los Angeles who returns to her home town after her sister Indiana (Rosie McDonald) is killed. "Sister, you were right." muses Parker. "I am never fully anything or anyone. Instead, I am practically everyone and everything."Character Development and Dialogue IssuesIt's film in which actors shot in closeup deliver lines looking pensive, with an air of meaning and depth, while not actually saying anything meaningful. Before her death, we watch Indiana brokering some kind of dodgy deal with a biker. She leaves a voicemail for Parker: "I'm in pretty deep out here ... If anything happens to me don't come looking." Which is advice promptly ignored by her sister after Indiana is killed. Instead, Parker searches for answers, although this is a film with loftier intentions than solving a murder.Visual Style and Cinematic ApproachIn places it feels like a film school project, self-conscious without much thought for the audience. There are echoes of David Lynch, though this has none of the danger or strangeness, despite some murky, atmospheric camerawork by cinematographer Justin Moore.Release InformationI've Seen All I Need to See is in UK cinemas from 1 May.

The Verdict on ITV's Latest Espionage OfferingITV's latest spy drama, 'Secret Service,' arrives in an already crowded genre with high ambitions but little originality. The five-part series, adapted by ITV news anchor Tom Bradby and writer Jemma Kennedy from Bradby's 2019 novel, follows MI6 agent Kate Henderson (Gemma Arterton) as she juggles family life with her secret job investigating potential Russian influence within the British government. Despite its glossy production and strong performances, the review suggests the show fails to distinguish itself from the numerous spy dramas that have come before it.A Familiar Formula in Espionage Clothing'Secret Service' relies heavily on well-worn spy drama tropes: a protagonist with a dual life, exotic locations (in this case, Malta), scenes of characters striding purposefully past government buildings, and political intrigue involving a Russian oligarch. The plot centers on Henderson infiltrating a Malta-based Russian oligarch's operation to discover that a cabinet member may be a Russian asset, all while a leadership contest unfolds following the Prime Minister's resignation. The show attempts to differentiate itself with a family-focused protagonist but ultimately falls back on generic thriller elements that fail to generate excitement or innovation.Critical Reception and Performance AnalysisWhile the review is largely critical of the show's lack of originality, it does acknowledge several positive elements. Roger Allam's performance as MI6 boss Sir Alan Brabazon is praised, with the reviewer noting that "there is no programme on Earth that wouldn't benefit from his presence." Other strong performances include Rafe Spall as Henderson's put-upon husband and Rochenda Sandall as a Downing Street aide caught in a web of political corruption. The series is also noted for its confident pacing and slick direction by Oscar-winner James Marsh, though these technical merits can't compensate for the narrative's lack of fresh ideas.The Spy Drama Landscape and 'Secret Service's' PlaceThe review places 'Secret Service' within the context of an increasingly crowded spy drama genre, suggesting that it fails to stand out among competitors. Unlike shows that offer either genuine thrills or self-aware humor, 'Secret Service' takes itself too seriously without providing the tension or intellectual stimulation that serious spy dramas require. The show's stiff approach to geopolitical intrigue and its lack of either genuine excitement or clever satire leaves it in an uncomfortable middle ground, neither thrilling enough for action fans nor substantive enough for political thriller enthusiasts.The Future of Spy Dramas on British TelevisionAs the review concludes, 'Secret Service' represents a missed opportunity in a genre that continues to dominate British television. With spy dramas becoming increasingly commonplace, the pressure to innovate grows stronger. The success of shows that either reinvent the genre with fresh perspectives or embrace it with self-aware humor suggests that audiences are becoming more discerning. For ITV and other broadcasters, the lesson from 'Secret Service' may be that simply producing a glossy, well-acted spy drama is no longer sufficient—originality and a clear point of view have become essential ingredients for standing out in this competitive landscape.