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The Lead Mohamed Salah is expected to play again for Liverpool before the end of his farewell season after being diagnosed with a minor muscle injury. The 33-year-old Egypt international was substituted in the 59th minute of Liverpool's 3-1 win over Crystal Palace on Saturday with a hamstring problem. The Injury Details Salah's reaction at the time – applauding all four sides of Anfield before heading straight down the tunnel – raised concerns that he was facing a lengthy spell on the sidelines and might have played his final game for the club. Liverpool have allayed those fears, however, in a statement that confirmed: "Mohamed Salah is expected to be available to play again before the end of this season." The statement added: "The issue that caused his withdrawal has now been confirmed as a minor muscle injury. It is, however, anticipated Salah will return to action ahead of 2025-26's conclusion and his departure from the Reds this summer." The Season Impact Arne Slot's side have only four games remaining this season – against Manchester United, Chelsea, Aston Villa and Brentford – as they attempt to secure qualification for next season's Champions League. No timeframe has been placed on Salah's absence but he appears certain to miss Sunday's visit to Old Trafford and Chelsea's trip to Anfield on 9 May. The Farewell Context The Liverpool great announced last month that he would be leaving the club after nine years at the end of the season despite having 12 months remaining on his contract. There will be an opportunity for Salah to end his illustrious Liverpool career with a home game against Brentford on the final day of the season.

Shaun Murphy has delivered a masterclass in resilience, defeating defending champion Zhao Xintong 13-10 to reach the semi-finals of the World Snooker Championship. The Englishman's victory marks a significant milestone in his career, positioning him just two wins away from a second world title. The Crucible Comeback: From 3-0 Down to the Verge of Glory The quarter-final clash was a dramatic battle of nerves and precision. Despite Zhao Xintong establishing an early 3-0 lead, Murphy refused to buckle under the pressure. The match was tied 8-8 after the second session, but Murphy took control on Wednesday. Final Session Dominance: Murphy reeled off three consecutive frames with breaks of 98, 80, and 70. Zhao's Response: The defending champion fought back with contributions of 71 and 81, forcing the match to a 23rd frame. The Deciding Frame: Murphy sealed the win with a crucial 69-point break, leaving Zhao unable to secure the snooker needed to prolong the contest. Breaking the 'Curse of the Crucible' Zhao Xintong's exit serves as a reminder of the tournament's unforgiving nature. Since the World Snooker Championship moved to the Crucible Theatre in 1977, no first-time world champion has successfully retained their title the following year. As snooker's first world champion from Asia, Zhao's victory in last year's final was historic. However, the 29-year-old acknowledged the weight of the defending champion's role, stating, 'I felt some pressure [as defending champion] but I still felt alright.' A 21-Year Odyssey for Murphy For Shaun Murphy, this victory is the culmination of a long journey. He first lifted snooker's most prestigious trophy 21 years ago and has been a top contender ever since. The 43-year-old described his performance as 'somewhere near my best,' highlighting his mental fortitude in turning a deficit into a winning position. Murphy's Path to a Second Crown With the quarter-final hurdle cleared, Murphy is now focused on the remaining two matches. He labeled Zhao as the 'best on the planet' earlier in the week, suggesting he views the remaining field with high respect. As he prepares for the semi-finals, Murphy's experience and current form suggest he is a serious contender to end the 21-year gap since his last world title.

Match Recap: Sinner Defeats Jodar in Straight SetsJannik Sinner overcame the home‑favoured 19‑year‑old Rafael Jodar with a 6-2, 7-6 (0) victory on Wednesday, sealing his place in the Madrid Open semi‑finals. Despite a seemingly comfortable first set, Sinner faced multiple break points and a marathon service game at 2‑2 before pulling ahead in 44 minutes.Jodar, who surged from a world No.687 a year ago to a maiden ATP title in Marrakesh, pressed hard in the second set, creating five break points and forcing a tiebreak. Sinner dominated the breaker, winning the last 11 points to clinch the match.Numbers Behind the VictoryScoreline: 6-2, 7-6 (0)Winning streak: 21 consecutive matches for SinnerBreak points faced: 2 (both saved)Break points created by Jodar: 5 (none converted)Semifinal record: Sinner now has reached the semi‑finals of all nine ATP Masters 1000 tournamentsWhy This Win Shifts the Clay Season LandscapeThe result underscores Sinner’s dominance on clay as he prepares for the French Open, while highlighting the rapid rise of teenage talent Jodar, who has already captured a title in Marrakesh and reached the Barcelona semi‑finals. Jodar’s performance, backed by fervent home support, signals a new wave of young players challenging the established elite on the red dirt.Additionally, the match illustrates the depth of the ATP field this season, where a former college player can now contest a Masters 1000 semi‑final, expanding the competitive pool and increasing viewership interest.Looking Ahead: Semi‑Final Prospects and Jodar’s Ranking SurgeSinner will meet either Jiri Lehecka or Arthur Fils in Friday’s semi‑final, a clash that could set up a high‑stakes showdown for a spot in the final. Meanwhile, Jodar is poised to break into the top‑35 when the new rankings are released on Monday, cementing his status as a rising star on the tour.If Sinner continues his streak, he positions himself as the clear favourite for the upcoming French Open, while Jodar’s breakthrough suggests he could become a regular threat in the latter stages of future Masters events.

Paris Saint‑Germain survived a relentless onslaught from Bayern Munich to win 5‑4 at the Parc des Princes, delivering what many are calling one of the greatest Champions League semi‑finals ever. A Nine‑Goal Spectacle at Parc des Princes The match unfolded as a relentless back‑and‑forth, with both sides fielding three‑man front lines that produced six different scorers. Michael Olise, Harry Kane and Luis Díaz each netted for Bayern, while Désiré Doué, Ousmane Dembélé and Khvicha Kvaratskhelia struck for PSG. Statistical Highlights: Goals, Scorers, and Records Final score: PSG 5 – 4 Bayern Combined goals: 9 (highest‑scoring Champions League semi‑final in the competition’s history) Three‑man front‑three each contributed a goal for both clubs PSG’s Kvaratskhelia became the first player to score in a Champions League semi‑final after entering as a substitute Match featured a controversial penalty that reduced Bayern’s three‑goal deficit Why This Match Matters for European Football and Fans The drama highlighted the growing gap between elite European football and the average fan’s ability to afford live viewing, a point underscored by the article’s commentary on ticket prices and subscription costs. Pundits such as Ally McCoist and Wayne Rooney praised the quality of the goals, while coaches Luis Enrique and Vincent Kompany reflected on the tactical chaos that produced the result. What to Expect in the Munich Return Leg With Bayern having clawed back to within a single goal, the second leg in Munich promises a tense showdown. Analysts predict a tighter defensive approach from Bayern and a more measured attacking strategy from PSG, as both managers aim to avoid the “all‑or‑nothing” scenario that defined the first encounter.

The Digital Roundabout: Understanding Phone AddictionWake up, 100 messages from group chat overnight about something – what? another assassination attempt; a village destroyed in Lebanon; the football result in England; the weather in Iran being manipulated; the pesticides causing lung and bowel cancer, so everyone who eats salads is now at risk of cancer; meditate for 20 minutes, then fire up x.com, a place I thought I'd never want to revisit, with its carnival barkers and supplement salesman, and have you seen the Lego thing calling Trump a paedo?, you gotta see the Lego thing, and this is before my first coffee, yet x.com is the coffee and the tea, whatever Elon has done to the For You algorithm is evil genius, it's like the global collective id, nasty and funny and addictive and compelling – like gawking at a car crash, like soaking in a hot bubble bath of anger, and memes, and geopolitical dramas, and Trump, Trump, Trump – soaking in Trump, and then, For Me (just as Elon promised).So begins the circuit around my phone, that goes all day and night, around the tiny screen with its icons (when a born-again Christian once told me he had favourite icons, for a long time I thought he meant apps, not pictures of the Virgin Mary). I started to feel like I was in Canberra, on one of those enormous roundabouts, rotating between the icons – not Joseph, not Jesus, but X and WhatsApp and TikTok and even LinkedIn for Christ sakes – round and round from one app to the next, just checking, checking in case something is happening. I watched tiny videos and maybe, occasionally, got distracted by the novel I am meant to be writing, which is due on 31 July. But the novel is boring, just a static Word doc on a screen, it's not giving; it's taking hard work. So I spend six minutes with my novel, and then it's time to go back to my phone, to circle the roundabout visiting all my icons again, like a demented Stations of the Cross, because I can't focus, I just can't focus on work right now when there is so much good scrolling to do …Clearly, this had to stop or I would become deranged and my novel wouldn't get finished by 31 July.But what could break the hold of a phone that seemed more and more addictive every day?The Physical Solution: Brick and Locked DevicesThen, while listening to a Guardian podcast (on my phone) I came across an author talking about a device that locked her phone and gave her her time and attention span back.I had tried apps to lock my phone before, but somehow having them embedded in the phone itself was like placing a piece of fruit in a box of chocolates. Sure you go in there to retrieve the fruit, but you end up distracted by the chocolates. Before you know it, the chocolates have been eaten! The fruit, of course, remains untouched and rotting.I needed an external device to lock my phone. This author was talking about something called Brick ($59US; £54 or $120 AUD including postage), a small plastic puck that you place on your phone which locks its most appealing apps. Hard!The Brick and its cheaper rival Locked ($39USD; £32; $59AUD) use Near Field Communication (NFC) technology to block whatever apps you nominate. To unblock them, you have to physically return to the puck and tap it against your phone. You can set a timer – I set it for one or two hour blocks when I want to focus on my novel – and if you try to unBrick beforehand, it asks you if you want to have a life, or if you want your phone back. That prompt is enough to make me affirm that, yes, I want a life.The Economics of Digital AttentionWhat Brick understands, and what every app-based screen time limit fails to grasp, is that the problem is not information or intention. I already knew I was using my phone too much. The problem is friction, or rather the total absence of it. Digital guardrails collapse the moment you need them most: one tap and you're back on Instagram. Brick makes that tap a physical hurdle.Using the Brick at night has been transformative. The hours I was losing in the roundabout, I now spend reading, thinking and occasionally just sitting in silence.The novel is moving again and I can focus in longer and longer increments.The algorithm doesn't get me after 8pm any more, and it turns out the algorithm, deprived of its evening session, has less purchase on me during the day too.The Psychology of Digital BoundariesBrick hasn't cured my addiction, but it has restored the thing addiction most destroys, which is the moment of pause between impulse and action.These physical devices represent a growing recognition that our relationship with technology requires more than just self-control – it needs environmental design and intentional friction to counteract the sophisticated algorithms designed to capture our attention.As digital products become increasingly sophisticated at capturing and holding our attention, the market for tools that help us reclaim our time and focus is likely to expand beyond simple app blockers to more comprehensive systems of digital wellbeing.The Future of Digital WellbeingLooking ahead, we can expect to see more innovative solutions that address the fundamental design principles of digital products. The success of devices like Brick suggests that consumers are becoming more aware of how their attention is being monetized and are seeking ways to regain control.As awareness of digital addiction grows, we may see regulatory interventions that require technology companies to build more ethical design principles into their products, potentially creating a market for both wellbeing tools and more responsibly designed digital experiences.Ultimately, the journey toward healthier digital habits will likely involve a combination of personal discipline, technological solutions, and systemic changes in how digital products are designed and monetized.

The Lead: Arctic Monkeys' Humble Beginnings In 2005, Sheffield's music scene was buzzing with energy, enough that NME coined the term "New Yorkshire" to describe the explosion of talent in the region. Among these bands, Arctic Monkeys were just beginning their journey, a group of childhood friends from High Green who would go on to revolutionize British indie music. Their story is one of youthful determination, local influences, and a rejection of the mainstream music industry's expectations. The Sheffield Divide: Art vs. Traditional Indie Sheffield's music landscape in the mid-2000s was characterized by a distinct split between two types of bands. On one side were the more artier, often student-led indie bands like The Long Blondes, who deliberately positioned themselves against the local scene. The Long Blondes famously declared in their press materials: "Our shared influences include the Mael Brothers, Marx Brothers and the Bewlay Brothers. We do not listen to the Beatles, the Rolling Stones, Jimi Hendrix, the Doors or Bob Dylan." This intentional pomposity was perceived as arrogance by some, but represented a deliberate rejection of what they saw as staid, male-dominated music. On the other side were more traditional local indie outfits like Milburn, formed in 2001 by a group of teenagers in their mid-teens. These bands were influenced by the punk ethos of doing it yourself, often with little regard for what came before. As Milburn's Joe Carnall recalled: "If you had said Longpigs to me, I'd have gone, what? And if you'd have said Pulp, I'd have been like, he's a bit poncey isn't he? We were just angry young lads, so everything was shit. Which I think is great because it means you try and do something new." The Regional Rivalry: North vs. South Sheffield The divide in Sheffield wasn't just musical—it was geographical and cultural. As Jon McClure of Reverend and the Makers explained: "Culturally, it's different. I'm from north Sheffield where the accent is different. It's a lot thicker and harder, and the people are more brusque." This regional tension created a competitive environment where bands were suspicious of each other, with Carnall admitting: "It was very regional. We were suspicious of other bands. Like, [arty band] the Long Blondes, what's that? I'm not proud of it but that fuelled what we did." Milburn's Influence: The First Local Success Formed in 2001, Milburn quickly became a significant presence in Sheffield's music scene. They released a demo called "Steel Town" and built a substantial following, selling out the 500-capacity Boardwalk venue (locally known as "The Mucky Duck"). Their success demonstrated that bands from Sheffield could achieve local recognition without being based in London or other major music centers. Arctic Monkeys drummer Matt Helders later acknowledged Milburn's impact: "Milburn were the first people we saw doing it that were kids our age. We didn't think it was a thing that people did where we were from. We had this naive, or even maybe cynical attitude that all bands were just put together in London and that it doesn't happen to people like us." Arctic Monkeys' Formation: From Street Corners to Stage Arctic Monkeys emerged from High Green, a suburb of north Sheffield near the Barnsley border. The band consisted of childhood friends Alex Turner, Matt Helders, and Andy Nicholson (soon joined by Jamie Cook). Their formation was organic and spontaneous, as Helders explained: "This band came about from us hanging out on the street. Instead of deciding which house to go and egg that night, we were like, why don't we start a band? It really came from those kinds of conversations when you're on a field somewhere and people are smoking and drinking cider." Before Arctic Monkeys gained recognition, Helders and Turner briefly played in a funk ensemble called Judan Suki (Japanese for "being kicked in the weak spot") organized by Jon McClure. The experience was formative, even if the band was "fucking horrendous" according to McClure. For Helders, it was crucial: "I can see why Jon looks back and cringes but for me it was really important. And also for Al, because we'd never played onstage before. So it made it seem more accessible and realistic." The Practice Regimen: Building From Scratch Unlike some bands that might have emerged fully formed, Arctic Monkeys dedicated themselves to rigorous practice before performing publicly. They practiced consistently for nearly a year before their first public shows, demonstrating their commitment to developing their craft. This dedication would later pay dividends as they honed their distinctive sound and tight musical chemistry that would become their trademark. The Legacy: How Sheffield Shaped a Global Phenomenon The story of Arctic Monkeys' early years reveals how a specific local environment can nurture unique musical talent. The band's success wasn't just about their songwriting or performance abilities—it was about their authenticity and connection to their roots. They emerged from a vibrant but divided scene, influenced by but distinct from their contemporaries, and maintained their identity even as fame came their way. As the band members themselves acknowledged, they were "stubborn teenagers" who didn't want to be famous—at least not in the conventional sense. This attitude allowed them to create music on their own terms, which ultimately resonated with audiences worldwide and helped redefine what British indie music could be in the 21st century.

The LeadThe Spanish football federation has banned Real Zaragoza's goalkeeper Esteban Andrada for 13 matches after he punched a Huesca player in the face during a heated second-tier derby. The former Argentina international and his club will also face financial penalties for the incident that occurred in stoppage time of last Sunday's match.The On-Field IncidentThe 35-year-old goalkeeper, on loan from Mexican side Monterrey, was already on a yellow card when he shoved over Huesca's Jorge Pulido, earning a second yellow card and subsequent red. Instead of leaving the pitch peacefully, Andrada became enraged, running to hit Pulido and sparking a massive brawl on the field as the match approached its conclusion. Huesca goalkeeper Dani Jiménez and Zaragoza's Dani Tasende were also sent off in the aftermath of the confrontation.The ConsequencesThe federation's disciplinary committee imposed a 12-match ban for the punch, with Andrada's initial red card carrying an automatic one-match suspension, totaling 13 games. The goalkeeper has been ruled out for the remainder of the season, dealing a significant blow to Zaragoza's hopes of avoiding relegation as they currently sit second-bottom in the league. Huesca's Jiménez received a four-match ban, while Tasende was suspended for two matches. Huesca held on to secure a 1-0 home victory in the match affected by the violent incident.The Aftermath"The truth is I'm very, very sorry for what happened," said Andrada after the match. "It's not a good image for the club, for the fans, and especially not for a professional like myself." Zaragoza also issued a statement, acknowledging the severity of the incident: "We witnessed scenes unbecoming of this sport and which should never have occurred." The suspensions and fines will likely impact both teams' remaining fixtures as they battle for different positions in the league table.

The Pharmaceutical U-Turn: AstraZeneca's UK Investment Reversal Britain's biggest drugmaker AstraZeneca has announced a surprise £300m investment in the UK, marking a significant reversal after the company paused large-scale projects in Britain last year. The pharmaceutical giant had become disillusioned with the business environment, including the availability of new medicines on the NHS and drug pricing, but has now changed course with this substantial commitment to its UK operations. Strategic Investment in Cambridge and Macclesfield Facilities The investment will focus on two existing sites at Cambridge and Macclesfield. AstraZeneca will complete the construction of the Rosalind Franklin building on its Cambridge campus, where it has its headquarters. The company will also build a "lab of the future" at its Macclesfield site that will utilize digital and data tools to advance drug development. This announcement comes after AstraZeneca had paused a £200m investment in Cambridge last September, which had been expected to create 1,000 jobs, and scrapped plans to invest £450m in its vaccine manufacturing facility in Speke, Merseyside in January. Financial Performance and Market Position AstraZeneca's investment decision comes amid strong financial performance. The company reported an 8% increase in revenues to $15.3bn in the three months to March, with 16% growth in oncology and a 15% rise in rare disease treatments. Meanwhile, competitor GSK reported a 5% rise in sales to £7.6bn, with 28% growth in cancer drug sales. These positive financial results may have provided the confidence needed for AstraZeneca to resume significant investment in the UK. UK Life Sciences Sector at a Crossroads The investment represents a significant vote of confidence in the UK's life sciences sector, which has faced uncertainty due to changing regulatory environments and drug pricing policies. The reversal of AstraZeneca's investment pause suggests that recent government initiatives to improve access for patients—including four new drug approvals since the beginning of the year—have had a positive impact. This development could signal a broader trend of renewed pharmaceutical investment in the UK if the government continues to create a favorable business environment. Future Outlook for UK Pharma and Government Relations Looking ahead, this investment could strengthen the relationship between the pharmaceutical industry and the UK government. Pascal Soriot, AstraZeneca's chief executive, specifically thanked the government "for their effort to improve access for patients" and expressed hope for "further enhancing the access and the reimbursement environment." As the UK seeks to position itself as a global leader in life sciences, this partnership between government and industry could serve as a model for future collaborations, potentially attracting more pharmaceutical investment and solidifying the UK's position in the global biopharmaceutical landscape.

The Unjammable Threat In the skies over the Lebanese town of Taybeh, Israel's multibillion-dollar defence systems were rendered useless by a spool of cable, according to a report by the Israeli daily Yedioth Ahronoth (Ynet). The Lebanese group Hezbollah has introduced a new weapon to the battlefield: first-person view (FPV) attack drones guided by a physical fibre optic cable. Unlike traditional drones that rely on radio frequencies or satellite signals, these modified aircraft are tethered directly to the operator's control station by a fibre optic thread. The cable can extend between 10–30km [6.2 to 18.6 miles], allowing the drone to reach distant targets. Because there is no wireless signal to intercept, the drones are immune to Israel's sophisticated electronic warfare (EW) jamming systems. Improvised Nets and Deep Frustration The lethal potential of this technology was demonstrated clearly during the recent attack in Taybeh. An explosive-laden fibre optic drone slammed into an Israeli armoured unit, killing Idan Fooks and wounding six other soldiers, Ynet reported. The inability to stop these attacks has caused deep frustration among front-line Israeli commanders. In the absence of a systematic military solution, some Israeli combat units have begun independently developing improvised defences, such as hanging physical nets over military positions, houses and windows in the hope that the drones will get tangled up in it before detonating. A Deadly Tactical Shift The tactics mirror battlefield developments in Ukraine, where both sides have increasingly relied on tethered drones to operate in heavily jammed environments. Assembled and modified in workshops across southern Lebanon, Hezbollah's drones are fitted with anti-armour shaped charges, offering a cheap and precise alternative to conventional antitank missiles. Hezbollah's fiber optic drones have a range of 10-30km The drones are guided by a physical fiber optic cable, making them immune to Israel's electronic warfare jamming systems The drones have bypassed Israel's 'Trophy' active protection system on Merkava tanks