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In the devastated Gaza Strip, a father's quest for truth has become a desperate fight against time and uncertainty. Mohammed Lubbad's world was shattered on October 13, 2023, when an Israeli strike destroyed his home, killing several family members, including his wife and daughter.As Mohammed struggled to come to terms with his loss, he received news that his pregnant wife, Amal, had given birth to a son via Caesarean section at Kamal Adwan Hospital. However, the child's fate remained a mystery as Amal had died from head trauma and abdominal wounds shortly after.Mohammed's search for his son was complicated by the chaos and destruction caused by the ongoing war. He was told that his son might be among a group of premature infants at al-Shifa Hospital, but a lack of accurate medical documentation made it difficult to confirm.As the uncertainty grew, a bitter dispute emerged with another family who claimed the child was theirs. Despite similarities in the child's description, the two families were unable to resolve the matter.In a bid to find closure, Mohammed waited over two years for the evacuated children to return to Gaza. When they finally arrived on March 31, he went to Nasser Hospital in Khan Younis to try and see the child he believed was his. However, a minor dispute broke out with the other family, and medical investigators intervened.The police investigations department confirmed the dispute and emphasized that the initial registration of the baby under the other family's name could not be considered conclusive. Mohammed strongly believes the child is his and insists on a DNA test to settle the matter.However, DNA testing is currently unavailable in Gaza due to the destruction of specialized laboratories during the war. The police investigations department has called for the provision of DNA testing equipment or the facilitation of urgent sample transfers to accredited laboratories in Egypt or Jordan.Mohammed's ordeal has taken a significant psychological toll, affecting his life and work. He refuses to give up and plans to escalate his efforts by organizing a protest outside al-Shifa Hospital. For Mohammed, the truth is the only way to move on from the trauma and uncertainty that has haunted him since the war began.

Ten years after Prince’s death, friends and collaborators such as George Clinton, Apollonia Kotero and drummer Charles “Chazz” Smith share personal memories that illuminate his musical brilliance and private life.George Clinton, the legendary leader of Parliament‑Funkadelic, remembers meeting the 19‑year‑old Prince in 1977 and immediately recognizing a talent “a new version of Sly Stone.” Clinton praised Prince’s ability to master guitar, keyboards, bass and drums, noting his “arranging genius” inherited from his pianist father and his dance flair “like James Brown.” Clinton also recalled how Prince later signed him to Paisley Park Records and inducted him into the Rock and Roll Hall of Fame, cementing a friendship that survived countless late‑night studio sessions.Apollonia Kotero, actress and singer who starred alongside Prince in the 1984 film Purple Rain, describes a bond that spanned 33 years. She recounts the grueling shoot—jumping into a freezing lake, suffering hypothermia, and Prince’s frantic plea, “Please don’t die, Apple. I love you.” Their relationship, she says, was “family, not romance,” and Prince’s protective nature shone when he cared for her during illness. Kotero also recalls a surreal moment when Prince hummed the opening melody of “When Doves Cry” into her answerphone, urging her “Don’t erase this!” as a reminder of his creative process.Beyond the studio, Kotero notes Prince’s voracious appetite for literature and politics, his 3 a.m. visits that turned into midnight drives across Hollywood, and his habit of showing her walls plastered with fan mail—a testament to his deep connection with his audience.Charles “Chazz” Smith, Prince’s cousin and original drummer in the early band Grand Central, paints a picture of Prince’s childhood obsession with music. After a spontaneous Sly and the Family Stone concert in Minneapolis, Prince declared, “We’re gonna form a band, and you’re gonna be the drummer.” Within weeks, a newly gifted guitar allowed him to replicate Santana’s “Black Magic Woman” note for note, signalling the start of an insatiable drive to master every genre—from rock to funk to ballads.In the final months of his life, Prince’s friends observed a shift. He reclaimed the rights to his catalog in 2014, began repaying debts, and expressed grief over the death of Vanity, his longtime muse. Smith recalls a poignant encounter six weeks before Prince’s passing: after a brief hug, they exchanged the words “I love you,” marking the last conversation they ever shared.These testimonies collectively reveal a portrait of Prince that goes beyond his public persona: a relentless virtuoso, a compassionate confidant, and an artist whose influence continues to reverberate a decade after his untimely death.

At a damp morning meeting in Sandy Park, Exeter Chiefs chairman Tony Rowe outlined the club’s next chapter: a potential sale to an American investment group that will be decided by the club’s 700‑plus members at an extraordinary general meeting on 7 May.Rowe, now 77, has steered the Chiefs for more than three decades, guiding the team from a modest county‑ground side to Premiership champions in 2010. Yet he admits that “romance doesn’t pay the bills” in today’s professional rugby, and a well‑funded owner could finally provide the financial muscle the club needs.The proposed buyer is described as a “mega‑wealthy multi‑sport investor” already active in British football. If the vote passes, the investor would inject fresh capital, allowing Exeter to compete for top talent such as marquee player Immanuel Feyi‑Waboso and to pursue broader ambitions.Rowe argues that English club rugby must look beyond nostalgia. “We’ve got to wake up and smell the coffee,” he said, emphasizing the need for an owner with deep pockets. He warned that the club’s current shareholder structure, which “has no money,” limits growth.The takeover is part of a wider trend of foreign money entering English rugby, following recent investments in Newcastle Red Bulls and Bath. Rowe believes a cash‑rich owner will position Exeter to help expand the Premiership from its current ten clubs to twelve, and eventually fourteen, with a view to incorporating Welsh sides.He suggested that adding “two Welsh clubs” could revitalise Welsh rugby, which he described as “on its arse,” and noted that travel logistics would not be a barrier for English clubs making weekend trips to Wales.Financial pressures remain acute. Rowe cited a £25 million loss from Covid and the post‑pandemic mini‑recession, compounded by a government grant that was later converted into a loan and a Rugby Football Union (RFU) contribution that covered only half of the promised support.He also criticised a £200 million 2018 deal that gave private‑equity firm CVC Capital Partners a 27 % share of the club’s commercial rights. “We should never have sold those shares,” Rowe lamented, adding that CVC has done little to boost sponsorship or “razzmatazz” for the sport.Looking ahead, Rowe stresses the importance of attracting a younger, millennial fan base, noting that “our future supporters are millennials” and that they will be the financial lifeline of the club.Despite the uncertainties, Rowe remains optimistic. He confirmed he will stay on under the new ownership, describing the investors as “long‑term” and “understanding of the sport.” He warned the new owners must respect Exeter’s Devonian heritage, likening the club’s future to a bus that needs a fresh fuel supply to reach “even greater success.”

Mark Fisher, a renowned cultural theorist, left an indelible mark on modern thought with his critiques of capitalism and its pervasive influence on society. His book, Capitalist Realism: Is There No Alternative?, published in 2009, was initially met with silence from journalists and academics. However, it has since become a seminal work, selling over 250,000 English-language copies and being translated into numerous languages.Fisher's work was characterized by its accessibility and brutal honesty, earning him a following through his k-punk blog (2003-2016). He popularized the notion that “it’s easier to imagine the end of the world than the end of capitalism”, a concept attributed to Fredric Jameson. Fisher's writing covered a wide range of topics, including popular culture, work, mental health, and education, challenging the profit-driven economic system and reflecting on the feelings of hopelessness experienced by many.Konrad Kay, writer and co-creator of the finance drama series Industry, praises Fisher for documenting the subconscious human drives that underpin capitalism's immortality. Fisher's ideas continue to resonate, influencing artists such as Miki Aurora, who has explored his concepts of 'acid communism'.Fisher's philosophy of “hauntology” suggests that modern society is haunted by futures that failed to happen. This concept is explored in the documentary We Are Making a Film About Mark Fisher, which features archival recordings, interviews, and fictional performances. The film highlights Fisher's belief that artists have never been given the assets and opportunity to bring forth the new.The documentary has inspired a collective effort to undermine capitalism, with audience members organizing in-person group screenings worldwide. As the film concludes, “We are making a film about Mark Fisher and, now that you are watching, so are you.”

Equity’s Choreographers and Movement Directors Network (CMDN) says that theatre’s physical storytellers are still marginalised by awards bodies and should receive dedicated recognition.At the recent Olivier Awards, Fabian Aloise secured the best theatre choreographer prize for "Evita" at the London Palladium. While the network welcomed the visibility, it pointed out that the movement directors behind the nominated productions were omitted from any specific category, sparking a broader debate about the language used to credit theatrical creation.CMDN highlighted several movement directors whose work shaped this season’s most impactful shows, naming Leanne Pinder ("Punch"), Sarah Golding ("Kenrex"), Imogen Knight ("Dead Man Walking"), Jenny Ogilvie ("Into the Woods"), Sung Im Her ("The Glass Menagerie"), Lucy Hind ("Inter Alia") and Kloé Dean ("The Boy at the Back of the Class").Movement direction, the network explains, is not always dance but is essential to a production’s physical language, characterisation and dramatic flow. "If we celebrate the impact of physical storytelling, we must also evolve how we acknowledge the artists behind it," CMDN said.The network praised the Black British Theatre Awards for expanding their choreography category in 2022 to include movement direction, but noted that the UK Theatre Awards and Critics’ Circle Awards still lack dedicated categories for either choreography or movement direction.Founded in 2023 by movement director and choreographer Polly Bennett, CMDN now counts over 200 members. In a 2025 interview, steering‑group member Ellen Kane asked, "Why aren’t there Oscars or BAFTAs for choreography? Why aren’t we being credited?"Last month, more than a hundred theatre professionals signed a petition urging the Olivier Awards to create a separate video‑design category, arguing that the current system lumps video designers with other disciplines. This year’s Olivier winners illustrate the overlap: Tom Pye (set) and Ash J Woodward (video) shared the best set‑design award for "Paddington: The Musical", while Aideen Malone (lighting) and Roland Horvath (video) shared best lighting‑design for "Into the Woods".

Two members of the Iranian women's football team, Fatemeh Pasandideh and Atefeh Ramezanisadeh, who remained in Australia after the Women's Asian Cup, have begun rebuilding their lives while holding onto their dream of returning to elite football. In a recent statement, they requested "privacy and space" as they focus on their safety, health, and the process of rebuilding their lives in Australia. The duo expressed their gratitude to the Australian government for granting them humanitarian protection and a safe haven.The players, who are elite athletes, hope to continue their sporting careers in Australia. They have been supported by the Iranian diaspora community and have trained with the Brisbane Roar A-Leagues club. The club has offered them a supportive environment while they navigate their next steps.The situation for the Iranian women's football team gained international attention when they refused to sing the national anthem before their first match at the Asian Cup, sparking fears for their safety upon returning to Iran. This led to an outpouring of support, particularly from the Iranian community in Australia.Pasandideh and Ramezanisadeh acknowledged the help they've received, saying they are "overwhelmed by the warmth and generosity of the Iranian diaspora community in Australia." Their former teammate and captain, Zahra Ghanbari, recently had her assets frozen by Iranian officials but they were later released.

Alex Manninger, 48, died when his vehicle was hit by a train at a level crossing near Salzburg on Thursday morning. The accident occurred at approximately 8:20 am local time (06:20 GMT), according to Salzburg police. The former Austria goalkeeper, who earned 33 caps for his country, spent the early part of his career at Arsenal (1997‑2001), where he was part of the squad that won the league and FA Cup in the 1997‑98 season, before finishing his playing days at Liverpool in 2017. In Italy he guarded the posts for Fiorentina, Torino, Bologna, Siena, Udinese and Juventus. OEFB Sporting Director Peter Schoettel called Manninger “an outstanding ambassador of Austrian football” and praised his “professionalism, calmness and reliability” that inspired a generation of young goalkeepers. Police reports indicate the car was hit by a railcar of the Salzburger Lokalbahn while crossing the tracks and was dragged along. The driver – Manninger – was alone in the vehicle; the train driver escaped injury. First responders freed him, but resuscitation attempts were unsuccessful. Clubs paid tribute: Fiorentina announced a minute’s silence and black armbands for their Conference League match against Crystal Palace, while Arsenal expressed shock on social media. Liverpool and Juventus also released statements, with Juventus noting that Manninger will be remembered for his “humility, dedication and exceptional professionalism.” The tragic loss underscores the dangers of level‑crossing accidents and has prompted an outpouring of grief across the football community.

The US House of Representatives has rejected a resolution aimed at limiting President Donald Trump's power to wage war with Iran. The vote, which took place on Thursday, resulted in 213 votes in favor and 214 against the resolution, highlighting the deep divisions within Congress on the issue.The narrow margin underscores the intense debate over Trump's military actions in Iran and the role of Congress in authorizing war. The resolution's defeat comes a day after a similar measure failed in the US Senate, with Republicans largely opposing efforts to constrain Trump's military authority.Democrats have accused Republicans of giving unchecked power to Trump, who has been engaged in a military conflict with Iran since February 28. The war has resulted in significant human and economic costs, including the loss of servicemembers' lives and soaring gas prices.Under the US Constitution, only Congress has the authority to declare war, although presidents may conduct military actions in instances of immediate self-defense. The Trump administration has maintained that Iran's actions since the 1979 Iranian Revolution constitute such a threat, while critics argue that the US and Israeli attack on Iran was unprovoked and violated international law.The failed resolution reflects the ongoing struggle between Congress and the executive branch over the power to wage war. Democrats have argued that Congress must assert its authority to prevent an unchecked expansion of presidential power, while Republicans have largely supported Trump's military actions in Iran.Ceasefire negotiations between the US and Iran are ongoing, with both sides signaling a willingness to engage in further talks. However, significant issues remain unresolved, including control of the Strait of Hormuz and the future of Iran's nuclear program.

In a rare display of bipartisan cooperation, lawmakers across the US Congress are demanding greater accountability for sexual misconduct. This week, two US representatives, Eric Swalwell and Tony Gonzales, resigned amid a flood of allegations. Their departures have been hailed as a significant step towards addressing the issue.Representatives Alexandria Ocasio-Cortez, a Democrat, and Lauren Boebert, a Republican, have been at the forefront of the calls for accountability. Ocasio-Cortez described the resignations as “an important turning point” and emphasized that “abuse of power should never be accepted, especially in public office”. She also named Republican Cory Mills, who is under investigation for sexual misconduct, as the next lawmaker who should resign.Boebert has taken steps to strip Swalwell and Gonzales of their federal pensions and has urged those facing harassment in Congress to come forward. She said, “If your boss is mistreating you, or someone else in the office, tell somebody – come to my office. If you want to remain anonymous, remain anonymous”.The allegations against Swalwell and Gonzales are serious. Five women have publicly accused Swalwell of sexual abuse, with one accuser claiming he drugged and raped her in 2018. Gonzales admitted to having an affair with a staff member in 2024, which is prohibited by the House code of conduct.Lawmakers are now pushing for stricter rules and a safer environment for reporting misconduct. Representative Jackie Speier condemned the tendency for Congress to “basically look the other way” and called on leadership to take action.This movement towards accountability has been likened to the bipartisan push to compel the administration of US President Donald Trump to release investigative documents related to Jeffrey Epstein. The effort to hold lawmakers accountable for their actions marks a significant shift in the culture of Congress.