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Kimberly Belflower's revisionist take on Arthur Miller's classic The Crucible re-spins the witch-hunts for the #MeToo generation. Set in 2018, the play follows a classroom of teenagers—mostly girls—as they attempt to establish a feminist club, an effort seemingly sparked by contemporary news headlines. This original approach addresses adolescent girlhood in the direct aftermath of the Harvey Weinstein scandal, though the production takes time to build momentum.The narrative centers on Beth (Holly Howden Gilchrist), the class academic; Ivy (Clare Hughes), whose father faces workplace misconduct allegations; Nell (Lauryn Ajufo), the new student; and Raelynn (Miya James), a pastor's daughter dealing with relationship betrayal. Shelby (Sadie Soverall), though absent for much of the play, plays a crucial role in the unfolding drama.Set in a small-town Georgia high school, the feminist club concept initially proves controversial until a charismatic teacher, Carter Smith (Dónal Finn), suggests expanding it to include boys. Directed by Danya Taymor and performed continuously in under two hours, the script pivots around the students' study of Miller's play alongside their developing understanding of intersectional feminism.The production captures the girls' internalization of societal micro-aggressions with humor and pathos, incorporating pop music tributes to artists like Lorde, Taylor Swift, and Beyoncé. While the dialogue authentically portrays adolescent female relationships, the review notes these connections are sometimes flattened by their cuteness rather than reflecting the sharp edges typical of this transitional life stage.A significant parallel emerges between Miller's John Proctor—a morally complex character who ultimately maintains his principles—and the predatory male figure in the contemporary narrative. The review suggests a false equivalence between these characters, as the modern figure is portrayed as a serial abuser rather than a morally conflicted individual.The play concludes with an emotional climax as students reinterpret scenes from The Crucible through interpretive dance, symbolizing their liberation while acknowledging that the predator remains in their midst. This ending, while thematically resonant, is described as feeling neat and easy despite its powerful emotional impact.Despite these criticisms, the production effectively captures the zeitgeist of 2018 for a generation of girls coming of age in the shadow of the Weinstein scandal and the #MeToo movement, raising questions about the movement's lasting impact and current relevance.

European intelligence agencies have gathered evidence suggesting that Russia is on the verge of supplying drones to Iran for use in its ongoing conflict with the US and Israel. This development could significantly escalate tensions in the region.According to a senior European official, Russia has already been providing intelligence sharing with Tehran to help target US forces. The upcoming delivery of explosive-laden drones would be the first instance of lethal support from Russia to Iran since the start of the war.The official, who spoke on condition of anonymity, confirmed a report by the Financial Times that western intelligence found Russia was close to completing a phased shipment of drones, medicine, and food to Iran. Drone deliveries could be completed by the middle of next week.In response, Kremlin spokesperson Dmitry Peskov stated, “There are a lot of fakes going around right now. One thing is true – we are continuing our dialogue with the Iranian leadership.”Russia and Iran have signed a strategic partnership agreement and Moscow has sent over 13 tonnes of medicine to Iran through Azerbaijan. Moscow's growing involvement could expand and escalate the conflict, which has been criticized for its ill-defined objectives and resulting geopolitical and economic chaos.European foreign ministers have expressed concern over Russia's support for Iran, with German foreign minister Johann Wadephul accusing Russia of helping Iran identify potential strike targets. “Putin cynically hopes that the escalation in the Middle East will divert our attention from his crimes in Ukraine,” he said.

Patrick Gale's 18th novel, 'Love Lane', is a captivating tale of family secrets, love, and acceptance. The story follows elderly protagonist Harry Cane as he reflects on his life, including his clandestine relationship with his brother-in-law Paul Slaymaker in Canada.The narrative jumps between different perspectives, including Harry's daughter Betty, her husband Terry, and their daughter Pip. Through these characters, Gale explores themes of love, family, and identity, drawing significantly from his own family history and letters.Gale's writing is marked by its lightness and brilliance in describing everyday life. His characters are vividly realized, and their stories are engaging and often humorous. The novel also tackles darker themes, such as the criminalization of queerness and the harsh realities of prison life.While the novel's center sometimes feels unclear due to the numerous subplots and characters, Gale's warmth and gentleness shine through, making for a companionable read. The title 'Love Lane' alludes to the street where Pip and her husband Mike live, but its significance extends beyond that, symbolizing the love and acceptance that permeates the novel.Overall, 'Love Lane' is a heartwarming and engaging novel that explores the complexities of human relationships and the power of love and acceptance.

Rania Jaber had always dreamed of having a daughter, and when Narjis was born in 2020, she was overjoyed. Narjis was a bright and caring child, always looking out for her parents and twin brothers. Tragically, on March 2, Israeli bombs struck the family's home in Maifadoun, south Lebanon, killing Narjis and her aunt.Jaber described her daughter as 'wise beyond her years,' recalling how Narjis would comfort her during stressful times. The last thing Narjis said to her mother was, 'Mama, you're my life. Don't cry, I love you so much.' Hours later, Narjis was killed in the airstrike that left her mother and two brothers injured.Narjis's death is one of many child casualties in the conflict. Since the war began, 120 other children in Lebanon have been killed by Israeli strikes, making up nearly 10% of all deaths in the country. The Basma family, who were killed in an airstrike on their home in Nabatieh on March 14, is another example of the devastating impact on families.Experts warn that exposure to violence in children can lead to long-term developmental and behavioral issues. Dr. Rabih El Chammay, head of the national mental health program at the Lebanese ministry of public health, emphasized that 'children wake in fear, parents carry unbearable worry, and the hurt will echo for years, if not generations, after the bombs fall silent.'Jaber plans to seek psychological treatment for her sons once the war ends, deeply concerned about the long-term trauma caused by the bombing. For now, she and her family must cope with the immense grief of losing Narjis, a child described as 'incredibly kind, gentle, and loving.'

The UK government has introduced new guidelines aimed at helping parents manage their children's screen time. Children under five should spend no more than an hour a day on screens, according to the advice developed by a panel led by the children's commissioner, Rachel de Souza, and children's health expert Prof Russell Viner.For children under two, screen time should be avoided except for shared activities that encourage interaction. The guidance also suggests that bedtimes and mealtimes should be screen-free, with families encouraged to opt for background music, table games, bedtime stories, and colouring instead.Prime Minister Keir Starmer emphasized that the guidance will help families keep children safe and build healthy habits with screens. He stated, “Parenting in a digital world can feel relentless. Screens are everywhere, and the advice is often conflicting. My government will not leave parents to face this battle alone.”The panel's review found that long periods of solo screen time can harm sleep, physical activity, creative play, and interaction with parents, which are crucial for good development. About 98% of children watch screens daily by the age of two, and high screen time has been linked to impacts on language development.Prof Russell Viner noted, “Too much solo screen time can crowd out the things that make the biggest difference – sleep, play, physical activity and talking with parents and carers.” The guidance also recommends that parents consider their own screen use in front of their children and explore screen-free periods for the whole family.

UK Prime Minister Keir Starmer has pledged to take on social media companies in a bid to protect children from addiction, as new guidelines recommend limiting screen time for children under five to no more than an hour a day. The guidelines, developed by a panel led by the children's commissioner, Rachel de Souza, and children's health expert Prof Russell Viner, advise that children under two should avoid screen time except for shared activities. Ministers are also exploring Australia-style measures to limit or ban social media for under-16s, as part of a broader effort to regulate social media companies and protect children. Starmer emphasized that regulating social media companies will require a 'fight' to ensure they do not prioritize profits over children's well-being. 'Some of this will require a fight,' he said. 'If we're going to do more to protect children, we're going to have to fight some of the platforms that are putting the material up there because they're putting this addictive stuff up there for a reason.' The guidelines advise families to avoid fast-paced social media-style videos and toys or tools that use artificial intelligence for children aged two to five. They also recommend screen-free bedtimes and mealtimes, and encourage shared screen activities like video calling or looking through photos together. According to the government, about 98% of children watch screens daily by the age of two. Infants with high screen time are less likely to be read to or go on outdoor trips, which can impact language development. Experts have welcomed the guidelines, with Dr. Mike McKean, vice-president for policy at the Royal College of Paediatrics and Child Health, saying they will help parents protect 'short, but developmentally crucial early years.'

The Oklahoma City Thunder, a team once considered vulnerable, has surged ahead in the Western Conference with 12 wins in their last 13 games. Their recent performance has sparked discussions about their character and vibes, both on and off the court.At the heart of the Thunder's success is star player Shai Gilgeous-Alexander, known for his mechanically brilliant gameplay and deadly midrange jumper. This season, he's added a step-back three-pointer to his arsenal, producing more viscerally awesome moments than ever before. A notable example was his game-winning three-pointer against the Denver Nuggets on March 9, showcasing his clutch performance.Gilgeous-Alexander's personality, though sometimes quirky, has endeared him to fans. His love for fashion is evident in his game-day attire, from a mustard-colored leather suit to a fur coat. The Thunder's team dynamic is also characterized by their tendency to conduct on-court interviews in groups, showcasing their camaraderie.While some critics have labeled the Thunder as 'nerdy' and 'authentic,' these traits have become a breath of fresh air in the NBA. Their decision to decline a visit to the White House, citing a 'timing issue,' and their refusal to engage in certain political discussions, have also sparked conversation.Compared to other top NBA teams, the Thunder's quirks are a refreshing change. Unlike the Boston Celtics' reliance on three-pointers or Victor Wembanyama's sanctimonious views on the Spurs' playing style, the Thunder's approach is seen as more genuine. Even their defensive strategy, fueled by effort and creativity, as seen when Alex Caruso tried to block a shot with his shoe, has garnered admiration.As the Thunder continue to excel, their authenticity and team spirit are likely to win over more fans. Despite potential animosity from other teams, the Thunder's unique blend of personality and performance is set to make them a beloved team in the NBA.

As its title suggests, this musical about Claude Monet is full of reflections – fittingly so given the artist's preoccupation with light. In 1916, while struggling to complete The Water Lilies with cataracts, the ageing painter (Jeff Shankley) retreats into memories of his early career. His single-minded younger self (Dean John-Wilson) may be about to change art forever, but looking back, all Monet sees is the personal cost of his drive, particularly his mistreatment of his first wife, muse and mother of his children, Camille (Brooke Bazarian).For a man usually defined by his success, this alternative reflection is refreshing. Also bouncing back at Monet are his peers' struggles, the artistic establishment's dismissal of impressionism, and art's relationship to war and women. So abundant are these reflections, in fact, that Carmel Owen's ambitious book at times becomes a house of mirrors – enticing but with a distractingly split focus.There are certainly strengths, though, not least Libby Todd's set: a floor-to-ceiling jumble of empty canvases, which fill with huge impressionist paintings, vivid washes of coloured light and animated backdrops rendered in flickering brushstrokes. It's an invitation to step inside the artistic movement that favoured feeling over realism.Director Christian Durham has an accomplished cast on his hands. Shankley brings moving introspection (and a brilliant turn as a sniffy Paris salon clerk), while Bazarian and John-Wilson deliver standout singing on a stage full of mighty voices. Their connection, however, is outshone by those between young Monet and his fellow impressionist upstarts Bazille (a lovable Ritesh Manugula) and Renoir (a breezy Sam Peggs), whose moments together are the show's strongest. They fizz with the impatience of young rebellion, and their bickering, which provides much-needed moments of gentle humour, gives way to genuine devotion.An excellent eight-piece orchestra takes on Owen's songs, which lead us aptly through the story's tonal beats – lush strings for young love; jaunty woodwind for bantering artists. But none are distinctive enough to reach the heights of "hum it all the way home".Like Monet's, this musical's ambition sometimes comes at a cost, but it still lands in a place of beauty and deep feeling.

An Israeli airstrike targeted the Deir al-Balah camp in Gaza, killing at least one person. The incident occurred in a region that has seen significant conflict in recent times.The airstrike is part of a broader context of ongoing tensions in the Middle East, particularly between Israel and Gaza. The Deir al-Balah camp, like many areas in Gaza, has been affected by the conflict's escalation.The situation in Gaza remains volatile, with humanitarian concerns continuing to mount. The international community has been closely monitoring developments in the region, calling for de-escalation and peace.