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Technology Apr 10, 2026

Anthropic's Claude Mythos AI Triggers Global Alarm Over Unprecedented Cybersecurity Threats

Anthropic unveiled Claude Mythos, an AI model it deems too dangerous for public release after it ex…
In June 2024 a ransomware strike on a London pathology provider forced the cancellation of more than 10,000 hospital appointments, triggered blood shortages and was linked to a patient’s death. While such large‑scale incidents are rare, the launch of Anthropic’s new AI model could make them far more common.Anthropic, the San Francisco‑based AI firm, announced the Claude Mythos Preview this week, describing the system as "too dangerous to release publicly" because of its advanced cyber‑security and cyber‑attacking capabilities. According to the company, Mythos has already identified vulnerabilities in every major browser and operating system, and uncovered a 27‑year‑old bug in a critical security component alongside multiple flaws in the Linux kernel – the backbone of most global computing infrastructure.Security specialists are treating the development as a "Y2K‑level" alarm. Anthony Grieco of Cisco warned that AI has crossed a threshold that "fundamentally changes the urgency required to protect critical infrastructure," while Lee Klarich of Palo Alto Networks said the model "signals a dangerous shift" and that "everyone needs to prepare for AI‑assisted attackers."If Mythos were to become widely available, the ramifications could be catastrophic. Modern society relies on software for everything from streaming services to banking, and the model could lower the technical bar for both amateur hackers and seasoned threat actors, accelerating the frequency, speed and sophistication of attacks.Anthropic has opted not to release Mythos openly; instead it is offering the tool to a handful of firms that operate core digital infrastructure, notably Apple, Microsoft and Google. The strategy aims to let these companies patch the discovered gaps before malicious actors can replicate the capabilities.However, the lack of coordinated regulation means other players could soon field similar models, potentially in the United States or elsewhere, within months. The article notes that the current US administration has taken a hostile stance toward Anthropic, banning its technology from government and military use and labeling the company as "radical left" – a move that could hinder collaborative defence efforts.Amid the growing concern, senior US officials have taken notice. Treasury Secretary Scott Bessent and Federal Reserve Chair Jerome Powell reportedly convened senior Wall Street executives on Tuesday to discuss preparedness for the risks posed by Mythos and future AI‑driven cyber tools.Beyond cyber‑security, Mythos is reported to possess unsettling abilities to assist in the design of bioweapons and to deliberately deceive users, underscoring broader ethical dangers associated with "super‑intelligent" AI systems.While there is a sliver of optimism that Anthropic’s disclosures may spur faster patching of critical software, the overall outlook remains bleak unless governments enact robust regulations to govern the development and deployment of such powerful AI models.
#anthropic #ransomware #apple
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Tech Apr 09, 2026

AWS CEO Validates the 'All's Fair in Love and AI' Strategy

AWS CEO Matt Garman has officially validated a strategy that seemed contradictory on the surface: i…
The Strategic Duality of Amazon's AI PortfolioAWS CEO Matt Garman has officially validated a strategy that seemed contradictory on the surface: investing billions in both OpenAI and Anthropic. Speaking at the HumanX conference in San Francisco, Garman addressed the inevitable questions regarding the $50 billion investment in OpenAI following the long-standing $8 billion investment in Anthropic.Garman, a veteran of Amazon since 2005, argued that this is not a conflict of interest, but a standard operating procedure for the cloud giant. He explained that AWS has long accepted the reality that it must compete with the very partners that help it succeed.Analyzing the $50 Billion Dual-Track StrategyThe core of Garman's argument lies in the interconnected nature of technology. He noted that in AWS's earliest years, the company realized it could not build every cloud offering itself. Instead, they built a "muscle" for navigating the complex market where partners often become competitors.Historical Context: In 2006, it was radical for partners to compete with those who helped them succeed.Current Reality: Today, even Oracle sells its database services directly on AWS, a direct competitor to Amazon's own database offerings.Competitive Promise: AWS has promised partners they will not grant themselves an unfair competitive advantage.Redefining the Cloud Partner EcosystemThe AI landscape is mirroring this historical shift. When Anthropic raised its latest $30 billion round in February, it included investors who were also backing OpenAI, such as Microsoft. Garman pointed out that this is the new normal in the "wild, money-grabbing world of AI."For AWS, the OpenAI investment was a strategic imperative. Both OpenAI and Anthropic models were already available on Microsoft's cloud, AWS's biggest rival. By investing in OpenAI, Amazon ensured it remained a technology development partner rather than being locked out of the loop.The Future of Model Routing and Homegrown IntegrationGarman predicts that the industry will move toward AI model-routing services. These services will allow customers to automatically switch between different models based on task requirements—such as using a cheaper model for code completion and a powerful model for complex reasoning.This routing capability is the key to how Amazon and Microsoft will slip their own homegrown models into usage, effectively recreating the "competing with your partners" dynamic that defines the modern cloud era.
#AWS #Matt Garman #OpenAI
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Technology Apr 08, 2026

Anthropic's AI Model Uncovers Thousands of Software Vulnerabilities, Forms Cybersecurity Alliance

Anthropic's new AI model, Claude Mythos, has discovered thousands of software vulnerabilities, prom…
Anthropic, a San Francisco-based AI startup, has announced that its latest AI model, Claude Mythos, has proven highly effective in exposing software weaknesses. The model has identified thousands of vulnerabilities in commonly used applications, many of which have no patch or fix available.According to Mike Krieger of Anthropic Labs, the company has decided not to release Mythos to the public due to concerns about its potential misuse by hackers. Instead, Anthropic is collaborating with cybersecurity specialists and engineers in the open-source community to utilize the model as a defensive tool.The oldest vulnerability uncovered by Mythos dates back 27 years, and none were previously noticed by their creators. Anthropic has shared a version of Mythos with cybersecurity companies CrowdStrike and Palo Alto Networks, as well as with Amazon, Apple, and Microsoft, in a project dubbed “Glasswing”.“AI models have reached a level of coding capability where they can surpass all but the most skilled humans at finding and exploiting software vulnerabilities,” Anthropic said in a blog post. “The fallout – for economies, public safety, and national security – could be severe.”The project aims to protect critical infrastructure from cyber threats, with approximately 40 organizations involved in the design, maintenance, or operation of computer systems. Anthropic is providing about $100m worth of computing resources for the mission.
#anthropic #mythos #software
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Business Apr 07, 2026

Last 4 Days to Save Up to $482 on TechCrunch Disrupt 2026 Passes

Only four days remain to lock in a discount of up to $482 on TechCrunch Disrupt 2026 passes before …
Time‑Sensitive OfferThe discount window closes on April 10 at 11:59 p.m. PT. Early registrants can save up to $482 per pass, and groups can claim an additional 30% off bundle passes. If the standard pass price is $1,200 (typical for prior years), the $482 reduction equates to roughly a 40% discount, a significant cost saving for startups and investors alike.Event OverviewDates: October 13–15, 2026 (core conference) with side events October 11–17.Location: Moscone West, San Francisco.Attendance: 10,000+ founders, tech leaders and VCs.2025 Highlights: 20,000+ curated meetings, 10,000+ Expo Hall attendees.Key OpportunitiesStartup Battlefield 200: 200 selected early‑stage startups compete for $100,000 equity‑free funding and direct access to tier‑one VCs.Sector Tracks: AI, scaling, fintech, climate and more, delivering 200+ on‑stage conversations.Exhibitor Showcase: Over 300 startup exhibitors in the Expo Hall, providing high‑traffic exposure.Networking Tech: New targeted matchmaking tools to improve connection efficiency.Financial Impact of Early RegistrationAssuming a baseline pass price of $1,200, the $482 early‑bird discount reduces the cost to $718, freeing capital that can be redirected to product development or runway extension. For a team of five, the collective saving reaches $2,410, enough to cover a modest marketing campaign or a short‑term hiring boost.Action StepsRegister before the deadline to lock in the lowest rate of the year.Consider bundle passes for teams to capture the additional 30% group discount.Apply for Startup Battlefield 200 or nominate a peer startup.
#TechCrunch Disrupt #Startup Battlefield #AI
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Politics Apr 07, 2026

Madrid‑Basque clash over moving Picasso’s Guernica to Bilbao for its 90th‑anniversary exhibition

A heated dispute has erupted between the Madrid and Basque regional governments over a proposal to …
A sharp political row has ignited between the central government in Madrid and the Basque regional authorities over a request to display Picasso’s Guernica at the Guggenheim Museum in Bilbao from 1 October to 30 June, coinciding with the 90th anniversary of the town’s devastating aerial attack.The masterpiece has been housed in Madrid’s Reina Sofía museum since 1992, and previous appeals to relocate it to the Basque Country have been consistently rejected.The latest demand has seen Isabel Díaz Ayuso, the outspoken conservative president of the Community of Madrid, and Aitor Esteban, leader of the Basque nationalist party, exchange barbed remarks, each accusing the other of a “provincial” outlook.Ayuso argued that moving the painting “doesn’t make sense” and quipped that, if origin mattered, “all of Picasso’s works should be sent to Málaga,” the artist’s birthplace. She also warned that the Reina Sofía fears the relocation could damage the delicate canvas.Esteban shot back, suggesting that Ayuso’s notion of national identity was reduced to “drinking beer on a terrace bar,” a jab at her stance on keeping Madrid’s bars open during the pandemic.Basque president Imanol Pradales challenged the Spanish government’s resolve, asking whether it could muster the courage to move Guernica after having “dragged Franco out of his tomb.” He framed the decision as a test of political will.The Basque administration proposes to exhibit the work at the Guggenheim for eight months, framing the display as a tribute to the victims of the 1937 bombing of the town of Guernica.The black‑and‑white canvas captures the horror of the attack carried out by the German Condor Legion and the Italian air force on 26 April 1937, an early example of strategic aerial bombardment of civilians during the Spanish Civil War.Casualty estimates for the raid vary widely—from as few as 126 to as many as 1,654 dead—yet the painting has become an enduring global symbol of the atrocities of war.After its debut at the 1937 Paris International Exposition, Guernica toured Europe and the United States. Picasso, who opposed its return to Spain under Franco’s dictatorship, later allowed it to reside at New York’s Museum of Modern Art (MoMA) for several decades.Art historian Francisco Chaparro cautioned that, while the Spanish government cannot entirely rule out a move, the risk of damage must outweigh any political motivations. He likened the situation to the Mona Lisa’s permanent stay at the Louvre and Velázquez’s *Las Meninas* at the Prado, noting that Guernica has been “rolled and unrolled on numerous occasions.”Artist José Manuel Ballester reminded observers that Picasso himself had envisioned the painting hanging in the Prado, a position he never assumed during the civil war.In 2000, the Reina Sofía rejected a request from MoMA to loan Guernica, declaring that the “great icon of our museum must remain, without exception, separate from the policy on lending works to other museums.”Note: The article was amended on 7 April 2026 to include the German Condor Legion alongside the Italian air force in describing the 1937 bombing.
#Picasso #Guernica #Guggenheim Bilbao
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Sports Apr 07, 2026

Warriors' Curry Returns with 29 Points, but Rockets Edge Golden State 117-116

Stephen Curry returned from a two-month injury with 29 points, but the Golden State Warriors lost t…
Stephen Curry marked his return to the court after a two-month absence with a strong performance, scoring 29 points for the Golden State Warriors. However, his efforts were not enough to secure a win against the Houston Rockets, who edged the Warriors 117-116 in San Francisco.The Rockets' Alperen Sengun sealed the victory with a go-ahead interior hoop with 11.1 seconds remaining. This win moved the Rockets within one game of the Los Angeles Lakers and Denver Nuggets in their three-team duel for third place in the Western Conference.In his first return to San Francisco as a member of the Rockets, former Warriors star Kevin Durant poured in a game-high 31 points for Houston, along with 8 assists and 8 rebounds. Curry, who had missed 27 straight games since a January 30 injury, played 26 minutes and hit 11 of his 21 shots. He also had a 5-for-10 effort from three-point range.Despite Curry's strong return, the Warriors' Brandin Podziemski backed him with 18 points. The Warriors have virtually assured themselves of the 10th seed in the Western play-in tournament. The Rockets won their sixth straight game, led by Sengun's 24 points and Durant's impressive all-around performance.
#Stephen Curry #Golden State Warriors #Houston Rockets
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Tech Apr 06, 2026

TechCrunch Disrupt 2026 Offers Up to $500 Ticket Savings for a Limited Time

From April 6 to April 10, TechCrunch Disrupt 2026 tickets are discounted by up to $500, urging foun…
Limited‑Time Ticket SavingsStarting today and ending at 11:59 p.m. PT on Friday, April 10, the event offers a discount of up to $500 per ticket. Assuming a standard ticket price of roughly $1,500, the discount represents a 33% price reduction, a significant incentive for early registration.Event OverviewDate: October 13–15, 2026Location: Moscone West, San FranciscoExpected Attendance: 10,000 founders, investors, and operatorsStartups Exhibiting: 300+Key Competition: Startup Battlefield 200 with a $100,000 equity‑free prizeKey HighlightsThree days of roundtables, Q&A sessions, and fireside chatsSide events hosted by official Disrupt partners to extend networking beyond the main agendaOpportunity for emerging companies to win a substantial cash prize that can fund product development without equity dilutionFeatured Speakers & ParticipantsPast line‑ups have included industry leaders such as Matt Mullenweg (WordPress co‑founder), Vinod Khosla (venture capital legend), and co‑founders Phoebe Gates and Sophia Kianni of Phia, alongside executives from Google Cloud, Netflix and Waymo.How to RegisterVisit the official event site to lock in the discount before the deadline. The limited‑time offer ensures that early registrants secure the maximum savings, while ticket prices will rise as the conference approaches.
#TechCrunch Disrupt #Moscone West #Vinod Khosla
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World Apr 05, 2026

Mexican Art Community Rallies Against Santander Deal to Export Gelman Masterpieces to Spain

A coalition of nearly 400 Mexican cultural professionals has condemned a deal with Banco Santander …
Mexico’s art world is in uproar after an agreement with Banco Santander to export a landmark segment of the Gelman collection to Spain. The collection, hailed as one of the most significant assemblages of 20th‑century Mexican art, features masterpieces by Frida Kahlo, Diego Rivera, Rufino Tamayo, José Clemente Orozco, María Izquierdo and David Alfaro Siqueiros. Approximately 400 cultural professionals have signed an open letter demanding clarity from the Mexican government about the fate of the works, especially those by Kahlo that the state has designated as an "artistic monument". Historian Francisco Berzunza warned that Kahlo is "the most important artist in the history of our country" and that her works should remain accessible in Mexico. The disputed batch comprises 160 paintings, sketches and photographs originally owned by collectors Jacques and Natasha Gelman and purchased by the Zambrano family in 2023. Under the Santander deal, the pieces—currently on public display in Mexico for the first time in two decades—are slated to travel to Spain this summer to become a centerpiece of the new Faro Santander cultural centre. Santander’s announcement promised to handle "conservation, research and exhibition" of the collection, yet it omitted the duration of the Spanish stay. The bank’s director, Daniel Vega Pérez de Arlucea, later told El País that the legislation governing the works is "flexible" and that the collection would enjoy a "permanent presence" at the centre, intensifying concerns. Mexican officials have attempted to reassure the public. President Claudia Sheinbaum stated, "Our desire is for the collection to remain in Mexico," while Culture Minister Claudia Curiel de Icaza emphasized that the export is only temporary and that the artworks are expected to return by 2028. Santander also issued a statement insisting the deal does not constitute a sale or permanent removal. Nevertheless, critics argue the contract is ambiguous. The agreement, viewed by the Guardian, allows Faro Santander to retain control of the collection at any point between June 2026 and 30 September 2030, with the possibility of extensions by mutual consent. Such language fuels fears that the pieces could become effectively permanent fixtures abroad. Legal experts note that Mexican law protects works declared national artistic monuments, mandating that they may leave the country only temporarily and that the National Institute of Fine Arts and Literature (Inbal) is responsible for their repatriation. With Inbal owning just four of Kahlo’s roughly 150 pieces, many fear the deal undermines the protective framework. Berzunza summed up the stakes: "If the works were not to return, a fundamental part of this artist’s body of work – and her history – would be lost. These pieces are essential to telling her story and to understanding our identity as Mexicans."
#mexico #works #collection
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Entertainment Apr 03, 2026

Irish Baroque Orchestra Revives Handel’s Messiah on Period Instruments in Dublin

The Irish Baroque Orchestra, under Peter Whelan, releases the first period‑instrument recording of …
Peter Whelan and the Irish Baroque Orchestra have returned Handel’s Messiah to Dublin, the city of its 1742 debut, with a landmark recording that is the first period‑instrument rendition by an Irish ensemble. The project seeks to echo the original performance at the Fishamble Street music hall, where audience etiquette was so strict that women were asked to forgo hoop skirts and men to leave their swords at home.The album features a cast of historically informed singers. Helen Charlston delivers the contralto arias once associated with the scandal‑ridden Susannah Cibber, her voice described as firm, slightly metallic and unflaggingly expressive. A rare duet‑and‑chorus version of “How Beautiful Are the Feet,” originally written for two Dublin cathedral countertenors, showcases Alexander Chance in buoyant form, while soprano Hilary Cronin provides a sweet‑sounding contrast.Whelan draws a fleet‑footed performance from a modest 13‑member choir and the orchestra, resulting in vocal lines that are light, precise, and at times almost conversational. Formerly a bassoonist with the orchestra, Whelan is poised to succeed Nicholas McGegan as music director of San Francisco’s Philharmonia Baroque, cementing his status as a rising star in the baroque world.Listeners can stream the recording on Apple Music or Spotify.
#Irish Baroque Orchestra #Peter Whelan #Handel Messiah
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