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The Lead: Football's Global IconsFootball is a great leveller. Not everyone goes to a school with a rugby pitch and not everyone can afford a pony. However, from the favelas of Rio de Janeiro and the slums of Nairobi to the playgrounds of Monaco and Beverly Hills, you will see children kicking a football about.Arguments over the greatest 10 World Cup heroes have kept friends debating into the small hours for decades. Such arguments will continue for as long as football is played. But here, before the FIFA World Cup 2026, are the 10 we think have been the best:The Legends: Ranking World Cup Greats10. Zinedine ZidaneOne of the greatest and most controversial players of the game, Zidane won the 1998 World Cup for France at home, scoring twice in the final. Injuries kept him largely out of France's short-lived 2002 World Cup campaign, but he went on to be named player of the tournament at the 2006 edition – despite the infamous head butt that sent him off in the final against Italy. Thousands of fans lined the streets of Paris chanting Zidane's name when the team returned home.Having scored 31 goals in 108 matches for France, his talismanic leadership shaped the national team into something much greater than the sum of its parts. As a coach, he went on to win three Champions League titles and La Liga twice with Real Madrid.9. Jimmy GreavesNot even the great Bobby Moore, whose statue greets supporters arriving at Wembley Stadium, was as loved by English fans as Jimmy Greaves. Already a star at home, Greaves gained international recognition after rescuing a pitch-invading dog that had evaded the Brazilian greats during England's 1962 World Cup quarterfinal. Brazil's Garrincha took the dog home, and Greaves became known in Brazil as "Garrincha's dog-catcher".Greaves was part of the 1966 World Cup-winning squad, but a savage injury inflicted by France's Joseph Bonnel that required 14 stitches kept Greaves out of the final. Greaves scored six hat-tricks in an England shirt, a record that still stands. The 1966 campaign continues to be a focal point of English identity, the squad universally adored, and Greaves became a broadcaster, welcomed into the nation's living rooms for decades.8. Ferenc PuskasPuskas was captain of the Mighty Magyars, Hungary's golden team, which flourished under the influence of Jimmy Hogan's Total Football. He scored 84 goals in 85 matches for Hungary and made four appearances for Spain. Hungary were so dominant under Puskas that the 1954 World Cup final was the only game they lost in the entire decade.He scored 702 goals from 705 career games. The giant of European football was a vocal supporter of the 1956 Hungarian Revolution and defected to Spain while on tour after the Soviet army killed 2,500 of his countrymen while crushing the uprising. He returned to Hungary after the collapse of communism and remains worshipped by Hungarians.7. Lothar MatthausGermany's most-capped player, Matthaus scored 23 goals in 150 international matches. A box-to-box midfielder, he featured in five World Cups, helping West Germany win the 1990 edition. The only German to be named FIFA World Player of the Year, Matthaus holds the record for most World Cup games (25). His natural leadership gave him a commanding presence on the field, and his technical ability combined with his tactical awareness gave him an unstoppable dominance on the pitch.The bullish Diego Maradona called him the toughest opponent he ever faced.6. Miroslav KloseIt's rare that you get prizes just for being a good guy, but Germany's record goal scorer, the somersaulting Miroslav Klose, has a handful of them. With a career hallmarked by fair play and decency – he famously refused to accept a penalty awarded to him during a club match because he knew the referee was mistaken – Klose scored in four World Cups, finally lifting the trophy in 2014.A physical powerhouse of a forward, his stature belied his speed. He scored 71 goals in 137 matches in a German jersey. He also scored 16 World Cup goals. No one has ever scored more. He was prolific, and a good guy.5. Ronaldo"The Phenomenon" reinvented the role of striker while playing for Brazil in 98 matches and scoring 62 goals. He lifted the 1994 World Cup trophy at the age of just 17. Four years later, he was named Player of the Tournament after steering Brazil into the final, only to suffer a convulsive fit just hours before the game. He scored twice in the 2002 World Cup final to add to his six in the competition earlier, once more lifting the trophy.A fourth World Cup appearance saw Ronaldo score a then-record-breaking 15th World Cup goal. But it was the way in which he did it that set the world on fire: speed, control, vision, total mastery of the ball, explosive runs, juggling the ball past defenders with acrobatic flicks and tricks, and the goals.4. Franz BeckenbauerNo compilation of World Cup heroes could omit Franz Beckenbauer, one of only three men – along with Didier Deschamps and Mario Zagallo – to lift the World Cup trophy both as a player and a manager. Despite playing as a defender, Beckenbauer scored 14 goals in his 103 appearances for West Germany, captaining the 1974 winning side.After playing in the 1966 World Cup final loss to England, he got revenge four years later, scoring a searing goal to knock the English out and send West Germany to the semifinal. But three World Cup appearances weren't enough for him, and as Germany marched towards unification and a new era, Beckenbauer guided the national team as manager to win the 1990 World Cup.3. Johan CruyffThe three-time Ballon d'Or winner, one of the most influential figures in the sporting philosophy of Total Football, brought a new level of sophistication to the game. Football for Cruyff wasn't just an athletic sport but a blending of mind, body and artistry – an exercise in simplicity and beauty.A creative playmaker with a unique understanding of the geometry of players' pitch positions, he led his team like the conductor of an orchestra. The Netherlands never lost a game in which he scored. And he scored a lot – 33 goals in 48 international matches. Cruyff led the Netherlands to the final of the 1974 World Cup, scoring twice against Argentina and knocking out then-champions Brazil. It was only the defensive heroics of Franz Beckenbauer that frustrated Cruyff's efforts on goal and kept the Dutchman from lifting the trophy.2. Diego MaradonaThe drug-addled "Golden Boy" is widely regarded as one of the greatest players in the history of football. His 60-metre (66-yard) dribble past five England players in the 1986 World Cup quarterfinal led to the "goal of the century", yet its mastery followed the sport's most famous unpenalised handball – the goal that became known as "the hand of God".That game epitomised the two sides of Maradona: the raw, prodigious talent of the Argentinian captain mixed with an absolute disregard for rules, the shameless arrogance of a genius and the belief that one's innate talent sets you apart from – and above – the mere mortals around you. Argentina went on to win the 1986 World Cup, 10 years after Maradona had made his first appearance for the national side aged just 16.1. PeleHas there ever been a more successful football icon than Brazil's Pele? In 1958, when he scored his first World Cup goal – the result of a scuffed mishit that ended Wales's World Cup dreams for the following seven decades – could anyone have known the giant he was to become?With either foot, Pele could produce the sort of magic that inspired generations. Off the pitch, as one of the first truly global Black sports superstars, his outspoken support for improving the lives of the poor made him a national hero. Pele lifted the World Cup three times: 1958, 1962 and 1970. He remains Brazil's leading goal scorer with 77 goals in 92 games. He was so famous, so beloved all around the world that in 1969, both sides in Nigeria's civil war agreed to a ceasefire so they could watch Pele play in an exhibition match in Lagos.The Legacy: World Cup Impact on National IdentityPerhaps the way in which football stars have often escaped humble origins to shine in the sport allows the very best to become icons on and off the pitch and truly become heroes of nations. For many countries, World Cup success has become intertwined with national identity, with players elevated to almost mythical status for their contributions to the sport and their country's prestige on the world stage.The Evolution: Changing Standards of GreatnessAs the World Cup has evolved over decades, so too have the standards by which we measure greatness. Early World Cup heroes were often celebrated for their technical skill and leadership, while modern players are increasingly judged by their statistics, consistency across tournaments, and ability to perform under pressure. The rise of data analytics in football has added new dimensions to the debate about what constitutes greatness in the World Cup context.The Future: Who Will Join the Pantheon?As we approach the 2026 World Cup, the question remains: who will join this pantheon of greats? With players like Lionel Messi already having cemented their legacy, and emerging talents like Kylian Mbappé showing signs of greatness, the debate will continue to evolve. The World Cup has always been a stage where legends are made, and the 2026 tournament promises to be no exception.

2026 French Open tournament director Amelie Mauresmo confirmed that prize‑money figures will remain unchanged this year, even as leading players threaten a boycott over a perceived drop in their share of tournament revenue.The Standoff Over Prize‑Money Allocation at Roland GarrosTop players, including Aryna Sabalenka and Coco Gauff, have criticised the organisers for reducing the players’ revenue share to an alleged 14.3 %, far below the typical 22 % seen at standard ATP and WTA events. In protest, many competitors plan to limit media interactions to 15 minutes during the pre‑tournament press day. A meeting between the French Open committee and player representatives is scheduled for Friday, but Mauresmo reiterated that “we are not going to change anything” for the current edition.Financial Snapshot: Prize Money vs. Tournament RevenueTotal prize pool: 61.7 million € (up 5.3 million € from 2025)2025 tournament revenue: 395 million €, a 14 % year‑on‑year risePlayers’ share of revenue: projected 14.3 % in 2026, down from 15.5 % in 2024Singles champion payout: 2.8 million € (+250,000 € from 2025)Implications for Player‑Organizer Relations and Future Grand SlamsThe disparity between the tournament’s revenue growth and the modest 5.4 % increase in prize money fuels tension. Players argue that without a more equitable split, they may collectively boycott Grand Slams, echoing calls made earlier this month. The French Open’s increase follows larger hikes at the U.S. Open (+20 %) and Australian Open (+16 %), highlighting a widening gap in compensation strategies across the majors.What Comes Next: Potential Negotiations and Boycott RisksWhile Mauresmo pledged ongoing dialogue, she admitted that “discussions will continue, probably after the tournament.” The upcoming Friday meeting will test whether a compromise can be reached before the start of the competition. Should talks stall, the threat of a coordinated boycott by high‑profile players could pressure organisers to revisit the prize‑money formula for future editions.

The LeadAnxious Arsenal fans around the world were glued to their screens when Manchester City's draw at Bournemouth crowned the North London club as Premier League champions – but Mikel Arteta, who led Arsenal to their first league title in 22 years, was not watching.The manager had planned to be at Arsenal's training centre in London Colney to watch the game with his players, but could not find the energy to make the trip, and chose to stay at home.The Unconventional Celebration"I went outside to the garden, I started to build some fire. I started to do some barbecue, I didn't watch any of it," Arteta told reporters on Thursday.After finishing second three times in a row, Arteta heard the news of their long-awaited triumph from his eldest son, Gabriel, who plays for Arsenal's Under-18 side."My eldest son opened the garden door, he started to run towards me. He started to cry, gave me a hug and said, we are champions, daddy," Arteta said."Then my other two boys and my wife came over, and it was beautiful, just to see the joy on them as well."Videos shared by Arsenal on social media showed players dancing and chanting at their training centre after their league title was confirmed with a game to spare."It was their moment. And they have to be themselves in that moment. And if I'm there, I think it wasn't going to be the same," Arteta said.Arsenal captain Martin Odegaard called Arteta soon after, asking where the manager was."I said, guys, enjoy for a while and see you in a few hours somewhere in London," Arteta recalled with a smile.The Manager's JourneyIt is Arteta's first league title as manager, and he admitted that he doubted himself during a high-pressure campaign, where they were often a slip-up away from losing their lead in the title race."To play with that on your back constantly is not easy. That has been one of the toughest moments... we showed very important values not only in sport, but in life. Which is perseverance, to be resilient, to be composed in moments when people are doubting," he said."And to be vulnerable. I've asked that question to myself, am I good enough to lead these players to win a major trophy? Until you do it, you cannot validate yourself."The Team's MomentumArteta said the mood in the club had changed after winning the Premier League, buoying the team's confidence ahead of a Champions League final against Paris Saint-Germain on May 30."It changes because the level of emotion you feel, it's something I haven't felt before," he said.The Final ChapterArsenal will conclude their league campaign and lift the trophy at Crystal Palace on Sunday."We will have a window to celebrate and lift the trophy and connect with the people we have constantly around us. Then we have six days to write new history in this football club," Arteta added.

Snapshot of Kingfisher’s Audiobook AppealThe Guardian’s review frames *Kingfisher* as a smart, reflective audiobook that delves into an unconventional romance while interrogating power dynamics and familial trauma. Narrated by Dan Bottomley, the 6hr 1min production offers listeners a lyrical journey through the protagonist’s obsession and the poet’s fragile world.Plot and Character Dynamics UnpackedThe story follows an unnamed creative‑writing academic who becomes infatuated with an Irish poet, seventeen years his senior and celebrated for her bird‑themed novels. Their meetings on a riverbank bench evolve from casual lunches to a caregiving partnership when the poet is diagnosed with breast cancer, contrasting sharply with the protagonist’s strained relationship with his mother, Hetty, and his long‑term partner, Michael.Unnamed academic – narrator and central viewpoint.Irish poet – the object of desire, author of bird stories.Michael – gym‑owner boyfriend, representing the protagonist’s ordinary life.Hetty – mother whose disapproval of her son’s sexuality adds familial tension.Runtime and Production MetricsThe audiobook runs 6 hours 1 minute, a length that allows for deep immersion without overstaying its narrative arc. Dan Bottomley’s narration is praised for its deft guidance, balancing the novel’s lyrical prose with the emotional weight of the characters’ experiences.Literary and Societal Implications of the StoryBeyond its plot, *Kingfisher* offers a fresh perspective on age‑gap relationships, positioning desire as a conduit for both empowerment and vulnerability. The review notes the novel’s commentary on parental influence, particularly how Hetty’s disapproval shapes the protagonist’s identity and choices, echoing broader conversations about LGBTQ+ acceptance and intergenerational trauma.Future Prospects for Rozie Kelly and Age‑Gap NarrativesHaving been shortlisted for this year’s Women’s Prize for Fiction, Kelly’s debut positions her as a compelling new voice in contemporary literature. The Guardian suggests that her nuanced handling of love, power, and caregiving could set a precedent for more complex age‑gap stories, and anticipates heightened interest in her next project, whether in print or audio format.

The LeadLast week came the news that Gen Z are big fans of going to the cinema. Now here's a Gen Z romcom from Working Title, the company behind Bridget Jones's Diary and Notting Hill. Directed by Alicia MacDonald from a script by Rachel Hirons, Finding Emily shares DNA with Richard Curtis's comedies – the same warm heart and charm, plus levels of cheesiness that some may find cringe. In the end, I found it impossible to hate, though one or two performances felt a bit lacking in comic flair.The Campus Romance UnfoldsIt's set in Manchester, where indie singer-songwriter Owen (Spike Fearn) meets undergraduate Emily (Sadie Soverall) at the student union. They click, but when Emily taps her number into his phone, she misses out a digit. Is it a drunken error, or has she wrong-numbered him? Owen is convinced it's a mistake and sticks up posters around campus to find her. After a tipoff, he waits outside a lecture hall for psychology student Emily (Angourie Rice). She's American, and not his Emily, but she offers to help, suggesting Owen emails every Emily enrolled at the university – all 318 of them. Owen accidentally sends the email to all rather than BCCing, creating an email group of Emilies who are divided in their reactions. Is he some kind of creepy virgin "incel"? Or a diehard romantic? Owen becomes a meme: "email guy".Social Media SatireSome of the funniest scenes are the reactions on social media after Owen appears on a college YouTube channel with a guitar playing a song he wrote for Emily. "It's like Ed Sheeran on Crimewatch," someone writes. Another coins the hashtag #ratboysummer. This is a very gentle, light-touch send-up of campus culture wars and social media pile-ons. In fact, psychology student Emily has an ulterior motive for helping Owen: she wants to use him as a case study for her thesis that being in love is temporary insanity. "He is just data," she says, protesting too much.Supporting Characters and PerformancesBut, like in Curtis's films, the supporting characters are the most fun. Prasanna Puwanarajah is very funny as Emily's professor, a celebrity psychologist with a rampant ego. Distractingly, Owen is the spitting image of the young Liam Gallagher and at certain angles, Rice's Emily is a dead ringer for Taylor Swift. In a couple of scenes of them together, the effect is plain weird.Release TimelineFinding Emily is out on 21 May in Australia, on 22 May in the UK and on 28 August in the US. The film's release strategy appears to be targeting international markets sequentially, with the UK release following closely after Australia but before the US market.

The Lead Swedish-Egyptian film-maker Tarik Saleh has long been a brilliant satirist of the corruption and shabby political compromises and conspiracies of post-Mubarak Egypt. Now he brings us the third of his “Cairo trilogy”, after The Nile Hilton Incident in 2017 and Cairo Conspiracy in 2022. This new film is a seductive black-comic political thriller set in Egypt of the present day, showing us that everyone in the glamorous world of the movies, infatuated as they are with made-up stories acted out by narcissists believing in their own publicity, can so easily be pressed into the service of political propaganda. The Event Details The result is a rackety, despairing, funny film with something of Billy Wilder, or István Szabó’s Mephisto, or Bertolucci’s fascism parable The Conformist. For me, it also had echoes of Daniel Kehlmann’s novel The Director, about 1930s Austrian movie director GW Pabst, fatally tempted by the blandishments of Goebbels. Saleh’s lead is his longtime leading man Fares Fares, playing an ageing Egyptian movie star; this is pampered matinee idol George Fahmy, a man comfortable doing cheesy crowd-pleasing potboilers, now bullied into playing the lead in a sinister government-sponsored biopic of the president (with news footage of the current president, Abdel Fatah al-Sisi, cheekily cut in). The Character Analysis Fares’s gaunt, handsome face so eloquently conveys vanity, but also a poignant emotional woundedness, anxiety and self-pity. George is notionally a Coptic Christian, which has made him an object of suspicion for the government, though he is hardly pious, and is separated from his wife (Donia Massoud) and grownup son Ramy (Suhaib Nashwan). The Impact Analysis It is at one of these events that a general smoothly assures the company that western bigots, who wish to efface Arab achievements, are in a conspiracy to conceal the fact that William Shakespeare was from the Arabic world and his name was “Sheikh Zoupir” – which explains, he adds, why he disliked Jews. This is an unimprovable bit of satirical mischief in Saleh’s script. George flies high with his eagles before a horrible and sickening descent. The Prediction Eagles of the Republic is in UK and Irish cinemas from 22 May.

The Call for a College Sports Boycott Hakeem Jeffries, the top US House Democrat, has amplified calls for Black athletes to boycott public universities in states that have moved to limit voting rights, saying an “unprecedented moment, featuring an unprecedented attack on Black political representation” requires an “unprecedented response”. The NAACP's 'Out of Bounds' Campaign Jeffries’s comments came Tuesday as the NAACP launched its “Out of Bounds” campaign. The campaign targets universities in eight states – Tennessee, Louisiana, Alabama, Florida, Mississippi, South Carolina, Texas and Georgia – whose athletic programs generate more than $100m in revenue. Those eight states have moved to draw new voter maps after the supreme court’s Louisiana v Callais decision severely weakened the Voting Rights Act. The Southeastern Conference in the Spotlight The minority leader specifically called out the powerhouse Southeastern Conference. Twelve of the SEC’s 16 member schools are in the eight targeted states. The Boycott's Objectives The campaign calls on football and basketball players being recruited by programs in those states to withhold their commitments until the states “restore fair congressional maps and meaningful Black representation”. It also urges athletes and coaches already enrolled at those universities to use their platforms to elevate voting rights causes. It asks fans, alumni and donors to stop financially supporting those programs. The Impact on High-Valued Athletic Programs The SEC is home to nine of the 15 highest-valued athletic programs in the country, according to CNBC, including leader Texas ($1.48bn), Georgia, Alabama and Florida. A Legacy of Activism Athletes at Missouri and Mississippi, both SEC schools, have led successful campaigns in recent years putting pressure on universities and state governments for social justice causes. Jeffries referenced Bill Russell, Muhammad Ali and Jackie Robinson in his remarks, calling on this generation to carry on the legacies of previous activist athletes. The Congressional Response Jeffries and members of the Congressional Black Caucus earlier this week voiced their opposition to the Score act, a bill intended to set national standards for college athletes’ compensation. The bipartisan proposal, which has support from the NCAA, was to be brought to the House floor for a vote this week, but the CBC opposed the bill to protest the silence of the universities on voting rights. House Republicans decided on Tuesday to postpone a vote on bill, the second time in less than a year that it has been stalled.

Top players are set to stage a “work‑to‑rule” protest at the French Open, limiting media duties to underline the modest share of tournament revenues allocated to prize money.Work‑to‑Rule Media Walkout at Roland GarrosPlayers selected for Friday’s opening press conference will leave after 15 minutes, mirroring the 15 % of revenues currently earmarked for prize money.The rest of the draw will refuse additional interviews with rights‑holders TNT Sports and Eurosport.Players will still fulfil the contractual flash interview after each match to avoid fines.Prize Money Numbers Reveal Shrinking Revenue ShareFrench Open prize pot announced at €61.7 million (£52.6 million).Men’s and women’s champions to receive €2.8 million each.Roland Garros revenue rose 14 % to €395 million last year, while prize money grew only 5.4 %, cutting players’ share to 14.3 %.Overall prize fund increased 9.5 % this year.Wimbledon income climbed from ~£165 million (2015) to >£420 million (last year); prize money doubled to £53.5 million, dropping the players’ share by 20 %.Why the Protest Could Reshape Grand Slam EconomicsDispute involves the leading 20 male and female players, including Novak Djokovic, Jannik Sinner, Aryna Sabalenka and Coco Gauff.Players demand a revenue share comparable to the 22 % paid by the ATP and WTA tours.Negotiations are underway with French Tennis Federation president Gilles Moretton and Roland Garros director Amélie Mauresmo, while talks with Wimbledon and US Open are expected.Looking Ahead: Possible Outcomes for the Tennis CalendarIf the protest gains traction, Grand Slam organizers may need to revise prize‑money formulas before the Wimbledon announcements in June.Continued “work‑to‑rule” actions could lead to broader player‑led reforms on welfare, pensions and scheduling.Failure to reach an agreement might spark further media restrictions or even match boycotts at future majors.

The Hedonistic Legacy of London RecordsLondon Records, the iconic British label that operated with major label distribution but maintained an independent spirit, defined an era of music industry excess and creativity. As a new six-part podcast, "Hit That Perfect Beat – The London Records Story," delves into its colorful history, former artists and executives recall a label that was "the equivalent of Studio 54" – a place where the music business met unbridled hedonism.From Decca to Dance Music EmpireOriginally part of Decca Records (home to the Rolling Stones), London Records began a new chapter in 1980 when Decca was acquired by Polygram. Under the leadership of managing director Colin Bell alongside Roger Ames and Tracy Bennet, the label transformed into an independent operation with major distribution. "We were put in there to develop it into a pop label," recalls Bell. "We were obsessed with being cool. We wanted to be easily identifiable for a generation of young people. We wanted pop that had an edge."The Chart-Hyping Scandal and Financial SuccessWhile the label enjoyed commercial success, it wasn't without controversy. In 1991, London Records was fined £50,000 by the British Phonographic Industry for chart hyping – sending people to purchase records of their artists to boost chart positions. Terry Farley of the acid house crew Boy's Own confirmed this practice was widespread: "Me and Andy Weatherall used to go out on record-hyping missions for them. I remember buying Bananarama singles. But that wasn't unique to London, every record company was involved in it."Defining Pop with AttitudeUnlike labels that forged identities around specific genres, London Records embraced a hodgepodge approach. It operated several imprints, most notably the dance label FFRR headed by Pete Tong, and by the 1990s housed artists as diverse as Orbital, East 17, All Saints, Menswear, Dani Minogue, Utah Saints, and Shakespears Sister. What united this eclectic roster was a commitment to "hits" and a preference for "left-leaning pop – pop with attitude." As Pete Tong explains: "We didn't sign Take That, we signed East 17. We didn't sign Spice Girls, we signed All Saints. Not that we didn't try to sign the Spice Girls..."The Cultural Impact of Musical RebellionLondon Records' legacy extends beyond its chart success. The label provided a platform for artists who challenged norms, from Bronski Beat's unapologetic gay identity to East 17's boyband credibility in alternative music circles. For Tony Mortimer of East 17, being on the label meant enjoying "the best of both worlds": "We were a boyband but we were still in NME and Melody Maker. It was a very cool label to be on. And we had access to these amazing mixes by people like [US house music legend] Danny Tenaglia."The End of an Era and Lasting InfluenceAs the CD sales era peaked, the hedonistic atmosphere around London Records intensified, eventually contributing to its decline. The label's culture inspired John Niven's debut novel "Kill Your Friends," a dark satire of the music industry. "I was simultaneously fascinated and horrified by it," Niven recalls. "To come into this culture, where the artists were, at best, tolerated, and at worst regarded as an impediment, was a real eye opener." While London Records no longer operates with the same prominence, its influence on the music industry's approach to artist development and branding continues to resonate in today's streaming age.