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Former world heavyweight champion Tyson Fury has weighed in considerably lighter than his previous fight in 2024, but still carries a few pounds more than his opponent, Russian Arslanbek Makhmudov. Fury registered 267.9 pounds in his underwear during Friday's weigh-in, while Makhmudov stepped up at 264.9 pounds.Fury's weight is a decrease from the 281 pounds he recorded for his rematch with world champion Oleksandr Usyk in December 2024 and 262 pounds against the Ukrainian in May that year. The 37-year-old Briton stated he still had 'a bit left in the tank' as he came out of retirement for the fifth time.'After another four or five retirements, I should be good,' Fury said. 'My priority is to beat this fella, I've got loads of Easter eggs in the fridge ready for me. Whoever has these belts, I want them back.'Fury emphasized his commitment to making a statement, saying he came in 'nice and light and lean' for the fight. He has spent 16 weeks training in Thailand and has promised fans a knockout win at the Tottenham Hotspur Stadium on Saturday night.'I'll knock his head right off his two shoulders,' Fury told reporters on Thursday. 'I'll be like the gamecock on top of Tottenham Hotspur Stadium, and he'll be like the knocked-out man sparked out on the floor.'The bout against Makhmudov will be broadcast exclusively on Netflix, highlighting Fury's continued commercial appeal even after a 16-month absence from the ring. Fury boasted about his financial draw, saying, 'I'm the money man. When you mention Tyson Fury in heavyweight boxing, you know you're getting paid.'

Mom’s mantra – “don’t borrow trouble” – became the compass that steadied Feimster during the uncertain early years of her comedy career. She says the simple advice helped her shift focus from endless worry to actually performing. Growing up, Feimster was captivated by Carol Burnett’s slapstick brilliance, a love sparked by her grandmother’s nightly reruns. The legendary comedian’s on‑ and off‑screen silliness shaped Feimster’s own comedic sensibility. When she was cast as the beaver Nibbles in the upcoming Zootropolis 2, the process was anything but typical. “The script was top‑secret,” she recalls, noting that she entered the recording booth with only a brief scene description from director Jared Bush, never knowing how pivotal her character would become. Feimster also laughs about a nightmare charity gig in a Virginia biker bar, where the stage was literally a wooden crate, the lighting resembled a construction site, and a karaoke machine served as the sound system. “Nobody, including me, enjoyed the show,” she admits. Unlike many performers, she has no elaborate pre‑show rituals. She arrives minutes before the curtain rises, chats with the audience, and treats each performance like a regular day, much to the amusement of co‑host Tom Papa. The relentless travel schedule is a double‑edged sword. Feimster describes the constant touring as exhausting, with the added pressure of having to write fresh material after every special. “You finish one project and must start from scratch,” she says, highlighting the creative churn that fuels her growth. On set with Arnold Schwarzenegger for the film Fubar, Feimster found the experience inspiring. She notes that the legendary actor’s varied career – from bodybuilding champion to governor – made every day on set feel like a master class. Looking ahead, Feimster has wrapped two Netflix comedies: one starring Will Ferrell as a washed‑up pro golfer where she plays his caddie, and another ensemble with Kim Kardashian, Nikki Glaser and Brenda Song. She hints at a future shift toward a more serious, less self‑referential role. Meanwhile, her current stand‑up show “Takin’ Care of Biscuits” continues its North American and European leg, with a stop at London’s Hackney Empire on 3 June and the tour running through 9 August.

Netflix's vast library of content often includes films that were initially intended for theatrical release but end up being off-loaded to the streaming platform. The latest example is 'Thrash', a shark thriller that was previously known as 'Beneath the Storm' and 'Shiver'. Despite its promising premise, the film fails to deliver, with critics calling it a messily made, choppily edited and entirely misfiring cavalcade of bad decisions and dodgy accents.The film, directed by Norwegian director Tommy Wirkola, tells the story of a hurricane that destroys a town while also thrusting a pack of bull sharks into the streets and homes of those unlucky enough to still be there. However, the film's distracting sense of inauthenticity and lack of suspense make it a disappointing watch. The cast, including Bridgerton's Phoebe Dynevor and Djimon Hounsou, struggle to elevate the poorly written characters and lackluster dialogue.'Thrash' is now available on Netflix, but it's unlikely to be a hit with viewers. The film's cheap production values and lack of originality make it feel like a low-budget B-movie, rather than a film that was once intended for theatrical release. With Netflix spending around $18bn on content last year, it's surprising that they would accept a film of such poor quality.

Event details: The heavyweight showdown between Tyson Fury and Arslanbek Makhmudov is scheduled for Saturday, 11 April 2026. The main card will tip‑off at 19:00 GMT, with the headline bout slated for just after 22:00 GMT at the Tottenham Hotspur Stadium in London. The fight will be streamed live on Netflix, while Al Jazeera will provide a text‑based live commentary starting at 18:00 GMT. Fury, the 37‑year‑old former two‑time world champion, returns after a 15‑month hiatus following consecutive defeats to Oleksandr Usyk. His professional record stands at 34‑2‑1 with 24 knockouts, and he towers at 206 cm (6 ft 9 in) with a 216 cm reach. Makhmudov, a 36‑year‑old Dagestani‑born Canadian resident, holds a 21‑2‑0 record, 19 of those wins by KO, measures 198 cm (6 ft 6 in) and has a 194 cm reach. The bout is billed as a 12‑round heavyweight clash, offering Fury a chance to rebuild his résumé and potentially earn a high‑profile encounter with fellow Briton Anthony Joshua. Makhmudov, however, is far from a tune‑up opponent; 90 % of his victories have come by knockout, and he has demonstrated power against seasoned fighters such as Dave Allen and Carlos Takam. Fury’s perspective: In a recent BBC interview, the “Gypsy King” said he feels “as good as I’ve ever felt” and is “as sharp as I’ve ever been,” emphasizing the need to be at peak form to survive Makhmudov’s single‑punch knockout power. He added that a win would pave the way for a long‑desired showdown with Joshua. Makhmudov’s outlook: The Dagestani fighter described Fury as a “legend” and expressed confidence in his ability to win, noting that the contest will test both mental and spiritual strengths. He hinted at a philosophical edge, saying, “It’s a war between mind and spirit – Inshallah the spirit wins.” Beyond the headline fight, the co‑main event will feature Conor Benn versus Regis Prograis** at 21:30 GMT, marking Benn’s first bout under Zuffa Boxing after parting ways with Matchroom. The British heavyweight title will be defended by Jeamie Tshikeva against Richard Riakporhe**, while Frazer Clarke meets Justis Huni** in a heavyweight clash. Preliminary action includes middleweight, light‑welterweight and flyweight contests, rounding out a full card designed to keep fans engaged throughout the evening. Personal drama adds intrigue: Fury’s father, “Big John” Fury, who has been a vocal presence in his son’s career, is reportedly absent after a recent fallout, though Tyson downplays the impact, stating that the crowd’s composition is irrelevant to his focus. Overall, the London event promises a high‑stakes narrative – a veteran champion seeking redemption, a rising knockout artist eager to cement his status, and a potential pathway to a blockbuster British heavyweight showdown later in the year.

Dan Levy, creator of the hit sitcom 'Schitt's Creek', ventures into cringe comedy with 'Big Mistakes', a Netflix series that, while entertaining, struggles to find its footing. Levy stars as Nicky, a pastor hiding his relationship from his family and congregation, alongside Taylor Ortega as his rebellious sister Morgan. The show's strength lies in its cast, particularly Levy and Ortega, who deliver charming and hilarious performances. Laurie Metcalf also shines as their emotionally unstable mother. However, the plot often falters, relying on implausible developments and generic portrayals of organized crime. The dynamic between Levy's character and Ortega's is a highlight, showcasing Levy's expertise in crafting bickering, boundary-pushing on-screen families, reminiscent of 'Schitt's Creek'. The familial drama and cringe comedy elements are more engaging than the show's attempt at an organized crime storyline. Despite its shortcomings, 'Big Mistakes' is not a major failure but rather a passable effort. Levy's talent for creating relatable, flawed characters and humorous situations makes the show enjoyable, even if it doesn't quite reach the heights of his previous work.

The documentary series 'Trust Me: The False Prophet' has shed light on the sinister activities of a polygamous Mormon cult led by Samuel Bateman, who is currently serving a 50-year sentence for luring minors into criminal sex acts.Director Rachel Dretzin, a former investigative journalist for Frontline, worked on the series, which follows a pair of documentary filmmakers, Christine Marie and Tolga Katas, who embedded themselves in Utah's Fundamentalist Church of Jesus Christ of Latter-day Saints (FLDS) community. They earned the trust of the cult members and were invited into Bateman's home, where he presided over 20 'wives', many of them underage.The filmmakers' incriminating footage and witness testimony were essential to the FBI's case against Bateman and other men charged with crimes. The series transcends the true crime genre's typical sensationalism, presenting its revelations thoughtfully and honestly.Dretzin notes that documentary filmmaking can be more effective than the legal system in effecting change, particularly in cases like this where the community is fiercely insular. The series raises questions about the ethics of documentary filmmaking and the blurred lines between observer and participant.The story also highlights the manipulation and indoctrination of young women within the cult, including Naomi, a young woman who becomes a pivotal witness. Her aunt Carole, who defected from the FLDS, shares her insights on how the cult grooms girls for exploitation.Dretzin believes that the story has echoes in our ordinary lives and political landscape, particularly in the era of 'fake news' and echo chambers. The series serves as a reminder of the dangers of closed systems and the importance of critical thinking.

After Tehran announced a two‑week ceasefire in the Iran war, financial markets breathed a noticeable sigh of relief. Oil prices tumbled by more than 10% on Wednesday, stock indices rallied, and optimism about the global economic outlook resurfaced. However, the reprieve is far from complete.For six weeks the world’s economy has been under pressure as Iran effectively closed the Strait of Hormuz, a chokepoint that handles roughly one‑fifth of global oil and gas shipments. The closure sparked what analysts have called the worst energy crisis of the modern era, driving oil to historic highs.Any progress toward re‑opening Hormuz would ease fears of a supply crunch that could otherwise trigger a cascade of recession risks. Yet the situation remains volatile: Tehran and Washington continue to send mixed signals about the waterway’s status, and Israel’s ongoing strikes in Lebanon add further uncertainty.Consumers already feel the strain. Despite the recent price dip, Brent crude remains above $90 a barrel, a sharp contrast to the sub‑$73 levels recorded before the conflict began. While this is an improvement from the period when prices hovered above $100, it still represents a significant premium over pre‑war benchmarks.Most economists expect oil to stay above its pre‑war price throughout 2026. In its baseline forecast, consultancy Capital Economics projects Brent to settle around $80 per barrel by year‑end. Under that scenario, headline inflation in the United States and Europe would hover between 3% and 4% year‑on‑year, while GDP growth is likely to decelerate across major economies.The lingering uncertainty is amplified by the unpredictable stances of both Iran and the United States, as well as the broader geopolitical turbulence involving Israel. Prior to the conflict, few analysts believed Tehran would actually close Hormuz, a threat it has floated intermittently since the 1979 revolution.Given the strait’s pivotal role in the world economy, any prolonged disruption could add a costly premium to global business operations. The International Monetary Fund (IMF) warned in a recent report that wars since 1946 have left “economic scars” lasting more than a decade. The IMF cautioned that even after a ceasefire, persistent political and economic uncertainty can depress investment returns, fuel capital outflows, and constrain both investment and labor supply.In short, while the ceasefire has delivered a short‑term boost to markets, the underlying energy‑price pressures and geopolitical risks mean that the relief is far from absolute.

Limited‑Time Ticket SavingsStarting today and ending at 11:59 p.m. PT on Friday, April 10, the event offers a discount of up to $500 per ticket. Assuming a standard ticket price of roughly $1,500, the discount represents a 33% price reduction, a significant incentive for early registration.Event OverviewDate: October 13–15, 2026Location: Moscone West, San FranciscoExpected Attendance: 10,000 founders, investors, and operatorsStartups Exhibiting: 300+Key Competition: Startup Battlefield 200 with a $100,000 equity‑free prizeKey HighlightsThree days of roundtables, Q&A sessions, and fireside chatsSide events hosted by official Disrupt partners to extend networking beyond the main agendaOpportunity for emerging companies to win a substantial cash prize that can fund product development without equity dilutionFeatured Speakers & ParticipantsPast line‑ups have included industry leaders such as Matt Mullenweg (WordPress co‑founder), Vinod Khosla (venture capital legend), and co‑founders Phoebe Gates and Sophia Kianni of Phia, alongside executives from Google Cloud, Netflix and Waymo.How to RegisterVisit the official event site to lock in the discount before the deadline. The limited‑time offer ensures that early registrants secure the maximum savings, while ticket prices will rise as the conference approaches.

Duncan James from Blue has opened up about his favorite songs, sharing a personal playlist that reveals a lot about his musical tastes and experiences. The song he inexplicably knows all the lyrics to is Can't Help Falling in Love by Elvis, which he even sent as his audition tape to join Blue.James also shared his go-to karaoke song, It's Raining Men by Geri Halliwell, which he sang at his 30th birthday party. Interestingly, Geri Halliwell herself walked in during the performance and joined James' mum on stage.Other notable songs on his playlist include Sadeness (Part I) by Enigma, his first single purchase, which his friend bought for him at Woolworths. James also confessed that Fantasy Island by Tight Fit was the first song he fell in love with, likely due to his crush on a guy in a zebra print headband from the music video.James also talked about the song that makes him cry, My Life Is Going On by Cecilia Krull, from the Spanish Netflix series La Casa De Papel (Money Heist). On a lighter note, he shared his least favorite song to have sex to, One Love by Blue, which he found creepy.The song that changed James' life was All Rise, which became a worldwide hit and started Bluemania. He also revealed his favorite song to play at a party, Defying Gravity from Wicked, which gets him dancing on tables.On a more sentimental note, James shared the song he can no longer listen to, Meu Abrigo (My Shelter) by Melim, which reminds him of his ex. He also confessed to secretly liking Doctor Jones by Aqua, despite pretending to hate it. Finally, the song he'd like played at his funeral is Bohemian Rhapsody by Queen, which he believes is one of the greatest songs ever written.