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Madeleine Dring, born in 1923, was a composer with an unconventional career that spanned theatre, pantomime, and cabaret. Despite her untimely death at 53, her music has been rediscovered, and her seriousness as a composer is now evident.The album Through the Centuries: Songs of Madeleine Dring, performed by Kitty Whately and Julius Drake, features a wide-ranging survey of Dring's work, drawing on poets from Shakespeare to her contemporaries. Dring's ability to find distinctive new melodies for old classics, such as It Was a Lover and His Lass, is showcased, along with her knack for word-setting.Whately's warm, supple mezzo-soprano brings these fervent outpourings to life, while Drake's piano accompaniment provides the perfect balance of support and independence. The album offers a variety of moods, from the passionate Love Is a Sickness and Echoes to the tongue-in-cheek Encouragements to a Lover and The Cuckoo.The encore, Dring's arrangement of Cole Porter's In the Still of the Night, is a delightful addition, showcasing her skill in reinterpreting popular songs. This album puts paid to any idea that Dring was not a serious composer, instead highlighting her unique voice and contribution to classical music.

The announcement of BTS's comeback album has transported me back to a bygone era, one marked by all-consuming passion and a dash of secrecy. As a teenager, I was deeply invested in K-pop, particularly BTS, but I often found myself hiding this obsession from peers due to fear of ridicule. In those days, it was uncommon for groups of girls to openly discuss or watch new music videos from popular K-pop bands like BTS or One Direction. We'd often gather in private settings, like late-night Skype calls or in the back of a classroom, to share and enjoy our favorite content. This clandestine nature of fandom was partly due to the stigma attached to being a 'fan girl.' The author recalls feeling self-conscious about their enthusiasm and downplaying it to avoid being labeled as 'crazy' or 'obsessed.' This behavior was not unique; many teenage girls have similar experiences, often softening their passions to fit in or avoid criticism. The question remains: why is it that displaying genuine emotion is frequently misconstrued as unhealthy dependence? Looking back, the author feels a sense of protection and softness towards their younger self, who found solace, connection, and belonging through BTS's music and universe. During a particularly challenging time, when the author moved to Melbourne alone at 17, BTS's extensive content provided comfort and something to look forward to. This period of intense fandom ultimately helped the author make meaningful connections and discover creative outlets like writing. The experience was pivotal in their personal development, offering a safe space to express themselves and explore their creativity through fan art, fan fiction, and more. With the release of BTS's new album, Arirang, and a world tour on the horizon, the author is eager to revisit their teenage self, embracing the excitement and joy that comes with being a fan. This nostalgia-tinged comeback is not just about the music; it's about reconnecting with a part of themselves that they had set aside.

The WebKit Vulnerability and the New Patching MechanismApple has officially rolled out its first 'background security improvement' update, marking a significant evolution in its software maintenance strategy. This latest release targets a critical vulnerability discovered in WebKit, the browser engine that powers Safari across iPhones, iPads, and Macs.The advisory reveals that the bug, if exploited, could allow a malicious website to potentially access data from another website within the same browser session. To mitigate this risk, Apple introduced a new category of updates designed to be 'lightweight' and pushed between major software releases.Target Version: iOS, iPadOS, and macOS 26.1 and higher.Scope: Fixes for Safari, WebKit, and system libraries.Deployment: Background updates without requiring a full system reinstall.Efficiency in Security Response: The 'Quick Reboot' AdvantageOne of the most notable aspects of this update is the user experience. Unlike traditional major updates that often require lengthy reboots, this background security improvement only necessitates a quick device restart. This suggests a streamlined deployment process that minimizes user friction while maximizing security coverage.Apple has been testing this feature with software testers prior to the public release, indicating a deliberate effort to refine the mechanism before a wider rollout. The decision to withhold a specific reason for the patch from the public advisory highlights the sensitive nature of the vulnerability.Redefining the Security Patching LifecycleThe introduction of this update model fundamentally changes how Apple addresses the threat landscape. By decoupling critical security fixes from major feature updates, Apple can respond to zero-day threats and active exploits much faster.This approach reduces the 'window of exposure' for users, ensuring that security patches are applied as soon as they are available, rather than waiting for the next annual or bi-annual major OS release cycle.The Future of Continuous SecurityAs this is the inaugural release of the background security improvement program, it sets a precedent for future updates. We can expect to see a shift toward a more continuous security model, where minor but critical patches are pushed regularly to keep devices secure against evolving cyber threats.

The world of ballet has long been associated with a specific physical ideal, particularly when it comes to foot shape. However, dancers with flat feet are proving that this condition is not a barrier to success. For Claudia Efemini, picking up her ballet shoes again after six years was a bittersweet experience. While she was excited to revisit a childhood hobby, she was also disheartened by the memory of being discouraged from pursuing ballet due to her flat feet.The industry's obsession with 'perfect' feet, characterized by high arches, has led some dancers to use fake arches, or farches, to create the illusion of more flexible feet. However, flat-footed dancers like Alex Maureen and Ruth Essel are thriving in the ballet world. Maureen, a performer and dance instructor at New York University, and Essel, founder of Pointe Black, a London-based ballet school, reject the notion that flat feet are an obstacle to success.Research shows that Black people are more prone to having flat feet, but Essel and Maureen's experiences demonstrate that this condition does not predetermine one's potential in ballet. Through education and self-advocacy, they have overcome discouraging beliefs about their feet and developed strategies to work with their body types. Essel, with a background in psychology, learned about anatomy and exercises to strengthen her ankles and improve foot mobility.Injury prevention is crucial for flat-footed dancers, who tend to land on their heels. Maureen and Essel stress the importance of educators adapting to different body types and seeking specialist advice when needed. They also highlight the need for greater diversity in ballet, including more Black pointe shoe fitters and physiotherapists.Maureen and Essel have developed checklists for their students before they start using pointe shoes, ensuring a comfortable and supportive fit. As Maureen advises, 'You just need your shoe to work for you, not against you.' For aspiring ballerinas with flat feet, Maureen's words of encouragement are 'Give yourself grace. Be kind to yourself.'