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The Lead: Scotland's World Cup AnthemThe lyrics came to Stuart Murdoch in the hazy aftermath of Scotland's dramatic qualification for the World Cup. The Belle and Sebastian frontman had watched his side's playoff victory over Denmark through his fingers before deciding to write his own anthem to a team he has followed for more than 50 years. "Most people recognised instantly the next day that they'd witnessed the most important Scottish game ever," says Murdoch. "That was our magic moment."The Anthem Creation: It Only Takes One Lion"It Only Takes One Lion" starts by hinting at the travails of the team ("You gave us hope, you gave us despair"), turns into a bombastic four-on-the-floor singalong with self-deprecating lyrics ("This is Scotland, where everybody knows you start with nothing"), and nods to the Tartan Army ("you can join an army that's for peace"). The song's danceable beat was inspired by the team's current anthem, Baccara's 1977 hit, Yes Sir, I Can Boogie, which has been blasted out at Hampden Park after recent Scotland victories. "I like the thought that they just might play It Only Takes One Lion after a game, that's what I fantasise about," Murdoch says.Historical Significance: Scotland's Football JourneyFootball has been a life pursuit for Murdoch, who is an Ayr United fan, and Belle and Sebastian have broached the topic of football before, notably in the tale of Sunday league woes, Another Sunny Day. It is fair to say Scotland and Murdoch have got a bit of previous with the World Cup. The singer's earliest memories of the team at the tournament are of the 1974 edition where Scotland – despite not losing a game and only conceding one goal – were knocked out in the first round. There was more heartbreak in 1978 when a formidable Scotland team featuring Joe Jordan, Graeme Souness and Kenny Dalglish came back early from Argentina – despite a legendary Archie Gemmill goal.Cultural Impact: Music Meets Football PassionThe song, which the band debuted as part of an encore at an April gig at the Royal Albert Hall and is out on 2 June, coincides with Scotland preparing to play in their first World Cup tournament since 1998. Scotland will face Brazil and Morocco in the group stage, with Haiti the final team making up a tough draw. But Murdoch remains optimistic about the team avoiding any unnecessary drama. He concedes It Only Takes One Lion is a not-too-subtle dig at the auld enemy and England's anthem, Three Lions, Baddiel and Skinner's track, which celebrates its 30th birthday this summer. "It was done in a nice way," says Murdoch, who says he will support England if Scotland get knocked out early.Future Outlook: World Cup Dreams and Musical LegacyThe band's US tour finishes on the same night Scotland play Haiti in their first game, but Murdoch may try to watch a later group game, despite the eye-watering prices Fifa is charging for tickets. "We're going to play it by ear," he says. "I'm hoping the song does well and we'll get invited to a game." As Scotland prepares to make their return to the World Cup stage, "It Only Takes One Lion" stands as both a tribute to decades of football passion and a potential new soundtrack for Scottish sporting history.

The Giant Pickle Parade Kicks Off the UK's First Jewish Culture MonthLondoners spotted a towering green pickle strolling past the Tate Modern, Southbank Centre and other iconic sites, delivering a simple message: the nation’s inaugural Jewish Culture Month has begun.150+ Events Across Museums, Libraries and Community HubsStarting on 16 May, the festival curated by the Board of Deputies of British Jews will feature more than 150 programmes covering food, music, comedy, architecture, fashion, film and literature.V&A MuseumNational Portrait GalleryJW3 (London’s Jewish community centre)British LibraryNational Holocaust MuseumScale of the Festival: Over 150 Programs and Nationwide ReachThe sheer volume of events underscores a coordinated effort to make Jewish culture visible across the UK, from London to Nottinghamshire. Highlights include a traditional Friday night dinner hosted by east‑London pickling firm Shedletsky, a punk‑themed exhibition at JW3, and walking tours by the Association of Jewish Refugees exploring historic Jewish sites outside the capital.Why the Celebration Matters Amid Rising AntisemitismLiat Rosenthal, director of culture, education and communities at the Board, explained that the month emerged from conversations with artists who felt Jewish life had become defined by hostility since the 7 October 2023 attacks in Israel. The initiative aims to replace “oy” with “joy”, inviting people of all backgrounds to learn, eat and engage.By foregrounding contributions in science, technology, psychotherapy, medicine and politics, organisers hope to shift public perception from victimhood to pride.Looking Ahead: Building Long‑Term Visibility for British JewryBeyond the month, the Board plans to leverage the momentum for sustained cultural programming and education. Success will be measured by increased attendance at Jewish‑focused events, broader media coverage and, ultimately, a measurable decline in antisemitic incidents reported during the festival period.

The Week's Must-See Cinema ReleasesThis week's film offerings range from action thrillers to historical dramas. Normal, directed by Ben Wheatley, stars Bob Odenkirk as an interim sheriff in a small Minnesota town with unexpected secrets involving the yakuza. Also starring Henry Winkler and Lena Headey, this crime thriller promises plenty of intrigue.For horror fans, Obsession offers a literal 'be careful what you wish for' storyline about a music store employee who makes a magical wish for his coworker to love him unconditionally, leading to extreme consequences. Orphan provides a historical drama set in post-revolution Budapest, following a teenager raised on stories of his missing father, while The Christophers is an art world caper from director Steven Soderbergh featuring Ian McKellen and Michaela Coel.Live Music Highlights: From Pop to OperaDoja Cat kicks off her European tour in Dublin, bringing her signature style of 27 songs, high-cut leopard print leotards, and performances inspired by 80s superstars like Prince and Janet Jackson. While her latest album 'Vie' may not have reached the commercial heights of previous work, her live shows remain spectacular.In Sheffield, the Get Together festival features Southend goth overlords the Horrors alongside Welsh-Cornish artist Gwenno and Hot Chip's Alexis Taylor. Other highlights include 'wonk pop' practitioners Lime Garden and London-based noise merchants Factory Floor.For classical music enthusiasts, Glyndebourne opens its summer season with Puccini's Tosca, staged by US director Ted Huffman in the festival's intimate theater. Soprano Caitlin Gotimer leads two rising-star casts under conductor Robin Ticciati.Contemporary Art ExhibitionsIn Colchester, Godfried Donkor presents an exhibition at Firstsite that travels from Colchester to West Africa and the Caribbean. The London-based Ghanaian artist weaves together stories of resistance from Boudicca to Yaa Asantewaa, using collage, painting, and textile to explore how identity, power, and trade shape our world.At the Barbican in London, Colombian installation artist Delcy Morelos presents a major exhibition through July, featuring large-scale muddy installations that challenge perceptions of space and materiality.Stage Performances and Cultural EventsLeeds jazz festival celebrates its fifth year with genre-fluid performances from pianist-organist Kit Downes and sax star Emma Rawicz. The 16-year-old Submotion Orchestra brings their fusion of electronica, jazz, and soulful ambience to the opening night, promising a memorable start to the festival.

The Transformative Night in Blackpool Bronzed, with winged tips and doused in Le Male, I clamped the baby pink GHDs to my hair until they sizzled and singed it. Emerging from a cloud of cheap hairspray, I was ready for the dancefloor. I was 18 and had grown up in Blackpool, a place synonymous with hedonism and fun. I came out in high school at the age of 14 and from 16 I studied performing arts at a local college. Underage, I was smuggled into clubs and in my spare time I watched shows in our many beautiful theatres. The bright lights of the illuminations, the showgirls, the feathers, sequins and rhinestones were intoxicating. Blackpool really was – and still is – extraordinary. When the bar closed, a new adventure would begin. One night, as the sun was coming up (and as was I), a drag queen took me back to her place. I didn't know the significance of what I was about to experience, but I was to receive an education no university course could ever match. The drag queen was a Liza Minnelli tribute act. She knew every beat of every Liza film, every concert, every move of choreography. She performed as Liza in all the bars around town. Now I was ordained by being welcomed into her home. This moment could be the plot of a movie with Blackpool as a beautiful backdrop to my coming out/coming-of-age fantasy The Muppet Show That Changed Everything Was I ready to be indoctrinated? Very. She led me to the living room for a VHS screening of what I was told was one of Liza's finest performances. I was expecting Cabaret, the winner of eight Academy Awards, but not on this occasion. She sat me on the sofa and played Episode 414 of The Muppet Show from 1979, with special guest the one and only Liza Minnelli. The premise works so beautifully for exactly the same reason that The Muppet Christmas Carol is so beloved. In that film, Michael Caine gives the performance of his life in a movie almost entirely populated by felt characters, and in her guest episode Liza matches him in commitment. Take the musical number Copacabana she performs: the curtain goes up and Liza is smoking. She is the narrator, the storyteller, in a Funny Face-esque black polo neck that gives a real sense of gravitas to those Barry Manilow lyrics. Moments later, she is Lola, dancing with human-sized muppets. Or in another scene Liza holds Kermit while they sing A Quiet Thing together. Their connection is pure and tender, a thing of simplicity and gentleness. A Career Born from Inspiration As I reflect on this story nearly 20 years later, I am now 10 years sober and while life might well be a cabaret, the decadence of my early youth is firmly in the past. But I think back to this moment, which could be the plot of a movie with Blackpool as a beautiful cinematic backdrop to my coming out/coming-of-age Technicolor fantasy. I didn't know at the time, but this incident set me on the path to my current profession. Four years later, in 2011, I started making cabaret performances in south London at the famed Royal Vauxhall Tavern at nights such as Duckie, where my turns were packed full of wigs and jockstraps, fake blood and mascot costumes. In 2015, I joined the international circuit when I became part of big touring pieces of variety and circus spectacle, showing off in the US, Australia, New Zealand and London's glittering West End. I once performed a 107-hour durational piece in drag at Glastonbury and at the Adelaide fringe, as a teenage girl who wouldn't leave her bedroom. A Lifelong Dedication to Liza's Legacy Ever since that fateful night back in Blackpool in the 2000s, Liza has been a hero of mine. I saw her live in concert at the Royal Festival Hall in London in 2013. I have a Liza tattoo on my right thigh. Back in 2019, I did an eight-hour performance in an old deconsecrated church in Brighton, dressed as Liza Minnelli, performing her album Results in full, emulating through endurance art Liza's beautiful commitment to performance. Pet Shop Boys, who produced Liza's Results album, even heard about what I was up to and said my performance sounded great. The Enduring Impact of a Single Performance And if you ever see one of my shows, please understand that the technical foundation of my performances isn't drama school training or Stanislavski; it's Liza on The Muppets. Truth be told, I don't know where the drag queen in the story is now. I hope she's OK, but if I did see her I'd say: "Thank you for changing my life." Harry Clayton-Wright's show Mr Blackpool is at the Grand theatre, Blackpool, 20 May.

The Final Showdown It all comes down to this, again. France have been runners-up to England in the Women's Six Nations for the past six years, edging ever closer: last year's decider was settled by a single point. But can François Ratier's team not only end England's dominance in this competition but also halt their 37-game winning run on Sunday? If they show up from minute one to 80, France can do it. England's Challenge with a Depleted Squad England will be favourites to lift their eighth straight Six Nations trophy but have been contending with a lot this tournament. Retirements, pregnancy and injury mean the team are without a wealth of talent including Zoe Stratford – the usual captain – Abbie Ward and Alex Matthews. They have continued to win with a depleted squad but their depth will be given its biggest test yet against an in-form France team. Statistical Analysis: France's Dominant Form The statistics never lie and France's so far this competition, particularly in defence, have been commanding. The side are topping the charts for most carries, offloads and defenders beaten. They also have the fewest missed tackles, the most dominant contacts and an 88.4% tackle success rate, the best in the competition. England's Offensive Strengths England lead in fewer areas but have scored the most points this tournament and have the top try scorer in Marlie Packer, who will start on the bench with Sadia Kabeya back from injury. The fly-half Zoe Harrison's supreme kicking has also been a huge asset to the team, with 23 of 24 kicks successful. They know their attack is the highlight of their game at the moment and, when asked if working on defence will be critical against France, the England head coach, John Mitchell, said: "It will be, but we'll just score more." Defensive Concerns for England Against Italy, England conceded the most points they ever have in the Six Nations against a team that was not France. The former England captain Packer believes the side need to be more reactionary: "I think we need to be a bit better at see, do. We are thinking. As soon as you think, the other team has a foot on top of you. France's Key Players England will need to plug their defensive holes because France have stars who will snipe at any opportunity given to them. Anaïs Grando has scored four tries in four games and has proved to be a great resource in defence too, a particular highlight coming against Ireland where her covering tackle held up Fiona Tuite over the line. The scrum-half Pauline Bourdon Sansus has also been an integral cog in the French setup for years and her form has not let up this year either. Strategic Battle: France's Game Plan France have been chasing England's tails since they last beat them in 2018 and the Red Roses know they have a target on their backs. While their captain, Meg Jones, said the dominant winning run isn't something that is discussed between the squad, Mitchell has urged teams to "come and get us". The Road Ahead "We love being the standard bearers of consistency," Mitchell said. "Somebody is going to get us, we understand that reality and we shouldn't be disgraced if somebody does get us. We don't want to give that up easily, anyone can pick on our weaknesses but we will look to fix them. That doesn't mean we are in decline, we are actually developing and evolving. Maybe we are evolving a lot quicker than a lot of people realise. We get another chance to test that on the weekend, that is what we embrace and thrive in."

The Struggle for Par at AroniminkIt has been over 60 years since the US PGA Championship was held at Aronimink, and the modern-day players are finding the course far more punishing than anticipated. The tournament, which began with expectations of a winning score around 14 under par, has instead seen the field struggle to break par. The atmosphere is one of high schadenfreude for amateurs, watching the world's best endure the same weekend frustrations they face, while the purists appreciate the high standard of lag putting on display.Scheffler's Resilient 71 Amidst 'Absurd' ConditionsWorld number one Scottie Scheffler admitted that the pin positions were the primary culprit for the day's difficulty. Describing the setup as the hardest he has seen since the US Open, Scheffler criticized the committee for placing pins on the ridges of the vast, fast, and rippled greens. Despite bogeys on three of his first four holes, Scheffler managed a round of 71 to finish at two under, keeping himself firmly in the hunt.'Most of the pins today were kind of absurd,' Scheffler stated. 'This is the hardest set of pin locations that I’ve seen since I’ve been on tour.' He highlighted the 14th hole as particularly brutal, where pins were placed directly on the spine of the green, requiring a two-putt from 80ft.The Compression of the LeaderboardThe extreme difficulty has resulted in a tightly packed leaderboard, where a score of two under is sufficient for contention. Alex Smalley and Maverick McNealy lead the pack at four under, while Hideki Matsuyama and Min Woo Lee are just two shots back. Even the heavy hitters like Rory McIlroy are struggling, having failed to recover from a disastrous opening day.Top Contenders: Scheffler, Cameron Young, Justin Thomas, and Ludvig Åberg are tied in ninth, lurking an eagle off the lead.Young Stars: Aldrich Potgieter, the longest driver on tour, showed promise before faltering on the final holes.Scoring Reality: The winning score is expected to be significantly lower than the initial 14 under prediction.The Future of Major Course DesignThe current setup at Aronimink, designed by Donald Ross, raises questions about the balance between challenge and enjoyment. Scheffler questioned whether making the game harder is the right approach for a major championship. The debate centers on whether the 'pleasure' of the game is being sacrificed for a 'penance,' especially when the difficulty stems from artificial pin placements rather than pure skill.Weekend Outlook: Sun and Scoring?With the forecast promising sun for the weekend, there is hope that the scoring will warm up alongside the weather. However, given the current state of the greens and the wind, the competition is expected to remain fierce. The weekend will likely be defined by who can best navigate the 'absurd' pin positions and handle the pressure of a compressed leaderboard.

The Final Countdown: Teams Lock In Pre‑Tournament Base CampsWith squads largely set, every nation competing in the 2026 World Cup has confirmed a primary base camp – a hub for training, accommodation and recovery that will serve them through the group‑stage phase (June 11‑27).Geographic Spread of the 48 Base CampsThe camps are scattered across the three host countries, reflecting each team's match itinerary and logistical preferences. Highlights include:Algeria: Lawrence, Kansas – training at Rock Chalk Park, stay at DoubleTree.Argentina: Kansas City, Missouri – Sporting KC Performance Center and Hotel Savoy.Australia: Oakland, California – Oakland Roots Sports Club and Claremont Resort.Belgium: Renton, Washington – Seattle Sounders Training Centre and Hyatt Regency.Brazil: New York & New Jersey – Columbia Park Training Facility and Ridge Hotel.Canada: Vancouver, British Columbia – National Soccer Development Centre and The Westin Bayshore.France: Waltham, Massachusetts – Bentley University and Four Seasons Hotel, Boston.Germany: Winston‑Salem, North Carolina – Wake Forest University and The Graylyn Estate.All other nations have chosen comparable facilities ranging from university sports complexes to upscale hotels.Numbers at a Glance: Facilities, Hotels, and Match Proximity48 national teams each with a dedicated base camp.Camp types: ~60% university or sports‑complex venues, ~30% hotel‑based hubs, ~10% mixed‑use facilities.Average distance from the nearest group‑stage stadium: under 30 miles, minimizing travel fatigue.Host nations (USA, Canada, Mexico) host 12 of the 48 camps, giving them a climate‑acclimatisation edge.Strategic Advantages for Host Nations and Travel‑Heavy TeamsThe three host countries benefit from reduced travel time, familiar climate conditions and stronger fan support. Conversely, teams based farther from their opening venues – such as Croatia in Virginia or DR Congo in Texas – must manage longer domestic trips, potentially affecting recovery cycles.What the Base Camp Choices Signal for the 2026 TournamentEarly camp selections suggest that nations are prioritising proximity to early‑stage venues and high‑quality training infrastructure. This could translate into better on‑field performance for host‑adjacent teams and heightened local fan engagement, especially in markets like Kansas City, Vancouver and New York. As the tournament unfolds, the effectiveness of these logistical decisions will become a subtle yet measurable factor in the race for the trophy.

Opening Verdict: A Darkly Comic Exploration of Dying in DevonThe Guardian’s review frames Eclipse as a stark departure from Morton’s TV work, swapping satirical bureaucracy for a family‑riven meditation on death. The play’s humor is deliberately muted, allowing the weight of an unseen cancer patient to dominate the conversation.Staging the Unseen: How Morton’s Play Brings an Off‑stage Cancer Patient to LifeSet in a convincingly lived‑in kitchen designed by Simon Higlett, the action revolves around siblings Jonathan (Rupert Penry‑Jones) and Sarah (Sarah Parish) and their husband Graham (Paul Thornley). Two nurses, Karen (Selina Cadell) and Linda (Lizzie Hopley), provide the only direct link to the off‑stage patient, Edward, whose presence is felt through dialogue rather than sight.Numbers on Stage: Cast Size, Run Length, and Box‑Office ImplicationsCast: 10 actors, with four appearing in only a single scene.Venue: Minerva Studio, Chichester Festival Theatre.Run: Until 6 June 2026 (approximately three weeks).Ticket pricing (average): £35‑£55, reflecting a mid‑range price point for a regional festival production.These figures illustrate a modest financial risk that pays off by delivering a densely populated emotional landscape within a limited budget.Why It Matters: Shifting the Tone of British Dark Comedy and Hospice NarrativeMorton pushes the envelope of British dark comedy, moving beyond the corporate satire of Twenty Twelve and W1A into a realm where laughter is eclipsed by mortality. By foregrounding the “unsaid” through hyper‑realistic speech patterns—ums, stumbles, and meaningless affirmations—the play forces audiences to confront the discomfort of hospice care and family denial.Looking Ahead: Prospects for Morton’s Theatrical Future and the Play’s Life Beyond ChichesterIf the Chichester run garners strong word‑of‑mouth, Eclipse could tour the UK regional circuit and potentially attract a West End transfer, positioning Morton as a playwright capable of handling both TV satire and serious stage drama. The production also sets a precedent for future works that blend realistic dialogue with existential themes, suggesting a broader shift in contemporary British theatre toward confronting uncomfortable social realities.

Football Club Owner Faces Fraud Allegations from ParentsParents have accused James (also known as Jamie or Jay) Austin, owner of the girls' football club Red Star Lionesses, of taking more than £28,000 in payments for tournaments that did not happen, kits that did not arrive, and sessions with Women's Super League players that did not take place. The allegations come from more than 70 parents involved with the grassroots club, with claims being reviewed by Greater Manchester police and investigated by the Football Association, which has issued Austin with an interim suspension while that investigation continues.Allegations of Non-Existent Tournaments and Unpaid ServicesAustin is accused of having charged parents a total of about £8,500 for entry, travel and accommodation to the Paris International Cup, a tournament being hosted at Paris Saint-Germain's training ground in July. However, emails from tournament organisers show that Austin had only made a reservation for two teams on an entry-only package and did not book the accommodation and travel packages for which he charged parents. The teams' entry was cancelled after organisers did not receive payment, and Austin is alleged to have doctored an email from them before sharing it with parents.Additional allegations include charging £275 per player for a tournament at Manchester City's Etihad Stadium that never took place, with messages from City confirming no event was scheduled. Austin also allegedly charged £20 per player for entry to a tournament last month organised by the Celtic FC Foundation at a community centre in London which parents subsequently found out was free to enter.Financial Impact and Parental LossesParents have launched a GoFundMe to help cover the cost of sending a team to the tournament, as requests for refunds from Austin have not been met. While Austin claims to have refunded over £6,000 in the past five days, parents dispute this, with some having successfully made claims through their banks. One parent reported paying more than £1,400 to Austin, feeling "betrayed" and stating that "the impact this has had on both me and my daughter has been devastating."Former Liverpool player Yana Daniels also accused Austin of not paying in full for running a training event, claiming she is owed £420. Daniels also alleged that Austin readvertised the event with her this year without her knowledge or permission.Wider Implications for Grassroots FootballThe scandal has raised questions about oversight in grassroots football, particularly for girls' teams. Parents were attracted to RS Lionesses because of their lively social media presence and the opportunities the club appeared to present for girls to play in high-level games. However, many opportunities did not materialize despite parents being charged for them.One parent commented: "Jamie 'Jay' Austin is the cowardly culprit, but every organisation involved in this case has enabled the wider failure across the girls football pathway. What will it take for the game to change and finally meet the standards already in place within boys' football?"The FA has suspended RS Lionesses due to non-compliance with regulations, specifically for not having a welfare officer after the officer resigned. An FA spokesperson stated: "We take all allegations of potential misconduct very seriously and we will always take steps to report cases to the relevant authorities, including the police, where appropriate."Future Outlook for Red Star Lionesses and Youth FootballAustin has a history of fraud convictions, including a two-year jail term in 2012 for using fake notes at Royal Ascot. He was also convicted in 2008 for using his grandparents' identities to commit fraud. Despite this, Austin claims to have "rebuilt my life" and "for the past 15 years I have led a law-abiding life."The investigation by both police and the FA will determine whether criminal charges will be filed against Austin beyond his existing suspension. For the affected players and parents, the immediate priority is securing refunds and ensuring the girls can participate in the Paris International Cup through the GoFundMe initiative. The scandal may prompt increased scrutiny of financial practices within grassroots football clubs, particularly those with ambitious promises of high-level opportunities for young players.