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The Blockbuster Trade The Cleveland Browns are set to trade star edge rusher Myles Garrett to the Los Angeles Rams for linebacker Jared Verse, a 2027 first-round draft pick and other draft compensation, multiple outlets reported Monday. Garrett's Career Highlights Garrett, 30, is a two-time NFL Defensive Player of the Year and seven-time Pro Bowl selection. Since the Browns selected him with the No 1 pick in the 2017 draft, he has emerged as one of the league’s best defensive players. He has the most sacks (125.5), pressures (413) and tackles for loss (149) of any player in that span. In 2025, he set the single-season sacks record with 23. The Trade Details The Browns had slumped to a 3-14 record in 2024, leading Garrett to request a trade, saying he wanted to play for a team with a realistic shot at a championship. A month later, he signed a four-year, $160m extension with the Browns. The deal pays an average annual salary of $40m, $122.8m in guaranteed money and has a total value of $204.8m. Impact on the Rams The Rams, who lost to the eventual champion Seattle Seahawks in last season’s NFC championship game, are no strangers to big-swing trades. In 2021, they traded Jared Goff and acquired Matthew Stafford in a blockbuster quarterback swap with the Detroit Lions. Stafford then led LA to a Super Bowl victory in his first season. What's Next for Garrett? Garrett will join a Rams team looking to make a deep playoff run. With his impressive skills and experience, he is expected to make a significant impact on the team's defense.

The Birth of a Classic The Bluetones' lead singer Mark Morriss and guitarist Adam Devlin share the story of their hit song 'Slight Return', from its humble beginnings to its massive success in the 90s. Mark Morriss' Vocals and the Song's Early Days We were still a three piece: Adam Devlin, my brother Scott and myself. We hadn’t met Eds Chesters yet, so we didn’t have a drummer. We were spending a lot of time writing songs, trying to hone this west coast, mid-60s, Crosby, Stills & Nash sound – even though it was the 90s and we were from Hounslow in London. Slight Return was the fourth or fifth song we wrote. Scott wrote the chord progressions and structure, but didn’t have any words or melody. He recorded guitar into a cassette player, then played that back on a second cassette player so he could record himself playing along to what he’d just recorded, in a very rudimentary way of four-tracking. We liked it, but we weren’t skipping around the room going: “My God, we’re going to be millionaires.” That came later. The Song's Rise to Fame It went down well at our early shows. It was catchy and memorable. We recorded a demo version and sold it on blue 7-inch vinyl at our gigs. When we got signed to A&M, they were keen for it to be a single, but we felt like it would be short-changing our fanbase, which was about 200 people, who had already bought it. We had to be talked around by the label, who said: “We can hear it being played on the radio.” But they wanted us to change the song’s name because Slight Return isn’t actually in the lyrics. The title in part refers to the last line of the song: “I’m coming home but just for a short while.” It’s also a kind of sideways tribute to Jimi Hendrix’s Voodoo Child (Slight Return). When we finally succumbed and let them release it as a single, lo and behold, it went ballistic. Adam Devlin's Perspective on the Band's Journey We thought we could write half-decent songs, so we cobbled together a set that would get us on the London circuit. I remember Scott bringing in a faster, simpler version of Slight Return. I fleshed out the guitar parts and put in a guitar solo. Mark worked out the vocal melodies, and we added a coda – the instrumental that fades out at the end, which originally had a sample from Tom Courtenay in Billy Liar, which was all very 60s. We had very different ideas from the record label and thought Can’t Be Trusted should have been the single. By then, I was living in another shared house in Wimbledon that didn’t have a washing machine. I was in the launderette when our manager phoned and said: “You’ve gone in at No 2.” I don’t think we were ready for it being so successful. The Legacy of Slight Return We've been playing it for 30 years. One tour, we’d got so bored with it, we didn’t even play it, which was a mistake because people thought we’d gone up our own arses. We learned our lesson: it’s the song everyone wants to hear. People get confused because Slight Return isn’t actually in the lyrics. I was at a farmers’ market recently when one of the stallholders said: “You were in that band who sang Where Did You Go?” I said: “Yes, but that’s not what it’s called.”

The Incident During the Performance Rosamund Pike has criticised an audience member for texting during the climax of her West End performance, saying she hoped the message was “very important”. After a performance of Inter Alia on Saturday, Pike returned to the stage after the final bows. She told the audience at Wyndham’s theatre in London: “I just wanted to say for anyone going to the theatre, it’s a huge thing that we’re trying to give you. I am trying to tell you a story, and I’m feeling you, and I hope you’re feeling me too.” Pike's Address to the Audience “Somebody was texting in this part,” she said, gesturing towards a section of the audience. “You know who you are and I’m not going to single you out. “Maybe it was very important, and maybe you’re a doctor, and you’re saving someone’s life, and I hope you are, but we do see these, we do feel them. I’ve got you, I feel like I’ve got to hold you all, so when I feel that and see it, it’s hard.” The Growing Trend of Actors Speaking Out Pike joins a growing number of actors who have criticised audience etiquette and phone usage during theatre performances. Last month, Lesley Manville told BBC Radio 4 that audiences should not take photos and videos during curtain calls. “Clap or don’t clap, but don’t just stick up your phone in our faces,” she said, “I find it insulting.” In April, Cynthia Erivo interrupted her performance of Dracula in the West End after spotting an audience member filming the show. During a performance of Hamlet in 2024, Andrew Scott halted the “to be or not to be” soliloquy when he saw an audience member had taken out a laptop to send emails. Background on the Play Pike, 47, won an Olivier award in April for her role as Jessica Parks in Inter Alia. The play follows Parks, a crown court judge dedicated to challenging the legal system’s approach to sexual violence, who is forced to contend with her own son being accused of rape. Inter Alia was written by the Australian playwright Suzie Miller, who also wrote one-woman-play Prima Facie starring Jodie Comer.

The Lead: A Cryptic Journey Through GreeceThe title of Rita Azevedo Gomes's lyrical but frustrating docu-essay about her travels in Greece cuts both ways—expressing impatience with classical ideals or critiquing modern society that has betrayed ancient standards of beauty and harmony. The film presents a tension between nostalgic aspirations and sobering reality, with texts recited over travelogue images from Athens and the Cyclades.The Artistic Vision: Myth Meets ModernityGomes adds a layer of fictionalization to her exploits, reading a poem by João Miguel Fernandes Jorge based on a 2007 journey to Greece. The poem tells of Irma, who romances a young man named Ion on the island of Delos—birthplace of Apollo and Artemis—but the affair founders against incongruous modern elements like Chinese cargo ships traversing the 21st-century Aegean. The tension between myth and modernity hangs over the film like red kites hovering above ancient ruins.The Personal Context: Beauty and TranscendenceTwo-thirds into the film, Gomes reveals what originally drove her to seek refuge in Greece: an ominous medical diagnosis that has since receded. Her preoccupation with finding consolatory beauty and transcendence is only fleetingly present in a visual collage that feels haphazardly aligned with dense texts. The crew reads many texts on camera—including excerpts from Byron and Keats—but this alienation device comes over inert and uninspiring.The Cultural Resonance: Poets in a Modern WorldSinger María Farantoúri, whom Gomes watched on her first visit to Greece, supplies some focus with lyrics that keep 'the old flame burning.' As she sings, 'The people always find new kings—but we are poets and we remain alone.' Gomes positions herself in this camp, 'far from the polis,' suggesting a deliberate distancing from contemporary society's values and priorities.The Critical Reception: Sphinxlike EnigmaWhile the film presents a visually rich experience, its sphinx-like nature proves to be both its strength and weakness. The reviewer suggests that Gomes's 'forlorn ramblings' may intentionally reflect how degraded modern sensibilities can no longer serve up classical concision. The film's cryptic nature may be part of its artistic statement, but ultimately leaves the viewer wanting more clarity and connection.

The Philosophy of ConfrontationFor the author, feeling good is not about escapism, but about confrontation: staring at what one truly cares about and embracing it. This perspective defines the enduring appeal of Billy Elliot, a film that resonates deeply as a coming-of-age story about striving to become the person you want to be, regardless of circumstances.The 1984 Miners' Strike and Billy's JourneySet in County Durham during the 1984 miners' strike, the film follows Billy Elliot, an 11-year-old boy who discovers a passion for ballet while his community is torn apart by political and social upheaval. Initially a reluctant boxer, Billy is drawn to dance classes held in the boxing gym. With the support of his dance teacher, Sandra (played by Julie Walters), and his brother Tony, Billy auditions for the prestigious Royal Ballet School in London, defying the expectations of his working-class environment.Breaking Class and Gender NormsThe film serves as a powerful commentary on the courage required to break free from societal convention. The author highlights that the story is not merely about queerness, but about the broader struggle of expressing one's true self against class expectations. Drawing from their own background in South Wales, the author reflects on how artistic inclinations were often viewed as a form of non-conformity or 'queerness' in their community. The narrative validates the experience of those who have faced ridicule for their choices, emphasizing that support from family, even when hesitant, ultimately outweighs criticism.A Lasting Legacy of ValidationUltimately, *Billy Elliot* offers a profound sense of optimism and belonging. The author describes the film as a source of comfort during times of life change, providing a 'hug' from the world. It serves as a reminder that one is loved and allowed to live life on their own terms, ensuring the film remains a vital source of inspiration for future generations.

The LeadWhen Keir Starmer won a landslide Labour majority promising to pursue five governing "missions", the high-profile leftwing economist Mariana Mazzucato was credited as an inspiration. Two years on, her bracing new book helps shed light on why Labour in power has struggled to project the sense of direction that "mission-led government", as Mazzucato calls it, requires.A New Framework for Economic PolicySynthesising and extending her earlier work, here she proposes "a new economics of collective action around the common good". From this perspective, the economy is not a concatenation of rapacious independent forces, to be contained and offset by public policy, but a project – or rather a series of projects – with direction and purpose.The Five Principles of Common Good EconomicsThe "compass" in the title is really a set of five principles, all of which Mazzucato says such an economy should have: purpose and "directionality"; co-creation by citizens; collective learning; reward sharing; and accountability. Each of these principles is set out in detail. Co-creation implies grassroots participation in designing and redesigning government programmes, for example – because, "when people help define a problem and develop and implement solutions, they see them as theirs rather than something imposed on them".Reward Sharing and PredistributionReward sharing means ensuring the creators or rightful owners of economic value stand to benefit: from Indigenous people whose homes lie near raw material deposits, to social media users whose data fuels Big Tech's profits. That implies radical tax reform – including greater use of wealth taxes – and the robust use of conditions in public contracts, to make sure workers and taxpayers get their fair share: an approach she calls "predistribution".Critique of Labour's Economic ApproachAccording to Mazzucato's definition, Labour's attempt at mission-led government badly missed the mark. Its first and overriding goal – "kickstart economic growth" – cannot be a "mission" at all, because it lacks the necessary purpose. What, in other words, is that economic growth meant to be for? While her scope in this ambitious book is global, the analysis also dismantles Starmer's claim to be pursuing national "missions", by setting out just how radical – and radically different – that would look in practice.Practical Examples and Global Applications"The seeds of transformation are everywhere," she says, citing inspiring projects that range from delivering healthy and sustainable school meals in Sweden to the EU's mission to support cities to become climate-neutral, to the international Nagoya Protocol on sharing the benefits of genetic resources and traditional knowledge. Echoes of Mazzucato's mindset are detectable in some Labour policies – from using the threat of legislation to cajole pension funds to invest more in UK assets, to writing conditions on youth training into clean energy contracts.The Future of Economic DirectionEconomies work best, she believes, when they pursue grand collective goals – developing and distributing a vaccine for a pandemic; or confronting the climate emergency (or, though she doesn't lean on the example here, tooling up for a new and more frightening geopolitical era). We should ask, she says, "not which market failure do we want to be fixed, but what direction do we want the economy to sail in".

The Retaliatory Strike Iran's Islamic Revolutionary Guard Corps (IRGC) says it launched a retaliatory strike on a base used by US forces that it claims was used for an attack on an Iranian communications tower. The IRGC Aerospace Force fighters targeted the airbase where the aggression originated, and the predicted targets were destroyed. The Escalation The attacks come after the United States said it carried out strikes on Iran this weekend in response to 'aggressive Iranian actions that included the shootdown of a US MQ-1 drone that was operating over international waters.' US fighter aircraft swiftly responded by eliminating Iranian air defenses, a ground control station, and two one-way attack drones that posed clear threats to ships transiting regional waters. The Fragile Ceasefire The attacks, the latest in several exchanges of fire in recent days, come as indirect negotiations between the US and Iran to formalize a fragile ceasefire that took effect in April continue. There have been mixed signals about whether the two sides are close to an agreement to extend the fragile truce. The Potential Memorandum of Understanding The two sides have reportedly been reviewing a potential memorandum of understanding (MoU) that would extend the ceasefire for a further 60 days and begin negotiations to end the war permanently. The MoU will state that shipping through the Strait of Hormuz is to be 'unrestricted,' meaning there will be no tolls, no 'harassment,' and that Iran will have 30 days to remove all sea mines. Iran's Response Iran's Foreign Ministry spokesperson Esmaeil ‌Baghaei said on Monday that any delay ⁠in ⁠the diplomatic process to end the war can ⁠be explained by a lack of trust, ⁠Washington's contradictory positions and Israel's attacks on Lebanon. Negotiations have started amid severe suspicion and mistrust, and the exchange of messages is taking place in ⁠this atmosphere. Trump's Statement US President Donald Trump said in a statement on his Truth Social platform late on Sunday, Tehran 'really wants to make a deal' and that whatever deal is reached will 'be a good one' for the US 'and those that are with us.' He lashed out at domestic critics for 'negatively 'chirping'' about his handling of the war but made no mention of the US strikes on Iran.

The Historical Clean SweepNew South Wales has secured the first whitewash in Women's State of Origin since the series shifted to three matches in 2024, after grinding out a 12-4 victory over Queensland on the Gold Coast in game three. The scoreline flattered the home side, who were clearly second best against the shield holders, and have now lost back-to-back series. But they hung with the Blues until Jayme Fressard's try with 17 minutes to go which proved to be the match-winner.The Decisive MomentThe Blues' fifth-tackle spread looked to be going nowhere, but when the imperious Isabelle Kelly off-loaded to her winger, Fressard capitalised on the Maroons' tired defense. She surged down the inside, slicing up the Queenslanders and sliding across to trigger the Blues' celebrations. The winger told Channel Nine she wanted to make up for an earlier missed opportunity. "I'd seen a few Queenslanders and a big space, and I thought, you know, just back yourself, you've got the speed, so I wasn't bombing that one," Fressard said.Series Statistics and PerformanceThe series result represented an unfortunate opening to the Origin coaching career of Queensland's Nathan Cross, who was brought in this year to replace Tahnee Norris. Despite the 3-0 result, the Maroons were in each contest, and the combined margin across the three matches was just 17 points. Instead, the sweep was another endorsement for John Strange, who has now won five of six matches in the series.Impact on Women's Rugby LeagueEven after Fressard's try pushed the lead to eight, the Blues still had work to do. With seven minutes to go, the Maroons had three successive sets on the Blues line, and both Blues wingers – Fressard and Jaime Chapman – prevented the Maroons from turning grubbers into tries. Though her fellow Blues forward Yasmin Meakes won the player of the series award, lock Olivia Kernick had a night to remember, topping counts for tackles (33) and run metres (199).Future Outlook for Both TeamsDespite the result, the Maroons can have cause for optimism. Five-eighth Chantay Kiria-Ratu only became more confident in her first Origin series, and on Thursday her ball-playing and running began to match her already elite kicking and defense. NSW dominated the first half but took 26 minutes to find the opening try, with Kelly – named player of the match on Thursday – crossing after Southwell ran deep into the Maroons' retreating goalline defense.

The Latest Escalation in US-Iran Conflict The United States military says it has struck Iranian military sites, and Iran’s Islamic Revolutionary Guard Corps (IRGC) says it has targeted a US base in response, the latest in a series of exchanges as negotiations to end the three-month US-Israel war on Iran are conducted. US Actions and Iranian Response US strikes Iranian sites: The US military’s Central Command (CENTCOM) said it conducted “self-defense strikes” on Iranian radar and drone sites in the city of Goruk and on Qeshm Island at the weekend. Iran targets US base: The IRGC said it struck an airbase that was used for an attack on a telecommunications tower on Sirik Island, located in the southern province of Hormozgan, Iran’s Fars news agency reported. Diplomatic Efforts and Regional Impact Iranian Foreign Minister Abbas Araghchi: Iranian Foreign Minister Abbas Araghchi said Tehran is continuing to exchange messages with the US on a deal to end the war. Trump’s stance: US President Donald Trump described Iran as eager to reach an agreement, posting on his Truth Social platform that “Iran really wants to make a deal, and it will be a good one for the USA and those that are with us.” Kuwait intercepts missiles and drones: The General Staff of the Kuwaiti army said its air defences were “confronting hostile missile and drone attacks”. Israel pushes farther into Lebanon: Prime Minister Benjamin Netanyahu has ordered Israel’s military to push farther into Lebanon after Israeli forces made their deepest incursion into the country in more than 25 years. Hezbollah’s Actions and US Proposal Hezbollah downs Israeli drone: The Lebanese armed group said it shot down an Israeli Hermes 450 drone over the western sector of southern Lebanon using a surface-to-air missile on Sunday evening. Hezbollah strikes Israeli forces: Hezbollah also said its fighters fired a large number of rockets and artillery shells at Israeli forces on the eastern outskirts of the town of Yohmor al-Shaqif in southern Lebanon early on Monday. US proposes new plan: The US has put forward a proposal to de-escalate hostilities in Lebanon, a US official told Al Jazeera, adding that Secretary of State Marco Rubio held separate talks with Lebanese President Joseph Aoun and Netanyahu.