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Jo Diop and Kush Burman, two 19‑year‑old lads from Liverpool, captured audiences in the final series of the BBC’s Race Across the World. Their open, supportive bond turned a high‑stakes travel competition into a showcase of positive masculinity, prompting praise from viewers, producers and even MPs. The Journey and the Unscripted Friendship The series followed five pairs racing 7,500 miles (12,000 km) from Sicily to Mongolia. Jo and Kush, originally framed as a “side‑quest” before adult life, quickly became the show’s emotional core. Their dynamic—Kush’s candidness about anxiety and loss, paired with Jo’s steady, calming presence—offered a rare glimpse of working‑class friendship on prime‑time TV. Numbers Behind the 7,500‑Mile Expedition Distance covered: 7,500 miles / 12,000 km Number of competing pairs: 5 Age of the duo: 19 years old Key locations visited: Sicily, Turkey, Kyrgyzstan (Arslanbob forest), Mongolia Airdate of series finale: 2026‑05‑22 Why Their Kindness Resonates in Reality TV Producers highlighted the difficulty of finding “that little story” that feels authentic. Executive producer Fatima Salaria noted the rarity of “real kindness” on television, while creative director Ben Wicks said distributors now demand “more feel‑good TV”. The duo’s relationship also aligned with political calls for healthier male role models; former safeguarding minister Jess Phillips and Labour MP Amanda Martin praised the show as a counter‑example to toxic masculinity. What This Means for Future Reality Formats Industry insiders predict a rise in reality programmes that foreground genuine human connections over manufactured drama. As audiences respond positively to Jo and Kush’s story, broadcasters are likely to commission more formats that celebrate working‑class narratives and emotional honesty, potentially reshaping the genre’s tone for years to come.

Senegal's Prime Minister Defends Anti-LGBTQ Legislation Senegal's Prime Minister Ousmane Sonko has publicly defended the nation's newly enacted anti-LGBTQ laws, delivering a strong rebuke of Western influence while addressing the National Assembly. The speech comes amid international condemnation of legislation that significantly criminalizes same-sex relationships in the West African nation. New Laws Criminalize Same-Sex Relationships with Harsher Penalties The legislation, which came into effect in late March, doubles the prison sentence for same-sex sexual acts from five years to ten years. The law also criminalizes the financing of same-sex relationships, as well as what it describes as the "glorification of unnatural acts," a provision that includes the promotion of, or engagement in, homosexual acts. In February, 12 males were arrested in the capital, Dakar, for so-called "acts against nature," highlighting the increased enforcement of these laws. International Condemnation of Senegal's Crackdown United Nations Human Rights chief Volker Turk had urged President Bassirou Diomaye Faye not to enact the legislation, describing it as "deeply worrying." "This law exposes people to hate crimes, abuse, arbitrary arrests, blackmail and widespread discrimination in education, health, employment and housing. Furthermore, it restricts the legitimate work of human rights defenders, the media and freedom of expression of everyone in Senegal," Turk said at the time. Following the arrests in Dakar, Human Rights Watch called on the government to protect LGBTQ rights and release those detained, also demanding the repeal of what they termed "discriminatory and homophobic laws." Global Context of Anti-LGBTQ Legislation Senegal is one of many African nations to adopt harsher anti-LGBTQ laws in recent years, reflecting a broader trend across the continent. According to international data, 65 countries worldwide criminalize same-sex relations, with more than half of these nations located in Africa. This places Senegal within a significant global movement toward restricting LGBTQ rights, particularly in regions with strong conservative religious and cultural influences. Future Outlook for LGBTQ Rights in West Africa The stance taken by Senegal's leadership signals continued challenges for LGBTQ advocacy in West Africa, where cultural and religious conservatism often intersects with political positioning against Western influence. As neighboring nations observe Senegal's approach, the region may see either a hardening of anti-LGBTQ policies or, potentially, increased international pressure to reconsider such legislation. The international community, including human rights organizations and Western governments, faces the delicate balance of respecting national sovereignty while advocating for universal human rights standards in an increasingly polarized global environment.

The Churchill Exhibition: War Leader's Artistic EscapeBritain's eloquent war leader kept himself sane by puffing on cigars, swilling brandy – and painting the world around him. The Wallace Collection in London is hosting "Winston Churchill: The Painter" from 23 May to 29 November, offering a rare glimpse into the artistic side of the historical figure.New Voices in Contemporary ArtThe London art scene is buzzing with new exhibitions featuring contemporary artists:Kira Freije presents hollow metal people at Modern Art Oxford, showing shadows of Berlin Dada in her work. The exhibition runs from 23 May to 16 August.Miriam Elia, known for her witty take on Ladybird books, turns her eye towards Moses in this exhibition for Jewish Cultural Month at JW3, until 30 June.Liam Young offers futuristic but lo-fi worlds you can walk through at the Barbican, until 6 September, with installations finding hope for our planet.Zsuzsi Ujj presents her first UK solo show at Arcadia Missa, from 22 May until 18 July, establishing her presence from Hungary's dissident art and underground music scenes.Remembering Valie ExportThe art world mourns the passing of Austrian feminist artist and film-maker Valie Export, who died this week. Her 1968 performance piece "Tapp und Tastkinema" (Tap and Touch Cinema) is highlighted as typically provocative but playful, giving people the opportunity to interact with and appraise a real female body: her own. Export's fearless approach to challenging beauty standards continues to influence contemporary artists.Notable Art News and DevelopmentsThe week brought several significant stories from the art world:Taiba Akhuetie makes wild creations out of hair – Rihanna and Cate Blanchett are fansWhistler should have used better paint to capture his motherNina Simone's chewing gum is going on show in a new exhibition celebrating the superfanChristo made the invisible visibleGrayson Perry's life story is to be made into a musicalFlorentina Holzinger rocked this year's Venice Biennale with naked jetskiers, human bells and urine diversGen Z can't get enough of the king of colour, Mark RothkoSanya Kantarovsky's paintings of Christian iconography and children will haunt youMasterpiece of the Week: The Judgement of ParisJoachim Wtewael's "The Judgement of Paris" (1615) stands as this week's masterpiece. The painting depicts the moment when Trojan prince Paris foolishly rates the beauty of Minerva, Venus, and Juno, giving the prize to Venus in return for her helping him seduce Helen. This decision sparked the Trojan War, with the Greeks supported by the furious Juno. Wtewael's mannerist style, with its bony, angular forms and deliberate distortions, creates an overabundance that presages doom, reflecting the war-torn Europe of the 1600s. The painting is on display at the National Gallery in London.

The Rise of Trash Pop In 2026, a new generation of female pop stars is defying expectations of being vessels of order and stability. Instead, they're embracing a hedonistic, feral aesthetic, characterized by brash electronic pop, shameless lyrics, and anarchic sexuality. The New Wave of Trash Pop Artists like Slayyyter, Kim Petras, Cobrah, Demi Lovato, Snow Strippers' Tatiana Schwaninger, Tove Lo, and Kesha are leading the charge. Their music and style are a deliberate rejection of the traditional feminine ideal. Slayyyter, for example, describes herself as a "too drunk, trashy St Louis girl" with a carefree attitude. The Cultural Context This movement is not happening in a vacuum. It's a response to the pressures of modern life, including the climate crisis, AI, and war. According to Ione Gamble, editor of The Polyester Book of (Bad) Taste, "Part of this feels like an extension of post-lockdown nihilism. Things are so bad in a political context that we may as well have fun." The Rejection of Respectability This new wave of artists is rejecting the pressure to conform to traditional notions of femininity. Tove Lo, 38, says, "The older I get, the more intense the pressure gets around being a 'good woman,' and that mould feels so boring. There's a confidence in not doing everything perfectly." The Influence of Electroclash and Indie Sleaze The trash-pop sound is influenced by electroclash and indie sleaze, with artists drawing inspiration from the raw, unapologetic energy of the early 2000s. Charli XCX's album Brat has been cited as a key influence, with its hedonistic club energy and infectious beats. The LGBTQ+ Connection The trash-pop movement has long been popular within the LGBTQ+ community, with artists like Slayyyter, Petras, and Ayesha Erotica leading the way. The genre's emphasis on self-expression and rebellion has resonated with fans who feel marginalized or oppressed. The Future of Pop As the music industry continues to evolve, it's clear that trash pop is here to stay. With its unapologetic energy and infectious beats, this new wave of female artists is redefining what it means to be a pop star. The question is, what's next for this genre, and how will it continue to influence the music industry?

A Historic Return: The Refugee Team's ItineraryAfghanistan's displaced female cricketers are set to return to the international stage with a tour of England beginning June 22. This initiative, organized by the England and Wales Cricket Board (ECB), brings together players who were previously contracted to the Afghanistan Cricket Board but were systematically excluded from sport and public life following the Taliban's return to power in 2021.Start Date: June 22Format: Twenty20 (T20) matchesKey Event: Attendance at the Women's T20 World Cup final at Lord's on July 5Support: Training opportunities and deepening connection to the global gameStrategic Milestones and Global ReachThe tour serves as a critical data point in the ongoing struggle for women's representation in sport. While the players have been playing domestic cricket in Australia, the lack of access to international competition highlights a significant gap in the International Cricket Council's (ICC) current regulatory framework, which requires member nations to support both men's and women's teams.The itinerary is not merely a series of matches but a strategic effort to reintegrate the players into the global cricket community. By featuring in T20 matches and attending the final at Lord's, the team aims to bridge the five-year gap in their professional careers and demonstrate their continued competitiveness on the world stage.Breaking Barriers: Sport as a Tool for InclusionThis tour carries profound cultural and sporting significance, acting as a testament to the resilience of Afghan women. The ECB has emphasized that the event represents a moment for cricket to stand for inclusion and the protection of women's participation in sport.The involvement of former Australian international Mel Jones, through her consultancy firm "It's Game On," underscores the professional infrastructure required to support such a complex transition. The players' repeated requests for the ICC to recognize them as a refugee team have finally borne fruit, validating their struggle for recognition and highlighting the urgent need for the sport's governing body to adapt its rules to protect displaced athletes.Future Outlook: Beyond the TourMel Jones has called for "sustained and meaningful action beyond this year," signaling that this tour is just the beginning of a longer journey. The success of this initiative could set a precedent for how international sports bodies handle displaced athletes, potentially leading to more structured pathways for refugee teams in the future.As the team prepares to compete, the cricketing world watches closely, hoping that this tour will not only provide the players with the opportunities they deserve but also catalyze a permanent shift in how sport addresses human rights and inclusion on a global scale.

London will host a star‑studded all‑female Athlos athletics meeting on 18 September 2026, a key step in founder Alexis Ohanian's vision of an “F1 for track and field”.London to host the inaugural Athlos all‑female meetThe competition will be staged at StoneX Stadium in Barnet, a 10,500‑seat venue also used by Saracens rugby and the Shaftesbury Barnet Harriers. Top athletes such as 2023 100 m world champion Sha’Carri Richardson and Paris Olympic 200 m gold medallist Gabby Thomas are confirmed participants.Date: 18 September 2026Venue: StoneX Stadium, LondonKey athletes: Sha’Carri Richardson, Gabby Thomas, othersPrize money and equity model: $2.1 m pot and athlete stakesAthlos offers a total prize pool of $2.1 m (£1.5 m). Winners of individual events can earn up to $65,000, with an extra $25,000 for overall champions, meaning a dual‑city victor could pocket $155,000. In addition, competing athletes receive equity in the league, aligning their financial upside with the competition’s success.Prize pool: $2.1 mIndividual event win: $65,000Overall champion bonus: $25,000Potential total earnings per athlete (both cities): $155,000Potential shake‑up for athletics commercial landscapeOwned by Ohanian’s venture‑capital firm Seven Seven Six (assets of $900 m (£670 m)), Athlos introduces a commercial model rarely seen in track and field. By granting athletes equity and delivering high‑visibility events in global cities, the league aims to overcome the sport’s historic lack of profitability, contrasting with past failed attempts such as Michael Johnson’s Grand Slam Track series.What the next season could look like for AthlosOhanian envisions a season‑long, worldwide league with additional host cities beyond London and New York. Ongoing discussions with World Athletics and “great partners” suggest possible integration with the sport’s governing body, paving the way for a truly global athletics circuit.

Mauritania has turned to an unconventional counter‑terrorism tool: women trained in Islamic scholarship who work in schools, prisons and community centres to undermine extremist narratives. Since the Ministry of Islamic Affairs launched the mourchidates programme in 2021, the country has avoided the large‑scale attacks that have ravaged its Sahel neighbours. The State‑Backed Religious Guidance Model The mourchidates are certified by the state, receiving formal training in Quranic interpretation, Islamic jurisprudence and social counselling. Their role mirrors Morocco’s programme launched after the 2003 Casablanca bombings, but Mauritania has expanded their deployment to every region of the country. Training includes theological study and community‑engagement techniques. Guides operate under the Ministry of Islamic Affairs, ensuring official backing. They address both extremist ideology and the socio‑economic factors that fuel radicalisation. Prison as a Battleground for Ideas In Mauritanian prisons, mourchidates sit with detainees linked to Sahel armed groups, challenging the theological justifications for violence point‑by‑point. By offering alternative readings of Islamic texts, they create space for detainees to reconsider violent paths. Preventive Outreach in Communities Beyond prisons, the guides travel to schools, youth centres, mosques and markets, delivering lessons on tolerance, charity and accountability. Their presence aims to intercept radicalisation before it takes root, especially among unemployed youth vulnerable to extremist recruitment. Impact on Regional Stability While exact metrics are scarce, Mauritania’s relative calm compared with Mali, Burkina Faso and Niger is widely attributed to this holistic approach. Analysts cite the programme as a case study in combining intelligence, community trust and religious reform to blunt extremist growth. Future Outlook and Replicability Critics note limited resources and question whether the model can be exported to other Sahel states where state‑society trust is weaker. Nonetheless, the success of the mourchidates suggests that investing in credible, female religious leadership could become a cornerstone of non‑military counter‑terrorism strategies across the region.

The Road to FIFA World Cup 2026 Egypt's head coach, Hossam Hassan, has announced the preliminary squad for the FIFA World Cup 2026, which will take place in the United States, Canada, and Mexico from June 11 to July 19. Liverpool's Mohamed Salah will lead the team as captain, supported by Manchester City's Omar Marmoush. Squad Selection Highlights The squad includes some notable inclusions and exclusions. Uncapped teenager Hamza Abdelkarim, who plays for Barcelona's under-19 team, has been included in the squad. On the other hand, Nantes forward Mostafa Mohamed has been left out. The Data Behind the Squad Mohamed Salah (Liverpool) - Captain Omar Marmoush (Manchester City) - Forward Hamza Abdelkarim (Barcelona U19) - Forward The Impact of Squad Selection The selection of Hamza Abdelkarim and exclusion of Mostafa Mohamed reflect the team's strategy to blend experience with youth. Mostafa Mohamed's omission is notable, given his recent form struggles with Nantes. The Road Ahead Egypt will play friendly matches against Russia and Brazil before heading to the World Cup. Their campaign begins against Belgium in Seattle on June 15, followed by matches against New Zealand, and Iran. Egypt's Squad for FIFA World Cup 2026 Goalkeepers: Mohamed El Shenawy (Al Ahly), Mostafa Shobeir (Al Ahly), El Mahdi Soliman (Zamalek), Mohamed Alaa (El Gouna) Defenders: Mohamed Hany (Al Ahly), Tarek Alaa (Zed), Hamdy Fathy (Al Wakrah), Rami Rabia (Al Ain), Yasser Ibrahim (Al Ahly), Hossam Abdelmaguid (Zamalek), Mohamed Abdelmonemn (Nice), Ahmed Fatouh (Zamalek), Karim Hafez (Pyramids) Midfielders: Marwan Ateya (Al Ahly), Mohanad Lasheen (Pyramids), Nabil Emad (Al Najma), Mahmoud Saber (Zed), Ahmed Zizo (Al Ahly), Emam Ashour (Al Ahly), Mostafa Ziko (Pyramids), Mahmoud Trezeguet (Al Ahly), Ibrahim Adel (Nordsjaelland), Haissem Hassan (Real Ovideo) Forwards: Omar Marmoush (Manchester City), Mohamed Salah (Liverpool), Aqtay Abdallah (Enppi), Hamza Abdelkarim (Barcelona U19)

The Lead In a heartfelt interview, singer-songwriter Liz Lawrence opens up about her new album Vespers, a poignant tribute to her sister Jessie, who passed away suddenly in 2024. The album marks a significant departure from Lawrence's previous work, embracing a more stripped-back, elegiac sound as she navigates the complexities of grief. Lawrence's Journey with Grief Lawrence recounts the months following her sister's death, during which she found solace in the music of female vocalists like Lisa O'Neill, Adrianne Lenker, and Joanna Newsom. As she slowly returned to her own music, Lawrence realized she needed songs that allowed her to revisit the "space of contemplation, reflection and sadness." This journey led her to create Vespers, an unvarnished and personal tribute to her sister. The Creation of Vespers Eschewing the muscular indie pop of her previous albums, Lawrence self-produced Vespers, which features delicate string arrangements and a more subdued tone. The album was written during a three-week burst of creativity six months after her sister's accident, and it is characterized by its raw emotion and poignant lyrics. Exploring Grief Through Music Lawrence's music often grapples with the complexities of grief, and Vespers is no exception. Songs like "Exploded Into Flowers" and "Sister" showcase Lawrence's ability to convey the pain and sadness of loss through her lyrics and melodies. The album also explores the theme of finding a space for grief in a world that often prioritizes productivity and capitalism. The Impact of Grief on Life Lawrence reflects on how her experience of grief has changed her perspective on life and work. She notes that her priorities have shifted, particularly with regards to her niece and nephew, and that she now approaches her music with a greater sense of purpose and connection. The Future of Vespers Lawrence hopes that Vespers will resonate with others who have experienced loss, and that it will provide a sense of comfort and connection. Despite initial reservations about releasing the album, Lawrence has come to terms with the idea that her music can help others navigate their own experiences of grief.