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The Lead: Personal Artworks Reveal Hidden Keith HaringThe story of how Keith Haring came to paint a crib began on a quiet, ordinary afternoon in 1986. His best friend's wife was pregnant, and the couple didn't have the money to buy a new crib for their home in New York City's Greenpoint neighborhood. "I called my parents to ask if my old crib was still in the attic," says artist Kermit Oswald, Haring's friend since childhood. "I got it and I painted it yellow, then Keith came over, we had a few beers and he painted the rest of it."The Exhibition: Haring's House at Sotheby'sOswald's collection of Haring's work is now on display in Haring's House: Works From the Collection of Kermit Oswald, a public exhibition at Sotheby's New York this month, with the works going to auction in two sales on 14 and 15 May. The most surprising item is the crib. It's taxi-cab yellow with paintings of dachshunds (the Oswald family dog) and two figures representing Oswald and his wife, Lisa.The Auction Valuation: Market Value of Personal ConnectionsIt's one of 20 Haring works going to auction. The marquee lot is a 1985 self-portrait, one of only six the artist ever painted on canvas. The auction estimates are $3m-$5m, with the crib alone estimated at $250,000 to $350,000. With many items never seen publicly, it shows a personal side to one of the most iconic gay artists in history.The Friendship: Childhood Bond to New York Art SceneOswald knew Haring since they were five years old. They met by passing notes at church in their home town of Kutztown, Pennsylvania. As boys, they shared a passion for "creating things" and started drawing together. "We rode bicycles and played baseball, though on different teams, and were always in each other's homes," he says. They delivered their paper routes together; the loser of the morning race had to buy ice-cream.The Artistic Process: Influences and TechniquesHaring's early untitled works on paper from the late 1970s and early 1980s often used cut-up newspapers and Xeroxed clippings, a practice influenced by William Burroughs' cut-up technique. The two met in 1983 and collaborated on Apocalypse, a series of silkscreen prints with text by Burroughs, in 1988, the year Haring tested positive for HIV.The Legacy: Beyond Public PersonaWhen asked what Haring would be like now, Oswald says: "It was a more analog world then. If you wanted to comment on the news, you had to put ink on paper. In today's lexicon, Keith would be a blogger and definitely a news junkie." They both moved to New York in 1978 to study at the School of Visual Arts. Oswald built the workshop in Haring's studio, every frame Haring used and installed Haring's exhibitions.The Future: Auction and Art Market ImpactBy 1985, Haring was famous and painted his self-portrait from a Polaroid, his face on the body of a sphinx. He invited Oswald to the studio and told him to take any work he wanted. Oswald chose that one. The pair called Haring's mounting fame "the tiger." "You work and work and work thinking you can finally climb on the tiger and ride it," Oswald says. "But once it actually happens, you just have to hold on for dear life, and the best you can do is hope to steer it a bit."

The Hantavirus Outbreak on the Cruise Ship The World Health Organization (WHO) has confirmed five cases of hantavirus linked to deaths aboard a cruise ship in the Atlantic Ocean. Another three cases are suspected of being linked to the Andes strain of the hantavirus. The WHO says more cases are possible, but the risk to public health remains low. Details of the Outbreak Speaking to reporters on Thursday, the UN health agency’s chief, Tedros Adhanom Ghebreyeus said the WHO had been notified by the UK of a cluster of passengers with severe respiratory illness on the Hondius cruise ship, currently sailing from Cape Verde in the Atlantic to the Spanish island of Tenerife. “While this is a serious incident, WHO assesses the public health risk as low,” Ghebreyeus told reporters. Eight cases have been reported so far, including three dead, five confirmed and three suspected, he said. Understanding Hantavirus Hantaviruses are a group of viruses carried by rodents that can cause severe disease in people. They usually get infected through contact with infected rodents, their urine, droppings or saliva. The strain of hantavirus detected on the Dutch-flagged cruise ship is the Andes virus. It has been found in Latin America and is the only hantavirus known to be capable of limited human-to-human transmission. The Investigation and Response Before boarding the ship, the first two victims had travelled in Chile, Argentina and Uruguay on a bird watching trip, which included visits to sites home to rats known to carry hantavirus. Argentine authorities are investigating the couple’s movements. The WHO informed 12 countries whose nationals disembarked in Saint Helena. They are from Britain, Canada, Denmark, Germany, the Netherlands, New Zealand, Saint Kitts and Nevis, Singapore, Sweden, Switzerland, Turkiye and the United States.

The Evacuation of Spanish Passengers The first plane carrying passengers evacuated from a hantavirus-hit cruise ship has departed from Tenerife in Spain’s Canary Islands for Madrid, where they will go to a military hospital. Spanish nationals on Sunday were the first to leave the Dutch-flagged MV Hondius, which remained anchored off Tenerife after arriving hours earlier, and they will be under quarantine after they reach Madrid, Spanish health authorities said. Only Spanish nationals will quarantine in the country. Details of the Hantavirus Outbreak The cruise operator Oceanwide Expeditions listed 13 Spanish passengers and one Spanish crew member on board. No one else among the more than 140 people left on the Hondius is showing symptoms of the virus, Spain’s Ministry of Health, the World Health Organization (WHO) and Oceanwide Expeditions said. 8 people on the ship had fallen ill, including 3 who died – a Dutch couple and a German national. 6 of these people are confirmed to have contracted the virus with another 2 suspected cases. The Impact on Public Health All passengers on the luxury cruise ship are being considered high-risk contacts as a precautionary measure, Europe’s public health agency said late on Saturday as part of its rapid scientific advice. The WHO estimated there are 10,000 to 100,000 hantavirus infections each year. Argentina remains the country with the highest number of cases in the Americas, the WHO indicated in December, with a case fatality rate of 32 percent, higher than the average observed for other strains of the virus. The Future Outlook WHO Director-General Tedros Adhanom Ghebreyesus arrived on Saturday evening in Tenerife with Spain’s interior and health ministers and its minister for territorial policy to coordinate the arrival of the ship. Thanking Tenerife residents for their solidarity, Tedros assured them the risk from the ship was low. “I need you to hear me clearly,” he wrote in an open letter to the people of Tenerife. “This is not another COVID.”

The High Cost of Motherhood in the USFor millions of women in the United States, being a mother comes with an extraordinary price tag that extends far beyond emotional rewards. The nation faces a stark reality where the cost of healthcare, delivery, and raising a child is significantly higher than in most other wealthy countries. This financial burden is compounded by a healthcare system that often leaves families in debt, even for those with insurance coverage.Navigating the Patchwork of Birth CostsThe financial burden begins at the moment of conception and delivery, where costs vary wildly depending on insurance coverage and provider networks. In-network providers offer negotiated rates, while out-of-network providers can lead to financial ruin through unexpected charges.Alaska – $29,152 (vaginal birth), $39,532 (C-section)New York – $21,810 (vaginal birth), $26,264 (C-section)New Jersey – $21,757 (vaginal birth), $26,896 (C-section)Connecticut – $20,658 (vaginal birth), $25,636 (C-section)California – $20,390 (vaginal birth), $25,169 (C-section)Even insured mothers face bills running into thousands of dollars for routine deliveries. The national median in-network charge for a vaginal delivery is $15,178, rising to $19,292 for caesarean sections. Conversely, out-of-network charges are significantly higher, with a median of $31,117 for vaginal births and $44,432 for C-sections.Mortality Rates and Childcare BurdensThe economic strain is mirrored by a public health crisis. The US has one of the highest maternal mortality rates among high-income nations at 18.6 deaths per 100,000 live births, compared with fewer than three in countries like Norway and Italy. This disparity is most acute for Black women, who are about three times more likely to die from childbirth complications. In 2023, the maternal mortality rate was 50.3 per 100,000 for Black women compared to 14.5 for white women.Beyond birth, the cost of childcare remains a crushing economic factor. In 2023, couples in the US spent about 40 percent of their disposable household income on childcare, the highest share among selected developed economies. This is nearly double the rate in Ireland and far above countries like Germany and Italy, where costs are often near zero due to state subsidies.Systemic Disparities in Maternal HealthThe lack of federally guaranteed paid maternity leave exacerbates the financial crisis. While many European nations offer months or years of paid leave, American workers often rely on unpaid leave or personal savings. This forces many mothers back to work just weeks after giving birth, unable to bond with their newborns or recover fully.The impact is visible in the personal stories of mothers like Maria Haris, who faced out-of-pocket costs of $3,000 for a natural birth and nearly $600 per tablet for pain medication. For families relying on Medicaid, the financial safety net is often insufficient, leaving long-term debt from postnatal care like the Neonatal Intensive Care Unit (NICU).The Future of Maternal PolicyAs the economic and health disparities persist, there is a growing movement to reform the system. The high costs of out-of-network care and the disparity in maternal mortality rates highlight the urgent need for federal intervention. Future policy shifts will likely focus on standardizing insurance pricing, expanding paid leave mandates, and addressing the systemic racism embedded in the healthcare system to prevent further loss of life and financial stability for American mothers.

Heroic Homecoming: Sawe Returns on a Military PlaneHugged, cheered and adorned with garlands, Sabastian Sawe landed at a small airport 2,150 m above sea level on a Kenyan military aircraft reserved for special operations. His wife Lydia Sawe waited with a bouquet of orange roses, and the couple shared an emotional embrace that set the tone for a village‑wide celebration.Breaking the Two‑Hour Barrier: 1h 59m 30s at London MarathonTime: 1h 59m 30sDate: 2026‑04‑26Record improvement: 65 seconds faster than the previous world recordEvent: London MarathonThe performance not only rewrote the marathon record books but also sparked worldwide debate about the limits of human endurance.Altitude Advantage: Why Kenya Produces Marathon LegendsSawe hails from the Great Rift Valley, a region where daily life at high altitude naturally boosts red‑blood‑cell production. This physiological edge translates into superior oxygen delivery when Kenyan athletes compete at sea level, giving them a measurable performance advantage.His grandmother, Vivian Kimaru, a former Olympian (Munich 1972, 1500 m & 800 m semi‑finalist), underscores the deep family and community tradition of elite distance running.What This Means for Global Marathon RacingThe sub‑two‑hour milestone reshapes expectations for elite marathoners worldwide. Sponsors, race organizers and governing bodies will likely invest more in pacing technology, shoe innovation and altitude‑training camps to chase the new benchmark.Kenya’s cultural celebration, from rice and chapati feasts to traditional music, reinforces the nation’s identity as the cradle of long‑distance excellence.Looking Ahead: Sawe’s Next Challenges and the Future of Sub‑Two MarathonsWith the record now under his belt, Sawe faces the question of whether he can consistently dip below two hours on varied courses. Analysts predict a surge of attempts in the next 2–3 years, especially as more athletes train at altitude and benefit from emerging shoe technologies.For Kenya, Sawe’s triumph is both a personal victory and a rallying point for the next generation of runners who will continue to dominate the sport.

The Lead The boss of the UK's biggest energy supplier has suggested that some households would accept an occasional electricity blackout in exchange for much lower energy bills. This controversial statement comes on the anniversary of Europe's largest power outage, which left tens of millions in Spain and Portugal without electricity. The Energy Trade-Off Proposal Greg Jackson, chief executive of Octopus Energy, told an industry conference that many households in Spain, which has a growing renewable energy business, would say they were happy to accept "the odd blackout" in return for electricity costs that are 25% lower. "To be really clear, I'm not advocating for blackouts, but if you asked Spanish consumers 'would you accept the odd blackout in return for electricity costs that are 25% lower, or don't have spikes, or a more reliable economy?' enough of them would say yes," he said. The Changing Perception of Power Outages People would be "far less bothered" about a blackout now than they might have been in the past, Jackson added, because they could continue watching things on their laptop during a power outage. "They've got a battery in there that gives them a couple of hours," Jackson said. He added that home batteries, which are sold by Octopus Energy, are "so cheap now" that even people who need reliable electricity to run medical equipment would be able to tolerate a blackout. The Cost of Grid Investments Jackson made the comments in response to an audience question about the challenges of running a renewables-heavy energy system such as the one in Spain. He told conference delegates that the greater challenge in running a clean power system was in controlling the cost of network investments. Octopus Energy has been outspoken in warning against grid investments that might prove to be unnecessarily expensive as new technologies emerge. The Spanish Precedent The widespread power outage in Spain and Portugal claimed the lives of at least six people, including two people with medical difficulties who died after they were unable to run breathing equipment. Renewable energy critics initially blamed Spain's reliance on wind and solar power for the outage, but the official report attributed "multiple interacting factors", involving conventional power plants, renewables and the power network for playing a role in Europe's largest power outage. The Industry Response A spokesperson for Octopus Energy said: "Countries that have embraced cheap renewables and built in flexibility – like Spain – are seeing dramatically lower energy prices and far less exposure to spikes. Meanwhile, the UK risks doing the opposite: hardwiring in high costs with tens of billions of grid and network spending, without enough transparency on whether all of it is really needed." "Build flexibility, and bills go down. Ignore it, and we risk overbuilding for decades," the spokesperson added. The UK's Energy Future Speaking at the same event, Fintan Slye, the chief executive of the National Energy System Operator, which is responsible for keeping Great Britain's lights on, said that while there is expected to be a "step change" in the way households use electricity that "doesn't go as far as blackouts". Slye said added that significant investments in the power grid were still needed to enable electricity to be transmitted from where it is generated to areas where people are located.

The Foxes' Miracle: A Decade of ReflectionAs the 10th anniversary of Leicester City's historic Premier League title approaches, the club's manager and key players look back on what is widely regarded as the greatest sporting miracle of the modern era. The narrative has shifted from a simple underdog story to a complex analysis of strategic pragmatism, cultural cohesion, and the unshakeable belief of a squad that refused to accept their limitations.The Pragmatic Road to GloryThe foundation of the title win was built on a philosophy of incremental ambition rather than immediate grandiosity. Claudio Ranieri revealed that the season began with a strictly pragmatic target: securing 40 points to ensure survival. This low-bar approach allowed the players to breathe, but it was the subsequent escalation of goals that defined their ascent. When they reached the Europa League, the target became Europe; upon qualifying for the Champions League, the mandate shifted to 'this year or never again.'Initial Goal: 40 points for safety.Mid-Season Goal: Qualification for European competition.Final Goal: Champions League qualification and the Premier League title.This strategy, coupled with Riyad Mahrez's persistent questioning of the squad's potential, created a psychological shift from doubt to destiny. Ranieri, a pragmatic man, knew the team was capable of something special, but the players' internal belief was the catalyst that turned a 'little team' into a champion.The Cultural Impact DataThe victory was not just a footballing achievement; it was a cultural phenomenon that transcended the sport. The ownership of Vichai Srivaddhanaprabha played a pivotal role in fostering a family-like culture that made the squad feel touchable and united. This unity was reflected in the club's diverse community, particularly the strong bond formed with the local Indian community, who felt a newfound sense of belonging and shared identity with the club.The global impact was immediate and overwhelming. From international recognition to a performance by Andrea Bocelli at the King Power Stadium, the 'Foxes' story captivated the world. The players found themselves celebrated not just as athletes, but as legends, with the title serving as a bridge between cultures and communities.The Legacy of the UnderdogLeicester City's triumph has permanently altered the landscape of the Premier League. It proved that financial dominance is not the sole determinant of success and that mentality, effort, and cultural cohesion can overcome the odds. The 'Foxes' legacy serves as a blueprint for future underdog stories, demonstrating that the most difficult hurdle is often the belief that the impossible cannot be achieved.

The Departure of Liverpool's Legends Liverpool is on the cusp of a significant transition as several legendary players are set to leave the club. The departures of Mohamed Salah and Andy Robertson at the end of this season, coupled with Trent Alexander-Arnold's move to Real Madrid last summer, mark the end of an era for the Reds. The Impact of Experienced Players Leaving The players leaving are not just any ordinary players; they are highly experienced and have been instrumental in Liverpool's success over the years. Virgil van Dijk, Alisson, Robertson, and Salah have all been part of Liverpool's top-performing squad, contributing significantly to their Premier League title win five years ago and last season's success. The Data Analysis Salah (313) and Robertson (273) are fifth and seventh, respectively, for most Premier League appearances for Liverpool. Robertson and Salah have played 257 Premier League games together; only 15 duos have played together more in Premier League history. The Impact Analysis The departure of these experienced players will undoubtedly have a significant impact on the team's dynamics. Their experience of playing alongside one another is invaluable, and building up that rapport matters. New players will need to step up and form strong connections with the remaining team members. The Prediction Liverpool has already started rebuilding with the arrival of Florian Wirtz, Alexander Isak, and Milos Kerkez last summer. While it's a challenging task to replace the departing legends, these new players have shown glimpses of their potential. The team's ability to adapt and form a cohesive unit will be crucial in determining their success in the upcoming seasons.

The Concept Behind the Show The small print tells us this show has no connection to the fashion house of McQueen, nor does it feature any of Alexander McQueen's designs. You could think it's a cynical attempt to get bums on seats for classical music, but it is created by McQueen's longtime musical director, John Gosling, alongside Robert Ames, conductor of the London Contemporary Orchestra. The LCO plays music that inspired the designer, all run together like a DJ mix with theatrical lighting and multi-genre guest performers. The Music and Performance Far from “unnatural”, most of the harmonies here are as concordant as Classic FM, mostly film soundtracks (The Hours, The Piano, a couple of John Williams') and tearjerkers (Dido's Lament, Barber's Adagio for Strings). The friction, however, is all in the combinations. For example: two dancers posturing in nude body stockings – one has hooves instead of hands and tights over her face – and then behind them, the cello section in formal white tie and tails. Hearing Handel cut with the Rolling Stones in a jaunty string arrangement, or a blast of Nirvana, feels like your GCSE music teacher trying to be cool, although the blaring siren of Armand Van Helden's Witch Doktor is genuinely unsettling. The Impact of the Performance Cabaret singer Le Gateau Chocolat always has presence and fabulous costumes – one here resembles a green Quality Street-wrapper – but like the rest of this show seems under-rehearsed. The two dancers, choreographed by Holly Blakey, appear in superfluous layers that exaggerate the messy world of the choreography and it is hard to tell whether it's being serious or sarcastic when the dancers shake their heads comically in time with a piano trill. The Legacy of Lee Alexander McQueen There's a superficiality to this genre clash; are these art forms really speaking to each other or is it provocation for the sake of it? But there are genuinely illuminating moments in a film choreographed by Michael Clark, a friend of McQueen's, both men steeped in classical craft and punk spirit. We see dancer Jules Cunningham in a very Isabella Blow hat, and Simon Williams dancing to Barber's Adagio, one of the most loved/hackneyed pieces of music. And yet the shocking starkness of Clark's ironed-out angles cuts through the familiarity to bring a laser focus to the music. It's a show full of contradictions, wrestling between sweet and edgy, but ending up quite middle of the road. The Show's Details At Royal Festival Hall, London, until 30 April