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The Plight of Lebanon's Children Four-year-old Malaika was in her home in southern Lebanon's Mayfadoun when Israel's bombs began to hit on March 2. Her mother made an immediate attempt to flee, grabbing Malaika and her younger sister Sara, putting the latter in the back seat of her car, and Malaika in the front passenger seat. The mother sat in the driver's seat. Then a strike hit near the car. Malaika woke up in a hospital hours later, with burns on her forehead and damage to her left eye that hospital staff say will require surgery. Sara was also wounded, but not as badly as Malaika. However, their mother – who the family did not wish to name for privacy reasons – was killed in the strike. Almost 1,000 Children Wounded Israel intensified its war on Lebanon on March 2, launching attacks that came after Hezbollah had responded just hours earlier to the February 28 killing of Iran's Supreme Leader Ayatollah Ali Khamenei, ending more than a year of restraint despite daily Israeli attacks on southern Lebanon. Israel has since killed at least 3,613 people in Lebanon, including at least 245 children, according to the Lebanese Ministry of Health. "Children continue to bear a disproportionate burden of the conflict," Elissar Gemayel, response director for World Vision Lebanon, told Al Jazeera. Violations of International Law War disrupts children's routines, pulling them from the perceived safe spaces of their homes, their rooms, their gardens, and their schools. And even those who have not been physically injured have their routines disrupted and their sense of safety shattered, potentially leading to serious psychological effects. Marianne Abboud is the mental health and psychosocial support adviser for War Child, an international humanitarian organisation focused on the rights of children living with violence or armed conflict. Societal Impacts and Government Response Humanitarian workers who spoke to Al Jazeera praised the Lebanese government for taking the lead on the response to the humanitarian crisis, in contrast to previous crises. Still, with so many people and children displaced, they maintained that there were inevitably gaps. Part of that is the result of funding cuts. The United Nations appealed in March for $308.3m for humanitarian assistance, but has only been able to reach half of its target so far. Slow Healing It has now been three months since the attack that killed her mother and left her badly wounded, and Malaika sits in a playroom at the office of the Ghassan Abu Sittah Children's Fund (GASCF) in Beirut, where her surviving family has relocated. Wounds still mark Malaika's forehead and left cheek. Her father and uncle sit on a couch nearby as she uses a yellow crayon to colour an image of a duck.

The Big Freeze Legacy The Big Freeze, a charity event held at the MCG, brought together over 88,000 people to celebrate the life and legacy of Neale Daniher, a former AFL player and coach who passed away due to Motor Neurone Disease (MND). The event was a testament to Daniher's enduring spirit, with his daughter and other notable figures in attendance. A Thrilling AFL Match The AFL match that followed was a freewheeling contest, with both teams encouraged to attack and play with a sense of freedom. The game was marked by moments of brilliance, drama, and controversy, ultimately ending with a win for Collingwood. The Neale Daniher Trophy, awarded to the player who best demonstrates Daniher's values, was given to Kozzie Pickett. Honoring Neale Daniher's Values The event and the match were a fitting tribute to Daniher's values of bravery, resilience, unity, care, conviction, and selflessness. The AFL community came together to celebrate his life and continue his legacy in the fight against MND. A Weekend of Thrilling AFL Action The match was part of a thrilling round of AFL action, with six of the eight games decided by eight points or less, a first in VFL/AFL history. Other notable matches included a close game between St Kilda and Sydney, where the Saints' efforts were commendable but ultimately fell short.

The Lead: Tabloid Ethics at Their LowestIn 1987, at the height of Britain's tabloid press era, the Sunday Sport, owned by pornography baron David Sullivan, began a disturbing practice of counting down to the 16th birthdays of schoolgirls like Natalie Banus, when they could legally be pictured topless. This controversial feature, which described 15-year-olds as "the age of the nymphet," pushed legal and ethical boundaries by publishing semi-nude images of minors, revealing a dark chapter in tabloid journalism that would continue for over 15 years.The Ethical Boundaries: Exploiting Legal LoopholesThe Sunday Sport, launched in 1986 in a blaze of controversy, meticulously navigated legal restrictions on publishing indecent images of under-16s. The newspaper maintained compliance by featuring 15-year-old girls with their chests obscured only by their arms, while explicitly anticipating their "legal" topless photos upon turning 16. Banus, described as "the sexiest 15-year-old in Britain" with measurements "a fantastic 40-22-34," became the centerpiece of this countdown strategy. The publication also encouraged readers to call premium-rate chat lines to hear her voice, further monetizing her underage status.The Impact on Subjects: Psychological Toll on Young WomenAlmost 40 years after her tabloid debut, Natalie Banus reflected on her experience in her memoir "Dark Star," published earlier this year. She revealed that she wept when reading the pieces published in anticipation of her 16th birthday, including an account of an alleged incident in a changing room where she feared sexual assault. After turning 16, the Daily Star ran topless pictures of her "all week … always paired with some nonsense story about me being so proud of my tits, getting groped or fantasising about sex." This exposure led to more work with Sullivan's publications, with some explicit shoots taking place in his former Essex home.The Legacy: From Tabloid Pages to Football BoardroomsThe relationship between the Star and the Sport lasted just eight weeks, with advertisers and journalists protesting against the seedy influence of Sullivan. However, he remained undeterred, continuing the practice of celebrating teenage girls' 16th birthdays with topless photos for more than 15 years. Other young models like Linsey Dawn McKenzie were similarly featured, with newspapers encouraging readers to imagine their topless appearances. This weekend, Sullivan's career in the adult entertainment industry has been thrown into sharp focus as he announced his resignation from West Ham to fight "false allegations" about his personal conduct, though Banus has always maintained that he treated her with "courtesy and kindness" in their dealings.

The Lead: David Byrne Invites Fans to Ask QuestionsLegendary musician and former Talking Heads frontman David Byrne is preparing a 4K cinema version of his acclaimed American Utopia tour and will be answering questions from fans. The opportunity comes as Byrne continues his remarkable career into his mid-70s, maintaining his status as an innovative live performer.The Event Details: 4K Cinema Release and Q&A; OpportunityThe American Utopia tour, which received widespread critical acclaim, was later adapted into a Broadway production directed by Spike Lee. This film will now be released in a 4K version for one night in cinemas on August 5. To mark this special release, Byrne will be answering questions about the tour and his broader career. Fans can submit their questions before noon GMT on Wednesday, with Byrne's responses scheduled to be published in the July 10 edition of the Film & Music section and online.The Career Highlights: From Talking Heads to Solo SuccessBorn in Scotland but later settling in the US, David Byrne brought erudition, passion, and wit to Talking Heads during the creative maelstrom of 1970s New York. The band created a distinctive brand of funky, spry new wave across eight studio albums, including hits like 'Once in a Lifetime' and 'Burning Down the House.' Their live concert film 'Stop Making Sense' remains a landmark in music documentation, featuring Byrne's iconic 'big suit' and innovative stage presence.Byrne's solo career flourished after Talking Heads disbanded in 1991, as he explored diverse musical influences from Latin, African, and European traditions. His collaborative work includes celebrated projects with Brian Eno ('My Life in the Bush of Ghosts') and Robert Wilson, as well as more recent collaborations with artists like St Vincent and Fatboy Slim. His 2018 album 'American Utopia' reached No 3 in the US, cementing his continued relevance in contemporary music.The Impact Analysis: Byrne's Enduring InfluenceDavid Byrne's influence extends far beyond his commercial success. As a boundary-pushing artist, he has consistently challenged conventions in music, visual art, and performance. His interdisciplinary approach—combining music with visual art, installations, and social commentary—has made him a significant cultural figure for decades. The American Utopia tour, with its stripped-down staging and focus on the music itself, demonstrated Byrne's ability to create powerful performances without elaborate production, reinforcing his reputation as an artist who prioritizes artistic integrity over spectacle.The Future Outlook: New Projects and Continued InnovationAs fans prepare to experience the American Utopia film in stunning 4K, Byrne continues to evolve as an artist. His most recent album, 'Who Is the Sky?', released in September 2025, shows that he remains creatively active. The upcoming cinema release and Q&A; session offer fans an opportunity to engage with one of music's most innovative minds, who continues to defy expectations and explore new artistic territories well into his 70s.

The Paradox: Horror as a Comforting EscapeIn a surprising turn, the 1999 found‑footage horror classic The Blair Witch Project is celebrated not for its scares but for the soothing effect it has on viewers grappling with anxiety. The author describes how the film’s relentless tension becomes a form of “medicinal dread,” allowing the audience to confront fear in a controlled environment and emerge calmer.How Blair Witch Redefined Feel‑Good CinemaDirected by Eduardo Sánchez and Daniel Myrick, the movie pioneered a raw, handheld aesthetic that blurred the line between fiction and reality. Its minimalist storytelling—three film students lost in the Maryland woods—creates an intimate, claustrophobic experience that draws viewers in rather than repels them, turning terror into a shared, almost therapeutic, journey.Box‑Office Numbers and Streaming Reach$250 million worldwide gross, matching the earnings of mainstream rom‑com Love Actually.Initially released in 1999, the film continues to generate revenue through streaming platforms: HBO Max (US), Netflix (UK), and Stan (Australia).Why Audiences Embrace Terror for Emotional ReliefThe essay highlights a broader cultural trend: horror provides a safe space to experience heightened emotions, which can act as a cathartic release for people with high anxiety levels. By watching characters confront an unseen menace, viewers gain a sense of mastery over their own fears, similar to the calming effect of a thunderstorm viewed from a safe interior.Future of Anxiety‑Targeted Horror ExperiencesAs mental‑health awareness grows, filmmakers may deliberately craft horror that doubles as therapeutic content. Expect more “comfort‑horror” titles that balance dread with narrative structures designed to soothe, potentially leading to new sub‑genres and streaming strategies aimed at anxious audiences.

The Creative Slump of Adulthood As a child, the author couldn't wait to be an adult, dreaming of an exciting life with exotic pets, bright pink walls, and staying up all night. Now in their mid-30s, adulthood has lost its lustre. While not depressed, there's a sense of going through the motions with predictably dull days: gym, work, cook, clean, collapse on the sofa. The author struggles to identify what they've actually done beyond "computer" and finds attempts to shake up their routine quickly fizzle out. Austin Kleon's Creative Journey Austin Kleon, 42, author of "Steal Like an Artist" and other illustrated guides to creativity, has turned his DIY creative experiments into a career. Starting with a popular blog in the mid-2000s, he demystifies art and makes it accessible to all. His first hit project was fashioning poetry from marked-up newspaper articles, and his viral college talk led to his breakout book. His five books have been translated into over 30 languages and sold more than 2 million copies in English alone. The Middle-Aged Creative Crisis Despite his success, Kleon experienced his own creative slump after more than a decade. He felt disconnected from his motivation, questioning why he started doing what he does. This "middle-aged place" and sense of "Well, now what?" led him to apprentice himself to his young children, whose energy, fearlessness, and lightness of touch highlighted what was missing from his creative practice. Don't Call It Art: The New Philosophy Kleon's experiences with his children inspired his sixth book, "Don't Call It Art," which suggests exercises, prompts, and approaches "to create like a kid again." The book took seven years to make and challenges the notion that kids are the antithesis of creative work. Instead, Kleon sees them as "a great catalyst, an energy source that you can plug into." The book focuses on "making stuff, messing around and following your nose" rather than traditional art. Becoming a Beginner Again Kleon's approach differs from structured self-help books like Julia Cameron's "The Artist's Way." Instead of a step-by-step course or soul excavation, he offers creative "booster shots" to be devoured and then acted upon. The author's stagnation may stem from the weight of adult awareness and expectations. Kleon challenges adults to return to "explore mode" rather than just "exploit mode," as kids naturally do. The explore mode, he argues, is "the fun part" that requires constant return. The Power of Playful Creation Kleon prescribes "daily playtime" free from digital distractions, equipped with pens, paper, and craft supplies. He suggests sitting for 15-20 minutes daily and allowing boredom to eventually lead to creation. The author attempts this but finds resistance, even with a dedicated space. Kleon explains that feeling silly is actually beneficial, which is why he wears his "ridiculous" apron in his studio - to signal to his brain that it's playtime. Hands-On Creativity To overcome creative blocks, Kleon suggests bypassing the blank page entirely. Inspired by his "blackout poems," the author takes a newspaper and a permanent marker, covering some words while leaving others exposed to transform their meaning. This hands-on approach demonstrates how physical creation can unlock creativity without the pressure of starting from nothing. The Future of Adult Creativity Kleon's philosophy suggests that adults can rediscover creativity by embracing childlike approaches to making and playing. As more people seek meaning and joy in their daily lives beyond work obligations, this accessible, non-intimidating approach to creativity may become increasingly valuable. The future likely holds more integration of play and creativity into adult routines, not as separate activities but as essential components of a fulfilling life.

The LeadThe western Syrian city of Homs is only a husk of its former self. Previously a major industrial centre, the region became a key battleground between 2011 and 2014, for Bashar al-Assad's army and rebel forces. Amid the immense bloodshed, hundreds of thousands of civilians were either displaced or trapped inside their own homes.The Documentary's Visual TestamentFilmed in the summer of 2023, this deeply moving documentary from Palestinian-born and Syria-based film-maker Anas Zawahri maps out the collective trauma and sorrow that continue to linger, even after the shooting has stopped. Unfolding in languorous, largely static shots of bombed rubble, hollowed-out buildings, and deserted streets, the film lays bare the startling extent of wartime brutality.Human Stories Amidst RuinsA sense of stillness and stagnancy hangs in the air, and almost every wall is riddled with bullet holes, urban scars that mirror the psychological wounds borne by the survivors. Their heart-wrenching testimony is laid over these images of destruction, lending a human dimension to the ruins. One resident ruminates over how Homs changed from a city of laughter to one of agony and grief. With bitter irony, another considers himself lucky to be blind, and thus does not have to suffer the mental shock of seeing his beloved home town razed.The Resilience of YouthPunctuated by songs of lamentation, the film is elegiac in tone, a visual hymn for what Homs once was. While bearing witness to the pain left behind, Zawahri also makes space for the resilience of the living, with a special focus on children and adolescents. The war's impact on their lives is enormous – many are working as adults instead of going to school, though we see them engage in spirited play, even when surrounded by ruins. With peace more fragile than ever, their innocence and joy strike a bittersweet chord.

The Changing Face of British Childhood Frank Cottrell-Boyce's book, inspired by his time as Waterstones children's laureate, delves into the challenges faced by children in Britain today. The author reflects on his daily walk past a primary school, where he observes children being dropped off and greeted by their teacher, evoking a sense of warmth and welcome. The Alarming State of Literacy Cottrell-Boyce's campaign, 'Reading Rights', aimed to address literacy inequality among children in poverty. He discovered that nearly half of children were arriving at school without being read to, and many had no understanding of how books worked. This led him to argue that 'any crisis is like a barium meal, illuminating the weak spots in the body of the state'. The Impact of Austerity and Poverty The book highlights the devastating effects of austerity and poverty on children's lives. Cottrell-Boyce notes that schools have become a site of security and safety, rather than just education. Teachers are now expected to take on multiple roles, including therapists, nutritionists, and social workers. The author also sheds light on the housing crisis, which has left many children in temporary accommodation, and the shocking reality of 'furniture poverty'. The Power of Reading and Shared Attention Cottrell-Boyce emphasizes the importance of reading to children, not as a moral education, but as a way to create a moment of shared attention and mutual noticing. He argues that this can only happen when children have a stable and secure environment, with familiar routines and furniture such as beds and sofas. A Call to Action The book is a call to action, urging readers to consider the impact of their actions on the next generation. Cottrell-Boyce's writing style is chatty and unguarded, making the case for how British childhood has changed, and why that matters, with trenchancy and heart.

Opening Verdict: A Misguided Attempt at Edgy Comedy The Guardian’s review finds Alice and Steve to be an “icky” comedy that feels dated and uncomfortable, failing to justify its provocative premise. Premise and Character Dynamics That Spark Controversy The series follows longtime friends Alice (Nicola Walker) and Steve (Jemaine Clement) as they navigate a taboo relationship with Alice’s adult daughter Izzy (Yali Topol Margalith). The show leans on the shock value of pseudo‑incest without delivering the necessary narrative depth. Absence of Strong Viewership Data Highlights Risk No disclosed streaming numbers from Disney+ at launch. Early critical reception is overwhelmingly negative, suggesting limited audience growth. Without solid data, the series’ commercial viability remains uncertain. Why the Series Misses the Mark in Modern Television Character arcs feel static; Alice remains selfish, and Steve is portrayed as merely lonely. The “ick” premise is not explored with nuance, leading to a sense of moral disengagement. On‑screen chemistry between the leads is described as “embarrassed,” undermining any intended humor. Potentially richer subplots, such as the teen romance between Dom and Rome, are left under‑utilised. Outlook: Potential Lessons for Future Streaming Comedies Creators may need to balance provocative concepts with thoughtful storytelling, ensuring that controversial themes are examined rather than merely displayed. Future projects on Disney+ could benefit from stronger character development and clearer ethical framing.