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The Perfect World Cup Send-offIn a last outing before a first World Cup appearance in 28 years, Scotland dismantled Bolivia with a commanding 4-0 victory. The performance, featuring goals from Lawrence Shankland, Scott McTominay and a brace from Ché Adams, suddenly worries over a potentially tournament defining joust with Haiti next weekend evaporated. If Steve Clarke's men are this ruthless and efficient when the proper stuff starts, they have a serious chance of emerging from the group phase for the first time in Scotland's international history.First Half DominationIn sweltering New Jersey heat, the Scots made a fine start. Andy Robertson completed a one-two with Ryan Christie before chipping a cross to the back post. The Bolivia goalkeeper, Guillermo Viscarra, should have done better with Shankland's header but Scotland's No 20 had no cause to care. This marked his third goal in two games. Adams, who was lively, tested Viscarra before firing a shot only narrowly wide.A second goal was soon forthcoming anyway. Shankland nudged the ball back to McTominay, whose low drive from 18 yards beat the highly unconvincing Viscarra. Scotland's third was a fine goal too, with Aaron Hickey feeding the marauding Ben Gannon-Doak, who put in a perfect cross to the feet of Adams. The Torino man could not miss.Scotland's Attacking ProwessScotland were to match a first-half scoreline margin feat first achieved against England in 1878 and, until now, last versus the Faroe Islands 20 years ago. Gannon-Doak, staking a huge claim for a World Cup start, drove from midfield. The Bournemouth man smoothly found Adams, who beat Viscarra at the second attempt. The Scots were 4-0 to the good at the break. This also meant they had scored a quartet of goals in successive games.Unlike Ally MacLeod's infamous hubris of 1978, Steve Clarke has never been prone to bold or rash predictions. Excitement will be left to everyone else. Who can reasonably deny them that? This friendly, in theory an exercise in box ticking, instead gave reasons for huge Scottish confidence. Scotland will remember their first ever game against Bolivia with great fondness.Tactical ConsiderationsShankland can now be considered a guaranteed Scotland starter for the Haiti clash. He joins Robertson, Hickey, McTominay and John McGinn in that bracket. The likelihood is that Clarke would be keen to deploy Adams in attack alongside Shankland, but the impact made by Lyndon Dykes during last weekend's win over Curaçao inserted doubt to that scenario.Clarke has tough calls over who starts in goal and at centre half in Boston. Christie excelled against Bolivia, which should enhance his Haiti prospects. Scott McKenna, Dykes and Nathan Patterson were the only outfield Scots not to feature at all. This was now a game they only had to manage adequately, including without the injury distress that ended Billy Gilmour's World Cup dream seven days earlier.World Cup OutlookBolivia are ranked above Haiti, whom Scotland will surely have to defeat for the opportunity to reach the World Cup's last 32. The performance against Bolivia suggests Clarke's team has the quality to achieve this objective. While it is fair to point towards limited opposition, that is precisely what Scotland will face in game one of Group C.Foot was removed from gas in the second period but there was still something hugely admirable about Scotland's approach. Now for the key question; will it be alright on the night? This time, there was no sour note. Clarke will have no desire to summon his inner or outer MacLeod. Nonetheless, Scotland head to the World Cup with collective spring in step.

The Discovery of Tool Use in Bees Bumblebees can use tools to solve a problem, according to experiments that demonstrate their remarkably advanced cognitive abilities. The bees were given an adapted version of an experiment that, 100 years ago, first demonstrated chimpanzees could work out how to retrieve an out-of-reach banana by stacking boxes. The Experiment and Its Findings In the latest research, bees were shown to be able to roll a polystyrene ball to a specific location and climb on to it in order to access an artificial flower on a low ceiling. The findings challenge the longstanding assumption that insects operate purely on instinct and mindless trial-and-error learning. The Implications of Bee Intelligence “Most people think insects are reflex-based machines,” said Dr Olli Loukola, a behavioural ecologist at the University of Oulu, Finland, and senior author. “That they can’t have any emotional states or feel pain. Some people don’t even realise that they have brains. I hope that these results change the worldview about that.” The Complexity of the Challenge The bees, which were only a couple of weeks old, were first trained to associate a blue artificial flower with a reward of sugar water. During the test, the flower was moved to the ceiling of a transparent petri dish-style chamber whose ceiling was too high for them to reach, but with insufficient space for them to hover. A ball was also introduced into the chamber. To reach the flower, the bee had to roll the ball under it and climb on top – a behavioural sequence they had never previously encountered or been trained to perform. The Results and Their Significance In the most basic version of the test, 75% of the bees were successful in reaching the flower. “This is essentially an insect version of the classic ‘box-and-banana’ problem,” said Loukola. “The animal must realise that an object can be repositioned and then used as a tool to reach an otherwise inaccessible goal. What stands out about the result is that this kind of spontaneous problem solving is now demonstrated in an insect.” The Future of Bee Research “We are not claiming that bees think like humans,” said Loukola. “But our findings show that miniature brains can generate flexible solutions to novel problems in ways we are only beginning to understand.”

The Lead In a revealing interview, Mark Williams, beloved for his portrayal of Arthur Weasley in the Harry Potter films, shares candid insights about his experiences on set, his relationships with fellow cast members, and the enduring impact of his iconic roles on both his career and public recognition. On-Set Memories and Fellow Actors Williams reflects on the challenges and joys of filming the Harry Potter series, noting that the worst part was "being away from home and the long hours," while the best was "the work and talking to the other actors." He recalls the legendary storytelling abilities of his co-stars, particularly Michael Gambon and Richard Griffiths, whose backstage anecdotes were "brilliant, and completely unpublishable." One of the more unusual on-set activities involved browsing agricultural equipment magazines with Robbie Coltrane. "With Robbie Coltrane I used to like going through Plant Trader, which was a sales magazine for big stuff: cranes, tractors, earthmoving equipment. We never purchased anything, but we came close," Williams reveals. The Unexpected Recognition Williams shares an amusing anecdote about recognizing someone unexpected on the Harry Potter set. While filming in the Ministry of Magic, he spotted his accountant among the extras. "When we'd stopped shooting I went over and said: 'Harry? What are you doing?' He said: 'Oh, it's a group of us. We just come and do supporting artist extra work for a laugh. That guy over there is a high court judge, and he's a contract law specialist.'" This experience taught him to "never underestimate the extras," highlighting the diverse backgrounds of people working in the film industry. Career Highlights and Collaborations When asked about his favorite collaborations, Williams cites two distinct areas: working with Hugh Laurie in films like "101 Dalmatians" and "The Borrowers," and his relationships with costume departments. He recalls a particularly memorable meeting with costume designer Bunny Christie on "Shakespeare in Love," who looked him up and down and declared, "Hmm, a make, I think," making him feel like he'd "arrived" in the industry. Williams also discusses his role as Brian Williams in "Doctor Who," describing his character as "the sort of antihero," and expresses his fondness for the maritime culture of the British Isles, which he'd love to explore in a potential documentary series. Iconic Catchphrases and Public Perception The interview touches on Williams' most famous catchphrases from "The Fast Show," including "Suits you, sir" and "Nice." While he doesn't find himself frequently quoting these lines in everyday life, he reveals that his mother used to say "Which was nice" without acknowledging its origin. When asked if he's tired of hearing his catchphrases, Williams responds with characteristic humor: "If you can't do the time, don't do the crime." When asked which catchphrase he wishes was his, Williams singles out Catherine Tate's "How very dare you?" as "a work of genius," noting its political undertones and versatility. Life Beyond Harry Potter Williams discusses his current role as Father Brown, revealing his love for the "Britishness" of music hall traditions and the "lunacy, the madness of it." While he has an excellent voice and can perform an uncanny George Formby impression, he hasn't pursued a singing career, though he has played Doctor Dolittle on tour. He also shares his thoughts on the Harry Potter studio tour, particularly fond of "Fluffy's paw," describing it as "a giant animatronic hand" that reminds him of Ray Harryhausen's work, noting that such creations are unique to films.

The Lead: Spurs lose 105‑104 in Game 2 despite a 14‑0 rallyThe San Antonio Spurs fought back from a 14‑point fourth‑quarter deficit, briefly taking a one‑point lead before a series of late miscues handed the New York Knicks a 105‑104 victory. The Missed Game‑Winning ShotWith the score tied at 104‑104 and 9.5 seconds remaining, Wembanyama attempted a potential game‑winner that rimmed out. He later said, “I liked the shot, but I need more poise and control.” The Turnover That Sealed the GameMoments earlier, Wembanyama threw a pass intended for teammate Stephon Castle, but Castle never saw it, resulting in a turnover that halted the Spurs’ momentum. Score tied at 104‑104 with 9.5 seconds left. Wembanyama’s pass to Castle turned over. Final jump shot missed the rim. Series Implications: A Hole Too Deep?The loss puts the Spurs in an unprecedented position, needing a comeback as the series shifts to New York for Games 3 and 4. No NBA team has ever lost the first two finals games on its home floor and still captured the title. Looking Ahead: Turning Regret into FuelWembanyama acknowledged his error, saying, “I threw that one away. I messed up,” but added he will use the disappointment to motivate himself and the team for the next game.

Christmas Day's Dominant Performance Christmas Day won the Derby at Epsom for trainer Aidan O'Brien, revelling in the rain-soaked soft ground to give his handler a 12th win in Britain's premier Classic. The Race Details The 7-1 shot was up with the pace from the start and the result never looked in danger soon after entering the straight, staying on strongly to the line and repelling a late challenge from Maltese Cross. Ronan Whelan's Reaction Winning rider Ronan Whelan said: "I went by the line and I couldn't believe I won so easy. Aidan told me to keep it simple. The horse done it so easy – he loves the ground and it felt so effortless. Thank God my mum and dad and my girlfriend are here. I wish I was as cool a customer as the horse was. He's a gent and a credit to all who work with him." The Impact of the Win Christmas Day, the mount of Ronan Whelan, was the supposed O'Brien third string, albeit it at a well-supported at 7-1, but he was always perfectly positioned in behind his pacesetting stablemate Action and edged to the front rounding the home turn. The Future Outlook While several horses, including his two better-fancied stablemates, struggled to make up ground in the testing conditions, the son of 2012 Derby hero Camelot galloped on strongly to win by two and three-quarter lengths, with Maltese Cross best of the home team in second and James J Braddock third.

The Plight of Somalia's Displaced For three years, Zeynab Ibrahim watched as her little town shrivelled up and died. The rains never came, the reservoirs were depleted and the farms gradually turned to dust. Hunger and sickness swept through the village, claiming the lives of many, including four of Ibrahim’s 10 children. Displacement and Desperation They joined more than a million displaced people who now live in abysmal conditions in informal settlements across the city. “Our livelihoods depended on what we could grow on the ground, including maize, beans, sesame and vegetables. But the ground dried because there was no rain,” says Ibrahim. The Humanitarian Crisis More than 6.5 million Somalis have been pushed to the brink of severe hunger – nearly a third of the population. Internally displaced people are the worst affected, living on overcrowded sites with limited access to water, sanitation, health and hygiene facilities. The Impact on Children Children are bearing the brunt of the crisis, with nearly 1.9 million under-fives facing acute malnutrition, according to the latest integrated food security phase classification (IPC) report. Nearly 500 nutrition clinics have now closed because of a lack of funding, leaving children such as Ibrahim’s youngest, who is two, without care. The Way Forward The situation is aggravated by the significant international humanitarian aid cuts and President Donald Trump’s war on Iran, with the closure of the strait of Hormuz driving up the cost of fuel, food and transport.

The Legacy of Anthony Head Anthony Head, a veteran British actor, has died at the age of 72, leaving behind a remarkable legacy in television, film, and theater. His iconic role as Rupert Giles in the cult classic series Buffy the Vampire Slayer (1997-2003) cemented his place in the hearts of fans worldwide. Early Life and Career Before joining the cast of Buffy, Head had already established himself as a talented actor, singer, and TV guest star. He appeared in various projects, including coffee commercials, and had a successful career in British theater. The Impact of Buffy Head's portrayal of Giles, the school librarian and "watcher" character, brought a level of sophistication and gravitas to the show. His character served as a mentor and father figure to Buffy, and his performance earned him widespread recognition. The idea of a spinoff series, Ripper, focused on Giles's younger days, was floated but never materialized. A Versatile Actor Head showcased his singing talents in Buffy, particularly in the musical episode Once More, With Feeling. He played a leading role in the cult film Repo! The Genetic Opera (2008), demonstrating his ability to handle complex, offbeat material. He appeared in various TV shows, including Little Britain and Ted Lasso, where he played a sleazy, petty ex-husband. A Lasting Legacy Anthony Head's legacy extends beyond his iconic roles. He was a workhorse who seamlessly transitioned between TV, film, theater, and music, never revealing the effort behind his performances. His contributions to the entertainment industry will be deeply missed.

The Lead Callum Scott Howells takes center stage as Henry Paget, 5th Marquess of Anglesey, a flamboyant aristocrat in the high-spirited period drama 'Madfabulous'. This film, from screenwriter Lisa Baker and director Celyn Jones, shines a light on a forgotten chapter in queer Victorian history. The Event Details Howells plays Paget, a delicate consumptive and aesthete who, in the late 19th century, blew his vast inheritance on colossal private theatricals, wild parties, and jaw-dropping performances. He caused scandal with his behavior and apparently unconsummated marriage to first cousin Lily (Ruby Stokes). The Performance Analysis Rupert Everett is excellent in the fictionalized role of the kindly butler Gelert. His performance reminds the viewer of his outstanding turn as Oscar Wilde in 'The Happy Prince'. Paget's defiant public career was conducted while the disgraced Wilde was still in prison; like Wilde, his life ended in French exile. The Impact Analysis The film imagines Paget wanting his theatricals to raise money for a supposed orphanage; the real reason may have been more narcissistic than that. Nevertheless, a strong turn from Howells as Paget, a Wildean in everything but talent. The Prediction 'Madfabulous' is set to hit UK cinemas from June 5, 2026. With its good-humored drama and strong performances, it is expected to attract audiences interested in period dramas and queer history.

The Lead The new reality show 'The Vardys' has been panned as very bad and very boring, disappointing fans of Leicester City's Jamie Vardy and those interested in the 'Wagatha Christie' libel case. The Reality Check The three-part reality show, which aired on ITV1 and is now available on ITVX, follows the lives of Jamie Vardy and his wife Rebekah Vardy as they move to Italy. However, the show fails to deliver on its promises, instead focusing on mundane tasks like packing up a house and moving to Italy. The Content Critique For fans of Jamie Vardy, the show doesn't provide much insight into his life as a footballer. Leicester fans won't get much of Jamie or any footage they haven't seen before. And much of what is shown in the first two episodes is to do with the troughs of his early days at the Italian club Cremonese – injury, stress, failing to dazzle in his debut, failing to score many goals thereafter – rather than his glory days at home. The Wagatha Christie Factor For fans of the 2022 legal case (also known as “The Scousetrap”, for Coleen is Liverpudlian, and “Roodunnit?” because the whole thing played out in private, then on social media and then in court like the neatest mystery novel you ever read), here is pretty much everything Rebekah has to say about the private, public and court verdict that she did exactly what she was claiming Rooney had wrongly accused her of: “Never, ever, ever will I apologise for something I didn’t do. Hell will freeze over before I do that. “I’m not going to carry on living in the past. I’m so fucking tired of it,” says Rebekah, on a show almost certainly commissioned because of what happened in the past and in the hope that she would discuss it in great detail. The Verdict The show is a slow, slow grind through the minutiae of packing up a house and moving a family to Italy once Jamie takes his leave of Leicester City and signs with the then Serie A Cremonese. Watching people move house, try to find school places for five children (the oldest of the Vardys’ six is staying in England), moan about getting visas and finding a house to rent is about as interesting as listening to people describe their dreams.