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The Global Fuel Crisis in AviationAirlines will have to spend an extra $100bn on jet fuel this year, with fares "inevitably" rising to cover the bill after the war with Iran choked off oil supplies. With jet fuel prices expected to be 70% higher across 2026, airlines body Iata said that collective industry profits worldwide would halve to $23bn. Some carriers would struggle to survive the fuel price shock caused by the closure of strait of Hormuz in March, it said.Industry Response to Soaring Costs"High oil prices which will inevitably mean higher ticket prices," said Willie Walsh, Iata's director general. "There's just no way to avoid that." Walsh said that industry polling showed passengers were now braced for higher fares and prepared to spend more, but added: "The big unknown is how long travellers and shippers can tolerate the higher costs of connectivity."Financial Impact on AirlinesSpeaking at Iata's summit in Rio de Janeiro, Walsh said it was a "challenging and unpredictable time", with "wafer-thin margins". "It's going to be very challenging and for a lot of airlines the increase in the fuel bill is potentially existential." Walsh said that concerns about possible fuel shortages were now over, despite the soaring costs, and that compared with Covid it was not a crisis. "You're looking at an industry that is still profitable and still forecasting growth," said Walsh. "Traffic is up 2%. If you factor out the impact on the Middle East for the rest of the world it remains a pretty positive environment."Differential Impact on Passenger SegmentsLong-haul and business passengers may face the bulk of the fare increases, according to the chief executive of British Airways. Speaking on the fringes of the conference, Sean Doyle said there would be "no getting away from it – if fuel goes up, fares have to go up." However, Doyle suggested that more price-sensitive short-haul holiday flights would be the last to increase: "A brand like BA, which has got a lot of long haul, a lot of corporate, a lot of premium; we'd expect maybe to have more pass-through of prices than maybe a carrier who's solely competing for leisure short haul."Passenger Behavior and Market ShiftsAccording to research from Iata, around half of passengers were prepared to spend substantially more on fares should they track the price of oil, which Walsh said "bodes well" for a strong northern summer season for the industry. More British and European travellers will be flying within the continent than usual, industry data showed, with fewer venturing farther afield given the continued uncertainty around the Gulf hubs.EU Border Control ConcernsBut Iata warned that the EU's entry-exit system (EES) could still create difficulties for those travellers, this summer and beyond. The airlines body called on Europe to rewrite legislation to ensure that flexibility to pause the border controls could continue, beyond the current absolute deadline of 7 September for the full and final introduction of biometric checks on all applicable travellers.Rafael Schvartsman, Iata's vice-president Europe, said: "I think Europe needs to be much more honest [about] where we are." Under the new system, most non-EU citizens will be fingerprinted and photographed by border staff, with details uploaded to a central database.Schvartsman said: "Normally, we would process a passenger in 20 to 25 seconds, and you're already stipulating that it will take 90 seconds, and on top of that you have unreliability of the systems, the probability that people will be waiting in lines for a long time is very, very high." Travellers to the EU face potential long waits at passport control under the new system, he added: "For most of the Mediterranean, the British are the No 1 incoming tourist – that is a major concern."Future Outlook for Aviation IndustryGreece has already unilaterally announced it will not carry out EES checks on UK nationals. But Schvartsman said it was an issue for many airports and could not be resolved by exempting one nationality: "We also have high demand for American carriers already putting extra flights to European destinations during the summer. You will have an influx of US citizens too."

The Controversy Surrounding The Odyssey's Cast Christopher Nolan's highly anticipated adaptation of Homer's Odyssey has hit a snag, with the film's all-white cast sparking widespread criticism and disappointment among Greeks and Greek diaspora members. The backlash centers on the absence of Greek actors in the film, despite its roots in Hellenic mythology and literature. The Significance of Greek Representation The omission of Greek actors in a film based on Homer's Odyssey is particularly striking, given the cultural significance of the epic poem in Greek heritage. For many Greeks, the Odyssey is more than just a foundational work of literature – it is an integral part of their identity and cultural consciousness. The poem's themes, characters, and settings are deeply ingrained in Greek culture, with many Greeks able to recite passages from memory and draw connections between the epic and their own lives. The History of Hollywood's Approach to Greek Stories This is not the first time Hollywood has faced criticism for its handling of Greek stories and mythology. From films like Jason and the Argonauts (1963) to Troy (2004), Hollywood has often mined Greek mythology for inspiration without adequately representing Greek culture or including Greek actors in leading roles. This trend has contributed to a perception that Greek stories are considered part of a shared Western inheritance, rather than a unique aspect of Greek heritage. The Reaction from Greece and the Diaspora The reaction to Nolan's casting choices has been vocal, with many Greeks and members of the Greek diaspora expressing their disappointment and frustration on social media and in open letters. Some have pointed out that there are many talented Greek actors who could have been considered for roles in the film, such as Theo James, known for his role in The White Lotus, or Angeliki Papoulia, who has worked with acclaimed Greek director Yorgos Lanthimos. The Future of Representation in Film The controversy surrounding The Odyssey highlights the growing importance of representation in film and the need for greater inclusivity and diversity in casting. As the film industry continues to evolve, it is likely that audiences will increasingly expect to see themselves reflected on screen, particularly in films that draw on their cultural heritage. For Greeks and Greek diaspora members, the issue is not just about representation, but about the preservation of their cultural identity and the recognition of their connection to the stories that have shaped their culture.

The El Nino Alert The United Nations' climate agency has warned of an increased risk of extreme weather in the coming weeks and months due to the emerging El Nino weather pattern. El Nino: What to Expect The World Meteorological Organization (WMO) issued the alert in a news release on Tuesday, saying that there was an 80 percent chance of an El Nino event – marked by unusually warm sea surface temperatures in the central and eastern Pacific Ocean- between June and August and a roughly 90 percent chance of it forming by November. Global Impacts “The science is clear: El Nino is arriving on our doorstep in the coming months with 90 percent certainty,” said UN Secretary-General Antonio Guterres in a video statement. “The world must treat it as the urgent climate warning it is.” Severe Weather Patterns Bringing worldwide changes in winds, pressure and rainfall patterns, El Nino is a naturally occurring phenomenon that generally happens every two to seven years and lasts about nine to 12 months. El Nino can trigger increased rainfall in the southern parts of South America and the United States, parts of the Horn of Africa and Central Asia. It can also cause drought in Australia, Central America, Indonesia and parts of South Asia, and spur hurricane formation in the central and eastern Pacific, according to the WMO. Impacts to ‘cross border with devastating speed’ The UN agency predicted this year’s El Nino phenomenon to be “at least moderate – and possibly strong”. “Impacts will hit even harder, travel even farther, and cross borders with devastating speed,” said Guterres. Future Outlook The trend could help fuel especially severe wildfires this year, according to researchers at Imperial College London and the World Weather Attribution network of climate scientists. In anticipation, the European Union has announced plans to deploy a record number of firefighters and aircraft in high-risk areas – spanning Cyprus, Greece, Italy, France, Spain and Portugal.

The Reopening of Asylum Cases Athens, Greece – Bashir, a Syrian Muslim who has lived in Greece since 2014, had his asylum case reopened in February. He, along with 1,200 other Syrians, received a notice to restate his reasons for coming to Greece and why he should not return to Syria. Bashir's lawyer, Angeliki Theodoropoulou, said that only men are currently receiving such notices, and not just from Syria but also from Afghanistan, another country whose civil war is deemed to have ended. The Concerns Over Safety However, neither Syria nor Afghanistan is considered safe to return to. Theodoropoulou argued that the entire regime of international protection is being tightened for these two nationalities, with few asylum cases being granted and many rejections. Bashir expressed his concerns, saying, “I don’t understand how this can happen. If they decide I should leave the country, should my family stay here?” Greece's Shift in Migration Policy Greek Migration Minister Thanos Plevris announced in February that he had ordered a reopening of any asylum cases that could be revoked. The move is part of a broader effort to tighten migration policy in Greece. Last year, Greece revoked the asylum of almost 200 people, compared with 400 in the previous decade. Dozens more cases are under review this year. The Broader Context Europe is undergoing a transition as it prepares to put into force an Asylum and Migration Pact next month. The pact demands a hard-border policy and a returns policy for rejected asylum seekers, both of which each member state must manage itself. Kristin Fabbe, chair in Business and Comparative Politics at the European University Institute, noted that Europe has not yet figured out how to do returns at scale, which is a major bottleneck in reforming asylum and migration policies.

The Lead: A Cryptic Journey Through GreeceThe title of Rita Azevedo Gomes's lyrical but frustrating docu-essay about her travels in Greece cuts both ways—expressing impatience with classical ideals or critiquing modern society that has betrayed ancient standards of beauty and harmony. The film presents a tension between nostalgic aspirations and sobering reality, with texts recited over travelogue images from Athens and the Cyclades.The Artistic Vision: Myth Meets ModernityGomes adds a layer of fictionalization to her exploits, reading a poem by João Miguel Fernandes Jorge based on a 2007 journey to Greece. The poem tells of Irma, who romances a young man named Ion on the island of Delos—birthplace of Apollo and Artemis—but the affair founders against incongruous modern elements like Chinese cargo ships traversing the 21st-century Aegean. The tension between myth and modernity hangs over the film like red kites hovering above ancient ruins.The Personal Context: Beauty and TranscendenceTwo-thirds into the film, Gomes reveals what originally drove her to seek refuge in Greece: an ominous medical diagnosis that has since receded. Her preoccupation with finding consolatory beauty and transcendence is only fleetingly present in a visual collage that feels haphazardly aligned with dense texts. The crew reads many texts on camera—including excerpts from Byron and Keats—but this alienation device comes over inert and uninspiring.The Cultural Resonance: Poets in a Modern WorldSinger María Farantoúri, whom Gomes watched on her first visit to Greece, supplies some focus with lyrics that keep 'the old flame burning.' As she sings, 'The people always find new kings—but we are poets and we remain alone.' Gomes positions herself in this camp, 'far from the polis,' suggesting a deliberate distancing from contemporary society's values and priorities.The Critical Reception: Sphinxlike EnigmaWhile the film presents a visually rich experience, its sphinx-like nature proves to be both its strength and weakness. The reviewer suggests that Gomes's 'forlorn ramblings' may intentionally reflect how degraded modern sensibilities can no longer serve up classical concision. The film's cryptic nature may be part of its artistic statement, but ultimately leaves the viewer wanting more clarity and connection.

The Mischief Theatre Company's Thespians Review The Mischief theatre company has been making fun of actors' foibles for years, especially in their deliriously amusing Goes Wrong series. Their first musical, Thespians, asks if the rampaging egos, heated rivalries, creative differences, and hammy activities of actors can be dated back to the world's very first acting troupe. The World of Thespians Little is known about the real Thespis, father of tragedy in the sixth century BC. Co-writers and lyricists Jonathan Sayer and Ed Zanders introduce him on the drought-plighted island of Ikaria and chart his odyssey to Athens, where he competes in a Eurovision-style prayer competition at the whim of a merciless tyrant and ends up founding the art of acting with his pals. The Musical Elements The musical elements of Thespians are a highlight, with songs that grow stronger over the evening. The show includes a Kander and Ebb spoofing Old Man Tango, with a geriatric chorus line prone to back pain. The sound, from Ben Smith's band, is more Sondheim than Rydell High in a show subtitled Greece the Musical (But Not That One). The Performances The cast, including James Spence as Thespis, Luke Latchman as Atlas, and Marc Pickering as Adonis, deliver strong performances. The show is directed by Robyn Grant and features a panto-esque adventure with a mix of physical comedy and witty wordplay. The Verdict While the show could benefit from zippier physical set pieces and a faster-paced ending, it distinguishes itself with an abundance of heart and soul. Thespians is a sweetly affecting paean to keeping good company – in life as much as in theatre.

The Lead Emily Wilson, renowned for her acclaimed translations of Homer's Odyssey and Iliad, presents a new collection of essays exploring the art and challenges of translation. Her work has become the standard English-language versions of these classics, praised for their conciseness and fluency. The Translation Philosophy Wilson's approach to translation occupies a middle ground between the "familiarisers" who prioritize accessibility and the "foreignisers" who emphasize preserving the strangeness of the original. She believes the tensions and complexities of the original should always remain legible, while also creating a reader-friendly experience. This balance is evident in her choice to use iambic pentameter for the Odyssey, honoring Homer's dactylic hexameters without being slavishly literal. Classical Insights The book delves into how the ancient world intersects with the modern, examining continuities in war, cruelty, and political turmoil while also highlighting important contrasts. Wilson critiques those who view antiquity as merely "a mirror in which we always find ourselves," arguing for a more nuanced understanding. Her analysis extends from classical authors like Aeschylus and Aristophanes to modern figures like Spike Lee and Boris Johnson, demonstrating the timeless relevance of these texts. Translating Sappho Wilson addresses the unique challenges of translating Sappho, whose work survives only in fragments. She compares it to "trying to get a sense of a whole Tyrannosaurus rex from one claw." While mostly admiring Anne Carson's version as "performance art on the page," Wilson finds it disembodied and stripped of same-sex desire. She challenges feminist readings that position male poets as metaphorically raping Sappho while female poets sing with her, instead emphasizing how Sappho's work "emphasise the isolation of the individual." Critiquing Other Translators Wilson doesn't shy away from criticism, applying tough-minded standards to fellow translators. She dismisses Robert Browning's version of Agamemnon as "arguably more difficult to understand than the Greek" and accuses Edith Hamilton of racism for "remaking ancient Greece in the image of an idealized United States." Even respected translators like Peter Green are found to be "oddly stiff" at times. She reserves particular scorn for "armchair classicists" who engage in snobbish gatekeeping, positioning herself as an accessible champion of the classics. The Sirens' Seduction One fascinating section explores Wilson's approach to translating the Sirens' scene in the Odyssey. She challenges the modern perception of Sirens as sexual temptresses, noting that Homer's Sirens are "cognitively tempting" bird-women whose seduction promises knowledge, not sex. Rather than referring to their "lips" as many translators do, Wilson uses "mouths," emphasizing their dangerous nature over any sexual appeal. Choosing "Complicated" Wilson details her decision to translate Homer's description of Odysseus as "polytropos" as "complicated," acknowledging it might sound stark but defending it as capturing the character's complexity. She admits nearly dropping the term after encountering "He's a complicated man" in Isaac Hayes's Shaft theme song but ultimately embraced it, dedicating ten pages to explaining her choice. The Future of Translation In a manifesto-like afterword, Wilson offers 20 rules for translators, emphasizing the importance of recreating the emotional impact of the original text. "If the original makes you laugh, cry, feel excited, get goosebumps, feel puzzled, get bored, be charmed," she advises, "then the translation should try to create those effects." She encourages experimentation and persistence, noting that there's always another way to say things and that future generations will undoubtedly develop new approaches to translation.

Family Outcry Over Maguire’s ExclusionOn the day the 26‑man England squad for Euro 2024 was announced, five close relatives of Harry Maguire took to social media to denounce manager Thomas Tuchel for omitting the 33‑year‑old centre‑back.Details of the Omission and Family ReactionsMaguires’s mother Zoe was the first to speak, writing, “You couldn’t have done any more. Hold your head high … Disgraceful.” She added a separate post calling the decision “absolute disgusted.”Joe (brother) – “the worst decision I’ve ever seen”.Laurence (brother) – described the call as a “shambles”.Fern (wife) – Instagram caption: “Beyond devastated for you… there was nothing else you could have possibly done to prove your worth.”Daisy (younger sister) – “Crazy decision. Keep your head up.”Maguires himself posted that he was “confident I could have played a major part this summer for my country” and expressed that he was “shocked and gutted by the decision”.Numbers Behind the Decision: Caps, Squad Size, and Injury History67 caps earned under former manager Gareth Southgate.Participated in Euro 2020 (final) and World Cup 2018 (semi‑finals), plus the 2022 World Cup in Qatar.Ruled out of Euro 2024 consideration earlier due to a lingering injury.England’s final squad limited to 26 players for the North American tournament.Potential Ripple Effects on England’s Campaign and Public SentimentThe public criticism from Maguires’s family could amplify media scrutiny of Tuchel’s selection policy, especially given the manager’s recent appointment and limited time to imprint his philosophy. Fans may question the balance between experience and form, while the defender’s absence removes a seasoned leader from a backline that has struggled with consistency.Moreover, the episode coincides with Maguires’s ongoing legal battle in Greece, potentially distracting the player and the club from on‑field matters.What Lies Ahead for Maguire and England’s Selection PolicyShould England progress deep into the tournament, the omission may be revisited for future competitions, especially if defensive frailties emerge. For Maguire, a strong club season with Manchester United could reignite calls for a recall, but his legal appeals may also affect his international prospects.For Tuchel, navigating this early controversy will be crucial to maintaining authority within the squad and securing public support ahead of the Euro 2024 kickoff.

The U.S. Treasury announced sanctions on four Gaza‑flotilla activists on Tuesday, alleging links to Hamas and threatening to freeze any U.S. assets they hold. The decision follows a series of Israeli interceptions that have left more than 430 activists detained and intensified scrutiny of humanitarian aid operations to the enclave. Sanctions Target Four Flotilla Figures and Signal a Policy Shift The measures focus on two representatives of the Popular Conference for Palestinians Abroad (PCPA) and two members of the international advocacy network Samidoun: Mohammed Khatib (Samidoun) – previously detained in Belgium and Greece. Jaldia Abubakra – participant in the Global Sumud Flotilla. Saif Abu Keshek – Spanish national deported after a recent interception. Hisham Abu Mahfouz – acting secretary‑general of the PCPA. U.S. Treasury Secretary Scott Bessent framed the action as part of a broader effort to cut off Hamas’ global financial networks. Financial Restrictions and Legal Consequences for Targeted Individuals The sanctions carry several concrete effects: Any assets the individuals hold within U.S. jurisdiction are frozen. U.S. persons and entities are prohibited from conducting transactions with them. Foreign banks may refuse services to avoid secondary sanctions. While the Treasury provided no public evidence, the move follows a pattern of recent U.S. actions, including sanctions on International Criminal Court judges and the revocation of penalties on Israeli settlers. Repercussions for Humanitarian Aid Efforts and International Relations The sanctions have ignited condemnation from a broad coalition of activists, lawmakers, and governments: Activists argue the measures criminalise humanitarian solidarity and could deter future aid missions. European and Middle‑Eastern nations—including Turkey, Spain, Jordan, and Brazil—have voiced opposition. U.N. special rapporteur Francesca Albanese warned that the sanctions exacerbate the humanitarian crisis in Gaza. With more than 72,000 Palestinians reported killed since October 2023 and ongoing shortages of food, water, medicine, and fuel, the sanctions risk further limiting the already constrained flow of aid. Potential Trajectory of U.S.–Gaza Policy and Global Response Analysts anticipate several possible developments: Additional sanctions could be levied against other civil‑society actors involved in aid delivery. Legal challenges may arise in U.S. courts contesting the lack of disclosed evidence. International pressure may increase, potentially prompting diplomatic negotiations on the blockade. Should the U.S. maintain its current stance, humanitarian flotilla operations are likely to face heightened legal and financial barriers, reshaping the landscape of global solidarity campaigns aimed at Gaza.