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The Lead The 2026 World Cup has arrived, but some of the world's top players will be watching from the sidelines. A selection of XI standout players from countries that failed to qualify for the tournament has been compiled. Top Players Missing Out on the World Cup Gianluigi Donnarumma (goalkeeper, Italy) The 27-year-old Italy captain is widely considered one of the best keepers in the world. After a high-profile move to Manchester City, he has quickly adapted to the Premier League demands for ball-playing, a skill he honed at Paris Saint-Germain. Jon Aramburu (right-back, Venezuela) The 23-year-old rose to prominence after an impressive Copa América 2024 showing, where he played as a left-back and right-back; a dream for any manager. Edmond Tapsoba (central defence, Burkina Faso) The Bayer Leverkusen centre-back has established himself as one of Europe’s best ball-playing defenders, key to his club’s domestic success under Xabi Alonso in 2023-24. Riccardo Calafiori (central defence, Italy) After a standout year at Bologna, Calafiori moved to Arsenal in 2024, introducing himself shortly after with a stunning strike against Manchester City. Milos Kerkez (left-back, Hungary) Known for his marauding runs and crossing ability, the 22-year-old Liverpool defender represents the archetype of a modern attacking full-back. Carlos Baleba (central defensive midfield, Cameroon) Emerging as a powerhouse in the heart of Brighton’s midfield, Baleba has drawn comparisons to elite defensive specialists. Marcelino Núñez (midfield, Chile) The Chilean playmaker has been the creative heartbeat for Ipswich and his national team, known for his vision and set-piece expertise. Dominik Szoboszlai (midfield, Hungary) Szoboszlai was a rare bright spot in Liverpool’s meek Premier League title defence, with the midfielder renowned for his set-piece deliveries. Ademola Lookman (winger, Nigeria) After his historic hat-trick in the Europa League final for Atalanta, Lookman became one of the most speculated transfer rumours in 2024. The Impact of Missing Key Players The absence of these top players will undoubtedly be felt, as they bring unique skills and talents to their respective teams. Their presence could have potentially changed the dynamics of the tournament. The Future Outlook As the 2026 World Cup progresses, fans will be keeping an eye on these talented players, eagerly anticipating their next moves and potential future inclusions in major tournaments.

The Lead: AI Film Breakthrough at TribecaNext week, a groundbreaking 75-minute drama about the brutal crackdown in Iran on anti-government protesters will premiere at the Tribeca film festival in New York. Titled Dreams of Violets, this film represents a historic milestone as the first fully AI-generated live action feature accepted at a major film festival. Directed by Iranian-British filmmaker Ash Koosha, the project was completed in less than six months at a cost of under $2,000—dramatically less than traditional production methods would require.The Technical Breakthrough: AI as a Creative ToolEvery image and character in Dreams of Violets is AI-generated, with Koosha creating characters by describing their physical appearances using people he has known as references. The director explains that using AI was necessary for security reasons: "Because of the security issue, it would not be safe for the characters to even remotely resemble someone" in Iran. While the script wasn't AI-generated, Koosha used the chatbot Claude to improve language and structure his thoughts. The director emphasizes that AI allows filmmakers to "multiply your imagination until something hits the right spot," as they can change direction at any point without costly reshoots.The Financial Impact: Democratizing Film ProductionThe economic implications of AI filmmaking are profound. Koosha states that Dreams of Violets would be "100% impossible" to bring to screen traditionally, noting that "If you wanted to do it in CGI, it would cost millions." This dramatic cost reduction—under $2,000 versus potentially millions—removes significant barriers for independent filmmakers. The director also highlights how AI enables rapid production, allowing films to be made "at the speed of news itself," which would be impossible with traditional methods requiring years of development and financing.The Industry Transformation: Shifting Power in FilmmakingKoosha sees AI as a democratizing force in the film industry, potentially leveling the playing field between independent and studio filmmakers. "An indie film-maker mind is often a lot more fresh and creative than an industrial film-maker mind," he argues. "In my view most stories that are told with $100m should be told through the lens of an indie film-maker." This technological shift could create a "new space" separate from traditional filmmaking, allowing emerging talents to create compelling content without needing to prove themselves to established gatekeepers.The Future Outlook: AI's Expanding Role in CinemaThe film industry is beginning to grapple with AI's potential. While some directors like Steven Soderbergh and Gareth Edwards embrace AI as a "genius" tool, others like Guillermo del Toro reject it outright. Koosha himself takes a measured approach: "I'm not selling AI. I'm just trying to use a tool to tell a story." Looking ahead, he plans to create characters using actual people's faces, with actors potentially taking a share in the financial gain through licensing. As AI technology continues to evolve, we may see more filmmakers using it to create "impossible movies"—ambitious projects that would require budgets of "$300m" and "doesn't happen on this planet" through traditional means.

The Lead The new reality show 'The Vardys' has been panned as very bad and very boring, disappointing fans of Leicester City's Jamie Vardy and those interested in the 'Wagatha Christie' libel case. The Reality Check The three-part reality show, which aired on ITV1 and is now available on ITVX, follows the lives of Jamie Vardy and his wife Rebekah Vardy as they move to Italy. However, the show fails to deliver on its promises, instead focusing on mundane tasks like packing up a house and moving to Italy. The Content Critique For fans of Jamie Vardy, the show doesn't provide much insight into his life as a footballer. Leicester fans won't get much of Jamie or any footage they haven't seen before. And much of what is shown in the first two episodes is to do with the troughs of his early days at the Italian club Cremonese – injury, stress, failing to dazzle in his debut, failing to score many goals thereafter – rather than his glory days at home. The Wagatha Christie Factor For fans of the 2022 legal case (also known as “The Scousetrap”, for Coleen is Liverpudlian, and “Roodunnit?” because the whole thing played out in private, then on social media and then in court like the neatest mystery novel you ever read), here is pretty much everything Rebekah has to say about the private, public and court verdict that she did exactly what she was claiming Rooney had wrongly accused her of: “Never, ever, ever will I apologise for something I didn’t do. Hell will freeze over before I do that. “I’m not going to carry on living in the past. I’m so fucking tired of it,” says Rebekah, on a show almost certainly commissioned because of what happened in the past and in the hope that she would discuss it in great detail. The Verdict The show is a slow, slow grind through the minutiae of packing up a house and moving a family to Italy once Jamie takes his leave of Leicester City and signs with the then Serie A Cremonese. Watching people move house, try to find school places for five children (the oldest of the Vardys’ six is staying in England), moan about getting visas and finding a house to rent is about as interesting as listening to people describe their dreams.

The Dark Side of Creativity Children’s writers are sometimes cruel, and often damaged. And, as AS Byatt put it crisply when talking about her 2009 novel The Children’s Book: “Writing children’s books isn’t good for the writer’s own children.” Think of Christopher Milne, raging at having been Christopher Robin; Vivian Burnett, dragging Little Lord Fauntleroy behind him; Alastair Grahame, lying down on train tracks. The Trapped Protagonist This is fertile material, as Byatt recognised, for a grown-up book. The American author Melissa Albert, herself a very successful children’s writer, has made it the theme of her first adult novel. The Children’s protagonist is Guinevere Sharpe, who as a grown woman is trapped by a very public version of her childhood. Her mother, Edith, a sort of JK Rowling/Enid Blyton composite, wrote an era-defining run of children’s portal fantasies called the Ninth City series, in which Guin and her older brother Ennis appeared as the named protagonists. The Unraveling of a Family Their marriage turns toxic. Edith is remote and frosty. The loving and boisterous Llewellyn is stricken by an unspecified illness and the light starts to go out of him. And the children, devoted to each other and freed from the necessity of formal schooling, are left to their own devices. Meanwhile, there’s something very spooky about their old wooden house. Occult artefacts surface. Its inhabitants have disturbing dreams. Edith shows up one day with a missing finger. Unraveling the Mystery In the present tense of the novel, meanwhile, Edith and Llewellyn have died in a fire that consumed the house; the sixth and last book in the Ninth City series never got written; and Guin and Ennis, once so close, have been on nonspeakers for two decades. A conceptual artist who builds uncanny installations, Ennis has always refused to talk about his childhood and the Ninth City books – but just as Guin is publicising her memoir, he announces a new show called Mother. The Cost of Creativity What we know about the Ninth City series – that in its universe there’s a vampiric figure called the Architect who steals the dreams of children to build constantly shifting fantasy worlds – casts an ominous shadow over Guin’s story. You get a hunch Albert is saying something here about the creative process, and the cost of it. Edith is a brilliant children’s writer – but she’s not quite right. A Complex but Flawed Novel That bumper crop of mysteries is also a slight weakness of this very readable and intriguing book. There’s simply so much going on that the force of the story dissipates: Edith never comes fully into focus; Guin’s crumbling relationship with her fiance, Hank, though acutely described, struggles to carry the weight it wants to; the ending is a little rushed.

The tiny West African archipelago has earned a place at the 2026 FIFA World Cup, joining Spain, Uruguay and Saudi Arabia in Group H. With a squad drawn from 14 countries and a coach who insists on Creole as the team language, the Blue Sharks blend diaspora talent with a relaxed "morabeza" mindset. Below is a deep dive into the squad, its leadership and the matches that will decide whether Cape Verde can turn debut dreams into historic results. The Blueprint: Squad Composition and Club Diversity 26‑man roster featuring players from 25 clubs across 14 nations. Six players were born in Rotterdam, highlighting the diaspora’s influence. Positions are well‑balanced: a mix of physical defenders, technically gifted forwards and a midfield engine. Key Fixtures and Scheduling 15 June – vs Spain in Atlanta (noon local, 5 pm BST, 16 June 2 am AEST). 21 June – vs Uruguay in Miami (6 pm local, 11 pm BST, 22 June 8 am AEST). 26 June – vs Saudi Arabia (7 pm local, 1 am BST, 27 June 10 am AEST). Coach Bubista’s Philosophy and Leadership Bubista (Pedro Leitão Brito) grew up on Boa Vista, worked as a lift operator’s son, and played across Portugal, Spain and Angola before captaining the national side. His core tenets are: Mandating Creole on the pitch to preserve national identity. Emphasising collective unity over individual flair. Instilling a “no‑stress” attitude that mirrors the country’s slogan, morabeza. Star Forward Dailon Livramento’s Impact The Rotterdam‑born striker has already become a legend, netting four qualifying goals, including the decisive winner against Cameroon. His profile: Born in Rotterdam to singer Marizia; also a musician. Provides the central attacking presence the team previously lacked. His physicality and finishing will be crucial against the defensive rigs of Spain and Uruguay. Veteran Ryan Mendes: Captain and Goal Threat Ryan Mendes, at 36, remains the team’s captain, top scorer and a potential centurion at the World Cup. Highlights: Former Lille forward, once a replacement for Eden Hazard. Overcame a serious ankle injury to stay central to the Blue Sharks. Could become the first Cape Verdean player to reach 100 caps if he appears in all three group matches. Midfield Engine Kevin Pina’s Role Kevin Pina anchors the midfield after a title‑winning season with Krasnodar in Russia. He: Provides the “dirty work” that frees attacking talents. Excels at forward ball movement despite a low goal tally. Forms a dynamic partnership with Deroy Duarte. Projected Starting XI and Tactical Outlook The likely lineup blends experience with youthful energy, favoring a 4‑3‑3 shape that encourages possession from the back and quick transitions on the wings. Goalkeeper: Logan Costa (Villarreal) – fitness remains a question after an ACL tear. Defence: A mix of European‑based centre‑backs and full‑backs comfortable in both defensive duties and overlapping runs. Midfield: Pina, Duarte and a creative playmaker to link defence and attack. Attack: Mendes (captain) flanked by wingers, with Livramento as the central striker. If the squad can maintain cohesion, exploit set‑piece opportunities and keep the “no‑stress” mindset, Cape Verde could pull off a surprise point or even a historic upset in their inaugural World Cup appearance.

The Lead Sophie Green's photography exhibition, 'Tangerine Dreams: Rituals of Belonging in Contemporary British Life', showcases her vibrant and colorful captures of the British seaside, highlighting the joy and sense of community that comes with it. Sophie Green's Seaside Inspiration Green's love for the seaside stems from her childhood experiences visiting her grandfather in Pembrokeshire. She finds the seaside to be a space that unlocks the connection to nature, inspiring freedom and fun. The seaside environment, with its bright colors and playful atmosphere, is a perfect setting for her photography. The Data Analysis Green's project began during the Covid lockdown, when she started photographing people at the seaside. She has since returned to the project every summer, capturing the essence of the British seaside and its people. Her work highlights the diversity and richness of British society, showcasing subcultures and communities that are often overlooked. The Impact Analysis Green's photography has a significant impact on how we perceive the British seaside and its culture. Her work challenges the mainstream social narrative, presenting a more nuanced and multifaceted view of British society. By capturing the vibrant colors and joy of the seaside, Green's photography encourages us to appreciate the beauty in everyday life. The Prediction As Green's exhibition continues to showcase her work, it is likely that her photography will inspire a new generation of artists and photographers to explore the British seaside and its culture. Her work will continue to challenge our perceptions and encourage us to appreciate the beauty in everyday life.

The Director's Digital PivotMartin Scorsese's announcement that he has invested in an AI company and uses the technology to create storyboards has triggered a backlash from fellow members of the film industry.The New York Times reported that Scorsese had been appointed in 2025 as a partner and adviser to Black Forest Labs, a German-based venture that specialises in text-to-image generative AI.Scorsese said in a statement to the New York Times: "I'm interested in the intersection of technology and storytelling, and seeing how that can push the bounds of creativity to create deeper and richer experiences for audiences. Remember, cinema is a young medium, only around 125 years old, so we have to be open to how it can evolve."He added: "For 70 years, I've been creating my own storyboards. There's always been this problem of how do you communicate what you see in your head to your cast and crew. There are some things you have to see and feel. Now with this tool, I can share what I'm visualising more clearly and efficiently to my creative team."The Artist's RebellionStoryboard and concept artists responded angrily, with Karla Ortiz, a concept artist on a string of Marvel films including Black Panther, Avengers: Endgame and Avengers: Infinity War saying on social media: "He throws every single storyboard artist he's ever worked with under the bus ... To use his legacy and power for this is just so disgusting."Samuel Deats, director of animated TV series Castlevania, added on social media: "There is absolutely no reason to need AI built on the stolen work of millions of artists to storyboard your vision, have some damn pride and respect your peers."The AI Wave in HollywoodWith this move, Scorsese has joined the swelling ranks of significant film industry figures who are endorsing and utilising AI. Steven Soderbergh used AI generated sequences in his recent documentary John Lennon: The Last Interview while Jurassic World Rebirth director Gareth Edwards described AI as "a fucking genius at helping you". Tribeca film festival co-founder Jane Rosenthal defended plans to screen Dreams of Violets, a fully AI-generated film about protesters in Iran, saying that "it's something that should be seen right now at this time".The Production RevolutionThere is no suggestion, however, that Scorsese is planning to use gen-AI images in a film, but rather as part of the preparatory process. In his statement he said: "I recently tested this out on a scene, and the ability to visualise and immediately share the storyboard was creatively freeing. During the preproduction process, time costs money, and this allowed us to move faster without sacrificing quality or craft."

For the first time ever, the blue‑and‑garnet colours of SCU Torreense will appear in a continental tournament, marking a milestone for a club that has transformed from a regional side into a Portuguese powerhouse.Historic Qualification for the Women’s Champions LeagueThe club secured its Champions League berth by finishing third in the 2025‑26 BPI League, joining traditional giants Benfica, Sporting and Braga in Europe. The achievement follows a season that saw Torreense lift the Taça da Liga, the Supertaça and the Taça de Portugal, underscoring a rapid ascent in women’s football.Trophies and Stats: Torreense’s Recent SilverwareTaça da Liga – 2025Supertaça – 2025Taça de Portugal – 2024Third‑place finish in the 2025‑26 BPI League15 league starts for captain Carolina Correia out of 18 matchesImplications for Portuguese Women’s FootballTorreense’s rise challenges the long‑standing dominance of the Lisbon‑based clubs and highlights the growing competitiveness of smaller markets. The town of Torres Vedras, with just under 19,000 residents, now hosts a team competing on Europe’s biggest stage, potentially inspiring investment in facilities and youth development across the region.Looking Ahead: European Campaign and National Team DreamsWhile the women’s side has yet to confirm a venue for its Champions League fixtures, the club’s unity and community spirit are seen as key assets. Captain Correia has already been called up for Portugal’s World Cup qualifiers, aiming to help the Navegadoras maintain their unbeaten run and secure a place at the 2027 World Cup. The dual focus on club and country illustrates how individual ambition and collective progress are intertwined for Torreense’s next chapter.

The Fatal Training SessionUK Athletics has been fined £350,000 for the "wholly avoidable" death of a Paralympian who was killed during a training session in east London. Abdullah Hayayei, 36, a father of five, was preparing to represent the United Arab Emirates at the World Para Athletics Championships when a 440lb practice throwing cage toppled on to him at Newham Leisure Centre in July 2017.The 5ft-high structure fell because it had been set up incorrectly without its base plate, a court was told. Prosecutors described it as an "accident waiting to happen". Hayayei, who had cerebral palsy, had been due to compete in the F34 shot put event at the championships in Stratford, east London. He was one of the leading para athletes in his classification and had five children aged between two and 14 at the time of his death.Legal Proceedings and Corporate FailingsUK Athletics pleaded guilty to corporate manslaughter and was sentenced at the Old Bailey on Tuesday. The organisation was fined £350,000 and ordered to pay £44,000 in costs, to be paid over six years. Keith Davies, 79, who was head of sport for the 2017 World Para Athletics Championships, admitted a health and safety offence and was given a community order requiring 175 hours of unpaid work.Sentencing, Judge Richard Marks KC said Hayayei's death was "tragic, untimely and wholly avoidable". He said the failings were not a "one-off" and described a long-running pattern of unsafe practice involving the equipment. The court was told that in the five years after UK Athletics acquired two identical cages used originally in the London 2012 Olympics, they had never been properly assembled with base plates attached. One of the cages had previously collapsed in 2012, though no one was injured.Financial and Organizational ConsequencesThe financial penalties imposed on UK Athletics total £394,000, including the £350,000 fine and £44,000 in costs. Judge Marks explained that any higher financial penalty would risk weakening UK Athletics' ability to support sport at elite and community level. This financial impact comes alongside significant reputational damage to the organization responsible for governing athletics in the UK.Prosecutor John Price KC described the incident as involving a "perennial hazard" and "an accident waiting to happen", highlighting that many athletes had used the cages over a number of years without proper safety measures in place. On the day of the incident, Hayayei was training under supervision when the structure collapsed. He became trapped in netting and, despite efforts from coaches and medics, was pronounced dead later that afternoon.Repercussions for Sports Safety StandardsThe case has sent shockwaves through the sporting community, raising serious questions about safety protocols in elite sports training facilities. Detectives from the Metropolitan police revealed years of failures in how the equipment was stored and assembled. Det Ch Insp Lucie Card emphasized that establishing the causes of the death was "no less than his family deserved" after "years of meticulous work".The incident has prompted a broader examination of safety practices in para-athletics specifically, where athletes with disabilities may face additional risks during training. The case highlights the critical importance of proper equipment maintenance and safety oversight in sports facilities, particularly when dealing with heavy equipment that could cause catastrophic failure.Future of Safety in Elite SportsFollowing the sentencing, UK Athletics issued an apology and said it had made "substantial changes" to safety and governance procedures. The organization stated that "the failings identified in this case should never have happened, and UK Athletics is deeply and genuinely sorry." They added that they had since strengthened operational standards and remained committed to learning from the incident.The tragedy is likely to lead to increased scrutiny of safety protocols across all sporting organizations, with potentially more rigorous inspection regimes and mandatory safety certifications for equipment used in training facilities. This case may also influence how sporting bodies approach risk management, particularly in para-sports where athletes may have specific safety requirements related to their disabilities.In a statement his widow Badriah, who gave evidence from the UAE, said her husband had travelled to represent his country and "returned as a corpse because of this negligence". She emphasized that "Abdullah was not just a person who passed away... He was a father, a husband with responsibilities, dreams and a future." This human perspective underscores the profound impact of organizational failures on athletes and their families.