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Christmas Day's Dominant Performance Christmas Day won the Derby at Epsom for trainer Aidan O'Brien, revelling in the rain-soaked soft ground to give his handler a 12th win in Britain's premier Classic. The Race Details The 7-1 shot was up with the pace from the start and the result never looked in danger soon after entering the straight, staying on strongly to the line and repelling a late challenge from Maltese Cross. Ronan Whelan's Reaction Winning rider Ronan Whelan said: "I went by the line and I couldn't believe I won so easy. Aidan told me to keep it simple. The horse done it so easy – he loves the ground and it felt so effortless. Thank God my mum and dad and my girlfriend are here. I wish I was as cool a customer as the horse was. He's a gent and a credit to all who work with him." The Impact of the Win Christmas Day, the mount of Ronan Whelan, was the supposed O'Brien third string, albeit it at a well-supported at 7-1, but he was always perfectly positioned in behind his pacesetting stablemate Action and edged to the front rounding the home turn. The Future Outlook While several horses, including his two better-fancied stablemates, struggled to make up ground in the testing conditions, the son of 2012 Derby hero Camelot galloped on strongly to win by two and three-quarter lengths, with Maltese Cross best of the home team in second and James J Braddock third.

Burnham Calls for Nationalisation of Thames Water Andy Burnham announced that public ownership of Thames Water should be pursued, positioning the idea as a core part of his platform ahead of the Labour leadership election on June 18. The statement was made during an interview with the Guardian and follows meetings with water campaigners such as former Undertones frontman Feargal Sharkey. Proposal Details and Political Context Burnham frames nationalisation as a response to "widespread pollution" and "under‑investment" in England’s water infrastructure. The mayor suggests banning dividend payouts for companies that raise bills beyond a set threshold, funding the move by "running the industry differently". He links the issue to broader Labour promises to end the "Tory sewage scandal" and to overhaul the regulator slated for introduction in 2029. Financial Stakes: Debt, Fines, and Potential Compensation £20bn of debt has accumulated at Thames Water under successive private‑equity owners. The government is weighing a special‑administration takeover or a creditor deal that would write off up to £1bn in pollution fines. Critics estimate a full nationalisation could cost taxpayers around £100bn to compensate private creditors and shareholders, though some experts dispute that figure. If the creditor deal proceeds, billionaire donor Paul Singer could gain a part‑ownership stake. Implications for England’s Water Sector and Public Policy The call intensifies debate over the private versus public model of water provision. Scotland already operates a fully nationalised system, while Wales runs a not‑for‑profit model. A shift in England could reshape dividend structures, regulatory oversight, and investment priorities, potentially curbing the profit‑first approach that Burnham argues leaves bill‑payers disadvantaged. What Could Happen After the Labour Leadership Vote? If Burnham secures the Labour leadership, nationalisation would move up the party’s policy agenda, likely prompting parliamentary hearings and a detailed cost‑benefit analysis. Opposition parties may resist on fiscal grounds, while consumer groups could push for faster action. The outcome will hinge on the balance between political will, the Treasury’s assessment of the £100bn price tag, and the urgency of addressing water‑related environmental failures.

The Bridge Between Art and ScienceWhy do we find things beautiful? More precisely, why do some paintings of coloured dots in rippling patterns inspire in me something like revelation? The idea that beauty is the feeling you get when encountering truth is unfashionable in the arts, but lingers in the sciences. The physicist Paul Dirac once proposed that it is more important that a formula is beautiful than that it can be proven: when a perfectly beautiful theory produces results that cannot be real, he argued, then we should not discard the theory but reconsider what is real.Since the 1970s, Terry Winters has been rebuilding that bridge between art and science. Taking inspiration from disciplines including botany – his early paintings, particularly, evoke sprouting pods and tangled roots – engineering, computer modelling and cybernetics, his paintings might be understood as diagrammatic approximations of the patterns that govern everything from the division of cells to the constellation of stars. If every era has to renew its standards of beauty to reflect new understandings of how the world is constructed, then Winters comes as close to providing that model as any living painter.Mathematical Patterns in Visual ArtThese eight new works take their titles from the language of geometry and mathematics: Area, Array, Field, Locus, Point, Scope, Sequence and Set. Each is composed of overlapping patterns that pull each other out of shape according to invisible laws of attraction and repulsion. Field is indicative: on a sooty pink ground, a dense grid of dusty blue cells bends inwards like a trampoline beneath a bowling ball, while an intersecting arrangement of larger circles swells outwards. The disorienting effect of this push-pull is exaggerated by an optical illusion, created by ragged phosphorescent orange haloes around the blue circles, that makes them appear to be craters sunk into the crust of paint. You have to walk up to the surface to be reassured that it is flat.Point shows a teeming landscape of cells bulging outwards at the centre, as if a scum of frogspawn had been skimmed off a pond and placed under a paperweight microscope. In Sequence, a storm of pink interference skims through a yellow circle split like a brain into hemispheres, while a nebulous weather system sweeps in from the right. In Scope, vaguely symbolic arrangements of freshwater blue and desert orange nodules move across the familiar circle-within-a-square geometry of Leonardo's Vitruvian Man. Where that famous demonstration of sacred geometries exudes stillness and calm, the systems that run through Winters' worlds are wild and strange. Here, as much importance is given to the subjective factors of perception and consciousness as the objective principles of logic and proportion.Optical Illusions and Sensory ExperienceAll of this should not distract from the pure sensory pleasure afforded by these pictures. In Locus, another optical illusion seems to lift the red edge of the painting off the canvas like a clumsy wooden frame, squeezing the pockmarked sphere at its centre so that it balloons outwards, threatening to burst. The same cadmium red, so sandy that the pigment seems barely to have been suspended in oil, turns carmine pockets into rock formations that climb off the surface of Set. These sleights of hand evoke the more secular movement of op art, in which patterns are manipulated to exploit the idiosyncrasies of human perception rather than to uncover deeper truths. Which begs the question: is this all just a conjuring trick?Rediscovering the Renaissance ApproachThere is something magical about these works. Even though Winters is generally credited with having extended the lineage of modernist American painting into the present, his practice is in this sense pre-modern. In its rejection of the idea that art should be separated from science, it resembles the Renaissance attitude according to which painting is no less a tool for understanding the world than mathematics, and magic is just the name for things we don't yet understand. His commitment to synthesising diverse spheres of knowledge, his alchemist's commitment to materials, and his sheer technical ability certainly mark him out in a scene recently overwhelmed by chancers and charlatans, bandwagoners and snake-oil salesmen. That his work is enjoying a revival might be taken as an encouraging sign.Beauty as a Path to TruthDirac, incidentally, was proved right. He formulated a theory that was so beautiful it couldn't possibly be wrong, even though it implied the existence of phenomena that everyone agreed must be impossible. He stood by it, and a few years later, someone else discovered anti-matter. Winters' paintings likewise offer a flash of those secret patterns that underpin the physical world, and which science has yet to illuminate. Which is to say, they're beautiful.Exhibition DetailsTerry Winters: Along the River is at Modern Art, London, until 11 July

The Knicks' Championship Pursuit The New York Knicks are on the cusp of erasing a 53-year championship drought, entering Game 2 of the NBA Finals with a commanding 1-0 series lead. With a 12-game playoff winning streak, the Knicks are not just playing for a trophy; they are playing to cement a legacy of dominance that has not been seen in New York since the early 1970s. Knicks' Defensive Masterclass in Game 1 The Knicks dismantled the San Antonio Spurs on their home court, securing a 105-95 victory. The defining narrative of the opener was the Knicks' suffocating defense against the league's most exciting player, Victor Wembanyama. Despite Wembanyama's high scoring total, the Knicks held him in check for long stretches, showcasing a defensive scheme capable of neutralizing generational talent. Brunson's Fourth Quarter Surge Jalen Brunson was the catalyst for the victory, finishing with 30 points. Crucially, 13 of those points came in the final quarter, showcasing his ability to perform under immense pressure. While the defense gets the bulk of the credit, Brunson's ability to bounce back from a slow start and deliver in the clutch was the difference-maker in Game 1. Neutralizing the Future Karl-Anthony Towns played a pivotal role in the victory, arguably outplaying Wembanyama on both ends of the floor. This matchup victory suggests the Knicks have the physicality and strategy to match the Spurs' young talent. The Knicks' ability to limit Wembanyama's impact while capitalizing on their own offensive rhythm has set a dangerous tone for the series. Can the Spurs Break the Streak? With the Knicks just three wins away from the title, the Spurs face a steep uphill battle. Game 2 will test if the Knicks' momentum can withstand the pressure of a potential championship clincher. The Spurs will need to find a way to disrupt the Knicks' defensive cohesion and force Brunson into more difficult shots if they hope to extend the series.

The Sound of a City in Transition: Emmy the Great’s Cantopop JourneySinger-songwriter Emma-Lee Moss, known professionally as Emmy the Great, has returned to Hong Kong to write her fourth album, driven by a deep personal and historical inquiry into the city's musical heritage. Born to an English father and a Hongkonger mother, Moss left the city at age 11 before the 1997 handover, a pivotal moment that shaped her understanding of displacement and belonging. Her new memoir, My Cantopop Nights, serves as a bridge between her mixed heritage and the city's history, using the genre of Cantopop to decode the emotional and political landscape of Hong Kong.A Personal History Through MelodyMoss’s narrative is not just a music review but a memoir woven through specific tracks that defined eras of her life. Her connection to the music is visceral and personal, often tied to rites of passage. For instance, the haircut she received in 1995 after hearing Aaron Kwok’s 'Love You Endlessly' became a symbol of her transition from a world where Kwok was a 'god' to one where he was unknown. Similarly, Faye Wong’s cover of 'Dream Person' introduced Moss to a subculture of punk and DIY bands during a childhood sleepover, fundamentally altering her teenage identity.Aaron Kwok – 'Love You Endlessly': A career-launching anthem that defined a hairstyle and a generation’s transition.Faye Wong – 'Dream Person': Introduced Moss to Western rock influences and punk culture.The Wynners – 'You're Free': Revealed a family secret where Moss’s father wrote English lyrics for the band.Beyond – 'Boundless Ocean, Vast Skies': A mourning anthem for the band's late singer, Wong Ka Kui, representing underground rock.Sam Hui – 'Half a Catty, Eight Taels': A working-class anthem that resonated with Moss during a period of political fragility in 2017.The Evolution of Cantopop: From Western Covers to Cantonese AnthemsThe article highlights the genre's evolution from a Western-influenced bubble to a distinctively Cantonese art form. The story begins with the Beatles playing in Hong Kong in 1964, sparking a wave of English-language covers. However, Sam Hui is credited with pioneering the shift to Cantonese originals, blending classical Chinese elements with pop sensibilities. Moss notes that Hui’s music, particularly the humorous yet poignant 'Half a Catty, Eight Taels,' offers a critique of the working class similar to Dolly Parton’s '9 to 5,' but grounded in the specific socio-economic context of 1970s Hong Kong.Music as a Mirror of Hong Kong’s Political LandscapeCantopop is portrayed not merely as entertainment but as a historical record of the city's resilience and fragility. Moss observed a surge in music and art in 2017 and 2019 as young people born after the handover sought to understand their identity amidst political insecurity. Songs like Beyond’s 'Boundless Ocean, Vast Skies' became anthems of mourning and underground resistance. Moss argues that the 'story of Hong Kong is the sound of it,' suggesting that the city's history is best understood through its auditory landscape rather than just its street signs or history books.The Enduring Legacy of Cantopop in a Globalized WorldAs Moss reconnects with her roots, she realizes that her independent musical style is deeply rooted in the Cantopop tradition. The genre has proven to be a powerful tool for cultural preservation, allowing the diaspora to maintain a connection to their heritage. By documenting these songs, Moss ensures that the emotional and political nuances of Hong Kong’s past are not lost. The genre continues to serve as a vessel for collective memory, proving that even in a rapidly changing globalized world, the local soundscape remains a vital anchor for identity and history.

The Tragic Death of James Handy Veteran actor James Handy has died at his home in Los Angeles after a fatal stabbing, allegedly by his girlfriend's son. Details of the Incident The 81-year-old actor was found in the front yard of his home in Tarzana, California, at 9:30 am on Wednesday, according to the Los Angeles police department. He was unconscious and had multiple stab wounds to the chest. The actor's girlfriend's son, Michael Gledhill, 44, has been arrested and charged on suspicion of murder, with bail set at $2m. According to the police statement, a 911 caller said: 'I am the son of man, I just killed the man of sin.' When police arrived at the scene, Gledhill told officers he was 'the one they were looking for'. James Handy's Career Handy, who is known for character roles in Jumanji, Top Gun: Maverick, and Logan, was born in New York City. His career began in 1977 on the television series Ryan's Hope. He is also credited for roles in Logan, K-911, Law & Order, NCIS: Los Angeles, and Criminal Minds. His most recent film was Top Gun: Maverick in 2022.

The Premiership Women's Rugby Expansion Plans Several clubs, including Bath, have registered their interest in joining England's Premiership Women's Rugby (PWR). The expansion of the top flight has no concrete timeline, but the possibility of the league growing has thrown up different discussion points. How will non-professional players deal with travel if a club from another home nation is introduced? Will the expansion aid international competition? And how do players feel about it? The Expression of Interest Phase The expression of interest phase was just an 'exploratory' process and not a formal application to join the league. The move is part of the PWR's 10-year plan to grow a sustainable and competitive league. The top flight is widely renowned as the best women's club rugby competition in the world with international talent such as Ireland's Aoife Wafer, New Zealand's Alana Borland and Canada's Sophie de Goede involved. However, the league has just nine teams after Worcester Warriors' demise in 2023. The Financial and Logistical Requirements In order to raise their hand and show interest, sides had to meet certain criteria. The list included £1.2m of annual rugby programme investment, facilities that meet PWR competition, broadcast and training standards and being able to field a squad of 45 to 55 players. Welsh, Scottish and Irish unions are interested and English clubs have also said they are. The men's Prem champions, Bath, have gone on the record to confirm their interest, outlining that they would need investment in the player pool and a robust business plan in order to progress sustainably. The Impact on Non-Professional Players Clubs had a deadline of 30 April to notify the PWR of their interest with the next steps of expansion uncertain. What we do know is that the league has ruled out the possibility of expansion for the 2026-27 season but are open to making the league bigger in future. This initial step has caused a debate in women's rugby circles. One of the main issues is potential travel implications for those who are not professional players. A large majority of PWR players have jobs outside rugby, which would mean they could not frequently take off a Friday or Monday as travel days for their league commitments. The Future of Women's Rugby The possibility of having a Welsh team in the PWR is something the country's players would embrace, according to the Wales scrum-half Keira Bevan. 'All of us want to come and play in Wales,' she said. 'I am with Bristol at the minute and I have another year with them and then after that I don't really know what my rugby career will look like. If that was an option I think a lot of the girls would definitely look into it.' The International Implications Increased competition on an international stage is an element of a potential expansion that excites the Exeter Chiefs head coach, Steve Salvin. He said: 'If there is an opportunity to make the league stronger, why not? We are in a position where England are far and away the strongest team in world rugby and that is credit to them, they have put the work in to get themselves into that position. But people get addicted to sport through jeopardy and whenever England are winning games by 50, 60 points, we are not going to get that jeopardy.'

The Emergence of 'Doomspending' The term 'doomspending' has become synonymous with the declining fortunes of young Westerners. It refers to spending frivolously with no concern for future financial consequences. A survey by Credit Karma found that 27% of Americans doomspend to deal with stress, with the numbers rising to 37% of Gen Z and 39% of millennials. The Cultural Context of Doomspending The discourse around doomspending echoes commentary that traces back to the aftermath of the Great Recession. The term 'doomspending' is a more recent phenomenon, tied to changes in Western economies since the financial crisis cratered the traditional life script almost 20 years ago. The Data Analysis: Financial Anxiety and Spending Habits Elderly North Americans and Western Europeans have difficulty internalizing the changing economic landscape. In the United States, the dollar lost 30% of its value since Covid, according to the Truflation index. More importantly, when discussing the perspective of boomers, it lost 60% of its value since the 90s, and 88% of its value since the 70s. The Impact Analysis: Shifting Attitudes Towards Spending and Saving Young people just don't believe that the economy is moral in general, that those with wealth earned it through playing by the rules. They see the economy as a casino, where some get lucky, but most lose. This has led to a shift in attitudes towards spending and saving, with many young people opting to spend today rather than save for tomorrow. The Prediction: A New Economic Reality Spend today because there won't be a tomorrow is a self-fulfilling prophecy. The only way to stop it is to make people believe that an average person of average abilities can wake up every day, play by the rules, and expect to lead a fulfilling, if uneventful, life. If the general public doesn't believe that to be true, let them eat Deliveroo.

The Ban on Lex Greensill Lex Greensill, the disgraced former financier, has been banned from running a UK company for nine years following the 2021 collapse of his £1.6bn supply chain invoicing firm, Greensill Capital. The Collapse of Greensill Capital Greensill Capital collapsed into administration in March 2021 with liabilities of more than £1.6bn. The firm's collapse led to a significant financial scandal, involving former Prime Minister David Cameron and Japanese investor Masayoshi Son. The Insolvency Service's Findings The Insolvency Service found that Greensill breached his legal duty to exercise reasonable care, skill, and diligence as a company director, causing a loss of $440m to Credit Suisse. Greensill directed his companies to enter transactions that removed legal protections from loan notes, despite lacking the required written consents. The Impact of the Collapse The collapse of Greensill Capital caused chaos for companies owned by Sanjeev Gupta's Gupta Family Group (GFG) Alliance, which had relied heavily on Greensill financing. The UK's Serious Fraud Office is investigating suspected fraud, fraudulent trading, and money laundering related to GFG's financing arrangements with Greensill Capital. The Future Outlook Greensill still faces a separate civil action by administrators for Greensill Capital (UK), in which he is named as a defendant. The nine-year ban on Greensill running UK companies reflects the serious nature of his conduct and serves as a warning to other company directors.