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The World Cup Crossroads Mike Costello, the legendary boxing commentator, tells a story of when he was fresh in the game, an old pro heard him getting dead excited calling a fight that wasn't Hagler-Hearns, so issued some advice: always leave yourself somewhere to go. For those of us involved in a similar kind of thing, this is an important lesson, but one easier grasped than lived – especially during the World Cup and even more so during this World Cup. How not to unload the suitcase – and why not unload the suitcase – when Curaçao equalise against Germany, Cape Verde force a draw with Spain and DRC equalise against then draw with Portugal? For them – and so for us, sport being the experience of living your life through others – this is their Hagler-Hearns, so it makes more sense to trust you'll find somewhere to go than not turn up somewhere you desperately need to be. Tournament Implications Which is to say we've enjoyed a sensational first week of football – but Czechia and South Africa have not, enduing the respective agonies of a soul-crushing late winner conceded and a total no-show dropped. But the structure of the competition is in their favour, a defeat today terminal for neither – though with final-round matches against Mexico and South Korea upcoming, a win feels essential for both. Match Details Kick-off: 12pm local and EDT, 5pm BST, 2am AEST

The LeadAlicia Keys has long been a pillar of modern soul and R&B;, and The Guardian’s latest ranking of her 20 best songs offers a comprehensive look at her artistic trajectory from the early 2000s to the present day. The list serves not just as a discography, but as a timeline of her musical maturity, showcasing her ability to blend classical piano roots with contemporary pop and EDM influences.The Event DetailsThe ranking spans Keys' entire discography, featuring iconic tracks like Empire State of Mind Part II and Diary alongside newer entries such as Underdog (2020) and Love Looks Better (2020). The list highlights specific collaborations, including a duet with A$AP Rocky on Blended Family, which is noted for its unique focus on the nuances of stepmotherhood. The inclusion of these recent tracks alongside her 2003 classic The Diary of Alicia Keys demonstrates a deliberate effort to balance her legacy with her current artistic direction.The Data AnalysisThe ranking provides insight into critical reception and musical evolution. For example, Doesn't Mean Anything (2009) received tepid reviews for being unadventurous, yet the analysis argues it represents the distilled essence of her signature style. Conversely, Empire State of Mind Part II is praised for its romantic gloss and show-tune quality, contrasting with the swaggering original by Jay-Z. The list also notes the technical prowess of tracks like Karma, which splits the difference between high-drama hip-hop strings and complex rococo arrangements, reflecting Keys' classical training.The Impact AnalysisKeys' career has had a significant impact on the R&B; genre by successfully bridging the gap between traditional soul and modern pop. The inclusion of Fire We Make with Maxwell highlights the enduring power of the slow-jam genre, while tracks like Try Sleeping With a Broken Heart show her willingness to adopt 80s pop and old-school hip-hop beats. Furthermore, the ranking underscores a shift in lyrical content; moving from purely romantic themes to personal milestones like blended families, Keys reflects a broader trend in pop music addressing complex, real-life dynamics.The PredictionAs Keys continues to experiment with genre-blending elements like EDM and pop, her ability to maintain a soulful core suggests she will remain a dominant force in the industry. The critical appreciation of her recent work, such as Underdog, indicates that her fanbase remains loyal to her message of resilience. Future projects will likely continue to explore this fusion of styles, solidifying her status as a versatile artist capable of reinventing herself while honoring her musical roots.

Andy Burnham’s “Manchesterism” – Music as Political Soft PowerMayor Andy Burnham has turned the city’s storied music scene into a central pillar of his political identity, branding his platform as “Manchesterism”. From a campaign launch video featuring Oasis, Elbow and James to proposals that would extend business‑rates relief to music venues, Burnham is positioning cultural capital as a form of soft power that complements traditional policy.From Campaign Videos to Business‑Rates Proposals: Music at the Core of Burnham’s StrategyThe first public sign of this approach was the Makerfield byelection launch video, where Burnham walked down red‑brick streets to a soundtrack of home‑grown acts. The subsequent campaign logo – “Change Labour, Keep the Faith” – borrowed northern‑soul aesthetics, and his latest policy push seeks to cut business rates for pubs, clubs and live‑music venues across Greater Manchester.Key moments include:2017 – Burnham helped organise the “One Love Manchester” benefit concert after the Manchester Arena bombing.2021 – Creation of the Greater Manchester Music Commission, chaired by Burnham, to coordinate the city’s music ecosystem.2023 – Burnham’s appearance at SXSW, pitching Manchester’s music scene to global investors.Financial Footprint of Burnham’s Music‑Centric PoliciesWhile many of Burnham’s cultural initiatives are promotional, they intersect with tangible fiscal measures:Proposed business‑rates cut for music venues – exact savings not disclosed, but industry groups estimate potential relief of up to £30 million annually across the region.2024 – The city secured the UK’s two biggest music award ceremonies (the BRITs and the MOBOs), a move credited to Burnham’s “massive” lobbying.Controversy: In 2025, Night Time Economy Adviser Sacha Lord was linked to a disputed £400,000 Covid‑support grant, raising questions about the oversight of funds tied to cultural projects.Shaping Manchester’s Cultural Landscape and National PerceptionBurnham’s alignment with iconic figures such as Tony Wilson and contemporary artists like Guy Garvey has reinforced a narrative that Manchester’s creative sector can drive economic growth and social cohesion. The mayor’s personal music preferences – from the “Hacienda‑dad” love of Inspiral Carpets to supporting emerging Black, gay female rapper OneDa – signal an attempt to broaden the city’s cultural image beyond its 80s‑90s legacy.However, critics warn that the city’s property‑led boom has led to sharply rising rents, potentially marginalising the very night‑time economy Burnham champions.What the Next Phase of “Manchesterism” Could Mean for Burnham’s Leadership AmbitionsIf Burnham’s music‑driven soft power continues to resonate, it may bolster his bid for a national Labour leadership role, offering a distinctive cultural credential that sets him apart from rivals. Yet the sustainability of his approach will depend on balancing high‑profile cultural wins with concrete support for venue owners and artists facing affordability pressures.Observers anticipate that future campaigns will feature even more cross‑industry collaborations, positioning Manchester’s music scene as a template for how regional culture can be leveraged in national politics.

Bonnie Tyler's Health Update Welsh pop star Bonnie Tyler is no longer in a coma but remains “very unwell” in intensive care at a hospital near her home in Faro, Portugal. The Road to Recovery The 75-year-old singer received emergency intestinal surgery in May and was placed in an induced coma to aid her recovery. A statement on her official website said that although her condition was improving and doctors remain confident she will recover, it was nonetheless a slow process. Impact on Upcoming Shows All her remaining shows due to take place this summer have been cancelled, the statement said, but it is hoped some dates in the autumn could go ahead. The update on her recovery came after the singer’s family had expressed distress over the “lurid and untrue rumours” circulating about her health. A Message from the Family “Bonnie is no longer in a coma but remains very unwell and in intensive care in hospital in Portugal. Although her condition is improving it is a slow process,” the statement said. “Her doctors remain confident that she will make a good recovery but it is going to take time. Future Plans Summer shows: cancelled Autumn shows: hopefully to go ahead Cardiff’s Utilita Arena on 17 December: still on About Bonnie Tyler Tyler, who was born Gaynor Hopkins, won international fame in the 1980s with the release of her chart-topping single Total Eclipse of the Heart, which spent two weeks as UK No 1, and four weeks at the top of the US charts in 1983. Her soulful husky voice helped make her songs instantly recognisable, with other hits including Holding Out For a Hero, It’s a Heartache and If You Were a Woman (And I Was a Man).

Countdown to Kick-Off: World Cup-Themed TV and Films With the 2026 Fifa World Cup just around the corner, football fans are gearing up for a month of action-packed excitement. But what can you watch while waiting for the tournament to start? Here's a selection of top picks to get you in the mood. Match – 1966 World Cup Final in Colour (Channel 4) David Baddiel introduces a full-colour replay of England's landmark 4-2 win over West Germany, raising awareness for Alzheimer's disease. Hat-trick hero Geoff Hurst reflects on the historic match 60 years ago. Drama – Dear England (BBC iPlayer) Joseph Fiennes stars in James Graham's adaptation of his award-winning play about Gareth Southgate's bid to end decades of hurt for the Three Lions. Documentary – Kevin Bridges: In Search of the Beautiful Game (BBC iPlayer) Kevin Bridges travels to Brazil and the US to ask whether the sport has lost its soul ahead of Scotland's first World Cup appearance in 28 years. Film – Saipan (Prime Video/BFI Player) Steve Coogan stars in this dramatisation of the infamous 2002 World Cup showdown between the Republic of Ireland manager Mick McCarthy and captain Roy Keane. Play – An Evening With Gary Lineker (YouTube) Evocative ITV adaptation of Arthur Smith and Chris England's stage play, set against the backdrop of the Italia '90 tournament. Comedy – Twenty Twenty Six (BBC iPlayer) Hugh Bonneville leads the FIFA satire as an ex-BBC bumbler parachuted into the world's biggest sporting event as its 'director of integrity'. Documentary – The Bus: A French Football Mutiny (Netflix) Chronicling the chaos of France's flop 2010 campaign in South Africa, this film lays bare the bust-ups and player revolts. Film – Mike Bassett: England Manager (Prime Video) Cult 'soccumentary' starring Ricky Tomlinson as an unreconstructed gaffer leading a hapless team to the World Cup in Brazil. Drama – This Is England '86 (Channel 4) The first TV spin-off from Shane Meadows' coming-of-age film, set during Mexico '86. Documentary – The Game of Their Lives (YouTube) A 2002 film charting North Korea's shock success in the 1966 tournament and tracking down the seven surviving players. Film – Escape to Victory (Sky/Now/Prime Video) A rousing footballing fairytale set during World War II, starring Sylvester Stallone, Michael Caine, and Pelé.

A Novel Bridge Between History and FictionThe Guardian’s review highlights Erica Wagner's latest work, Wash, as a vivid, emotionally layered portrait of Washington Augustus Roebling, the chief engineer of the Brooklyn Bridge. By intertwining personal moments with the monumental engineering feat, Wagner offers a fresh literary take on a well‑known American figure.Chronological Mosaic: Wagner’s Narrative TechniqueWagner abandons a linear timeline, opting instead for a “soul’s time” structure that jumps back and forth across decades. Short chapters focus on pivotal encounters—childhood hardship under his father John Roebling, the supportive partnership with his wife Emily Warren, and the friendship with fellow student Max Andermann. This approach creates intensity and vividness, though it can feel disorienting for readers accustomed to traditional biographies.Pricing, Publication, and Market ContextPublisher: SaltPrice: £10.99Availability: Listed on guardianbookshop.com with possible delivery chargesThe modest paperback price positions the book as an accessible entry for both history enthusiasts and literary readers, aligning with recent trends of affordable historical fiction releases.Why Roebling’s Legacy Matters to Modern ReadersThe novel underscores the human side of an engineering marvel that still dominates the New York skyline. By portraying the emotional toll on Roebling’s family—especially his wife’s evolving role from secretary to de‑facto engineer—Wagner connects 19th‑century gender dynamics and work‑life balance to contemporary discussions.What This Means for Historical Biographical FictionWagner’s blend of rigorous research (referencing her 2017 biography Chief Engineer) with experimental storytelling may inspire other authors to explore “soul‑time” narratives. If readers respond positively, publishers could see a rise in similarly structured biographies that prioritize emotional resonance over strict chronology.

The Lead In 1726, Jonathan Swift crossed the Irish sea with the manuscript of Gulliver's Travels in his luggage, ultimately heading to Twickenham ("Twitnam") to work with his friend Alexander Pope on a plan for anonymous publication of his satirical masterpiece. This summer gathering of literary giants forms the centerpiece of Hester Grant's "The Twitnam Summer," which also includes John Gay, author of The Beggar's Opera, as the third hero of this exploration into early Georgian satire. The Literary Landscape of Twitnam Swift, dean of Saint Patrick's Cathedral in Dublin, and Pope, a disaffected poet with Catholic roots who had been excluded from royal patronage, were both members of the Scriblerus Club—an association of dissident wits who valued literary collaboration. Pope had designed an exquisite villa in Twickenham with an underground grotto furnished with flints, shells, and glittering glass, which became a gathering place for these literary figures. Unlike Swift and Pope, who channeled their political discontent through their writing, Gay was described as a "sunshiny soul" who enjoyed drinking and was financially irresponsible, reserving his invective solely for his literary works. The Reality of 18th Century Life Grant effectively portrays the less salubrious aspects of life in the 18th century. Swift's regular travel between Dublin and London involved expensive carriage rides where passengers would seal themselves into a "fetid, jiggery box" with five strangers while trying not to vomit—particularly challenging for Swift who suffered from Ménière's disease. The journey also included endless waiting in grubby lodgings for favorable tides and weather, with luggage traveling separately and frequently going astray—factors that contributed to Swift's reputation as a misanthrope. The Questionable Historical Significance Grant organizes this group biography around the proposition that these few weeks in 1726 were among "the most consequential in English literary history," marking a "pivotal moment" in each man's career. However, the reviewer points out that Swift had already written Gulliver's Travels by the time he arrived in Twitnam, while Pope was still laboring on a tedious translation of Homer for money (his masterpiece The Dunciad would not appear for another two years). John Gay, meanwhile, spent the summer of 1726 procrastinating, with The Beggar's Opera not appearing until 1727. The Creative Laboratory Thesis The reviewer acknowledges there might be a case for viewing these summer weeks as a "creative laboratory" that produced proofs of concept leading to literary masterpieces. However, Grant must work hard to convince readers that these three accomplished men were doing anything different from what clever people always do when they gather: gossiping, chatting, and exploring various tangents. While Grant writes beautifully, the reviewer finds her argument for braiding together these already famous literary lives unpersuasive, unlike her previous work about the less-known Sharp siblings.

HERE WE GOHappy GWC Day everyone! The 23rd edition of the Geopolitics World Cup kicks off on Thursday when co-hosts Mexico face South Africa at the Azteca Stadium, a venue that is a World Cup Proustian rush all on its own. The two greatest players of all time, Pelé and Diego Maradona, both won the World Cup in that stadium. Kylian Mbappé, Cristiano Ronaldo, Lamine Yamal and the other modern greats won't be able to do that this year, as the final is being played in the USA USA USA. As you may have read, that country is currently run by a disinfectant-peddling despot, and its approach to inclusivity has been one of many controversies heading into the tournament.Fifa overlord Gianni Infantino addressed those controversies at a press conference on Wednesday. "We don't live on the moon, we live on planet Earth," he mimed. "We have to respect that we are not kings of the world, who can rule over governments and police forces. We are a sports organisation that does as much as we can. It's important sometimes to chill, relax. Sometimes screaming and shouting does not find a solution." Chill, relax. If you break both legs walking the dog today, remember to chill, relax. If you're denied the chance to make history as the first Somali referee at a World Cup, then linked to "terror organisations" by a spokesparrot for the government of the world's most powerful country? Chill, relax.The Expanded Tournament LandscapeIn fairness, Infantino has created plenty of opportunities for football fans to chill, relax, wake up on the sofa wondering what day it is over the next five weeks. His bumper 48-team tournament includes 72 group matches, which is eight more than the entire GWC in Qatar. Excluding added time, drinks breaks, emergency stoppages for extreme weather conditions that are in no way related to the climate crisis, those 72 games will produce 108 hours of football. In the same time you could watch every episode of The Sopranos and still have 22 hours to spare; better still, you could watch Das Boot (1997 Director's Cut) 31 times and have a few minutes left over to check whether the press have turned on Thomas Tuchel.The beauty of the GWC is that, when it's at its best, those like Infantino are still powerless to ruin it. Sure, some of the group games will turn us into a kind of sedentary Sisyphus, ploughing on into the wee hours around the world to watch another 0-0 draw. But there will also be dozens of moments in the next five weeks when we are lost in euphoria, wonder, shock, anger or despair – like the final in Qatar last time round, or any of the stunning moments featured in these pages over the years. Most of them don't even need a description - they all have names, or just a name. The Hand of God; the Maracanazo; the Cruyff Turn; the Disgrace of Gijón; Saipan; Josimar.Broadcasting and Viewing StatisticsThe Brobdingnagian nature of the GWC is both a weakness – 2am BST, 22 June: New Zealand v Egypt – and a strength. Cape Verde, Curaçao, Jordan and Uzbekistan are World Cup debutants, while Scotland, Haiti, Norway, DR Congo and Iraq are playing for the first time in the 21st century. Their presence should infuse the tournament with some of the wide-eyed innocence of old. Wales, Iceland and others enriched Euro 2016 in similar circumstances; Georgia went out in the last 16 of Euro 2024 but left an impression on the soul of neutrals, and not only because of their ice-staking genius Khvicha Kvaratskhelia. When those newbies have exited the stage, the heavyweights – and outsiders-who-shouldn't-really-be-outsiders like Senegal and Japan – will fight to get their hands on Jules Rimet II. Whoever wins this competition may not be as good a team as Paris Saint-Germain, but the World Cup remains the ultimate prize.New Nations, New StoriesJohn Brewin will steer home the GWC news blog until 6pm BST (1pm EDT) before Daniel Harris leaps into the hot seat for minute-by-minute coverage of Mexico 2-0 South Africa in the opening game at 8pm BST (3pm EDT). And then Jonathan Howcroft picks up the baton for the Friday 3am BST (10pm EDT) encounter when South Korea get the better of Czechia 1-0. If you haven't played the Bracketology game, what have you been doing? Oh. Anyway, there's still time for you to get your GWC ducks in a row and set out who you think is going to win the whole darn thing."I can't wait to walk around there the next time I go to Rockefeller Center or Radio City Music Hall" – Thierry Henry reacts to the renaming of a street in Manhattan as "Thierry Henry Way", with an intersection in Queens also changed in tribute to Pelé. TV companies are now worried about how long half-time entertainment will last at the GWC. Why not just have a concert and halfway through have a 30-minute game of football? The way things are going, that's what Fifa will probably end up planning for in the future anyway.The Road to GloryCan I be the first of 1,057 to point out that in response to Callum Taylor, if there's one thing the GWC most definitely isn't short of, it's moving goalposts. Bottle of water anyone? The tournament promises to be a spectacle of football excellence, political intrigue, and human drama. As the expanded format brings new nations to the global stage, the World Cup continues to evolve while maintaining its status as the ultimate prize in football. Whether you're watching at 2am BST or during prime time, the next five weeks will deliver moments that will be remembered for decades to come.

The Return of Kelsey Lu Kelsey Lu's second album 'So Help Me God' has finally arrived, seven years after their debut album 'Blood'. The long wait has been worth it, as the album showcases Lu's growth as an artist and their unique blend of pop, soul, and experimental sounds. A Holistic Artistic Practice Lu has been busy with various projects over the past seven years, including scoring movies, collaborating with other artists, and staging performance art pieces. They have presented these activities as part of a holistic artistic practice, rather than a portmanteau career. The Music 'So Help Me God' is a cohesive album that features a range of sounds and styles. The album's guest list is eclectic, with contributions from pop super-producer Jack Antonoff, jazz saxophonist Kamasi Washington, British singer-songwriter Sampha, and former Sonic Youth bassist Kim Gordon. The collaborations are beautifully sublimated, with each artist adding their own unique touch to the songs. Standout Tracks The album features several standout tracks, including 'Reaper', which starts out as a lovely piece of soft-focus pop-soul before taking a more experimental turn. 'Running to Pain' is another highlight, with a catchy melody and abstract arrangement. 'Cutting Off the Head of a Ghost' is an arena-ready ballad that sounds alternately triumphant and punch-drunk. A Worthwhile Wait 'So Help Me God' is an album that wears its weirdness lightly, with a graceful smoothness that makes it a joy to listen to. The production is subtle, with a focus on texture and atmosphere. Lu's voice is appealingly rich and potent, and the lyrics detail the break-up of a relationship in a way that is both vague and emotionally resonant. It's clear that Lu has a unique vision and a way of doing things that is worth waiting for.