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The Unlikely Motivation At 56, I am running my first marathon, an old, fat, bald dad surrounded by millennials in body-hugging Lycra and smiles that look AI-generated. But I am ahead of them. For they are only competing for positions and personal bests, and I am being chased by zombies. The Power of Zombies, Run! I started off accompanied by audiobooks, but when Ben Elton’s autobiography got a bit whiny, I remembered Zombies, Run! – an interactive running game for smartphones that came out years ago. That became my running companion. How the Game Works You start in the ruins of a shot-down chopper, with the voice in your ears trying to guide you to safety through the ranks of the undead. The interaction comes via short sections where you are told to run fast rather than lope. Overcoming Challenges Unfortunately, I spent the 90s playing football on hangovers and Red Bull without stretching once. My glutes and hamstrings give me constant pain after 10km, and the story is no longer enough to distract me. The Impact of Music Luckily, the best bit about Zombies, Run! is that you can link the game to a playlist on your phone, so you get a minute of narrative, then the music fades up for a bit before returning to the story. The Marathon Experience With Zombies on my back and banging tunes in the 170bpm range in my ears, I tore away, breaking my PB for 1km, 5km, 10km and half marathon as my band of apocalypse surviving chums and I investigated a weird ship and rescued a bunch of kids from an undead-strewn playground. The Unexpected Twist And then, at 15 out of 26 miles … my phone died. Suddenly, there was no distracting zombie story and no inspirational music. The Conclusion I got round. Eventually. But it was not Sonic the Hedgehog. It was more like Death Stranding, with your character carrying all of Swindon on his back.

Ed O’Brien opens up about the tracks that have defined his personal and musical journey, revealing a surprising departure from the indie‑rock world that made him famous with Radiohead. The interview, published by The Guardian on 2026‑06‑02, doubles as a cultural snapshot of a veteran artist reassessing his influences. The Playlist Chronicles O’Brien’s Musical Journey The list is organized as a series of prompts – “The first single I bought”, “The song I do at karaoke”, “The song that makes me cry” – each answered with a specific track and a short anecdote. Highlights include: Ally’s Tartan Army – a 1978 Scottish World Cup anthem bought as a child. Hatful of Hollow (The Smiths) – purchased to impress a teenage crush. Fastlove by George Michael – the only lyric‑perfect song O’Brien knows. Daft Punk Is Playing at My House by LCD Soundsystem – the ultimate party starter. Bach’s Mass in B minor – the piece that gets him out of bed. Blue Morpho – his own new single that moves him to tears. From Indie Fatigue to Classical Dawn: Shifts in Listening Habits O’Brien admits, “I don’t listen to indie music any more,” signalling a clear break from the guitar‑driven sound that defined his early career. He now gravitates toward classical works (Bach) and pop‑soul (George Michael), suggesting a broader sonic palette for his solo output. Emotional Anchors: Songs That Define Personal Milestones Each track is tied to a specific memory – a birthday in Japan, a karaoke night with Toshiba EMI, childhood days on a Brazilian farm. These anecdotes illustrate how music functions as a personal diary, marking moments of joy, heartbreak, and artistic awakening. What This Means for O’Brien’s Solo Career The eclectic mix hints at a forthcoming solo album that could blend orchestral arrangements, synth‑pop, and introspective lyricism, moving beyond the “guitar‑music” label. Fans can expect collaborations that echo his newfound appreciation for classical structure and 80s‑era electronic grooves. Looking Ahead: Anticipating O’Brien’s Next Musical Chapter With Blue Morpho already released and a live tour slated for October, the playlist serves as a roadmap for future setlists and studio experiments. As O’Brien continues to distance himself from indie conventions, the industry will watch to see whether his evolving taste reshapes the expectations for veteran rock artists branching into solo territory.

Martin Parr—renowned for documenting the idiosyncratic corners of British life—was given a farewell as unconventional as his work. On 31 May 2026, the chapel at Woodlands Memorial Garden near Bristol hosted a colourful country‑fete celebration, complete with music from The Girl from Ipanema, bunting, and a bus that famously got stuck in the mud. The Fete‑Style Send‑off That Defied Funeral Norms The ceremony blended solemnity with the photographer’s trademark humour. Guests were served cling‑film‑wrapped sandwiches, cupcakes with tiny Union Jack flags, and a tombola of unwanted Christmas gifts—an homage to the annual auction the Parr family used to run. The event was organised with help from the Martin Parr Foundation and featured a collaborative food installation by Ellen Parr (the photographer’s daughter) and set‑designer Alice Hodge. Key Players and Personal Touches Grayson Perry – celebrated artist and longtime friend, described the service as “tasteful, pared‑back and very touching.” Sophie Green – photographer who documented the funeral, linking the occasion to her “Death Rituals” project. Helô Pinheiro – the original “Girl from Ipanema,” whose music featured in the playlist. Family – Susie Parr, Martin’s wife of 40 years, confirmed he would have wanted the ceremony photographed. Why Parr’s Funeral Resonates in the Photography Community Parr spent half a century turning the mundane into visual satire; his own send‑off mirrored that ethos. By inviting a photographer to capture the event, the family highlighted a long‑standing taboo—funeral photography—while honoring Parr’s fascination with death rituals, evident in his 1993 Indonesian funeral series and the 2013 Photographers’ Gallery exhibition. What This Means for Future Death‑Ritual Documentation Sophie Green’s involvement underscores a growing interest in recording funerary moments as cultural artifacts. She notes that, on average, she photographs five funerals a year, a figure that may rise as artists and families seek more personalized memorials. The blend of celebration and documentation at Parr’s funeral could inspire a new genre where mourning and festivity coexist, reshaping how societies view death. Looking Ahead: From Taboo to Tribute As the conversation around death becomes more open—accelerated by pandemic‑era restrictions—events like Parr’s funeral suggest a shift toward inclusive, creative rituals. Institutions such as the Martin Parr Foundation may increasingly support projects that capture these moments, offering both solace to grieving families and valuable visual records for future generations.

Executive Overview of the Guardian’s New Playlist FeatureThe Guardian has launched a fresh Add to Playlist column, highlighting the duo Ear and a dozen standout tracks that span lo‑fi, IDM, and garage‑rock. The piece positions Ear’s “laptop twee” aesthetic as a touchstone for the week’s most inventive releases.Ear’s iPhone‑Recorded Debut and the Rise of Laptop TweeJonah Paz and Yaelle Avtan recorded their first track, Nerves, on an iPhone inside Bard College’s library. The song juxtaposes murmuring vocals, weightless strings, and a sudden bass synth, epitomising the laptop twee movement that blends whimsical lo‑fi textures with experimental electronics.Playlist Composition and Release DataThe Durutti Column – Liars – first album in 15 years, released 2026Cara Delevingne – Out of My Head – debut pop single, released May 2026Gilla Band – Giraffe – new track from Irish band’s latest albumFeeble Little Horse – Upside Down – featured on surprise album BitknotBlood Orange – Essex_Honey.mp3 – bonus track from album of the same nameEddy Current Suppression Ring – Bop – highlight from surprise Melbourne garage‑rock albumAnthony Calonico – Hillside – 80s‑futurist jazz ballad from Los Angeles artistThe playlist is embedded via Spotify, allowing instant streaming across platforms.Why Curated ‘Laptop Twee’ Playlists Matter to the Music LandscapeThe Guardian’s focus on Ear underscores a broader shift: listeners are gravitating toward niche, algorithm‑friendly collections that celebrate genre hybridity. By foregrounding artists who blend nostalgia with avant‑garde production, the column amplifies a market segment that thrives on streaming discoverability and cross‑regional collaboration (Hudson Valley, London, Melbourne, etc.).Looking Ahead: The Future of Curated, Genre‑Blurring PlaylistsAs streaming services refine recommendation engines, we can expect more editorially‑driven playlists that spotlight micro‑scenes like laptop twee. Artists will likely continue to experiment with low‑budget recording techniques (e.g., iPhone studios) while leveraging curated platforms to reach global audiences, reinforcing the symbiosis between DIY aesthetics and mainstream exposure.

The Lead Bebe Rexha has opened up about her musical tastes, sharing a personal playlist that reveals her favorite songs from childhood to current obsessions. Bebe Rexha's Musical Journey Rexha's musical journey began with The Little Mermaid, where she fell in love with 'Part of Your World'. Her first single purchase was What a Girl Wants by Christina Aguilera, and her first CD purchase was Just Dance by Lady Gaga. Song Highlights The song I inexplicably know every lyric to: 'Ready Or Not' by Fugees The song I do at karaoke: 'At Last' by Etta James or 'No Scrubs' by TLC The best song to play at a party: 'New Religion' by Bebe Rexha The song that gets me up in the morning: The sound of her dog, Bear, barking Song Impact Rexha also shared songs that have significant meaning in her life, including Insomnia by Faithless, which inspired her song 'New Religion'. She also revealed that Trampoline by Shaed reminds her of an ex-partner. Guilty Pleasures Rexha confessed to secretly liking Livin' on a Prayer by Bon Jovi, a song she used to dislike as a child but now enjoys. She also shared that Easy on Me by Adele makes her cry. New Music Bebe Rexha's album Dirty Blonde is set to release on June 12.

The Resurgence of Religious Disputes in India From mosques to temples, old religious battles are back in India’s courts. A law passed after the Babri Masjid dispute was meant to stop exactly this. But new claims are moving forward again, as Hindu nationalism grows and many Muslims fear that the protections once promised to them are slipping away. The Growing Concern of Hindu Nationalism The rise of Hindu nationalism in India has led to an increase in religious disputes, with many Muslims feeling that their rights and protections are being eroded. The Babri Masjid dispute, which was a major flashpoint in Indian politics, was supposed to be a wake-up call for the government to take steps to prevent such conflicts. The Impact on Minority Communities The resurgence of religious disputes in India has significant implications for minority communities, particularly Muslims. Many Muslims fear that they are being targeted and that their rights are being ignored. The government has been accused of not doing enough to protect minority rights and of emboldening Hindu nationalist groups. The Future Outlook The future outlook for India is uncertain, with many experts warning that the rise of Hindu nationalism could lead to further polarization and conflict. The government needs to take steps to address the concerns of minority communities and to prevent further escalation of religious disputes. Yashraj Sharma (@yashjournals), Al Jazeera reporter Episode credits: This episode was produced by Marcos Bartolome and Sari el-Khalili with Spencer Cline, Noor Wazwaz, Tuleen Barakat, and our host, Malika Bilal. It was edited by Tamara Khandaker. Our sound designer is Alex Roldan. Our video editors are Hisham Abu Salah and Mohannad al-Melhemm. Alexandra Locke is The Take’s executive producer. Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

The LeadSpotify has introduced a new AI-powered audiobook creation tool in partnership with ElevenLabs, allowing authors to self-publish audiobooks without exclusivity. The platform is expanding to support 10 more languages and aims to generate $100 million in annualized recurring revenue from its Audiobook+ subscriptions.AI Audiobook Creation Platform LaunchAlongside tools for AI-generated podcasts, Spotify on Thursday introduced a new, ElevenLabs-powered AI tool for self-publishing audiobooks within the Spotify for Authors platform. The company said at its Investor Day event that the feature will launch in beta this June on an invite-only basis, initially with support for the English language only.The AI-powered audiobook generation won't bind authors to an exclusive contract, meaning they are free to publish their generated audiobooks anywhere. This approach contrasts with some other platforms that require exclusivity for audiobook distribution.The news builds on Spotify's previous partnership with ElevenLabs, which allowed writers to submit audiobooks created on the voice AI startup's platform to Spotify. The audio streaming platform also already had a partnership with Google Play Books to allow for digitally narrated content. However, it may have wanted authors to access newer voice models that sound more expressive and human-like, like those offered by ElevenLabs. Notably, ElevenLabs had released its own self-publishing platform for authors in 2025.Financial Performance and Growth MetricsSpotify has increased its focus on audiobooks heavily in the last few years and has managed to build its catalog to 700,000 titles. Through these initiatives, the company has managed to bump up listening hours by 60% year-on-year, the company claims. Spotify also said that more than half of its audiobook listeners started in the last year.To date, Spotify has clocked in over a million Audiobook+ subscriptions, and it is on track to generate $100 million in annualized recurring revenue for the platform. The company will expand its Audiobook+ plans this year to allow for higher listening limits and will add new options for students and families in the future.Industry Transformation and Market ExpansionSpotify is also expanding its "Spotify for Authors" platform to support 10 more languages, including French, Canadian French, German, Dutch, Latin American Spanish, Swedish, Finnish, Icelandic, Danish, and Norwegian. This expansion will significantly broaden the platform's reach and accessibility to authors and listeners worldwide.The company brought the program to international markets, made an investment in non-English titles, enabled in-app purchases, and released audiobook charts. This year, it also started a program for authors to sell physical books in the U.S. and the U.K., creating a comprehensive ecosystem for content creators.Future Outlook and User Experience EnhancementsAt the event, the company introduced a new way for users to ask questions using natural language for audiobook discovery. This summer, Spotify will also expand a feature that allows users to create prompt-based playlists for podcasts and music to include audiobooks, it said.These enhancements reflect Spotify's strategy to leverage AI not just for content creation but also for improving user discovery and engagement. The integration of natural language processing for audiobook discovery could potentially revolutionize how users find and consume audiobooks, making the platform more intuitive and user-friendly.

The Crisis Facing Keir Starmer's Leadership Britain's Prime Minister Keir Starmer is facing the biggest crisis of his leadership after Labour's bruising council election losses caused panic inside the party. As Nigel Farage and Reform UK gain ground, we examine why Starmer's authority appears to be slipping before any formal challenge has even begun and whether Britain is entering another period of political instability. The Impact of Council Election Losses The losses have raised concerns about Starmer's ability to lead the party and maintain stability in British politics. With Reform UK gaining momentum, the situation is becoming increasingly challenging for Starmer. The Future of Labour and UK Politics As the situation continues to unfold, it remains to be seen how Starmer will address the challenges facing his leadership and whether Labour can recover from these losses. One thing is certain, however: the outcome will have significant implications for the future of UK politics. Credits and Connections Kieren Andrieu (@kieran_andrieu), Political Economist Episode credits: This episode was produced by Noor Wazwaz and Sari el-Khalili, with Spencer Cline, Tuleen Barakat, Catherine Nouhan and our host, Malika Bilal. It was edited by Tamara Khandakar. Our sound designer is Alex Roldan. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take's executive producer. Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

Totó la Momposina’s Sudden Passing Marks End of an Era Totó la Momposina, one of Colombia’s most celebrated folk singers, died at 85 from a heart attack, announced by her three children on Instagram. Her Life’s Musical Journey from Talaigua Nuevo to Global Stages Born: 1940, Talaigua Nuevo, Colombia (as Sonia Bazanta Vides) 1960s: Formed Totó La Momposina y Sus Tambores 1974: Performed a residency at New York’s Radio City Music Hall 1979: Fled political persecution, lived in France 1983: Debut album Cantadora 1993: International breakthrough with La Candela Viva on Real World Records 2013: Lifetime Achievement Award, Latin Grammys 2016: Chevalier des Arts et des Lettres, France Award Count and Global Reach – Numbers That Reflect Her Impact Lifetime Achievement at the Latin Grammys (2013) Chevalier des Arts et des Lettres honor (2016) Her song “Curura” sampled by major artists such as Timbaland & Magoo, Major Lazer, Jay‑Z, 50 Cent and others. Performed on world stages from Radio City Music Hall to festivals across Europe, North America and Latin America. How Her Legacy Shapes Colombian and Global Music Culture President Gustavo Petro called her “a luminary of Colombian Caribbean art and culture,” underscoring her role as a cultural ambassador. Her fusion of African, Indigenous and Caribbean rhythms kept folk traditions alive, inspiring younger Latin artists who sample her work and keeping Colombian music in contemporary playlists. What the Future Holds for Colombian Folk Music With Totó’s passing, scholars and musicians anticipate a surge in archival projects and renewed interest in the styles she championed—chandé, mapalé, puya and bullerengue. Emerging artists are expected to build on her evangelistic message that “music dignifies people,” ensuring the traditions she protected continue to evolve.