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A Novel of Profound Loss and Unexpected ConnectionAnna Goldreich's highly accomplished, calmly devastating first novel The Leveret opens with the raw experience of birth: "A detaching, a loosening of something, then the pain of it." But instead of the expected cry of a newborn, there is silence. This moment sets the stage for a powerful exploration of late miscarriage and the profound grief that follows for Clare, the novel's protagonist.Since experiencing this miscarriage six months ago, Clare has felt everyone around her, including her partner Phoebe, impatiently expecting her to "get on with her life." Instead, she remains floored by loss, stuck waiting for that first cry that never came. In a drastic attempt at change, the couple has moved to a cottage in the rural village where Phoebe grew up, where Clare sits day after day, failing to eat, while Phoebe helps her farmer parents with lambing.The Hare as Catalyst for HealingPregnancy had been the first time Clare developed a sense of herself as a real person with a physical body – not just the "floating head" she'd always perceived herself to be. The determined physicality of the growing baby had pulled her into a more fleshy awareness of herself. Now, after her loss, she finds herself unreal again – until she discovers an abandoned baby hare under a hedge.Goldreich writes this discovery as a second birth, full of the pulsating life that the first birth lacked. Clare reaches through bramble thorns, "and through the pain, through the tearing, there is softness. My hand over a head, fingers spread out on a back … Her. Pulling her up from the undergrowth, though the space I have opened for her, bringing her out to meet me." Like the stillborn baby that she nuzzled in the hospital, Clare finds herself licking the hare's face clean with her tongue, and feels pulled back into life.Three Layers of Narrative PossibilityFrom this point, Goldreich succeeds in making the moments between Clare and the baby hare she names Isla eerily moving, even as they become more disturbing. The novel keeps three simultaneous possibilities in play for the reader: the hare as a symptom of mental illness; the hare as a desperate but uncannily sane attempt at self-cure on Clare's part; and the hare as a means to access the ultimate truth that we are all creatures in need of contact with the earth.For weeks, the leveret sleeps in Clare's arms and is carried around in a sling. Then Isla becomes wilder, and Clare desperately clings to the delusion that these are mere rebellious antics, trapping the hare in a domesticity it can't survive as she tracks Isla's changing height on the doorframe and talks about her mother as Isla's "granny".Literary Strengths and Structural ChallengesThe Leveret is a slight book in some ways. Goldreich attempts to make it polyphonic by alternating chapters from Clare and Phoebe, but the sections in Phoebe's voice don't take flight. There's a suggestion that Phoebe doesn't share the kind of linguistic eloquence Clare thinks with – that she may, indeed, not think verbally at all. This presents a literary challenge that many writers have grappled with; Phoebe's love for Clare is all the more affecting for being haltingly expressed, but the frequent line breaks in these sections feel weakly uncertain.Nonetheless, Goldreich is astonishingly good at bringing both the original miscarriage and Clare's relationship with the hare to visceral life. The need for new models of our relationship to nature animates so much writing today, and Goldreich's approach here is mischievous and elegantly undogmatic.The Ambiguous Resolution and Human ConnectionUltimately, it's up to Phoebe to claim Clare back for human love. The book leaves it ambiguous as to whether Clare has saved the hare's life or blighted its chances; but Isla has restored to Clare some of the physical reality that motherhood had promised, and it may be that the very failure of the project with Isla is part of that healing.In a moment of extremity, Phoebe lets out "a strange cry from the depths of some poor creature, a hoarse sound, cutting through the wind", allowing for a moving realisation of the mammalian physicality still possible in the love between Clare and Phoebe. This final moment suggests that while nature offers one path to healing, human connection remains essential to our recovery from profound loss.

The LeadUK MPs are intensifying pressure on Fujitsu to make "immediate" payments toward compensating victims of the Post Office Horizon scandal, with the business and trade committee describing the company's inaction as "extraordinary" given its central role in what has been called the "worst miscarriage of justice in British history."The Event DetailsFujitsu, the Japanese technology company, supplied the faulty Horizon software to the UK Post Office that led to branch operators being wrongly prosecuted over discrepancies in their business accounts. Despite admitting it knew since the 1990s that the Horizon system was faulty, Fujitsu has not contributed to the £1.5bn compensation bill being footed by UK taxpayers.Liam Byrne, the Labour MP who chairs the business and trade committee, stated that "justice delayed has become justice denied" for too many victims and urged the government to "do whatever" it took to help them. Byrne specifically called on Fujitsu to "stop sitting on the sidelines" and make an immediate interim payment while committing to a timetable for meeting its full liability.The Data AnalysisThe compensation effort involves three Horizon-related redress schemes for victims: the Horizon shortfall scheme (HSS), the group litigation order, and the Horizon convictions redress scheme. The HSS, the largest of these, is administered by the Post Office and offers operators a fixed sum of £75,000 or the option to pursue a higher amount.Earlier this year, the business and trade committee found that the scheme's offers for redress were "routinely overturned and increased after an appeal," indicating systemic issues with the compensation process. The first tranche of findings from the public inquiry into the scandal, led by retired judge Sir Wyn Williams, found that the Post Office and its advisers had adopted an "unnecessarily adversarial attitude" to those seeking financial redress.The Impact AnalysisThe pressure on Fujitsu comes at a critical time as the company navigates multiple challenges. In a separate development, Fujitsu's chair, Hidenori Furuta, resigned after the board became aware of his "woman-related inappropriate conduct." This leadership change adds to the company's difficulties as it attempts to manage its reputation and legal obligations related to the Horizon scandal.The scandal has had profound implications for the UK's justice system and the reputation of both the Post Office and Fujitsu. The ITV drama "Mr Bates vs the Post Office" brought widespread public attention to the issue, and thousands of post office operators continue to wait for redress. The government has acknowledged the progress made in delivering compensation but admitted that "there is clearly more to do," particularly with complex claims that take longer to resolve.The PredictionAs the second and final part of Sir Wyn Williams' public inquiry remains pending—with no date set for its release—Fujitsu faces increasing pressure to contribute to compensation before the full extent of its liability is formally established. The company has maintained that its contribution will be "agreed with government after Sir Wyn has published the findings of his inquiry," but parliamentary pressure suggests this approach may no longer be acceptable.Looking ahead, we can expect continued scrutiny of Fujitsu's role in the scandal and growing demands for transparency about the scale and timeline of its contribution. The government will likely face increased pressure to accelerate the compensation process, particularly with calls to ensure "every outstanding Horizon shortfall claim is settled by the end of this year." The scandal's legacy will likely prompt significant reforms in how technology companies are held accountable for system failures and their consequences.

The Moment "Titanium" Rescued a 28‑Year‑Old in IVFAt the end of 2011, while the party season roared on, the author was deep into her second year of fertility treatment. Hormone injections left her feeling like a "pin cushion" and a recent miscarriage had drained her spirit. When she heard Sia’s raspy vocals over David Guetta’s synths on the radio, the lyrics – “I’m bulletproof, nothing to lose / Fire away, fire away” – struck a chord that felt tailor‑made for her struggle.Timeline of the Author’s IVF Journey and Milestones2011 – First exposure to “Titanium” during early IVF cycles.2012 – Repeated listening in the car between appointments; the song becomes a ritual.May 2013 – Successful embryo transfer; the couple celebrates with the track.January 2013 – Birth of first son (note: timeline overlap due to article narrative).Subsequent years – Two more children born, one via IVF and one naturally, each milestone marked by the same song.Music as Emotional Anchor in Fertility TreatmentThe essay illustrates how a high‑energy dance anthem can serve as a psychological buffer against the anxiety and physical discomfort of IVF. By turning the volume up, rolling down windows, and singing along, the author reclaimed agency over a process that often feels medically imposed. This personal testimony aligns with emerging research that suggests music therapy can lower cortisol levels and improve mood during reproductive interventions.Future of Personalized Soundtracks in Reproductive CareAs fertility clinics increasingly recognize the mental‑health dimension of IVF, clinicians may begin to prescribe individualized playlists as adjunct therapy. Streaming platforms already allow users to curate “fight songs” for specific life events; the next step could be integrating these playlists into patient support programs, offering a low‑cost, scalable tool to bolster resilience.

The Release of Tina Peters: A Turning Point in Election IntegrityTina Peters, the former Mesa County clerk convicted of election machine tampering, was released from prison on Monday. Her release marks the culmination of a high-stakes political maneuvering campaign led by former President Donald Trump and Colorado Governor Jared Polis. The event has reignited the national debate over election security and the consequences of political interference in the judicial process.From 9-Year Sentence to Presidential Clemency: The Mechanics of the ReleasePeters was sentenced to 9 years in state prison for allowing an unauthorized member of the public to access local electronic voting systems and copy their hard drives in 2021. This breach was an attempt to prove the 2020 election fraud narrative.Political Pressure: Trump and allies held Peters up as an example of political persecution.Federal Clemency: Last November, Trump issued a blanket pardon for election denial efforts, followed by a specific pardon for Peters, though she faced no federal charges.State Clemency: In May, Governor Polis granted her clemency, citing the sentence as disproportionate for a first-time, non-violent offender.Colorado Secretary of State Jena Griswold strongly opposed the release, stating it sends a "dangerous message" about accountability for those who attack elections.The Backlash: Erosion of Trust in Colorado's Election SystemThe immediate aftermath of Peters' release has been marked by intense criticism from election officials and political candidates. The decision is seen by many as a green light for the election denial movement.Official Disapproval: Matt Crane, head of the Colorado County Clerks Association, expressed fury and disappointment.Political Rhetoric: State Senator Michael Bennet criticized Peters' lack of remorse, stating she is "spreading the same false claims about Colorado elections that led her to commit four felonies."Media Amplification: Immediately upon release, Peters appeared on Steve Bannon's podcast, repeating unsubstantiated claims about election fraud in other states.The Future of Election Denialism in the Post-Peters EraPeters' release signals a potential escalation in the conflict over election integrity. By commuting her sentence, state and federal leaders have effectively validated the actions of a convicted felon who sought to undermine the democratic process. As Peters continues to spread falsehoods, the Colorado election system faces increased scrutiny and the challenge of rebuilding trust among voters who view the release as a miscarriage of justice.

The High-Stakes Appeal of Australia's 'Mushroom Murderer'Erin Patterson, the woman convicted of murdering three relatives by serving them a lunch laced with poisonous mushrooms, is set to face a pivotal legal battle in August. The Supreme Court of Victoria has confirmed that the appeal hearing will take place on August 19 and 20, marking a critical moment in a case that has captivated global attention.The Dual Legal Battle: Defense vs. ProsecutionThe upcoming hearing involves a complex interplay of legal arguments from both sides. Patterson’s defense team has formally applied to appeal her life sentence, arguing that there was a "substantial miscarriage of justice" during the trial. Conversely, prosecutors are seeking to increase her sentence, arguing that the current term—which allows for parole eligibility after 33 years—is "manifestly inadequate."Defense Arguments: Claims of a "fundamental irregularity" regarding jury sequestration, where jurors stayed at the same hotel as key figures like police witnesses and prosecutors.Prosecution Arguments: Unsuccessfully argued during the trial for life imprisonment without parole.Patterson's Stance: Maintains innocence, arguing the poisoning was accidental.Scrutiny on Jury Integrity and Sentencing StandardsThe case has drawn intense scrutiny over the integrity of the jury process. Patterson’s lawyers contend that the proximity of jurors to key case figures compromised the fairness of the trial. Furthermore, the sentencing phase has sparked debate regarding the severity of crimes involving premeditated poisoning, particularly when the death toll is high.Potential Outcomes and Legal PrecedentsThe outcome of this appeal could set significant legal precedents. If the court finds merit in the defense's claims regarding the jury's environment, Patterson's conviction could be overturned, leading to a retrial. However, if the conviction stands, the court's decision on the sentence will determine whether she serves life without parole or remains eligible for parole after three decades.

Establishment of a Special Military TribunalIsrael’s Knesset passed legislation creating a special military tribunal to try Palestinians accused of participating in the Oct. 7, 2023 Hamas‑led assault. The law authorises televised trials and gives the court the power to impose the death penalty on convicted detainees.Casualties, Detainees, and the Scope of the Tribunal1,139 Israelis killed and 250 abducted in the Oct. 7 attack.More than 72,600 Palestinians killed in Gaza since the conflict began.Estimated 300 Palestinians detained and slated for trial, including civilians such as Dr. Hussam Abu Safiya.Political Backing and Domestic SupportJustice Minister Yariv Levin, co‑sponsor of the bill, called the legislation “one of the most important moments of the current Knesset.” He emphasized cross‑party unity on the issue despite upcoming elections. Public opinion among Jewish Israelis reportedly shows overwhelming support for the tribunal and punitive measures against Palestinians.International Reaction and Calls for RepealThe UN Human Rights chief Volker Turk urged repeal, stating the process fails to meet international standards. The International Bar Association warned of unfair trials, citing risks of coercive practices, false confessions, and miscarriages of justice. Rights organisations such as Amnesty International, Human Rights Watch, and B’tselem condemned the legal framework.What the Tribunal Means for Israel’s Legal LandscapeAnalysts question whether the televised trials will satisfy demands for accountability or simply function as a tool of vengeance. Political commentator Ori Goldberg noted Prime Minister Benjamin Netanyahu appears unconcerned with electoral repercussions, treating the tribunal as another political gamble. The outcome could shape Israel’s domestic legitimacy and its standing in international human‑rights forums.

The Lead The Royal Exchange's 50th anniversary season production, 'Even These Things', is a bold attempt to encapsulate the complex history of Manchester. The play explores themes of identity, community, and belonging through three seemingly unrelated scenes. MAPPING MANCHESTER'S HISTORY The play is built from three scenes, each set in a different time period. The first scene is set in 1846 and features a heavily pregnant Irish immigrant, Annie Donovan, who brushes shoulders with Friedrich Engels on her way to a fist fight. The second scene is set in 1996 and describes the city-centre life of an ordinary Saturday, with a community cast playing out whimsical vignettes. The final scene takes place after the IRA bomb outside the Arndale Centre and features a tender exchange between two strangers of Irish heritage. THE POWER OF COMMUNITY The play's cumulative meaning may be tricky to grasp, but as the scenes rub up against each other, what emerges is a thoughtful, rich and complex picture of home. The connections between the scenes are elliptical, but they ultimately reveal a city with a shared history and a strong sense of community. THE FUTURE OF MANCHESTER The play suggests that, however difficult, a future is possible. The final scene's chat about miscarriage and childbirth between two strangers of Irish heritage meeting in the park some months after the attack on an Ariana Grande concert brought the city together, implies that the city can heal and move forward. CONCLUSION 'Even These Things' is a bold and ambitious production that successfully maps Manchester's complex history. The play's themes of identity, community, and belonging are timely and thought-provoking, making it a must-see for anyone interested in theatre and the city of Manchester.

A Stark Warning from the PitchMissy Bo Kearns, the 25-year-old Aston Villa midfielder, has opened up about a harrowing experience that nearly cost her life. After announcing her pregnancy, Kearns suffered a miscarriage that triggered a severe sepsis infection, a condition she credits her club doctor with saving her from.The Medical Emergency: From 42°C to SurvivalOn 18 March, Kearns experienced severe symptoms—shaking and a fever of 42°C—which she initially attributed to her pregnancy. It was only after consulting Aston Villa team doctor Dr Jodie Blackadder-Weinstein that the severity of the situation was realized. Kearns described the four days spent in hospital as "hell," highlighting the rapid deterioration of her condition.Beyond the Physical: The Psychological Toll of Pregnancy LossThe psychological impact of the loss has been profound. Kearns described a "different type of grief" caused by the sudden hormonal crash and the stark contrast between the excitement of pregnancy and the sudden loss. She emphasized that the physical symptoms of sepsis were secondary to the emotional devastation, noting that sufferers often "suffer in silence" due to the stigma surrounding miscarriage.Breaking the Silence: The Importance of Open Dialogue in SportsKearns' decision to share her story is a significant step in destigmatizing pregnancy loss in elite sports. By highlighting the physical risks—such as sepsis—and the mental health toll, she is encouraging others to seek help. Her resilience is evident as she prepares to return to the England national team for the World Cup next year, viewing football with a renewed sense of urgency and appreciation.

Moya Brennan, the celebrated voice behind Irish folk ensemble Clannad, passed away at the age of 73 in her native County Donegal, surrounded by family. The 73‑year‑old had been living with pulmonary fibrosis and was awaiting a possible double‑lung transplant when she died peacefully. Born 4 August 1952 in Dublin as Máire Philomena Ní Bhraonáin, she grew up in a large musical family that performed in their local pub. She later honed her craft at the Royal Irish Academy of Music before co‑founding Clannad in 1970 with her brothers and two uncles. Clann2’s early breakthrough came at the Slógadh Youth Festival, where a prize‑winning performance secured a Polydor contract—though the band members were too young to sign. Their commitment to singing in the Irish language set them apart; as Brennan recalled in 2022, they felt they were “letting the language down” but fell in love with its melodies. The group’s commercial breakthrough arrived in 1983 with the album Magical Ring and its hit single “Theme from Harry’s Game.”strong> The track reached No. 5 on the UK Top 40, earned Clannad a historic appearance on Top of the Pops as the first act to perform in Irish, and paved the way for a BAFTA‑winning score for the ITV series Robin of Sherwood. Throughout the 1980s and 1990s, Brennan earned the moniker “first lady of Celtic music,” garnering praise from peers such as Bono of U2 and contributing vocals to major film soundtracks including Titanic and King Arthur. Her sister Eithne, later known as Enya, also emerged from Clannad before launching a wildly successful solo career. Beyond her musical achievements, Brennan’s personal journey was marked by hardship. She publicly discussed a 1972 abortion in England, subsequent substance use, an 18‑month marriage to fellow musician Pat Farrell, a miscarriage in 1987, and a brief relationship with U2’s Adam Clayton. A deepening Christian faith after the miscarriage helped her overcome addiction, and she later married photographer Tim Jarvis in 1990, a partnership she credited with ending her drug use. Her solo discography began with the critically acclaimed album Máire in 1992 and continued through 2024’s Voices & Harps IV with Cormac de Barra. Brennan also devoted considerable energy to philanthropy, working with Christian Blind Mission Ireland on projects across the Democratic Republic of Congo, Rwanda, Brazil, and Tanzania, and supporting programs for those battling drug and alcohol dependency. In 2002 she officially adopted the stage name Moya Brennan, formalising the change by deed poll in 2009. Over the years she collaborated with a diverse roster of artists, from Shane MacGowan and Robert Plant to Bruce Hornsb​y, the Doobie Brothers, and Ronan Keating. Brennan is survived by her husband Tim Jarvis and their two children. In a 2022 interview she attributed her resilience in the face of her lung disease to her Christian faith, stating, “I know God is with me… that’s where my strength comes from.”