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Celebrating Queer Nightlife Through Photography A new photo book titled 'Sex, Clubs, Dissent: Visualising Queer Nightlife' offers a striking defence of the culture-shaping role of snapshots taken inside and after queer clubs. Edited by writer and London dancefloor regular Amelia Abraham, the anthology takes an expansive view of nightlife photography from the 1960s until today. The Book's Diverse Collection The book features contributions from artists such as Wolfgang Tillmans, Sunil Gupta, and Kia LaBeija, showcasing a wide range of nightlife photography. The image selection is cacophonous, ranging from film stills and studio portraits to Grindr screenshots, taking readers on a nonlinear dance through scenes of queer sociality. A Platform for Marginalized Voices The book aims to rebalance the history of queer nightlife, which has often focused on white gay men. The cover features a 1978 photo by Meryl Meisler, 'Two Women Embrace on Floor Next to Jupiter's Legs, Les Mouches, NY', highlighting the intention to include marginalized voices. A Celebration of Queer Expression The book includes a generous selection of images from Del LaGrace Volcano's archive, documenting meetings of leather-clad lesbians in London, as well as never-before-published photos from two trans community archives in Mexico City and Buenos Aires.

The Celestial DisplayKeep an eye on the western sky after sunset this week to watch a beautiful sequence unfold over several evenings. A young crescent moon moves first past Venus and then Jupiter, creating a chance to track the moon's movement through its orbit around the Earth.The Lunar JourneyThe chart shows the view on May 18 looking west from London at 22:00. The moon will be just 2.4 days old, and just 6.2% of its visible surface will be illuminated. Close to this slim arc of light, Venus will be shining brightly, unmistakable even in twilight.Jupiter sits a little higher and dimmer, but is still prominent. Finally, dimmest of all are the stars of Gemini; the twins, Castor and Pollux. Over the next few nights, the moon moves eastward, towards Jupiter, growing in percentage illumination as the angle it makes to the sun changes night after night.Optimal Viewing ConditionsFor the best chance of seeing the alignment, choose a viewpoint with an unobstructed western horizon. The crescent moon and planets will be visible to the naked eye, but binoculars may enhance the viewing experience by revealing more details of the moon's surface and the surrounding stars.A Global PerspectiveFrom the southern hemisphere, the view will be a little easier to see. At this time of the year, the ecliptic, the path followed by the sun, moon and planets, is tilted upwards more steeply from the horizon. This will place the conjunction higher in the sky at sunset, making it more accessible for observers in southern latitudes.

The Season's Architectural BalanceThe BBC Proms 2026 season is a carefully curated tapestry that balances the grandeur of the Romantic era with the precision of early music and the bold experimentation of contemporary composers. This year's selection suggests a strategic pivot towards both the revival of historical authenticity and the support of modern voices, ensuring the festival remains relevant to both purists and progressive listeners.Baroque Intimacy and Berlioz's SpectacleThe programming highlights a fascinating dichotomy between the intimate textures of period instruments and the massive, theatrical demands of 19th-century Romanticism. Thomas Dunford leads Ensemble Jupiter in a late-night programme of Purcell and Dowland, utilizing gut strings to create a raw, visceral experience. Conversely, the season culminates in a massive display of sonic power with Sir Antonio Pappano conducting Hector Berlioz's Grande Messe des Morts (Requiem). The production requires a formidable force, including 16 timpani, 10 pairs of cymbals, and extra brass choirs, transforming the Royal Albert Hall into a cathedral of sound.The Shift Toward Period Instruments and Modern PremieresAnalysis of the 2026 schedule reveals a significant investment in historical performance practices and a robust slate of world premieres. The season features 18 premieres, a number that, while slightly lower than recent years, focuses on quality over quantity. Key data points include the use of period instruments by Les Siècles for La Damnation de Faust and the BBC Symphony Orchestra's performance of György Kurtág's Stele, marking the centenarian composer's continued relevance. Additionally, the UK debut of Jessie Montgomery's These Righteous Paths for cello and orchestra represents a significant cultural exchange and a focus on contemporary American voices.Reinventing the Classical Canon for 2026This year's lineup signals a broader trend in the classical music industry: the democratization of the canon. By featuring works by Thea Musgrave and Brett Dean alongside staples like Bach and Berlioz, the Proms are actively challenging the Eurocentric, male-dominated history of classical music. The inclusion of Steve Reich's Music for 18 Musicians to celebrate his 90th birthday further underscores a commitment to minimalism and rhythmic complexity, genres that have historically been marginalized in mainstream programming.The Future of the Proms: Blending Eras and GenresLooking ahead, the 2026 season suggests that the Proms will continue to blur the lines between eras and genres. The successful integration of ballet scores, such as Thomas Adès's Dante, with orchestral works indicates a willingness to embrace multimedia and cross-disciplinary art forms. As the festival moves forward, the balance between the 'magnificent minimalism' of Reich and the 'bracing Berlioz' will likely define its identity, attracting a diverse audience that values both technical precision and emotional spectacle.

San Francisco‑originated Philz Coffee announced on Friday that it will keep Pride flags displayed in all of its locations, overturning a policy introduced just days earlier that called for their removal.Chief executive Mahesh Sadarangani said in a statement, "I made a mistake and I am sincerely sorry," adding that the Pride flag represents "a symbol of safety and belonging for people who don’t always find that in the world," and that he does not wish to deprive any customer of that feeling.When the policy was first unveiled, Sadarangani framed it as a move toward uniformity, indicating that other non‑U.S. flags would also be taken down to maintain consistency across stores.The decision triggered an immediate and vocal backlash from both employees and customers. An online petition opposing the ban quickly amassed more than 7,300 signatures, reflecting the chain’s long‑standing reputation as an ally of the LGBTQ+ community.State Senator Scott Wiener, whose district includes San Francisco, condemned the policy on social media and suggested it was linked to Philz’s recent acquisition by private‑equity firm Freeman Spogli, raising concerns about corporate influence on inclusive practices.Sadarangani credited San Francisco Pride leaders Suzanne Ford and Jupiter Peraza for prompting the reversal, noting their outreach helped the company understand the broader impact of the decision."What gave me reason to engage with Mahesh was something I don’t always see from a CEO in this situation: genuine humility," Ford said. "He reached out, listened, and understood that this wasn’t about optics—it was about whether queer people and the employees who support them feel safe and seen. That matters."Founded in 2003, Philz Coffee has grown from a single San Francisco shop to a network of over 80 locations across California and Chicago, positioning itself as a community‑focused brand.The controversy occurs against a backdrop of nationwide debates over Pride symbols. Republican‑led states have recently removed rainbow flags from public spaces, and the Trump administration previously took down a rainbow flag at New York City’s Stonewall monument before agreeing to a settlement that restored it.Across the country, rainbow crosswalks have been targeted for removal, prompting cities like Miami Beach to install alternative displays—such as rainbow‑colored benches and plaques—to demonstrate solidarity with LGBTQ+ residents.

Brian Cox’s latest live show, ‘Emergence’, draws its spark from Johannes Kepler’s 1609 treatise ‘The Six‑Cornered Snowflake’. Cox explains that Kepler’s wonder at the symmetry of snowflakes, written during a Prague snowstorm, embodies the modern scientific quest to understand the origins of patterns we observe.He says the show explores three realms: what we know, what we don’t know, and what may remain unknowable. This framework sets the stage for his reflections on the biggest unanswered questions in science.If he could answer any scientific mystery, Cox would choose the existence of life beyond Earth. He points to current missions—two spacecraft heading to Jupiter’s moons and the James Webb Space Telescope probing exoplanet atmospheres—as promising avenues that might soon reveal a biosignature.When asked about the future of technology, Cox warns that the trajectory of artificial intelligence is still opaque, making it both thrilling and potentially hazardous. He adds that quantum computing is another frontier with wildly divergent timelines—some experts see breakthroughs within five years, others doubt they’ll arrive in a lifetime—highlighting the revolutionary yet unpredictable nature of these tools.Cox also reflects on his shifting stance toward social media. He admits moving from early optimism about its democratizing power to a more critical view of its noise and misinformation, while acknowledging its complex impact on politics and public discourse.On personal advice, Cox stresses the importance of following one’s passion: “Do what you most enjoy,” he says, recalling his own journey from a teenage musician to a celebrated astronomer, supported by parents who encouraged his interests.He shares a memorable fan encounter: at an ELO concert, a man introduced himself as Paul McCartney after asking a question about Saturn’s moon Enceladus—an encounter that left Cox “overwhelmed” as a lifelong Beatles fan.When asked about a pop‑culture stance, Cox admits he is largely out of touch, but notes that musical innovation seems to have plateaued since the 1980s, contrasting the rapid evolution of earlier decades.One of his favorite astronomical facts is the staggering number of observable galaxies: about two trillion. He highlights how, within a century, humanity moved from debating whether other galaxies existed to quantifying an immense cosmos, also measuring its age at roughly 13.8 billion years.Brian Cox will tour ‘Emergence’ across Australia from 5 to 30 May 2026.

Prosecutors in Florida have moved to subpoena Tiger Woods' prescription drug records from a pharmacy, following his recent vehicle crash and DUI arrest. The legendary golfer's records from Lewis Pharmacy in Palm Beach, Florida, are being sought for the period from the start of the year through last month.The subpoena aims to obtain comprehensive details on Woods' prescription medication, including:the times prescriptions were filledthe number of pills dispenseddosage amountsany instructions provided with the medication, such as warnings about drivingAccording to court documents, prosecutors in Martin County, Florida, are seeking this information to aid in their investigation. Any objections to the subpoena must be filed within 10 days. Woods has pleaded not guilty in his DUI case.Woods' vehicle crashed on a beachside road on Jupiter Island, where he was traveling at high speeds in a 30-mile per hour zone. The accident resulted in $5,000 in damage to the truck. Although a Breathalyzer test showed no signs of alcohol, Woods refused a urine test.Following the incident, Woods announced he would be stepping away to seek treatment. This is not his first leave of absence following a car crash; in 2009, he took a four-month break after a previous accident.

NASA's sonifications have made it possible for us to experience the cosmos in a new way, transforming electromagnetic energy into sound waves that our ears can pick up. This innovative approach has allowed us to 'hear' the orbits and energies of celestial bodies like Jupiter, Saturn, and the Sun. The Artemis II mission, which recently slingshotted four astronauts around the moon and back, has provided a unique opportunity for us to connect with the astronauts on board. The mundane details of the mission, such as the wake-up music that NASA pipes into their module every orbital morning, have given us a glimpse into the daily lives of these space travelers. In the 1960s, the Apollo 10 mission encountered mysterious sounds while on the far side of the moon. The astronauts reported hearing a high whistling sound accompanied by a lower whooshing noise. Initially, this sparked speculation, but it was later discovered that the sounds were caused by interference between two VHF radio transmitters on board the spacecraft. NASA's sonifications are not just limited to the sounds of spacecraft. The agency has also created sonifications of cosmic phenomena like black holes and supernovae. These sonifications have allowed scientists to better understand the behavior of these phenomena and have also inspired artistic works. The article also touches on the connection between music and the universe. Samantha Harvey's novel Orbital describes the sounds of celestial bodies, such as Neptune's sound being 'liquid and rushing, a tide crashing onto a shore in a howling storm.' The article also mentions the 'music of the spheres', a concept that dates back to ancient Greece, which suggests that the universe is governed by musical ratios. Overall, NASA's sonifications have opened up new ways for us to experience and understand the cosmos, and have inspired a new generation of artists and scientists to explore the intersection of music and space exploration.

Tiger Woods, the renowned golf superstar, has made a significant decision to step down as the US captain for the 2027 Ryder Cup. This move allows him to focus on his health and well-being, following a recent court ruling that granted him permission to travel abroad for comprehensive inpatient treatment.A Florida judge approved Woods's request, citing his need for an “intensive, highly individualized and medically integrated program” away from media scrutiny. Woods's lawyer argued that his client's complex clinical presentation required a level of care that couldn't be safely provided in the United States.The decision comes on the heels of Woods's recent misdemeanor driving under the influence (DUI) charges following a rollover crash in Jupiter, Florida. Woods had pleaded not guilty to the charges, which included property damage and refusal to submit to a urinalysis. The incident revealed that Woods had been swearing profusely, showed signs of lethargy, and had extremely dilated pupils.Woods has been open about his need for treatment, stating that he aims to achieve lasting recovery. In a public statement, he expressed his commitment to prioritizing his health and seeking the necessary support. The PGA of America, PGA Tour, and Augusta National Golf Club have all offered their support for Woods during this challenging time.The PGA of America has announced that they will provide further updates on the Ryder Cup Captaincy when appropriate. For now, Woods's focus remains on his health and well-being, and the golf community rallies around him in support of his journey toward recovery.

Tiger Woods announced he is pausing his golf career to focus on health and treatment after a police stop near his Jupiter Island, Florida home that led to a DUI suspicion charge.In a statement posted on X, Woods said, "I know and understand the seriousness of the situation I find myself in today. I am stepping away for a period of time to seek treatment and focus on my health. This is necessary in order for me to prioritize my well‑being and work toward lasting recovery." He added that he hopes to return "healthier, stronger, and more focused" and asked for privacy for his family.According to court records released Tuesday, Woods entered a plea of not guilty and has asked for a jury trial. The incident occurred on a residential road when his Land Rover clipped a truck, crossed a double yellow line, and rolled onto its driver’s side, causing roughly $5,000 in property damage to the other vehicle.Deputies observed several signs of impairment, including profuse sweating, bloodshot and glassy eyes, and lethargic speech and movements. Woods told investigators he had not consumed alcohol but had taken "a few" prescription medications, including Vicodin, blood‑pressure medication, and cholesterol medication. A search of his pocket uncovered two hydrocodone pills, a prescription opioid.While Woods refused a urine test for drugs, a breathalyzer showed no alcohol in his system. He was charged with misdemeanor DUI, property damage, and refusal to submit to testing. After a brief hospital clearance, he was held for the mandatory eight‑hour Florida detention period before posting $1,150 bail.Former President Donald Trump commented on the situation, noting Woods’ extensive injury history and stating, "He tested negative for alcohol... He lives a life of pain. He doesn’t have an alcohol problem, but he does have pain." Trump also mentioned Woods’ relationship with his former daughter‑in‑law, Vanessa Trump.Woods’ attorney, Douglas Duncan, filed a waiver of arraignment and a demand for a jury trial, moving his initial court appearance to a docket‑sounding hearing scheduled for May 5. The golfer has not competed in a PGA Tour event since July 2024, though he appeared in the TGL indoor league last week.Prior to the crash, Woods was listed for the US Senior Open and was undecided about playing in the upcoming Masters at Augusta National, leaving his future tournament schedule uncertain.