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Monaco Grand Prix Qualifying Begins with Leclerc as Home Favorite Gambling is a mug's game but betting odds can be informative. Looking at one bookies on Friday night, at 1-2, Kimi Antonelli was not yet a prohibitive favourite to win the drivers' championship but George Russell was next best at 9-4, with Lando Norris 14-1 to retain his title, and Charles Leclerc 20-1. However, narrow the focus to this weekend's party by the Med and it was Antonelli who was 14-1, with Leclerc 5-6 favourite. Nothing you are about to see is likely to tell you anything about what is going to happen across the rest of the season, unless Antonelli overturns those Monaco Grand Prix odds. The Circuit Challenge: Monaco's Unique Streets Test Drivers in Unconventional Ways All F1 circuits are different, despite the off-the-shelf feel in the Middle East, but Monaco is the outlier's outlier. The street circuits generally have more idiosyncrasies than those F1 tracks simply going about their day jobs but the twists and slopes of the principality are unlike anything else. It's as if one of the major cricket venues did not just have one tree in the middle of it, in the manner of Canterbury and its lime (RIP), but an avenue here and a copse (from Silverstone?) there. The Odds Analysis: Betting Patterns Show Monaco's Impact on Championship Contenders As a result, a lot of the issues over this season's cars can be parked for a week. No one will be complaining about being unable to drive flat-out, as the necessary braking will deliver all the electrical recharge needed and the straights are far shorter than elsewhere. This plays to Ferrari's strengths and negates Mercedes's, hence those odds on the local lad. The Local Hero: Leclerc's Special Connection to the Principality Plenty of sportspeople move to Monte Carlo for tax reasons the climate, but Leclerc is a born-and-bred Monegasque. The 28-year-old – whose late father drove in the French Formule 3 – grew up on these streets, watching grands prix. Aged eight and nine he would have seen Fernando Alonso win, and as a 10-year-old, Lewis Hamilton. In 2024 Leclerc became the first hometown GP winner in Monte Carlo since Louis Chiron in 1931. The Race Preview: What to Expect from Qualifying and Sunday's Grand Prix It is unlikely to be Ferrari's or Leclerc's year, but this could be their weekend. Qualifying for Sunday's race gets under way at 3pm BST; join me for more buildup from 2.30pm.

The Evolution of the Samurai BlueJapan arrives at the 2026 World Cup with expectations higher than ever before. Gone are the days when merely escaping the group stage was the ultimate goal. Following historic victories over Germany, Spain, Brazil, and England in recent years, head coach Hajime Moriyasu has cultivated a squad that genuinely believes it can compete for the world title.Moriyasu's Tactical FlexibilityThe team is expected to primarily utilize a 3-4-2-1 formation, though they have demonstrated the ability to seamlessly shift into a 3-1-4-2 when facing elite opposition. This tactical fluidity is anchored by aggressive pressing from wingers and forwards, designed to suffocate opponents' build-up play.Goalkeeper: Zion Suzuki (Parma)Key Defenders: Hiroki Ito (Bayern Munich), Shogo Taniguchi, Tsuyoshi WatanabeMidfield Anchor: Kaishu SanoStriker: Ayase Ueda (Feyenoord)The European-Based CoreJapan's squad depth is at an all-time high, largely driven by the success of Japanese players in top European leagues. The attack is spearheaded by Real Sociedad's Takefusa Kubo, whose vision and delicate touches make him the creative engine of the team. Up front, Feyenoord's Ayase Ueda brings lethal finishing, having secured the 2025-26 Eredivisie Golden Boot with an impressive 25 goals in 31 appearances. The depth is so profound that established players like Wataru Endo and Takehiro Tomiyasu often find themselves on the bench.Navigating a Treacherous Group FJapan faces a challenging but manageable Group F. The stylistic matchups will rigorously test their tactical discipline.14 June: v Netherlands, Dallas20 June: v Tunisia, Monterrey25 June: v Sweden, DallasWhile the Netherlands and Sweden present formidable European challenges, Tunisia may pose the most difficult stylistic test. However, the unity of the squad—described by former coach Akira Nishino as a collective where individuality emerges from unity—makes them highly resilient to different tactical setups.The Road Ahead for Japanese FootballThe 2026 World Cup represents the culmination of a decades-long development strategy for Japanese football. With a roster almost entirely comprised of European-based professionals and a tactical system that can adapt to any opponent, Japan is poised to make a deep tournament run. If key players like Kubo and Ueda can deliver on the biggest stage, the Samurai Blue have the tactical maturity and squad depth to shatter the historical glass ceiling for Asian football.

The Clubs with the Fewest Sponsor Logos Various football clubs have had remarkably few sponsor logos on their shirts throughout their history. Let's take a look at some examples. PSV Eindhoven's Sponsorship History PSV Eindhoven have had only three sponsors: Philips (from 1982 to 2016), EnergieDirect (2016-2019), and Brainport Eindhoven (2019-present). Japanese Clubs with Long-Term Sponsors Sanfrecce Hiroshima: Mazda has been on the front of shirts since the club's inception in 1992, making it one sponsor in 34 years. Kawasaki Frontale: Fujitsu has been the principal sponsor of the team since its days as the Fujitsu Soccer Club in 1991, marking one sponsor in 35 years. Gamba Osaka: Panasonic has been on the front of the shirts since 1992. Yokohama F Marinos: Nissan has been the sponsor since 1992. Kashiwa Reysol: Hitachi has been the sponsor since 1993. Other Notable Examples FC United of Manchester: They have never had a front of shirt sponsor in accordance with their anti-commercial philosophy. Rangers de Talca from Chile: They have had only one sponsor, Productos Fernández, since 1977, with the current deal set to expire in 2031. Celta Vigo: They have had just two sponsors: Citroën between 1985 and 2016 and Estrella Galicia since 2016. The Impact of Sponsorship on Football Clubs The number of sponsor logos on a football club's shirt can be an interesting aspect of their history and identity. While some clubs have had multiple sponsors over the years, others have maintained long-term partnerships with a single sponsor.

The Rise of Catnomics Japan's love affair with cats has reached unprecedented levels, with felines generating an expected ¥3tn ($18.8bn) in value to the Japanese economy this year. This phenomenon, dubbed 'catnomics,' is driven by a culture of cat appreciation, tourism, and consumer spending on cat-related products and services. The Economic Impact of Cats Katsuhiro Miyamoto, professor emeritus at Kansai University, estimates that cats will add just under ¥3tn ($18.8bn) in value to the Japanese economy in 2026. This estimate combines consumer spending at cat cafes and on items such as photo books with sales and salaries among cat food manufacturers and related companies. Cat Tourism and Culture The influence of cats is evident across every corner of Japanese society, with cat-themed shops, restaurants, and souvenirs popping up in popular tourist areas. Yanaka Ginza, a neighbourhood in north-east Tokyo, is seeing a tourism boom fuelled by its historical association with cats, Japan's most popular pet. The History of Cats in Japan Cats are believed to have been introduced into Japan during the Nara period (710-794) via Japanese envoys returning from Tang Dynasty China. Many were taken in by temples, where they protected religious scriptures from hungry rodents – a role that imbued them with a special, even mystic, status among their human counterparts. The Future of Catnomics As Japan's cat population continues to grow, with 8.8 million cats kept in Japanese households, the economic impact of catnomics is likely to increase. With high-profile cat owners, including the emperor and empress, and the prime minister, Sanae Takaichi, expressing a preference for cats over dogs, it's clear that Japan's feline fixation is here to stay.

The Lead: Japan's World Cup AmbitionsJapan have been late bloomers in terms of World Cups, only reaching the tournament for the first time in 1998 – but since then they have been at every edition. While they have never gotten past the last 16, their current crop of players is surely the most talented in the national side's history.Statement Victory: Japan's Rising International StatusJapan were the first team – outside the hosts – to qualify for the 2026 World Cup. The Samurai Blue have beaten Germany, Brazil, England and Spain since 2022. Their recent 1-0 win at Wembley against England in March, courtesy of a Kaoru Mitoma goal, sent a clear statement about their growing international prowess.Key Players: Mitoma's Absence and Kubo's PromiseJapan's preparations were dealt a blow with star player Kaoru Mitoma missing the tournament due to a hamstring injury. However, Japanese right-winger Takefusa Kubo has promised to fill the void. The 24-year-old has had a fantastic season at Real Sociedad, where he has tormented the best defences of La Liga and helped his side lift the Copa del Rey.Team Structure: Strong Backbone and Tactical FlexibilityWhile coach Hajime Moriyasu's side relish unleashing their attacking talent when possible, they can be pragmatic when needed – playing a low block and keeping things tight – and have a strong backbone. Former Arsenal defender Takehiro Tomiyasu has made the 26-man squad, despite not playing for the Samurai Blue for almost two years due to injuries. In midfield, Wataru Endo offers versatility alongside his leadership and defensive screening, while Daichi Kamada of Crystal Palace offers creativity in the middle of the park.Group Analysis: Path Through Group FJapan will surely qualify from Group F, with their opener against the Netherlands likely to be the stiffest test but also an opportunity to send a statement about their intentions. Tunisia and Sweden will probably not have enough quality to contain the Japanese, but the Blue Samurai certainly will not want to be getting complacent.Future Outlook: Breaking the Last 16 BarrierJapan may well break their last 16 hex – but the last eight will likely be as far as it goes for a side whose limitations will probably catch up with them. The psychological weight of so many last 16 exits is something the Blue Samurai will have to find a way to shrug off if they are to achieve greater success in 2026.Squad Breakdown: Key Names to KnowGoalkeepers: Zion Suzuki, Keisuke Osako, Tomoki Hayakawa.Defenders: Yuto Nagatomo, Shogo Taniguchi, Ko Itakura, Tsuyoshi Watanabe, Takehiro Tomiyasu, Hiroki Ito, Ayumu Seko, Yukinari Sugawara, Junnosuke Suzuki.Midfielders: Wataru Endo, Junya Ito, Daichi Kamada, Ritsu Doan, Ao Tanaka, Kaishu Sano, Takefusa Kubo, Yuito Suzuki.Forwards: Daizen Maeda, Koki Ogawa, Ayase Ueda, Keito Nakamura, Kento Shiogai, Keisuke Goto.

The LeadLast week came the news that Gen Z are big fans of going to the cinema. Now here's a Gen Z romcom from Working Title, the company behind Bridget Jones's Diary and Notting Hill. Directed by Alicia MacDonald from a script by Rachel Hirons, Finding Emily shares DNA with Richard Curtis's comedies – the same warm heart and charm, plus levels of cheesiness that some may find cringe. In the end, I found it impossible to hate, though one or two performances felt a bit lacking in comic flair.The Campus Romance UnfoldsIt's set in Manchester, where indie singer-songwriter Owen (Spike Fearn) meets undergraduate Emily (Sadie Soverall) at the student union. They click, but when Emily taps her number into his phone, she misses out a digit. Is it a drunken error, or has she wrong-numbered him? Owen is convinced it's a mistake and sticks up posters around campus to find her. After a tipoff, he waits outside a lecture hall for psychology student Emily (Angourie Rice). She's American, and not his Emily, but she offers to help, suggesting Owen emails every Emily enrolled at the university – all 318 of them. Owen accidentally sends the email to all rather than BCCing, creating an email group of Emilies who are divided in their reactions. Is he some kind of creepy virgin "incel"? Or a diehard romantic? Owen becomes a meme: "email guy".Social Media SatireSome of the funniest scenes are the reactions on social media after Owen appears on a college YouTube channel with a guitar playing a song he wrote for Emily. "It's like Ed Sheeran on Crimewatch," someone writes. Another coins the hashtag #ratboysummer. This is a very gentle, light-touch send-up of campus culture wars and social media pile-ons. In fact, psychology student Emily has an ulterior motive for helping Owen: she wants to use him as a case study for her thesis that being in love is temporary insanity. "He is just data," she says, protesting too much.Supporting Characters and PerformancesBut, like in Curtis's films, the supporting characters are the most fun. Prasanna Puwanarajah is very funny as Emily's professor, a celebrity psychologist with a rampant ego. Distractingly, Owen is the spitting image of the young Liam Gallagher and at certain angles, Rice's Emily is a dead ringer for Taylor Swift. In a couple of scenes of them together, the effect is plain weird.Release TimelineFinding Emily is out on 21 May in Australia, on 22 May in the UK and on 28 August in the US. The film's release strategy appears to be targeting international markets sequentially, with the UK release following closely after Australia but before the US market.

The Lead: A Disappointing Return to FormHirokazu Kore-eda's latest film "Sheep in the Box" has premiered at the Cannes Film Festival to largely negative reviews, with critics describing it as a "bafflingly unsatisfying and unconvincing muddle of ideas and moods." The film, which explores the concept of AI humanoid robot children replacing deceased children, represents a significant departure for the acclaimed director, whose previous works have been celebrated for their emotional depth and nuanced storytelling.The Film: A Futuristic Tale of Grief and Technology"Sheep in the Box" follows Otone (Haruka Ayasi), an architect, and her husband Kensuke (Daigo Yamamoto), a carpenter, who are offered a promotional free offer by a company called REbirth: an ultra-hi-tech humanoid robot replica of their deceased seven-year-old son Kakeru. The robot is designed to have the physical form, speech patterns, and memories of the original child, based on videos, photos, and other research materials provided by the grieving parents.The film presents several intriguing concepts: the robot being taken to the scene of the hit-and-run that killed the original Kakeru in hopes of recovering details about the culprit; the robot serving as a confessor for Kensuke to admit his guilt about his son's death; and a subplot involving other abandoned robot children planning a "replicant revolt." However, these ideas remain largely undeveloped, leaving audiences with more questions than answers.Critical Reception: A Missed OpportunityThe review from The Guardian is particularly scathing, noting that the film "isn't as interesting as films on similar themes including Kogonada's After Yang and Benjamin Cleary's Swan Song." The critic specifically faults Kore-eda's "quietist, un-emphasised style" for being unsuitable to the material, suggesting that the director's typically subtle approach doesn't work with the ambitious sci-fi concepts presented.One of the primary criticisms is the film's tonal inconsistency, attempting to be both a sci-fi dystopia and a relatable story about parental grief, with these two elements ultimately undermining each other. The performances are also noted as problematic, with the robot child being "unpersuasively performed in a returning keynote of bland serenity," while the human parents react with bizarre matter-of-factness to what should be an emotionally charged situation.Impact on Kore-eda's Legacy and AI CinemaThis film represents a significant departure for Hirokazu Kore-eda, whose previous works like "Shoplifters" and "Like Father, Like Son" have been celebrated for their emotional authenticity and humanistic approach. The negative reception of "Sheep in the Box" raises questions about whether the director can successfully transition into more genre-oriented territory while maintaining his signature style.In the broader context of AI cinema, the film joins a growing conversation about artificial intelligence and humanity in film, alongside works like Spike Jonze's "Her" and Alex Garland's "Ex Machina." However, where those films have been praised for their thoughtful exploration of AI ethics and human connection, "Sheep in the Box" appears to have missed the mark, failing to deliver either compelling drama or meaningful commentary on its central themes.Future Outlook: A Setback in an Otherwise Distinguished CareerWhile "Sheep in the Box" may represent a misstep for Kore-eda, it's unlikely to significantly impact the director's otherwise distinguished career. The filmmaker has previously demonstrated remarkable range and depth, and this ambitious if flawed experiment may ultimately be viewed as an interesting if unsuccessful detour rather than a definitive statement on his abilities.For audiences interested in exploring AI and humanity in cinema, the film serves as a cautionary tale about the challenges of blending emotional storytelling with complex technological concepts. As the conversation around AI continues to evolve in both society and art, "Sheep in the Box" may be remembered more for what it attempted than for what it ultimately achieved.

The Lead: OpenAI's Entry into Personal FinanceOn Friday, OpenAI launched a new set of personal finance tools in preview for ChatGPT Pro subscribers in the U.S., letting them connect their accounts and ask questions ranging from spending analysis to future financial planning. This marks a significant expansion of OpenAI's capabilities beyond general chatbot functionality into specialized financial services.The Financial Integration BreakthroughOpenAI has partnered with the financial connection service Plaid to manage the account connections. Users can connect to over 12,000 financial institutions, including Schwab, Fidelity, Chase, Robinhood, American Express, and Capital One. Once users connect these accounts, they will see a dashboard of their portfolio performance, spending, subscriptions, and upcoming payments.The new product comes just one month after OpenAI acquired the team behind personal finance startup Hiro, which was backed by firms like Ribbit, General Catalyst, and Restive, in April. OpenAI said that the Hiro team's expertise in finance was useful in launching this product, but didn't specify if the entire feature was built by them.OpenAI users can access the tool by selecting "Get started" in the "Finances" option in the sidebar, or typing "@Finances, connect my accounts" in a ChatGPT conversation. Once users do that, the chatbot will guide them about linking accounts through Plaid. The company said it plans to support Intuit soon, which would enable analysis such as the impact of a stock sale on taxes or the odds of a credit card approval.User Engagement and Model PerformanceAccording to OpenAI, more than 200 million users already ask financial questions to ChatGPT every month. The company also noted that the new GPT-5.5 model is stronger at reasoning with context, which is crucial for answering finance-related questions. The company said it worked with finance experts to create a benchmark for the model to improve on personal finance questions.With the new financial tool integration, users can get detailed answers to questions such as "I feel like I've been spending more recently. Has anything changed?" or "Help me build a plan to be ready to buy a house in my area in the next 5 years."Privacy and Data ManagementUsers can go to Settings > Apps > Finances to remove connections to certain accounts if they want. Once they disconnect a service, the synced data will be removed from ChatGPT in 30 days. What's more, Users can also view and delete financial memories from the Finances page.The Industry Shift Toward Specialized AIGeneralized chatbots are designed to answer anything, leading people to ask questions about data-sensitive topics such as health, finance, and personal life. AI companies are realizing this and making specialized products for these sectors. Both OpenAI and Anthropic have launched health-related tools. Earlier this month, Perplxity launched its own financial research product based on its Computer agent.Future Outlook for AI Financial ServicesOpenAI said its personal finance tools will be available on ChatGPT on the web and iOS to Pro users. It noted that, based on the feedback from these users, it wants to improve the product before making it available to Plus users. This cautious approach suggests OpenAI recognizes the sensitivity of financial data and the importance of building trust with users before wider adoption.

The Dawn of a New Era in British Art The Victoria and Albert Museum (V&A;) in London has welcomed a significant new presence in its main entrance: a lifesize fibreglass sculpture of a burly bouncer by Michael Parekōwhai from Aotearoa New Zealand. This character, Kapa Haka (Whero), serves as a symbolic guardian for the exhibition Rising Voices: Contemporary Art from Asia, Australia and the Pacific. The show, produced in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane, features over 70 works that have never before been exhibited in the UK, by artists from 25 countries. The Exhibition's Significance This exhibition marks a milestone in the recognition of Asia-Pacific art in Britain. The Asia Pacific Triennial of Contemporary Art (APT), established in 1993, has been a launchpad for some of the biggest names in art, including Cai Guo-Qiang and Lee Bul. Despite its influence in Asia and Australia, QAGOMA has only toured a selection of works from one triennial once before, to Santiago, Chile, in 2019. This is the first-ever triennial survey to be held anywhere in the world. The Curatorial Challenge The exhibition's curator, Daniel Slater, faced significant challenges in bringing this collection to the UK. For over two years, conservation specialists at QAGOMA navigated the practical challenge of safely transporting the works across the globe. The exhibition features a diverse range of works, including Montien Boonma's monumental installation Lotus Sound, Takahiro Iwasaki's intricate wooden model of the Phoenix Pavilion in Kyoto, and delicate works made from feathers, shells, and shark's teeth. The Exhibition's Structure The exhibition is structured into four parts, beginning with a 'subtle introduction' featuring paintings, textiles, a video, and more to illustrate the diversity of works. Visitors then move through thematic sections dedicated to politics, materiality, and spirituality. Two of the works in the introductory space are by Judy Watson, an Aboriginal artist from Waanyi country in north-eastern Australia, who was featured in the very first APT. The Future of Asia-Pacific Art This exhibition represents a significant step forward in the recognition and appreciation of Asia-Pacific art in Britain. As Slater notes, 'The responsibility has been on us to bring these incredible works here.' The success of this exhibition may pave the way for future collaborations and exhibitions showcasing the rich cultural heritage of the Asia-Pacific region.