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The Week's TV HighlightsCape Fear (Apple TV) – Javier Bardem and Amy Adams star in a bold remake of the Scorsese classic. Reviewer Lucy Mangan praised Bardem's performance.Emma Barnett: Fighting Endometriosis (BBC iPlayer) – Today presenter confronts the reality of endometriosis, affecting 1 in 10 women. Reviewed by Rachel Aroesti.Tip Toe (Channel 4) – Russell T Davies tackles homophobia and politics with strong performances from Alan Cumming and David Morrissey. Reviewed by Lucy Mangan.Film Picks of the WeekEnzo – Cannes‑acclaimed drama by Laurent Cantet and Robin Campillo exploring teenage rebellion. Reviewed by Peter Bradshaw.Ghost in the Machine – Documentary examining AI’s roots in right‑wing ideology and eugenics. Reviewed by Leslie Felperin.Acting – Sophie Fiennes’ documentary on Cheek By Jowl’s Declan Donnellan and Shakespeare’s Macbeth. Reviewed by Peter Bradshaw.

Tottenham Hotspur have completed the free‑transfer signing of Scotland captain Andy Robertson from Liverpool, while an American investment group says it is close to acquiring a 24.99% stake in the club’s parent company, Enic Sports.Tottenham Secure Andy Robertson on a Free TransferRoberto De Zerbi, who guided Spurs to survival on the final day of the season, announced the arrival of Robertson as the first major addition to address the leadership vacuum that plagued last year’s campaign. The left‑back arrives after his Liverpool contract expired following nine highly successful seasons, and De Zerbi praised his “outstanding technical qualities, experience, leadership and mentality”.Financial Details of the Transfer and Stake TransactionTransfer fee: None – Robertson joined on a free transfer after his contract expired.Contract length: Not disclosed, but expected to be a multi‑year deal.Stake sale: Eight Sports Capital claims to have agreed to purchase 24.99% of Enic Sports from former chairman Daniel Levy.Levy’s remaining holding: 29.88% of Enic Sports.Buyer profile: Eight Sports Capital is owned by Triller and led by tech entrepreneur and former DJ Brooklyn Earick.Strategic Impact on Spurs' Rebuilding EffortsThe Robertson signing plugs a key gap in experience and on‑field leadership, allowing De Zerbi to focus on bolstering the back line with targets such as Bournemouth’s Marcos Senesi and Brighton’s Jan Paul van Hecke. With captain Cristian Romero likely to depart and central‑defender Micky Van de Ven attracting suitors, the club’s defensive overhaul is set to accelerate. Off the pitch, the potential stake sale could inject fresh capital, but also introduces uncertainty about future governance.Future Outlook: Squad Evolution and Ownership DynamicsIn the short term, Robertson’s arrival should stabilize the left flank and provide mentorship to younger players ahead of the World Cup. Over the longer term, if Eight Sports Capital finalises the stake purchase, Tottenham may see increased investment in player acquisitions and commercial projects, though a possible power struggle with existing shareholders could affect strategic decisions. Fans can expect a busy summer transfer window as De Zerbi seeks to solidify a squad capable of moving beyond relegation‑avoidance mode.

Breathing Earth's Ancient PastMore than 2bn years ago, during the Paleoproterozoic era, the Earth's atmosphere began to fill with free oxygen, enabling the rise of aerobic life and, ultimately, humans. This Great Oxidation Event is now being experienced firsthand by visitors to the Museum of Old and New Art (Mona) in Tasmania, where French-Swiss conceptual artist Julian Charrière has created an extraordinary installation that allows people to inhale oxygen that has been trapped in iron ore since that ancient time.When Charrière came up with the concept for what would become 'Breathe,' Mona's owner David Walsh not only approved the project but created a bespoke space for it, recognizing the unique intersection of science, art, and human experience that the installation represents.The Science Behind the Ancient OxygenThe installation is a marvel of scientific ingenuity and artistic vision. Charrière has sourced ancient iron ore from Australia's Pilbara region, which is processed daily in an on-site laboratory. The water is extracted from the ore using specialized machinery, then put through a Hofmann apparatus—a piece of scientific equipment that electrolyzes water—to liberate the trapped oxygen molecules.This pure, ancient oxygen is then released into a specially designed room where visitors can breathe it in, creating a direct connection to the beginning of life on Earth. As Charrière explains: 'I want people to get all the way back to the beginning of the earth. It's like a time machine.' The installation is designed as a solitary experience, with visitors accessing a vault-like corridor reminiscent of a mining drift, flanked by raw sandstone and lined with deep red rocks from the Pilbara.The Immense Timescale of the InstallationThe timescale involved in 'Breathe' is almost incomprehensible. The oxygen visitors inhale has been trapped in iron ore for over 2.4 billion years—since the Great Oxidation Event that transformed Earth's atmosphere and enabled the development of complex life forms. This installation literally connects each visitor to the primordial beginnings of our planet's atmosphere.As visitors walk through the tunnel, the temperature drops as they approach a high-ceilinged cylindrical room, an underground windowless tower where lighting depends on the amount of sun that can be reflected through a small opening above. Walking over tiles made of polished ancient tiger ore, they circle a floor-to-ceiling clear glass tube that houses the Hofmann apparatus. It is here, at a small opening, that visitors have their closest access to Charrière's pure, ancient oxygen.Redefining the Art-Science Experience'Breathe' represents a groundbreaking fusion of scientific methodology and artistic expression, challenging traditional boundaries between disciplines. The installation creates a profound personal experience that connects visitors not just to art, but to the very essence of life on Earth.What makes this installation particularly powerful is its claim that each visitor is the first human being to ever inhale that specific oxygen. As Charrière explains: 'You are breathing something which is so pure and has not been touched by any being before you... And the beauty of the piece is you will carry it until you die. You're going to become a small part of this installation and you become a big part of the great oxygen cycle, and you will only finally free this oxygen once... once you're going in the other world.'This installation is part of a broader trend in contemporary art that incorporates scientific processes and concepts, creating works that are both intellectually stimulating and viscerally impactful.The Future of Scientific Art Installations'Breathe' is opening alongside Charrière's major new exhibition 'Hard Core,' which showcases both the ambition and scientific curiosity of the Berlin-based artist. Individual elements of 'Hard Core' have been exhibited elsewhere in the world, including at the Venice Biennale, but the full exhibition finds its perfect home at Mona, with its exposed rock, industrial aesthetic, and fusion of science with art.As museums and galleries continue to seek innovative ways to engage audiences, installations like 'Breathe' point to a future where art and science are not just displayed together but are fundamentally intertwined in the creative process. This approach has the potential to create more immersive, educational, and thought-provoking experiences that challenge visitors to see the world—and their place in it—in new ways.Charrière's work demonstrates how art can make abstract scientific concepts tangible and personal, creating connections across vast stretches of time and space. As our understanding of the universe expands, art installations like 'Breathe' will play an increasingly important role in helping us process and relate to these profound concepts.

Study Reveals Wildfire Smoke Reverses Ozone Progress Since 2015The research team, led by Weizhi Deng and colleagues, analyzed satellite data, EPA monitoring records, and meteorological inputs with deep‑learning models. They discovered that the United States shifted from a decline of 0.65 ppb per year in ground‑level ozone before 2015 to an increase of 0.13 ppb per year afterward, effectively erasing a decade of air‑quality gains.Quantifying the Ozone Trend Reversal and Associated MortalityOzone trend change: from -0.65 ppb/yr to +0.13 ppb/yr after 2015.Estimated excess premature deaths: 318 deaths per year in the U.S. since 2013.Global projections: up to 1.4 million annual deaths worldwide by 2100 if wildfire emissions continue unchecked.U.S. forecast: > 70,000 premature deaths per year by 2050 at current fire rates.Implications for US Air Quality Policy and Public HealthThe findings expose a critical gap in current regulatory strategies that focus on reducing anthropogenic ozone precursors from cars, refineries, and industry. Even as those emissions fall, wildfire‑derived carbon monoxide and other gases fuel ozone formation, causing surface ozone levels to plateau. With EPA monitoring stations covering only about 2% of continental U.S. land, the study underscores the need for broader observation networks and integrated climate‑fire‑air‑quality policies.Future Outlook: Climate‑Driven Fires Threaten Air Quality GainsContinued global warming is expected to intensify fire frequency and severity, especially in the western United States and Canada. Mitigation measures—both climate‑change mitigation and proactive fire‑prevention—are essential to restore the downward trajectory of ozone and protect public health. Without decisive action, the United States risks losing decades of progress in air‑quality standards and facing escalating health costs linked to ozone and particulate‑matter exposure.

Executive Snapshot: Waterfront Properties Capture Buyer AttentionThe Guardian’s latest photo feature showcases a curated collection of homes for sale that boast direct water views in both England and Scotland. The visual tour reflects a broader trend of heightened interest in premium waterfront living.Rising Tide of Listings: What the Gallery RevealsAcross the featured regions, agents are promoting a variety of property types—from historic cottages on the Scottish lochs to modern apartments overlooking English rivers. The diversity of styles indicates that waterfront appeal cuts across price bands and buyer preferences.Market Premiums: How Water Views Influence PricesIndustry data consistently shows that properties with water access command a price premium of roughly 10‑20% over comparable inland homes.Buyers are often willing to pay higher deposits to secure locations that offer scenic vistas and recreational opportunities.Limited supply of prime waterfront parcels intensifies competition, especially in sought‑after regions such as the Lake District and the Scottish Highlands.Implications for Regional Real Estate DynamicsThe surge in waterfront listings is reshaping local markets. In England, coastal towns are experiencing increased buyer traffic, while in Scotland, lochside communities are seeing renewed interest from both domestic and international investors. This shift may spur new development projects aimed at preserving natural views while meeting demand.Looking Ahead: Forecast for UK Waterfront HousingAnalysts anticipate that the appetite for water‑view properties will remain strong, driven by lifestyle aspirations and limited land availability. Expect continued price appreciation and a potential rise in niche financing products tailored to high‑value waterfront transactions.

Lead: A rare Bundibugyo Ebola outbreak in the Democratic Republic of the Congo and neighboring Uganda has triggered a rapid response, with three vaccine candidates entering emergency‑trial evaluation. While funding from the Coalition for Epidemic Preparedness Innovations (CEPI) accelerates research, the region’s insecurity and community mistrust pose significant hurdles to delivering a vaccine before the epidemic expands. Current Outbreak Metrics and Geographic Spread Confirmed cases in eastern DRC: 321 (as of 2 June 2026) Suspected cases in DRC: 116 Deaths in DRC: 48 Confirmed cases in Uganda: 15 (including 9 initially reported) Deaths in Uganda: 1 The outbreak began in Ituri province, an area already strained by armed conflict, and has reached Kampala, the Ugandan capital, highlighting the risk of cross‑border transmission. Funding and Vaccine Development Landscape IAVI receives $3.2 million to develop a vector‑based vaccine using a weakened animal virus. Moderna receives $50 million for an mRNA‑based candidate, leveraging the platform that proved effective against COVID‑19. University of Oxford receives $8.6 million for a chimpanzee‑adenovirus vector vaccine, similar to its COVID‑19 effort. All three candidates will be manufactured by the Serum Institute of India. CEPI has pledged to fast‑track emergency trials but has not disclosed specific timelines for Phase I/II studies. Historically, vaccine research for the Bundibugyo strain has lagged because the virus accounts for only a small fraction of global Ebola cases. Challenges to Vaccine Deployment in Conflict Zones Ongoing armed conflict in Ituri limits access for health workers and hampers cold‑chain logistics. Community mistrust, fueled by past incidents of treatment‑centre attacks, may lead to vaccine refusal or sabotage. Limited existing infrastructure for large‑scale immunisation in remote border regions. These factors echo previous outbreaks where vaccine roll‑out was delayed despite availability, underscoring the need for coordinated security and communication strategies. Projected Timeline and What Comes Next Initial safety and immunogenicity trials could begin within 12‑18 months, assuming regulatory clearance. Manufacturing scale‑up at the Serum Institute may add several months, potentially delivering doses by late 2027. Effective deployment will require simultaneous conflict‑mitigation efforts and community‑engagement campaigns to overcome stigma. Experts caution that without accelerated trial results and robust on‑the‑ground support, the outbreak could mirror the 2014 West‑Africa epidemic, which infected ~29 000 people and caused >11 000 deaths.

The Plan Belgium's head coach, Rudi Garcia, is well aware that the Red Devils' strength lies in attack. Kevin De Bruyne, Jérémy Doku, and Romelu Lukaku can each make a difference in their own way. The defence is, except for goalkeeper Thibaut Courtois, the weak point after the golden generation of Toby Alderweireld, Vincent Kompany, Thomas Vermaelen, and Jan Vertonghen gradually retired. The Coach Rudi Garcia is a national coach for the first time in his career and so will be making his World Cup debut in North America. The 62-year-old succeeded Domenico Tedesco in January 2025 and has plenty of experience, having been in charge at Lille, Roma, Marseille, Lyon, Al Nassr, and Napoli among others. Star Player Jérémy Doku is the most popular player in the squad. The 24-year-old Manchester City attacker is still making giant steps in his development. Having relied solely on his impressive speed, he has developed his crossing ability of late and scored some important goals in the closing stages of the Premier League season. One to Watch Matias Fernandez-Pardo was not in Garcia’s plans until early May. The 21-year-old Lille striker, who holds Spanish and Belgian passports, had declared he would choose Spain. When the Belgian FA sounded him out again due to the doubts surrounding Lukaku and the decline of Loïs Openda at Juventus, he changed his mind. Unsung Hero Maxim De Cuyper, the 25-year-old Brighton left-back, is of great value to the Red Devils with his attacking contributions and, in the absence of Lukaku, has developed into a regular goalscorer for the national team.

A Pandemic-Era Road Trip Lacking Cinematic TractionThe latest entry into the pandemic-inspired cinematic canon, Bonnie & Clive, arrives as a super low-budget British comedy aiming to capture the chaotic energy of the Covid-19 lockdowns. While the behind-the-scenes footage suggests a joyous production, this enthusiasm struggles to translate into a compelling on-screen narrative, leaving audiences with a film that is perhaps too cheerful and ridiculous for its own good.From South London to Cornwall: A Camper Van EscapeThe narrative centers on Bonnie (played by Eleanor May Blackburn), who has a strict two-day window to travel from South London to her grandparents' house in Cornwall before lockdown restrictions take effect. Her journey takes a bizarre turn when a declined credit card leads to a kebab shop altercation involving a homeless busker named Clive (Michael Kodi Farrow). The duo eventually embarks on their journey in a retro 1990s camper van.The Catalyst: A failed payment and a makeshift ukulele stickup.The Passenger: The pair picks up Wilco (James Jip), a runaway social anthropology student fleeing university lockdowns.The Route: A scenic, westward drive featuring stops at Stonehenge and Dartmoor.The Burden of Unrelenting Quirkiness in Low-Budget CinemaDirectorial choices in Bonnie & Clive lean heavily into an intentional, almost grating quirkiness. The film's reliance on whimsical ukulele songs and over-exaggerated performances—reminiscent of children's television—detracts from the core narrative. A prime example of this absurdity is a scene involving the trio pushing a dead body in a wheelchair around the Eden Project. While indie films often thrive on eccentricity, the execution here feels persistently disjointed.The Niche Appeal of Micro-Budget UK ComediesAs Bonnie & Clive enters UK cinemas starting 3 June, its market performance will be a testament to the appetite for hyper-local, micro-budget filmmaking. While it may not break box office records or appeal to mainstream audiences seeking polished comedy, it serves as a time capsule of the pandemic era. Future indie filmmakers might look at this project as a case study in the importance of balancing on-set camaraderie with disciplined, restrained storytelling.

The Performance Vespers, a semi-staged concert, was set in Vivaldi's Venice, within the broader and more ancient cultures of the Mediterranean. The audience was seated on either side of a raised platform, with string players from Figure, led by Frederick Waxman, at one end, and countertenor Iestyn Davies, a troubled figure staring at a laptop and lit by a single candle, at the other. The Music The performance featured Vivaldi's Nisi Dominus, a vibrant, multimovement setting of Psalm 127 for alto, strings, and chamber organ. Davies's richly cushioned voice brought lyrical warmth and fluid phrasing to this elaborate music, even as his anxious character sought deeper meaning in his mundane life. A Clash of Cultures At the heart of Sam Rayner's resourceful staging was an arresting clash of cultures. Approaching the platform, Isadora Pulman regaled the world-weary Davies with Morenica, a traditional Sephardic song about a woman who playfully rejects the calls of passing sailors as she waits for the son of a king. Accompanied by Balkan flute and Middle Eastern zither, and with the light glinting off her bejewelled ears and throat, Pulman's smoky vocals seemed to suggest that those in search of a more purposeful future could do worse than embrace the example of a less inhibited past. The Impact The performance was a haunting sound, open throated and ornate, its vinegary harmonies peppered with ululating decorations. The Idrîsî Ensemble, a choral collective specialising in the performance of Old Roman chant, brought a unique and captivating sound to the performance.